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Audience 7.3 - A little overcrowding and a little compressed but not the worst I’ve ever heard. -
Soundboard 9.0 -
Live in Studio Pro 9.4 -
Audience 9.3 - Very well placed mic allows the perfect balance of instruments in a setting that seems to breath, there’s space for the music and the audience to provide ideal atmosphere and balance. -
Soundboard 9.5 - An absolutely marvelous, bright, snappy recording here! Get it! -
Audience 8.4 - Some tape hiss present, and recorded from maybe midway back in the hall but if you turn up the volume a bit, this actually is very decent quality. Having relatively low recording levels means, essentially, they were conscience of overloading and distortion so they protected against that. You can turn the volume up as loud as you can stand, and it sounds better and better! -
Audience 7.9 - Not the best sound mix here, and it kind of blasts through your speakers, but it’s rollicking good fun mate! -
Audience 8.7 - A little noisy but man what a great gig! Everything is clear and well mixed. -
Soundboard 9.5 - Good, airy, and dynamic tape! I also like the way this is mixed, and the playing is top shelf by anyone’s standards. The only small thing I can complain about is a little too much sizzle on the cymbals. -
Audience 8.9 - This recording gives off a sense of massive power with Geddy’s bass sound being huge and round and dead on – with a great open expanse overhead allowing the music to breathe a little. This atmosphere allows the music to sometimes move around in the stereo field a little which is nice. I like this kind of recording when it comes to the larger venues. -
Audience 8.8 - Easily one of the best pre-Fly By Night live recordings! -
Audience 9.1 - Incomplete show but man, get this one now! Superb capture with a good tight bass, some airiness in the drums but maintaining lovely timbre both high and low, guitar good but maybe just behind bass and drums…overall yeah this smokes! -
Audience 7.5 - What saves this is a rich bottom end that is surprisingly warm without overt boominess. Guitar is present but sometimes hides behind the noise. Sound tends to come in and go slightly out in a wave like fashion but it’s subtle. Sometimes this gets clear and decent and then sometimes it seems to be brittle and cluttered in the lower end of the midrange. The rating is pretty accurate. It’s not atrocious – it’s for collectors though. -
Audience 8.8 - Everything is where it should be in this sound mix except I find Geddy’s vocals just a hair behind but it does not bother me at all. In fact this mix allows me to appreciate more of the bass and guitar playing. Really good stuff here! -
Audience 8.8 - Warm sound, leveled off somewhere in the upper mid and stays there…with quality. -
Audience 9.3 - Some might not agree with my super high rating here, but a rating in my opinion should combine not only fidelity (which is great here) but also performance and atmosphere. This is a must have to my ears. -
Audience 8.1 - A low generation tape used for this source helps immensely, as it sounds maybe recorded from middle of the floor, but it is actually quite good, a recommended addition to your collection. -
Audience 9.5 - Spectacular! I mean there are times when you’d swear it was a board. This is a must have! -
Soundboard 8.7 - Technically a clean board but the mix is great if you are a drummer. I exaggerate, it’s decent, but yes this is one to play for aspiring drummers as Neil is well recorded and mixed. There are some minor negative complaints I can make to the recording, but they are on technical levels and most ears will be receptive to this soundboard. -
Audience 8.7 - Nothing offensive here, a capture with more than enough headroom to EQ to taste, which shows me the tapers knew what they were doing with the levels. Thank you. -
Sale!
Audience 8.8 - For the time, this is a wonderful sounding audience capture. Usually you get a very one dimensional and boomy sound but this one is refreshingly stereophonic and wide, warm, punchy with just that little touch of vocal reverb that allows you to get a sense of the venue. Really really good! (Atmospheric) -
Audience 9.0 -
Soundboard 9.8 -
Audience 7.5 -
Audience 6.6 – 7.0 - Noisy and one dimensional. The performance is special, Alex is inspired. There are moments of clarity on this tape, it is not complete garbage at all, but overall is not one of the best recordings out there. -
Audience 9.1 - Highly enjoyable, sound fluctuates at times where taper is probably jockeying for better position but overall I rate it highly as it is a good immersive capture. -
Aud 7.6 / SDBRD 9.0 - A little cluttered in the center with not the best instrument separation. Listenable. Bonus disc includes most of the same show in soundboard quality. -
Soundboard 9.5 -
Audience 8.7 - A nice one! Funny to hear the Japanese tapers between songs, but they did a good job capturing this show for sure. When performers play Japan, you have to wonder what it must be like to play in front of large crowds of people who have no clue what you are singing about. -
Audience 9.4 (both shows) - Expertly recorded from optimal position with high end gear. Clear and nuanced, with some headroom allowing for the atmosphere of the event to add another dimension to the sonically excellent captures. -
Audience 8.8 - Deep, rich lows are what highlight this tape. There is the tiniest amount of distortion in the bass due to just how profound it is in this recording but not to the expense of everything else mind you – although I would say the rest of the music sits a little behind the low end. I can wholeheartedly recommend this but bear in mind if you want to blast it loud you may want to tune down the bass frequency. -
Audience 9.1 - Small club with great sound. One of those recordings that completely envelopes you with good, clearly defined sound that occasionally swirls above you giving you additional atmospherics. Killer!