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Audience 8.5 - Some tape noise present, and some issues with the tape containing the sheer volume of the PA’s when the band is in full swing, but really this is a pretty “live” tape that gives you a great sense of the moment. Atmosphere is pretty cool, the sound is clear for the most part excepting the somewhat cluttered bandwidth at high volume. Worth getting. -
Audience 7.4 - This tape is a prime candidate for a remastering. The sound is clear but a little distant, and the levels are low. There isn’t anything necessarily wrong with the tape that can’t be fixed. -
Sale!
Audience 8.7 - This is a good and reasonably clear (some tape hiss) recording which reminds me a lot of the Hamburg 1971 recording. I would not be surprised if this was done by the same guys. As a bonus, there is a third disc containing the film footage of Atom Heart Mother from this show. It should be playable on most players, this disc is formatted as a video disc (compact disc containing an MP4 file), if you have any problems please let us know. It should play fine on your computer, and most DVD machines will know what to do with it. -
Audience 8.2 - As good as one could hope for, this recording being about as important and critical to the legend that is Pink Floyd as anything they did after Syd. Actually, everything is pretty clear here, and surprisingly you have Syd Barrett actually performing rather well at this gig. A MUST have. -
Audience 7.9 - A little more cluttered than the Copenhagen show, still this remaster reveals much more to the ear than anything that surfaced in the past. Another absolutely crucial tape recording that cements the bona fide legend that was Syd Barrett. -
Audience variable 7.4 – 7.0 - Tape is clearer during the band’s spacier segments but at full volume it gets somewhat cluttered and muddy. Collectors will want this for the unusual set list. -
Audience 8.0 - A subdued recording that occupies a pleasant bandwidth for the ears but does not venture into dynamics high or low. It’s very interesting hearing these formative versions of Animals tracks, this recording does deliver enough clarity and separation of instruments to be able to appreciate the happenings on stage – and because Pink Floyd is not a “bombastic” band, you do get periods of music that rate in the mid 8’s so a good, not great, tape. -
Audience 8.8 - A very clear recording that lacks a lot of depth, but delivers in other areas that make for a very decent listen. -
Audience 8.6 - A nice warm sound with loads of atmosphere, but no annoying echo or boominess! Great for 1972, although there is some underlying hiss (not too much). -
Audience 8.9 - Clear and plenty of detail here with a few problems showing up only very occasionally. One thing I noticed is there is a bit of what sounds like the music is moving around overhead, what this could be is the quad system and the mic is picking up the sound as it rotates around the venue. Otherwise it’s some kind of phasing but it’s not too annoying, just wish I knew exactly what it was. -
Audience 7.7 - A rain shortened show, recorded from what sounds like around the middle of the stadium. So, it’s a little distant, a little muddled, not that great but you do get to hear everything on the stage. When I say muddled I do not mean it is muddy or murky necessarily, just that the sound is not that clear. I think collectors will want this because it is unusual, that the show was stopped for rain – although they did play more, just did not play for as long as they usually did. -
Audience 8.4 -
Soundboard 9.6 (both shows) -
Pro Radio Broadcast 9.1 -
Audience 7.9 - A little remastering helped this old recording immensely! Now it is worth a listen, even if it is not the brightest of hi-fi jobs…but it’s a document and a good one. -
Audience 8.8 - Crisp, well defined sound.