-
Audience 8.8 - Warm sound, leveled off somewhere in the upper mid and stays there…with quality. -
Audience 9.3 - Some might not agree with my super high rating here, but a rating in my opinion should combine not only fidelity (which is great here) but also performance and atmosphere. This is a must have to my ears. -
Audience 8.1 - A low generation tape used for this source helps immensely, as it sounds maybe recorded from middle of the floor, but it is actually quite good, a recommended addition to your collection. -
Audience 7.8 - A must have for any serious Rush fan. One of the best early shows you will ever hear, and I mean on many levels not just sound quality – this one is good but not great – but man oh man, just get this and you will know why I rave about it. -
Audience 9.5 - Spectacular! I mean there are times when you’d swear it was a board. This is a must have! -
Soundboard 8.7 - Technically a clean board but the mix is great if you are a drummer. I exaggerate, it’s decent, but yes this is one to play for aspiring drummers as Neil is well recorded and mixed. There are some minor negative complaints I can make to the recording, but they are on technical levels and most ears will be receptive to this soundboard. -
Audience 7.4 - Someone mastered this, it sounds so much better than what I remember. Good Job! -
Audience 8.7 - Nothing offensive here, a capture with more than enough headroom to EQ to taste, which shows me the tapers knew what they were doing with the levels. Thank you. -
Sale!
Audience 8.8 - For the time, this is a wonderful sounding audience capture. Usually you get a very one dimensional and boomy sound but this one is refreshingly stereophonic and wide, warm, punchy with just that little touch of vocal reverb that allows you to get a sense of the venue. Really really good! (Atmospheric) -
Soundboard 9.8 -
Audience 7.5 -
Audience 6.6 – 7.0 - Noisy and one dimensional. The performance is special, Alex is inspired. There are moments of clarity on this tape, it is not complete garbage at all, but overall is not one of the best recordings out there. -
Audience 9.1 - Highly enjoyable, sound fluctuates at times where taper is probably jockeying for better position but overall I rate it highly as it is a good immersive capture. -
Soundboard 9.5 -
Aud 7.6 / SDBRD 9.0 - A little cluttered in the center with not the best instrument separation. Listenable. Bonus disc includes most of the same show in soundboard quality. -
Soundboard 9.5 -
Audience 8.7 - A nice one! Funny to hear the Japanese tapers between songs, but they did a good job capturing this show for sure. When performers play Japan, you have to wonder what it must be like to play in front of large crowds of people who have no clue what you are singing about. -
Audience 9.4 (both shows) - Expertly recorded from optimal position with high end gear. Clear and nuanced, with some headroom allowing for the atmosphere of the event to add another dimension to the sonically excellent captures. -
Audience 8.8 - Deep, rich lows are what highlight this tape. There is the tiniest amount of distortion in the bass due to just how profound it is in this recording but not to the expense of everything else mind you – although I would say the rest of the music sits a little behind the low end. I can wholeheartedly recommend this but bear in mind if you want to blast it loud you may want to tune down the bass frequency. -
Audience 9.1 - Small club with great sound. One of those recordings that completely envelopes you with good, clearly defined sound that occasionally swirls above you giving you additional atmospherics. Killer! -
Audience 7.5 -
Soundboard 9.2 and Audience 9.0 -
Audience 9.6 - Monsterous! Sounds like you are right there, crystal clear and loud. The BEST EVER! -
Audience 9.1 - More intimate setting, good stage mix, all clear and powerful. -
SDBRD 9.4 - I actually believe this recording probably sounds a lot better than what the people at the show were hearing. I say that because these huge outdoor concerts did not always have the pinnacle of clear sound mixes, and ear-bleeding volume does not always mean it sounds good it just means it sounds stupid loud. I’d rather have a good sounding recording rather than the damaged hearing. -
Audience 7.2 - I would have preferred the guitar higher in the mix, so what happens is before the band starts playing, the audio sounds perfect, then when they start, the levels change and sound, for whatever reason, sounds weak, or it is the mix. It’s weird, because the drums sound fine, the bass is present, and then vocals but where is the keyboard and guitar? They are there, you can hear them, but they are too far back. -
Pro Radio 9.3 -
Audience 9.3 - Bright and clear. Tasty stuff, play it loud! (First show) -
Audience 8.7 - A loud, loud tape recording that gets right up to the bleeding edge of break up at full volume but thankfully does not go off the edge…too much! So, I have to say about this one, it’s terribly exciting because it has a super realistic feel where you can sense the size of the venue, the air of excitement in the crowd, pretty much all the hallmarks of an exceptional capture. It does get too loud in places, so be warned. -
Audience 8.6 - A strong performance with an especially creepy CWTAE, and the tape showcases all of it clearly, and with power. Very slight bit of breaking up at the most extreme volume but it hangs together, and the quieter parts are sublime with a very clear organ/keys which is nice. A good one! -
Audience 8.8 - A great stereo recording from the 5th row back, center. Occasional mic drop out in the 2nd half of the show - fixed but tape went mono for a bit. A really nice and immersive concert recording. -
Audience 7.7 - Obviously one that everyone needs as it is one of the rare performances of “Tea Time” sequence. Good sound, not going to blow you away but it is ok, maybe low levels, some tape hiss.