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FM Radio Broadcast 9.6 - Nice to have such a fresh sounding ’73 gig! This is a keeper. Little Feat 19730719 (Late) Denver, CO Ebbetts Field Set 1: 01. intro 02:52 02. Apolitical Blues 03:50 03. Two Trains 03:33 04. Got No Shadow 06:15 05. The Fan 06:06 06. Texas Rose Cafe 04:39 07. Snakes On Everything 06:39 08. Cat Fever 07:06 09. Walkin' All Night 04:15 10. Sailin' Shoes 04:37 11. Dixie Chicken 06:16 12. Tripe Face Boogie 06:30 ________ 01:02:31 -
Soundboard 9.1 - Starts off with a channel dropout for a minute then it gets right on track with a good solid sound quality that just lacks maybe a little brightness to it. Little Feat 1973-11-02 Houston, TX Liberty Hall 01. Spanish Moon 08:59 02. A Apolitical Blues 04:03 03. Snakes On Everything 06:43 04. Hamburger Midnight 04:53 05. Sailin' Shoes 05:09 06. Cold, Cold, Cold 04:58 07. Dixie Chicken > 09:47 08. Tripe Face Boogie > 03:01 09. Day At The Dog Races > 04:39 10. Tripe Face Boogie 02:20 11. High Roller 06:30 ________ 01:01:02 -
FM Broadcast 8.9 - A decent tape that seems a gen or two down but it has a pleasant warmth and is pretty clean otherwise. I am reminded of the amazing dexterity and feel that Lowell George displays especially when it comes to his slide work…impeccable!
Ultrasonic Studios Long Island, NY. 4-10-73 1. Apolitical Blues
2. Got No Shadow
3. Willin'
4. On Your Way Down
5. Walkin' All Night
6. Two Trains
7. Fat Man In The Bathtub
8. Sailin' Shoes
9. Cold Cold Cold
10. Dixie Chicken
11. Triple Face Boogie
12. Teenage Nervous Breakdown -
Soundboard 9.4 - A tape that allows you to immerse yourself in the music, which rolls and boils and flavors percolate around your ears. Lovely! Little Feat Paramount Theatre, Portland, Oregon, USA June 11, 1978 Disc 1 01 -tuning - introduction 02 -Skin It Back 03 -Fat Man in the Bathtub 04 -Walkin' All Night 05 -Rock and Roll Doctor 06 -Day or Night 07 -Oh Atlanta 08 -A Apolitical Blues 09 -Day at the Dog Races Disc 2 10 -All That You Dream * 11 -Old Folks Boogie.. ** 12 -Dixie Chicken 13 -Tripe Face Boogie - encore call - tuning 14 -Willin' - band introduction 15 -Don't Bogart That Joint - Willin' 16 -Feats Don't Fail Me Now - encore call - tuning 17 -Rocket in My Pocket * with John Hall (guitar, vocals) ** with John Hall (guitar, vocals) and Brian Cummings (saxophone) Lowell George - vocals, guitar, percussion Paul Barrére - guitar, vocals Bill Payne - keyboards, vocals Kenny Gradney - bass, vocals Richie Hayward - drums, vocals Sam Clayton - percussion, vocals -
Audience 9.1 - Well captured recording that delivers that small venue dynamic, and you get that sense the band is responding to the crowd and elevates just a little more. It’s hard to believe this was done in the mid 70’s because it sounds like it could have been yesterday. Little Feat Tower Theatre Upper Darby, Pennsylvania May 4, 1976 - Late Show Lowell George Paul Barrere Bill Payne Kenny Gradney Sam Clayton Richie Hayward Disc 1 01. -Tune-up and Introduction (hello Philadelphia) 02. -Skin It Back 03. -Walking All Night 04. -One Love Stand - Rock and Roll Doctor 05. -Oh Atlanta 06. -On Your Way Down 07. -Lafayette Railroad 08. -Day Or Night Disc 2 01. -(No Pants) Romance Dance 02. -Dixie Chicken - Tripe Face Boogie 03. -Willin' 04. -Feats Don't Fail Me Now 05. -All That You Dream -
Soundboard 9.6 - An incredible recording meets an amazing performance by a superb band. Get this now if you have any interest in progressive rock, because this is going to be a regular guest in your CD player I guarantee. -
Soundboard 8.8 - Solid, if just slightly flat maybe and perhaps also one or two gens down but it’s a keeper and a strong show (all the Australia dates were good).
1975 Australian Tour Festival Theatre Adelaide, South Australia Australia 7/28/75 01. -Sweet Jane 02. -Coney Island Baby 03. -Leave Me Alone 04. -Satellite Of Love 05. -Ride Sally Ride 06. -Charley’s Girl 07. -Kicks 08. -White Light, White Heat 09. -It’s Too Late Mama 10. -Rock And Roll 11. -Annie Had A Baby - Work With Me Annie bonus soundboard tracks from unknown Australian city in 1975 12. -Ride Sally Ride 13. -Charley's Girl 14. -White Light, White Heat 15. -It’s Too Late Mama
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Soundboard 9.3 - Sweet mix here, with a great band once again allowing Reed ample room to do what he does and at the same time, show off their own chops. -
Soundboard 9.5 - Very nice one, in all respects including a good hard rocking mix. LOU REED Cinema Centre Concert Auditorium (aka the Regent Theatre) Albury, New South Wales Australia 1 November 1977 SOUNDBOARD RECORDING 1. -stage announcement 2. -Sweet Jane 3. -Rock And Roll Heart 4. -I Wanna Be Black 5. -Rock And Roll - You Keep Me Hanging On 6. -Walk On The Wild Side 7. -Shooting Star 8. -Satellite Of Love 9. -Coney Island Baby 10. -Banging On My Drum --------------- Lou Reed: vocals, guitar Michael Fonfara: keyboards Stuart Heinrich: guitar Richard Fliegler: guitar Bruce Yaw: bass Michael Suchorsky: drums Joanne Kamerin: backing vocals --------------- -
Amsterdam 1973 Soundboard 8.9 - Nice to have good, clean board tapes of this line up. I think this is his best band, and I think he sounds terrific here. Sheffield 1973 Soundboard 8.9 - Another great board tape featuring Lou’s best band. I love the sound of the band let alone their musicianship. Lou rises to the occasion, he knows he has to deliver or he’ll be overshadowed by these fine players. Thankfully, he actually does! Lou Reed "Berlin To Amsterdam To Sheffield" Disc 1 Concertgebouw Amsterdam 1973.09.20 01. Intro - Sweet Jane 02. How Do You Think It Feels 03. Caroline Says 04. I'm Waiting For The Man 05. Satellite Of Love 06. Walk On The Wild Side 07. Vicious 08. Oh, Jim 09. Heroin Disc 2 Oval Hall Sheffield 1973.09.29 01. Intro - Vicious 02. How Do You Think It Feels 03. Caroline Says I 04. I'm Waiting For The Man 05. Satellite Of Love 06. Walk On The Wild Side 07. Oh, Jim 08. Heroin 09. Rock 'n' Roll 10. White Light - White Heat Lou Reed - vocals Steve Hunter - guitar Dick Wagner - guitar Ray Colcord - organ Peter Walsh - bass Pentti Glan - drums -
Home Recordings 8.8 - You have to give props to Lou Reed because he can take an acoustic guitar and a bedroom atmosphere and crank out demos that you can’t ignore. The songs man, he can write! Lou Reed Demo Tape Recorded: Fall and Winter of 1970 1. I'm So Free 2. I Can't Stand It 3. Walk and Talk It Fall 1970 4. Going Down 5. Ride Into the Sun 6. I'm Stick With You 7. Lisa Says 8. Kill Our Sons (aka Kill Your Sons) 9. Lonely Saturday Night (aka Goodnight Ladies) 10. So in Love 11. She's My Best Friend 12. Looking Through the Eyes of Love (aka Oh Jim) Winter 1970 -
Audience 8,7 - A distant recording with that unmistakable large stadium natural reverb that makes you sort of imagine where you are as you listen and squint your eyes to see what Lou Reed is doing on stage. The good news is that everything pretty much is audible, and reasonably clear too. The recording does lack some low end, but is not overly tinny, and drums/vocals are favored in the mix with guitars sort of chiming in just behind. If this wasn’t a clean/clear recording I would say there’s not much use for it but it has redeeming qualities and some charming renditions of some of his most beloved tunes.
LOU REED Stadio Partenio Avellino, Italy 16 June 1980 Disc 1 1. -Sweet Jane 2. -Real Good Time Together 3. -I'm Waiting For My Man 4. -Coney Island Baby 5. -So Alone 6. -Vicious 7. -Walk On The Wild Side 8. -Standing On The Ceremony 9. -Heroin 10. -Growing Up In Public 11. -The Kids 12. -Caroline Says II 13. -The Bed 14. -Sad Song Disc 2 15. -The Power Of Positive Drinking 16. -How Do You Speak To An Angel 17. -My Old Man 18. -Keep Away 19. -Street Hassle (with band intros) 20. -Rock and Roll 21. -Sister Ray The band: Lou Reed - vocals & guitar Stuart Heinrich - guitar Chuck Hammer - guitar Ellard "Moose" Boles - bass Michael Fonfara - keyboards Michael Suchorsky - drums
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Soundboard 9.3 - Crisp highs, great mid tones are what define this tape. -
Audience 9.1 - Clear and sharp, right up close and full of electric atmosphere. Lovely! -
Soundboard 9.3 -
Soundboard 8.9 - Great performance here, one of the best I have heard quite frankly. Having just ditched the classic line up, you would think a downturn in performance caliber would occur but I do not get that here at all.
Venue: unknown (Brussels, BELGIUM), however said to be Broadcast on Belgian TV.
May 1974 (exact date unknown)
- -Intro
- -Sweet Jane
- - I'm Waiting For The Man
- -Lady Day
- -Vicious
- - Sally Can't Dance
- -Ride Sally Ride
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Soundboard 9.0 - Some tape hiss but it doesn’t bother. -
Soundboard 9.4 - A beautiful recording, love how it just sounds so natural, it’s a joy to listen to this one! Lou Reed Park West Chicago, IL US Performance date: 1978-04-14 Broadcast date: 2013-03-03 01 Gimme some good times 02 Satellite of love 03 Leave me alone 04 Walk on the wild side 05 Coney Island baby 06 Dirt 07 Street Hassle 08 Sweet Jane 09 Rock 'n' roll -
Soundboard 9.5 - A very nice mix, as if done for a proposed live LP. Band is very tight. -
Soundboard 9.2 - Again we find Lou and company blazing his way across Europe and leaning on some old, and some new…but mostly older tunes which always work well because there is so much room for the band to stretch out. Good stuff here. Lou Reed Saint-Etienne, France April 16, 1977 Disc 1 01 -Sweet Jane 02 -I'm Waiting For The Man 03 -Rock 'n Roll Heart 04 -Heroin 05 -Rock n Roll 06 -Walk On The Wild Side 07 -How do You Think It Feels 08 -Lisa Says 09 -Vicious Disc 2 10 -Coney Island Baby 11 -Berlin 12 -White Light White Heat 13 -Lady Day 14 -Oh Jim 15 -Satellite Of Love 16 -Kicks Disc 3 Vienna, AUSTRIA April 20, 1977 01 - Sweet Jane 02 - I'm Waiting For My Man 03 - Rock'n'Roll Heart 04 - Heroin 05 - Rock'n'Roll 06 - Walk On The Wild Side 07 - How Do You Think It Feels DISC Four 01 - Banging On My Drum 02 - Lisa Says 03 - Vicious 04 - Coney Island Baby 05 - Berlin 06 - White Light/White Heat 07 - Sister Ray THE BAND: LOU REED, vocals & guitar JEFFREY ROSS, guitar MICHAEL FONFARA, keyboards BRUCE YAW, bass MARTY FOGEL, sax MICHAEL SUCHORSKY, drums -
Soundboard 9.3 - Wonderful guitar tone is the highlight here, the magical guitar interplay throughout. Seriously, it’s as if Lou’s delivery is just a setup for the band to do their thing. One of the best I have heard, right here. -
Soundboard 8.9 - Gritty tone, I like this grungy guitar sound. Pretty good stuff. -
Audience 8.1 - I would call this a fine recording, it captures every performer on stage as it happened, although not in the clearest fidelity, but you can really still enjoy this because it is not the kind of problem that distracts. It’s a good, not great, recording. -
Soundboard 9.2 - The band was really up for this show, it’s pretty hot. -
Soundboard 9.6 - A tight, expertly mixed board tape. I think how they mic’d this up to include audience was a great idea, it adds so much to this recording. Lou feeds off their excitement. Lou Reed - "Live At The Roxy" December 1,1976 Roxy Theatre, Los Angeles KMET FM Radio Broadcast Disc 1 01 Intro 02 Sweet Jane 03 I Believe In Love 04 Lisa Says 05 Kicks 06 She's My Best Friend 07 I'm Waiting For The Man Disc 2 01 A Sheltered Life 02 You Wear It So Well 03 Claim To Fame 04 Vicious Circle 05 Heroin 06 Walk On The Wild Side 07 Coney Island Baby Lou Reed - vocals, guitar Michael Fonfara - keyboards Bruce Yaw - bass Marty Fogel - sax Michael Suchorsky - drums -
Audience 8.2 - A somewhat average tape that is brand new to circulation and captures a good time for Lou when he had some great songs and great players with him. Plus side of the recording is that it is low gen and clear enough to hear the band although keyboards are quite behind in the stage mix. Lou is more prominent, with bass and guitar next. A good tape for a lo-fi cassette recorder snuck into the venue in the mid 70’s. Lou Reed Milwaukee Auditorium Milwaukee, WI. 10-31-1974 1. -Tuning 2. -Intro Jam 3. -Sweet Jane 4. -Vicious 5. -Ride Sally Ride 6. -Heroin 7. -Kill Your Sons 8. -N.Y. Stars 9. -Animal Language 10. -Sally Can't Dance 11. -Walk On The Wild Side 12. -White Light White Heat 13. -Goodnight Ladies -
Studio Quality 8.8 - Not quite ready for prime time, but very very good and nice to have in the collection. Some really good playing, and if you are a fan of Lou Reed, good singing…but that’s all pretty subjective isn’t it? Berlin Acetate Morgan Studios London, England 1973-06-22 - 07-17 01.Caroline Says I 02.How Do You Think It Feels 03.Looking Thru The Eyes Of Hate 04.Oh Jim 05.Birthday 06.Berlin 07.Berlin outro 08.The Kids 09.The Kids II 10.Caroline Says II 11.Caroline Says III 12.Sad Song -
Soundboard 9.7 - Just about as good as you’d ever want. -
Soundboard 8.3 -
Audience 8.7 - Recoded on professional equipment and it shows. Crisp highs, and a good, lively atmosphere. You get a little bit of that big hall cavernous ambiance here that keeps vocals just behind the stage sound. -
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Soundboard 8.8 - This tape does not feature the greatest mix ever, but it’s functional and is a good full show. Question: Was Lou Reed really well known in Australia? A guy from the barrio of New York City, but well known in Australia somehow?!?! I think that is strange, haha! -
Audience 9.3 - A solid recording in a small venue that is very intimate, in fact it sounds like the drums aren’t even going through the mains they sound so natural. I could swear taper is seated right in front of the band…really surprised they aren’t discovered by Lou and arrested on the spot! Lou Reed The Bottom Line New York 5-11-77 Disc 1 1. Sweet Jane 2. I'm Waiting For The Man 3. Rock And Roll Heart 4. Heroin 5. Rock And Roll 6. Walk On The Wild Side 7. Shooting Star 8. You Better Dance, Dance, Dance Disc 2 1. Lisa Says 2. Satellite Of Love 3. Leave Me Alone 4. Coney Island Baby 5. Vicious 6. Berlin 7. Banging On My Drums -
Audience 8.7 - A New York venue hosts a venerable New York artist and the result is a wild evening by all accounts. Recording captures the event admirably although taper is fighting between small club packed with rowdy folk and loud rock and roll band – thankfully band wins! Lou Reed The Bottom Line NYC, NY. June 3, 1979 1. -Sweet Jane 2. -Medley -Waiting For The Man -Work With Me Annie -Sexy Ways -I Wanna Be Black 3. -I'll Be Your Mirror 4. -Perfect Day 5. -Men Of Good Fortune -
Audience 8.6 - A middle of the road tape that is missing a good chunk of the middle of the show…but he captures the last half somehow and we end up with a pretty full disc. Effort was made to re-master this tape which ran too fast, so that is now fixed as well. This sounds much better than how it began I can tell you that! Lou Reed Palasport, Torino, Italy February 12, 1975 01 -Sweet Jane 02 -Coney Island Baby 03 -Pale Blue Eyes 04 -I'm Waiting For The Man 05 -Heroin 06 -Berlin 07 -Lady Day 08 -Kill Your Sons 09 -Vicious 10 -encore cheer 11 -Rock & Roll 12 -crowd walkout Band line-up Lou Reed - Vocals, Guitar Doug Yule - Guitar, Organ Bruce Yaw - Bass Marty Fogel - Saxophones Michael Suchorsky - Drums Larry Packer - Violin -
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Soundboard 9.4 - As can be expected this is professionally done and the source is low gen as it sounds fresh and crisp with minimal tape noise. -
2 Shows: CD 1 - Audience 8.3 - A very good, reasonably clear tape that does not showcase a wide dynamic range but doesn’t really need to, I mean to say, it’s an historic artifact that most fans and collectors of Love/Arthur Lee will be very happy to hear. CD 2 - Audience 8.1 - This tape starts off kind of rough but gradually gets better until it gets to a consistency that you can appreciate for what it is. It does not take much of the show before it gets better which is a relief because it is a good, strong show. Disc 3 is a video CD (MP4 file) of 6 minutes, very Rare, never before seen b/w video footage of Love a few days before the show on disc one. -
CD 1 - London 1975 - Audience 7.2 - Sound is a little muffled but vocals and guitar cut through the murkiness, taper seems to also be moving to find a better spot and sometimes he catches a sweet spot and the sound clears a little. Overall I think fans will appreciate this recording for what it is, a good solid performance. CD 2 - Salisbury 1975 - Audience 8.0 (solid) - Sounds a lot cleaner and brighter than disc 1, so enjoy! -
Audience 8.0 - Sounds a little subdued, but it’s clear for the most part. Needs a kick in the highs. -
Pro Studio 9.4 - This supposedly comes from an acetate but it sounds very good, too good to be an acetate but who knows? Short but sweet, and worth the price to get to hear this collaboration. What could have become of it had it been pursued more at the time. I think it is pretty good stuff, let’s face it, Arthur Lee does sound better vocally than Jimi. Jimi Hendrix with Love & Arthur Lee 'The Blue Thumb Acetate' Olympic Sound Studios, London, England Tuesday March 17th, 1970 01 - The Everlasting First (Take 16) 02 - Easy Rider - Take 1 03 - Easy Rider - Take 2 04 - Loon [An Instrumental Jam] -
Described as "First Wave Of California Metal" this band was one of the earliest progenitors of the genre. There had to be a first and sometimes that means you end up forgotten while others swoop in behind you. Thankfully this UK label, PROGAOR, has been reissuing a lot of this cool underground stuff. CD is new, never played. -
Audience 8.8 - Spectacular live presence and good clear vibrant recording. -
Audience 7.4 - Suffers from large stadium boominess, lack of distinction and separation of instruments. As the show goes on, the ear gets tuned in and you begin to actually kind of get into it. The thing is, it does have a certain “realness” to it. -
A superbly put together set! Looks positively spectacular. The recordings are all generally pretty decent. CD 1 Audience 7.7 - CD 2 Audience 8.7 - CD 3 Soundboard 9.0 - CD 4 Audience 8.4 - CD 5 Audience 8.4 (these last two discs you MUST turn the volume up loud because the levels are low but the fidelity is decent. The louder the better, and it does NOT distort because there is a ton of headroom here to play with). -
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Lynyrd Skynyrd Can Civic Center, Santa Monica, California, USA Monday May 20th, 1974 Disc 1 01. -Intro - Dixie 02. -Workin' For MCA 03. -I Ain't The One 04. -Saturday Night Special 05. -Gimme Three Steps 06. -Don't Ask Me No Questions 07. -Call Me The Breeze 08. -Free Bird 09. -Crossroads SPORTHALLE FRANKFURT, GERMANY OCTOBER 22, 1975 10. -DOUBLE TROUBLE 11. -I AIN'T THE ONE 12. -NEEDLE AND THE SPOON 13. -SATURDAY NIGHT SPECIAL 14. -GIMME THREE STEPS Disc 2 Frankfurt 1975 Cont'd 1. -Same O'l Blues 2. -Simple Man 3. -Whiskey Rock And Roller 4. -Call Me The Breeze 5. -Sweet Home Alabama 6. -T For Texas Disc 3 Hammersmith Odeon London, England February 15th, 1976 01. -Saturday Night Special 02. -Gimme Three Steps 03. -Whiskey Rock A Roller 04. -Call Me The Breeze 05. -Sweet Home Alabama 06. -Freebird Orpheum Theatre Boston, MA., USA Wednesday April 7th, 1976 07. -Intro 08. -Double Trouble 09. -Saturday Night Special 10. -Gimme Back My Bullets 11. -The Needle And The Spoon 12. -Cry For The Bad Man 13. -I Got The Same Old Blues Disc 4 Boston 1976 Cont'd 01. -Tuesday’s Gone 02. -Searching 03. -Gimme Three Steps 04. -Call Me The Breeze 05. -Talk & Tuning 06. -T For Texas 07. -Sweet Home Alabama 08. -Talk & Tuning 09. -Free Bird Demos and Rehearsals recorded in Leon Wilkeson's Living-Room, Jacksonville, FL. June 1976 10. -WORKIN FOR MCA 11. -SWEET HOME ALABAMA 12. -T FOR TEXAS 13. -SIMPLE MAN 14. -SWEET HOME ALABAMA 15. -WORKIN FOR MCA 16. -SEARCHING 17. -COTTONMOUTH COUNTRY Disc 5 Nakano Sun Plaza Hall Tokyo, Japan 14th Jan. 1977 01. The Magnificent Seven 02. Working For MCA 03. I Ain't The One 04. Saturday Night Special 05. Whiskey Rock-A-Roller 06. That Smell 07. Travellin' Man 08. Ain't Good Luck 09. Gimme Three Steps 10. Call Me The Breeze 11. T For Texas 12. Sweet Home Alabama Disc 6 Tokyo 1977 Cont'd 01. -Free Bird Festival Hall, Osaka, Japan Tuesday January 18th, 1977 02 Workin' For MCA 03 I Ain't The One 04 Saturday Night Special 05 Whiskey Rock-A-Roller 06 That Smell 07 Travelin' Man 08 Ain't No Good Life 09 Gimme Three Steps 10 Call Me The Breeze 11 T For Texas 12 Sweet Home Alabama 13 Free Bird Disc 7 Oakland-Alameda County Coliseum Oakland, California, USA July 2nd, 1977 01 Workin' For The MCA 02 I Ain't The One 03 Saturday Night Special 04 Whiskey Rock-A-Roller 05 Travelin' Man 06 What's Your Name 07 That Smell 08 Gimme Three Steps 09 Call Me The Breeze 10 T For Texas 11 Sweet Home Alabama 12 Free Bird Disc 8 Convention Hall Asbury Park, New Jersey, USA July 13th, 1977 01. Workin' For MCA 02. I Ain't The One 03. You Got That Right 04. Saturday Night Special 05. That Smell 06. What's Your Name 07. Gimme Three Steps 08. Call Me The Breeze 09. T For Texas 10. Sweet Home Alabama 11. Free Bird Disc 9 Studio One, Doraville, Georgia, USA Wednesday August 30th, 1978 01- Jitter Bug 02- Cocaine 03- Reflections 04- Southbound 05- I Don't Want To Go Down There 06- Gospel Song 07- Rhine Stone 08- Call Me The Breeze Shoreline Amphitheatre Mt. View, Ca September 27, 1992 09 Saturday Night Special 10 I Know A Little 11 Keeping the Faith 12 Smokestack Lightning 13 What's Your Name Disc 10 Shoreline Cont'd 01 Good Lovin's Hard To Find 02 That Smell 03 T for Texas 04 The Ballad Of Curtis Lowe 05 Simple Man 06 Custer's Rollo 07 Three Steps 08 Sweet Home Alabama 09 Free Bird -
Audience 9.3 - Excellent, clean, and good concert hall vibe on this one. It’s Japan, and the crowd has a penchant to clap during some songs but the recording mitigates it to the point you barely even notice. My guess is that the mics were raised over the crowd in order to achieve that.Lynyrd Skynyrd Festival Hall Osaka, JP January 18, 1977 01- Workin' For MCA 02- I Ain't The One 03- Saturday Night Special 04- Whiskey Rock-A-Roller 05- That Smell 06- Travelin' Man 07- Ain't No Good Life 08- Gimme Three Steps 09- Call Me The Breeze 10- T For Texas 11- Sweet Home Alabama 12- Free Bird Lineup: Ronnie Van Zant - Lead Vocals Gary Rossington - Guitar Allen Collins - Guitar Steve Gaines - Guitar Leon Wilkeson - Bass Billy Powell - Piano Artimus Pyle - Drums Cassie Gaines - Backing Vocals Leslie Hawkins - Backing Vocals Jojo Billingsley - Backing Vocals
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Paris 1974 - Audience 7.6 - Slightly better than average but you gotta wonder what those Europeans thought of Southern Rock. Paris 1975 - Radio Broadcast 8.5 -
CD issue of recordings originally made in 1989 or a New York based melodic metal band. Import from UK, SEALED. -
Audience 8.8 - One of the best from this period. Very clear, and close and wow, what a show! Pretty intense is all I can say.