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Sale!Audience 8.8 - For the time, this is a wonderful sounding audience capture. Usually you get a very one dimensional and boomy sound but this one is refreshingly stereophonic and wide, warm, punchy with just that little touch of vocal reverb that allows you to get a sense of the venue. Really really good! (Atmospheric)
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Audience 7.2 - Oh how I wish these mid 70’s Toronto shows were well recorded, because the band was always fired up about playing there. This one suffers from a lack of sonic clarity and separation of instruments, has background noise, and occasionally drifts over to one channel and back again. A flawed jewel for collectors only.
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Audience 7.8 - What can I say about this? It is a MUST have for any self respecting fan. Is it an amazing soundboard? No. Is it a spectacular audience? No. It is a decent audience recording of a typical UK tour 1977 gig except for one thing – They play The Necromancer and it SMOKES! This is akin to discovering a Zeppelin tape where they play a complete Good Times Bad Times. This is the stuff of dreams for Rush collectors.
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Soundboard 8.7 - Technically a clean board but the mix is great if you are a drummer. I exaggerate, it’s decent, but yes this is one to play for aspiring drummers as Neil is well recorded and mixed. There are some minor negative complaints I can make to the recording, but they are on technical levels and most ears will be receptive to this soundboard.
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Audience 7.8 - Everyone knows of this one, it’s one of the MUST HAVE’S for Rush fans but that doesn’t mean it is perfect audio – there’s a bit of distortion (not too much) and some phasing here and there, and other little flaws but man oh man, just do yourself a favor and get it because it is one of the painfully few times the band performed The Necromancer and here it is in reasonably good quality and it does KILL in every sense of the word. Again, a MUST have!
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Audience 7.6 - What really saves this tape is the fact that it sounds like a master source – very clean virtually no noise, but you are sitting with the crowd and the band is…hmmm…not distant but not in your face, somewhere in between, and it sounds like a small venue. It’s fascinating to be honest, I really like it.