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Studio quality with some tape hiss 8.7 -
Audience 8.5 - Ripping show! Monster guitar shred -
Soundboard 9.0 -
Aud 9.0 - One of THE BEST audience tapes yet to be officially released by Dagger. You just have to have this if you collect Jimi. -
All Studio Quality 9.7 -
Audience 8.5 - OK, so the deal here is that the taper seems to be real close to the PA system and his machine is getting bombasted like heck, but the thing is holding up somewhat. Early on, the snare drum is pegging his meters and it’s kind of annoying until he seems to either move a little or dial back the recording levels because it evens out after a couple songs. A very kinetic and wild show and recording that throws you headfirst into the action, a thrill ride of epic proportions I would say. Have fun! -
All Pro Studio Sound 9.8 -
Radio Broadcast 8.8 - Aww yeah! -
Aud 6.8 - Muffled, and a short tape clocking in at under 30 minutes. But, you know what? I still think you should have this if you are a collector, the tape itself is presented as it was recorded and for a historical document it is interesting. -
Aud 8.3 - Not your typical mumbled mess of a tape here, this one is rather powerful without the distortion. Anyone could appreciate this tape, which is why it comes recommended by most collectors. -
Sale!
Audience 7.0 - A noisy tape that is to be expected from this time period and from a fan in the audience…that being said, it has something to offer to the collector. It’s a little distorted in the low frequencies which is OK because this band does not live on bottom end anyway. The guitar is pretty clear, so you get treated to the band’s formidable front line with vocals and bass coming in behind the guitars. -
Aud 7.2 - Thin, like a small transistor cassette deck recording but surprisingly the narrow bandwidth allows Jimi’s guitar to penetrate and come to the center, so you are treated to a Jimi fest on this tape. Lo Fi, yes, but it’s the Jimi show with a cutting guitar sound with that tell tale stadium echo that gives it a nostalgic vibe. I kind of like this tape. Really interesting capture! -
Studio Quality 9.2 -
Audience 8.3 - This recording originates from a very low generation, but probably master tape source and as such it is very clean. The caveat is that it seems to have been recorded from the back of the hall, which is not that bad since the hall was probably not that large. It’s a good recording that needs a volume boost, which thankfully you can crank it and it does not distort. -
Aud 7.3 - Low levels, but surprisingly clear for this tour. You get this for the set list obviously as he played gems like Are You Experienced and Spanish Castle Magic. Disc two features the additional material from other venues and is very decent sound. -
Soundboard 9.4 -
Volume 3: Audience 7.6 - Bass is pumping at the expense of everything else unless the music pauses now and then which makes guitar front and center for a moment. It’s somewhat muddy, but you do hear everything happening, and the ears do adjust. It’s the worst of the three night stand. Good, at times, and worth having nonetheless. -
A mix of pro SDBRD and decent aud. The sdbrd is 9.5, the aud portion is 8.0 and taken from a vinyl source. There are a handful of tracks taken from a film audio source and those are great as well. -
Volume 2: Audience 8.2 - Sounds like taper attended the first two nights and had different seats each time because this one, while pretty strong, shows a rather overloaded bass signal that does not distort the tape as much as it crowds the sound field in the middle. This places guitar secondary in the mix, and vocals third. Drums sound good. The overall mix is what I would call decent for 1969 audience but not as clear as the first night. -
Audience - all shows Berlin Aud 7.2 A reasonably clear tape, Jimi vocals come through and guitar is right up front too. Drums a little buried but you get enough to know what’s going on. Enjoyable! Cologne Aud 7.0 Mono recording without much separation of instruments, guitar being the clearest here. Hamburg Aud 6.6 Very loud and distorted recording. Nuremberg Aud 6.7 Thin, with tape noise present, no dynamics, only Jimi's guitar is heard but it is heard clearly ringing out like he was the only one mic’d up! -
Aud 7.6 - Exciting brutal live sound with bristling, tangible electricity that will send hairs on your neck to shivering. Not pro, not perfect, but has that manic excitement and energy that makes the gig. -
Audience 8.9 - Terrific! A real sonic treat not to be missed. -
Aud 6.8 - Overloaded tape, and raucous crowd, but with all that Jimi’s guitar cuts right through and surprisingly is a decent sound and not paper thin. Strange tape, should be horrible but there’s just enough here to suck you right into to this show. I tell you what, you really get a sense of the volume of a Hendrix gig! -
Aud 6.8 – 7.0 in spots -
Aud 7.3 - Gets better, is loud but not too overloaded. Small club atmosphere, a real treasure of a ’68 show. -
FM Radio Broadcast 9.8 - Excellent! -
Audience 8.3 - Spectacular for such a primitive audience recording Audience 8.5 - Another early gem of a recording. Both have some roughness to them but they shine considering the age. A must! -
Audience 8.8 -
Audience 8.8 - Spectacular live presence and good clear vibrant recording. -
Soundboard 8.8 - Very cool when you listen to these ’66 shows because to my ears this music really was the heart and soul of the hippie free love movement. Just incredible stuff. -
Audience 8.7 - A fascinating live document that showcases some amazing talents paired with Jack’s keen sense of songcraft on a night where all cylinders are firing. A great way to begin exploring the post Cream Jack Bruce if you have not done so already. The bonus material on disc 2 is equally fascinating, offering a sneak peak into the inner workings of Jack’s mind. Everyone can get into this power-packed set! -
Audience 8.8 - Sounds like a pro recording to me. A little remastering would have this officially releasable. -
Volume 1,2,3: Oxford (3-9-82) / London (5-26-83) / Ipswich (9-18-84) All three shows are some of the best of the early 80’s recordings. -
Volume 3: Audience 8.2 - Ipswich (September 18, 1984) (All three shows are some of the best of the early 80’s recordings). -
Volume 2: Audience 8.4 - London (May 26, 1983) (All three shows are some of the best of the early 80’s recordings). -
Demos 1980: Pro recording 8.2 - Some generations down, loss of bandwidth, but this is just fine and a welcomed bit of Iron Maiden history. Live Friday Rock Show Broadcast 1979: Pro recordings 9.4 - Crisp and bright, excellent! -
Iron Maiden - Tour of Japan 1982: (complete set) Volume One: Audience 7.4 - Thankful for these Japanese tapers who had the best gear at the time. Reasonably clear if a little squashed, it nevertheless is way better than 85% of the early Maiden audience recordings. Volume Two: Audience 7.6 - Just a touch better than Volume one, suffers from the same limitations but has a slightly more open sound. Volume Three: Audience 8.4 - This is best of the tour by far. A great early audience recording...it’s clear and open sounding. Yes! -
Volume Three: Audience 8.4 - This is best of the tour by far. A great early audience recording it’s clear and open sounding. Yes! -
Audience 6.3 - There is music here, buried under time and dust. Understanding that we have a limited number of pre-Bruce era tapes, and that most of those sound horrid, it is suggested one must hunt down the ones that have been mastered like this one. -
Audience 7.0 - It is one of the better early Audience recordings. Nice and clear, lots of small club atmosphere. Not too bad ! -
Audience 7.2 - A very desirable early Maiden show because it is one of the better sounding audience recordings. Very few early Maiden shows are well recorded. This one suffers from lack of bottom end but it is rather clear and thus it is sought out by collectors. -
Soundboard 9.2 - What more can one ask? Heavenly bliss. -
FM Radio Broadcast 8.8 -
London and Reading - Audience 7.9 / BBC - Pro 8.8 -
Soundboard 9.2 -
Soundboard 9.6 - Another stellar board with the best kick drum sound ever. Right smack dab in the pocket, and it helps to propel the songs “straight on you” as it were. -
Pro recording 8.8 - A Tape in desperate need of a remastering. Has everything it needs to be amazing. Right now, it is very good, but take the noise out, boost the right frequencies and you will have something MUCH better.
