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Audience 9.3 - A nicely done job this one. A warm sound, with emphasis on clear and crisp drums, bright vocals, detailed bass, and percussive keys but all in all really I find the sound mix relaxing and I sank right into this recording for the duration. You will too. Genesis Newcastle City Hall Newcastle, UK. 4-30-1980 Disc 1 01 Deep In The Motherlode 02 Dancing With The Moonlit Knight 03 Carpet Crawlers 04 Squonk 05 One For The Vine 06 The Story Of Albert 07 Behind The Lines 08 Duchess 09 Guide Vocal 10 Turn It On Again 11 Duke's Travels 12 Duke's End Disc 2 11 Say It's Alright Joe 12 The Lady Lies 13 Ripples 14 Band Introduction 15 In The Cage 16 The Colony Of Slippermen 17 Afterglow 18 Follow You, Follow Me 19 Dance On A Volcano 20 Drum Duet 21 Los Endos 22 I Know What I Like 23 The Knife -
Audience 9.4 - This is a revelation for me. I was not too familiar with the band and always assumed they were just another “Neo Prog” band from the 80’s. Boy am I wrong! This is KILLER! The audio quality is thankfully excellent and bright so as to capture the insane complexity and brilliance of this band. Sure, there’s going to be obvious attempts to compare them to other bands but to my ears they had something unique going, while also tipping the cap to bands like Marillion, Genesis, and UK. The amount of ideas going on in each song is beyond belief. IQ The Marquee Club London, England May 16, 1984 Disc 1 1.1 -Eloko Bella Neechi 1.2 -Awake and Nervous 1.3 -Fascination 1.4 -For The Taking 1.5 -My Baby Treats Me Right Cos' I'm A Hard Lovin' Man All Night Long 1.6 -The Enemy Smacks 1.7 -Through The Corridors 1.8 -Widow's Peak Disc 2 2.1 -It All Stops Here 2.2 -The Last Human Gateway 2.3 -Now I'm Here 2.4 -Stomach Of Animals Bonus Tracks 2.5 -Interview Plymouth Sound, May 27, 1984 IQ Peter Nicholls - Lead Vocals Paul Cook - Drums Mike Holmes - Guitars Tim Esau - Bass Guitars Martin Orford - Keyboards and Backing Vocals -
Audience 8.7 - I want to rate this higher because of what it represents and what it will do for you, the listener. I want to rate it based on more than just audio fidelity, which in this case is very good for the time, and technically you get everything you need here – excellent separation of instruments, good clarity, good atmosphere…but dynamically it sits in a middle range place and doesn’t offer deep, rich lows or crisp highs and we are spoiled nowadays so we might complain about that but NOT ME! This is KILLER! When was the last time a Queen live recording caused the hairs on the back of your neck to stand up? I can’t adequately express the perfection this performance is, spine-tingling, electric, orgasmic, all of this and more. If listening to this show doesn’t move you, you are dead inside. Queen Sartory Hall Koln, Germany 6th December 1974 Disc 1 1. -Procession 2. -Now I'm Here 3. -Ogre Battle 4. -Father To Son 5. -White Queen 6. -Flick Of The Wrist 7. -In The Lap Of The Gods 8. -Killer Queen 9. -March Of The Black Queen 10. -Bring Back That Leroy Brown 11. -Son And Daughter 12. -Guitar Solo Disc 2 13. -Son And Daughter (Reprise) 14. -Keep Yourself Alive 15. -Seven Seas Of Rhye 16. -Stone Cold Crazy 17. -Liar 18. -In The Lap Of The Gods... Revisited 19. -Big Spender 20. -Modern Times Rock 'n' Roll 21. -Jailhouse Rock 22. -God Save The Queen -
Soundboard 9.8 - Sonically this sounds like it was recorded yesterday. Musically it sounds like it was recorded in 1971…which is a very good thing. The guitar tone is infectiously boogie blasted if that makes any sense. The whole thing is like an overamplified revival meeting…in a cool way. Elvin Bishop Group Fillmore West Closing Week July 1, 1971 Disc 1 1. -Stomp 2. -So Fine 3. -Get It 4. -Old Time Feeling 5. -Easy To Find 6. -Higher And Higher Disc 2 1. -The Sky Is Crying 2. -Crazy 'Bout You Baby 3. -Part 'Til The Cows Come Home 4. -Part 'Til The Cows Come Home (reprise) 5. -KSAN DJ's 6. -I'm Going Fishin' 7. -Let It Flow 8. -KSAN DJ -
Audience 9.1 -A fantastic tape that gets the right amount of atmosphere to give you a good sense of the moment, the venue, the crowd. The quality of the sound is very clean and punchy although leans toward an upper mid band frequency at the expense of the bottom end. It’s not as full a sound as could have been but it’s an excellent quality of sound nonetheless. The music is very engaging, this is a most welcomed tape. Earth, Wind & Fire Ahoy, Rotterdam, The Netherlands 14 March 1979 Disc 1 1. -Biyo (4:32) 2. -Jupiter (3:48) 3. -Shining Star (4:58) 4. -Love's Holiday (6:53) 5. -Fantasy (5:01) 6. -Saturday Nite (4:59) 7. -Be Ever Wonderful (5:30) 8. -That's The Way Of The World (7:54) 9. -Magic Mind (8:23) 10. -Horn Section Introduction - Brazilian Rhyme (2:43) 11. -Got To Get You Into My Life (4:46) 12. -Runnin' (2:17) Disc 2 13. -Percussion Solo (6:20) 14. -Trumpet Solo (2:17) 15. -Saxophone Solo (2:24) 16. -Keyboards Solo (4:07) 17. -Drum Solo (2:34) 18. -Bass Solo (7:07) 19. -I'll Write A Song For You (5:54) 20. -Reasons (4:13) 21. -Sing A Song (4:39) 22. -Serpentine Fire (4:17) 23. -Getaway (10:47) 24. -September (4:24) Line-up: Maurice White - lead vocals, percussion Philip Bailey - lead vocals, percussion Larry Dunn - keyboards, piano Al McKay - guitar Johnny Graham - guitar Andrew Woolfolk - saxophone Verdine White - bass Fred White - drums Ralph Johnson - percussion, vocals w/ The Phenix Horns: Rahmlee Michael Davies - trumpet Louis Satterfield - trombone Don Myrick - saxophone Elmar Brown - trumpet -
Audience 9.1 - Very good capture from perhaps a little further back than the much more intimate recording done at the Greek Theatre earlier in the year. Chick Corea, Stanley Clarke and Tony Williams (with A. Jarreau and B Brunel) Civic Auditorium Santa Monica, CA November 15, 1978 Disc 1 01 Intro 02 Confirmation 03 Summer Nights 04 On Green Dolphin Street 05 Stanley's Creation 06 All Blues Disc 2 07 Quiet Afternoon (with Bunny Brunel) 08 Summertime (with Bunny Brunel and Al Jarreau) 09 Waltz For Debby (with Bunny Brunel) 10 Doodlin' (with Bunny Brunel) 11 Spain (with Bunny Brunel) -
Audience 9.7 - Brilliant recording and an example of what you can do if you have excellent gear, perfect acoustics, and good placement. This version of the Chick Corea 1978 tour does not feature a full band ensemble but rather a more natural, non electrified direction which allows the players to really showcase their talents without much competition for the sound space. Chick Corea & Herbie Hancock Greek Theatre Los Angeles, CA. July 9, 1978 Disc 1 1. Introduction 2. Someday My Prince Will Come 3. Homecoming 4. Band Changeover 5. Night Sprite 6. Band Intros 7. Day Danse Disc 2 1. Mad Hatter Rhapsody - Falling Alice 2. Crystal Silence 3. I Loved You Then, I Love You Now 4. Spanish Fantasy -
Audience 8.8 - This tape is fascinating! Really gives the listener exactly what they might have experienced attending this concert, a sort of audio time capsule in very good quality but more than that it is LOADED with electric atmosphere. You get a very good sense of time and space. Fantastic! There is one caveat…a microphone drop out does occur towards the end of the show that kind of spoils the flow but it was not something that seemed like taper error so all is forgiven. David Bowie Long Beach Arena Long Beach, CA, USA 10th March 1973 01. -Ode To Joy 02. -Hang On To Yourself 03. -Ziggy Stardust 04. -Changes 05. -Moonage Daydream 06. -Panic In Detroit 07. -Aladdin Sane 08. -Watch That Man 09. -Five Years 10. -The Width Of A Circle 11. -Memory Of A Free Festival 12. -My Death 13. -Space Oddity 14. -Time 15. -Suffragette City 16. -The Jean Genie 17. -Rock 'n' Roll Suicide David Bowie: Vocals / Guitar / Harmonica Mick Ronson: Guitar / Vocals Trevor Bolder: Bass Guitar Woody Woodmansey: Drums Mike Garson: Piano / Organ Brian Wilshaw: Saxophone / Flute Ken Fordham: Saxophone Geoffrey A. MacCormack: Backing Vocals / Percussion -
Audience 9.1 - A great sounding capture that is just a little further back than the previous night…still it’s really good because the dynamic range is wide and warm. The sound mix itself is not heavy on the guitars here, it’s really Mick and drums followed by the low rumble of the bass. Guitars are here just not the spotlight instrument which in my opinion I prefer them front and center. Alas, I found myself able to appreciate the contributions of everyone else for once. Rolling Stones Oakland Coliseum Oakland, CA November 5, 1989 Disc 1 01 Start Me Up 02 Bitch 03 Sad Sad Sad 04 Undercover Of The Night 05 One Hit (To The Body) 06 Tumbling Dice 07 Miss You 08 Ruby Tuesday 09 Play With Fire 10 Rock And A Hard Place 11 Mixed Emotions 12 Honky Tonk Women 13 Midnight Rambler Disc 2 14 You Can't Always Get What You Want 15 Little Red Rooster 16 Can't Be Seen 17 Happy 18 Paint It Black 19 2000 Light Years From Home 20 Sympathy For The Devil 21 Gimme Shelter 22 It's Only Rock 'N' Roll (But I Like It) 23 Brown Sugar 24 (I Can't Get No) Satisfaction 25 Jumpin' Jack Flash -
Audience 9.3 - A sweet recording that is so comfortable to listen to, so easy on the ears with a nice rolling bass and present but not obtrusive drums. Mick is above the fray where he should be and guitars swirl and hum beneath him…excellent! Rolling Stones Oakland - Alameda County Coliseum Oakland, CA November 4, 1989 Disc 1 01 Intro 02 Start Me Up 03 Bitch 04 Sad Sad Sad 05 Undercover Of The Night 06 Harlem Shuffle 07 Tumbling Dice 08 Miss You 09 Ruby Tuesday 10 Angie 11 Dead Flowers 12 Rock And A Hard Place 13 Mixed Emotions 14 Honky Tonk Women 15 Midnight Rambler Disc 2 16 You Can't Always Get What You Want 17 Before They Make Me Run 18 Happy 19 Paint It Black 20 2000 Light Years From Home 21 Sympathy For The Devil 22 Gimme Shelter 23 It's Only Rock 'N' Roll (But I Like It) 24 Brown Sugar 25 (I Can't Get No) Satisfaction 26 Jumpin' Jack Flash -
Audience 9.5 - Brilliant! After sound adjustments the PA system just cranks out the best, clearest sound you could hope for. Almost everything is clear and balanced in the mix, I mean it ain’t perfect (for instance we don’t get the best balance between Keith and Ron) but it’s darn good. The sound mix has nothing to do with how well the audio capture is but it factors slightly in the rating. Rolling Stones Memorial Coliseum Los Angeles, CA October 22, 1989 Disc 1 01 Introduction 02 Start Me Up 03 Bitch 04 Sad Sad Sad 05 Undercover Of The Night 06 Harlem Shuffle 07 Tumbling Dice 08 Miss You 09 Ruby Tuesday 10 Angie 11 Rock And A Hard Place 12 Mixed Emotions 13 Honky Tonk Women 14 Midnight Rambler Disc 2 15 You Can’t Always Get What You Want 16 Little Red Rooster 17 Before They Make Me Run 18 Happy 19 Paint It Black 20 2000 Light Years From Home 21 Sympathy For The Devil 22 Gimme Shelter 23 It’s Only Rock ’N’ Roll 24 Brown Sugar 25 (I Can’t Get No) Satisfaction 26 Jumpin’ Jack Flash -
Soundboard 8.8 - It’s kind of hard to rate this any higher due to the extreme hotness in the recording levels but it rates as high as it does because it’s unique among board tapes in that Mick Jagger sounds so live and in your face it’s like he’s singing next to you…scary I know. Now, just because this is a “hot” tape doesn’t mean you can’t hear anything, it’s all there but it’s all pretty forcefully delivered. I can’t say in this case it’s entirely a bad thing…’cause it does make for a rather “intimate” encounter with the Stones, especially you know who. The Rolling Stones The Astrodome Houston, Texas october 28, 1981 Disc 1 1. -take the a train 2. -under my thumb 3. -when the whip comes down 4. -let's spend the night together 5. -shattered 6. -neighbours - time is on my side 7. -black limousine 8. -just my imagination 9. -twenty flight rock 10. -let me go 11. -time is on my side 12. -beast of burden 13. -waiting on a friend 14. -let it bleed Disc 2 1. -you can't always get what you want 2. -introductions 3. -little t&a 4. -tumbling dice 5. -she's so cold 6. -all down the line 7. -hang fire 8. -miss you 9. -start me up 10. -honky tonk women 11. -jumping jack flash 12. -satisfaction 13. -star spangled Banner -
Audience 8.8 - Excellent recording for the time period when it seemed most audience tapes sounded very flat and tinny. This one is pretty dynamic but for one fault (not tapers fault). The PA system, while good, did not give vocals enough clarity. During quieter passages, yes, but in louder parts (most of the gig) it’s sort of indistinct, but audible and not buried (just not real distinct). I mean, he’s totally audible is what I am getting at, but for some reason I can’t make out anything he’s singing about (is this par for the course with Marillion?). BTW the Genesis comparisons are accurate! Marillion Rock City Nottingham, England 30 Mar 1983 Disc 1 1 Script For A Jester’s Tear 2 Garden Party 3 Three Boats Down From The Candy 4 The Web 5 Charting The Single Disc 2 6 Chelsea Monday 7 He Knows You Know 8 Forgotten Sons 9 Market Square Heroes 10 Margaret -
Audience 9.0 - This recording was made by the same crew that did the previous evening’s LA Forum gig. The quality is very similar and the only difference would be a result of where they were seated. It’s a really good recording! New Barbarians Sports Arena San Diego, CA May 22, 1979 Disc 1 01 Sweet Little Rock & Roller 02 Buried Alive 03 F.U.C. Her 04 Mystifies Me 05 Infekshun 06 Rock Me Baby 07 Sure The One You Need 08 Lost And Lonely 09 Breathe On Me 10 Love In Vain Disc 2 11 Let's Go Steady Again 12 Apartment No. 9 13 Honky Tonk Women 14 Worried Life Blues 15 I Can Feel The Fire 16 Come To Realise 17 Am I Grooving You 18 Seven Days 19 Before They Make Me Run 20 Jumping Jack Flash -
Audience 8.9 - The capture here is as good as you could do, what you are hearing then is what the sound was like in a very literal sense. If you were sitting in tapers seats, your ears are now hearing what his ears heard at the time. That is all you can hope for and that is what this tape is. David Bowie Convention Center Anaheim, CA September 16, 1974 Disc 1 01 Intro - 1984 02 Rebel Rebel 03 Moonage Daydream 04 Sweet Thing 05 Candidate 06 Sweet Thing (Reprise) 07 Changes 08 Suffragette City 09 Aladdin Sane 10 All The Young Dudes 11 Cracked Actor 12 Rock ’N’ ’Roll With Me 13 Knock On Wood Disc 2 14 It's Gonna Be Me 15 Space Oddity 16 Future Legend 17 Diamond Dogs 18 Big Brother 19 Chant Of The Ever Circling Skeletal Family 20 Time 21 The Jean Genie 22 Rock ’N’ ’Roll Suicide 23 Somebody Up There Likes Me -
Soundboard 9.6 - A very very clean tape, still after all this time it has been properly preserved. The band is in fine form, it’s the right time frame in history and the world is pretty familiar with the band by this time.Blood Sweat & Tears Amsterdam, The Netherlands 1970-09-20 Disc 1 01 - introduction (1:44) 02 - Fire and Rain (4:31) 03 - Somethin' Comin' On (7:09) 04 - 40,000 Headmen (5:24) 05 - I Can't Quit Her (4:25) 06 - Smiling Phases (15:42) 07 - Sympathy for the Devil (9:37) 08 - Sometimes in Winter (4:46) 09 - Lucretia McEvil (18:19) Disc 2 10 - And When I Die (9:05) 11 - Hi De Ho (6:46) 12 - Spinning Wheel (8:20) 13 - You've Made Me So Very Happy (11:26) 14 - Blues Part 2- Somethin' Goin' On (32:37) Bobby Colomby - Drums Steve Katz - Guitar & Vocals Jim Fielder - Bass Dick Halligan - Keyboards,Trombone,Flute Fred Lipsius - Alto Saxophone, Keyboards Lew Soloff - Trumpets Chuck Winfield - Trumpets Jerry Hyman - Trombone David Clayton Thomas - Vocals