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Soundboard 8.8 - A dated sounding board tape, yes it is good but I can see how there are limitations with board tapes just as there are with audience tapes. If I was a fan I would still love this show, I mean, it’s clear and clean and it’s finely performed so there’s no real downside here. The Smiths Versailles, Paris 12-01-1984 01 - Intro 02 - William, It Was Really Nothing 03 - What She Said 04 - Nowhere Fast 05 - Reel Around The Fountain 06 - Heaven Knows Im Miserable Now 07 - How Soon Is Now? 08 - Still Ill 09 - Rusholme Ruffians 10 - This Charming Man 11 - Barbarism Begins At Home 12 - I Want The One I Can't Have 13 - Hand In Glove 14 - What Difference Does It Make? 15 - Handsome Devil 16 - Miserable Lie -
Soundboard 8.7 - The only flaw with this tape is that it features a typical video compression type sound but the mastering job mitigated a lot of that so that the sound does breathe a bit more. It’s still very good, a little rough maybe but I take it and I am happy with it especially if nothing else because all instruments are present, the bass work is surprisingly defined in this mix…I can actually hear individual notes being played and my goodness Michael Anthony was a boss! Van Halen Poliedro de Caracas Caracas, Venezuela 1983-01-16 01. Romeo Delight 02. Unchained - Drum Solo 03. The Full Bug 04. Runnin' With The Devil 05. Jamie's Cryin' 06. Little Guitars 07. Dance The Night Away 08. Somebody Get Me A Doctor (Incl. I'm So Glad) 09. Little Dreamer 10. Mean Street 11. Secrets 12. Everybody Wants Some!! 13. Ice Cream Man 14. Intruder 15. (Oh) Pretty Woman 16. Eruption 17. Ain't Talkin' 'Bout Love 18. Bottoms Up! 19. You Really Got Me David Lee Roth: Vocals Edward Van Halen: Guitars, Backing Vocals Michael Anthony: Bass, Backing Vocals Alex Van Halen: Drums -
Audience 8.7 - This is a very strong, clear tape that captures almost too much atmosphere (crowd) and leans towards the upper-mid band frequencies a little much. That being said, I still recommend this one because the sound is good enough to be very responsive to EQ, so if you season it to taste you will end up with a very nice experience. Gary Wright The Palladium New York, NY, USA April 1, 1977 01 Love Is Alive (5:07) 02 Water Sign (5:40) 03 Better By You, Better Than Me (5:46) 04 The Light Of Smiles > (3:32) 05 Silent Fury (5:27) 06 Time Machine (7:46) 07 Phantom Writer (5:26) 08 Blind Feeling > (5:17) 09 Dream Weaver (4:16) 10 Are You Weepin' > Band Intros (7:11) 11 Can't Find The Judge (8:46) 12 I'm Alright (6:52) Gary Wright - lead vocals, keyboards Richard Baker - vocals, keyboards Hiroshi Upshur - clavinet, piano Art Wood - drums Betty Sweet, Lorna Wright - backing vocals -
Audience 8.8 - This is the sound of the 80’s, it wasn’t exactly what you remembered! I completely missed these guys. I instantly assumed any 80’s band was shite…I was so stuck in my own world of Pink Floyd, Steppenwolf, Hendrix, Van Halen, Sabbath, Zeppelin….but I should have been more open minded. These guys were cool AF! Good quality, very realistic capture. Bauhaus Architectual Association Carnival Bedford Square, London, UK 22 May 1981 01. Bela Lugosi's Dead (9:06) 02. In The Flat Field (4:11) 03. Boys (2:30) 04. Muscle In Plastic (3:22) 05. Dancing (3:14) 06. Of Lilies And Remains (2:55) 07. Rosegarden Funeral Of Sores (6:00) 08. Hair Of The Dog (3:26) 09. Hollow Hills (5:10) 10. Kick In The Eye (3:35) 11. The Passion Of Lovers (4:00) 12. Stigmata Martyr (3:45) 13. Dark Entries (3:52) -
Audience 9.1 - This is a very cool old tape, first I have to issue a disclaimer: If you don’t like deep, round, brassy bass you won’t like this recording. Bass is the star of this show, and I don’t mean it’s a low end muddy mess either – it’s a beautiful bass sound that pretty much drowns out most of the keyboards (not entirely) and at least vocals area able to hold their own in the mix. That all being said – this ROCKS! I love it, I love hearing the tone and detail of the solid bass work of Greg Lake. Put this up there with your other favorite ELP boots because this surely will become one. Emerson, Lake & Palmer The Hollywood Bowl Los Angeles, CA, USA July 19, 1971 01. Bill Graham Intro 02. The Barbarian 03. Take A Pebble - My Dog Blue 04. Tarkus - i. Eruption, ii. Stones of Years, iii. Iconoclast, iv. Mass, v. Manticore, vi. Battlefield, vii. Aquatarkus 05. Knife Edge 06. Rondo 07. Nutrocker Keith Emerson - piano, Hammond organs, Moog synthesizers, theremin Greg Lake - bass, guitars, vocals Carl Palmer - drums, percussion -
Soundboard 9.3 - Listen to the beginnings of something happening, you can feel it about to take off. It’s a bunch of free-thinking kids who’ve smoked a little something, maybe popped a few little somethings…and then whaddya know the blues and folk and country and all kinds of music you grew up with sounds a whole lot better if you amp it up and throw some wild licks here and there…maybe let the sound feedback some…the birth of the San Francisco sound of the 60’s. Some minor bumps and bruises with the old tape but it also sounds like it’s right in your living room so the minor hiccups don’t even phase you. Quicksilver Messsenger Service Matrix Coffeehouse San Francisco, California 1966-08 01. -Little Dandelion 02. -All Night Worker 03. -Hoochie Coochie Man 04. -Duncan & Brady 05. -Pride Of Man 06. -You Don't Love Me 07. -Dino's Song 08. -Hair Like Sunshine 09. -Babe I'm Gonna Leave You 10. -Mona 11. -Got My Mojo Working 12. -Remember Me 13. -I Hear You Knocking 14. -Runaway 15. -Smokestack Lightning 16. -Suzie-Q 17. -You Don't Love Me 18. -Dino's Song 19. -Hair Like Sunshine -
Audience 9.1 - A very well done audience tape is the source, and the atmospherics are nice and immersive. Sound quality is right in the pocket! Show was unfortunately cut short due to severe weather, but there’s enough music here to satisfy regardless. Santana Estadio Universitario Caracas, Venezuela October 7, 1973 01 Introduction 02 Going Home - A-1 Funk - Every Step Of The Way (including Boogie Woogie Waltz) 03 Black Magic Woman - Gypsy Queen (including Third Stone From The Sun) 04 Oye Como Va 05 Bambele 06 Um-Um-Um 07 Yours Is The Light 08 Batucada 09 Xibaba (She-Ba-Ba) 10 Stone Flower - Waiting -
Soundboard 9.0 - Sounds like a 70’s board tape alright – a little dated but man, it sure does kick ass! Really PHAT with perfect guitar tone and bashing drums, and vocals in your eardrums! Dang, this is what you play for your kid if he starts to listen to modern garbage. Ted Nugent Cobo Hall, Detroit, Michigan June 15, 1978. 1. -Just What the Doctor Ordered 4:40 2. -Yank Me, Crank Me 4:54 3. -Dog Eat Dog 5:03 4. -Free For All 5:22 5. -Snakeskin Cowboys 6:00 6. -Cat Scratch Fever 4:24 7. -Where Have You Been All my Life? 6:08 8. -Name Your Poison 5:32 9. -Need You Bad 4:56 10. -Guitar Solo - Stormtroopin' 10:07 11. -Stranglehold 11:21 Ted Nugent: Lead & Rhythm Guitars, Lead & Backing Vocals. Charlie Huhn: Rhythm Guitar, Lead & Backing Vocals. Dave Kiswiney: Bass. Clifford Davies: Drums & Backing Vocals. -
“Audience” studio 8.7 An amateur recording it might be, but like any rock and roll band in rehearsals you probably weren’t too worried about doing professional recordings. They were not exactly shiny and perfect here, getting ready for a tour, so yeah I understand the nature of the tapes and I still like it. Some tape hiss, some lo-fi moments but all in all fascinating fly-on-the-wall stuff. See Artwork for Track Listings (sorry I didn't feel like typing it all out!) -
“Audience” studio 8.7 An amateur recording it might be, but like any rock and roll band in rehearsals you probably weren’t too worried about doing professional recordings. They were not exactly shiny and perfect here, getting ready for a tour, so yeah I understand the nature of the tapes and I still like it. Some tape hiss, some lo-fi moments but all in all fascinating fly-on-the-wall stuff. See Artwork for Track Listings (sorry I didn't feel like typing it all out!) -
“Audience” studio 8.7 An amateur recording it might be, but like any rock and roll band in rehearsals you probably weren’t too worried about doing professional recordings. They were not exactly shiny and perfect here, getting ready for a tour, so yeah I understand the nature of the tapes and I still like it. Some tape hiss, some lo-fi moments but all in all fascinating fly-on-the-wall stuff. See Artwork for Track Listings (sorry I didn't feel like typing it all out!) -
Studio 9.2/9.6 - Not a lot to complain about here except maybe just the little bit of tape hiss (unremarkable). I found it interesting to hear the early takes because on some of the tracks it really shows less of the Southern influence and more of the psychedelic influence (listen to their cover of Evil Ways). Marshall Tucker Band "The Lost Demos" (1968-1971) Studios-Greenville, SC 1971 01. -Can’t You See (demo) 02. -See You Later I’m Gone (demo) 03. Southern Woman (demo) Muscle Shoals Sound Studio-Sheffield, AL 1971 04. -Cookin' (demo) 05. -Ramblin' (demo) 06. -Take The Highway (demo) 07. -Hillbilly Band (demo) Southeastern Music Corporation 1968 08. -It’s A Rainy Night In Georgia 09. -In A Moment (I Can Tell If You Love Me) 10. -Evil Ways (Santana) -
Soundboard 9.0 - This is most definitely off the radio, it has all the tell-tale signs of a radio broadcast including the FM compression (not horrible) but I also think, if not radio, it may have come from a TV broadcast. Michael Schenker Group 1981-06-08 Pinkpop Festival Burgemeester Damen Sportpark Geleen, Holland FM broadcast recording 01 Cry For The Nations 02 Victim Of Illusion 03 Natural Thing 04 Feels Like A Good Thing 05 Rock Bottom 06 Lost Horizons 07 Doctor Doctor -
Audience 9.0 -A fine recording that does not have that digital signature to it, although many digital recordings are fine it’s just that an analog capture more faithfully replicates the vibe of the event being captured. Peter Gabriel Memorial Coliseum Los Angeles, CA September 21, 1988 01 Of These, Hope 02 Games Without Frontiers 03 Shock The Monkey 04 No Self Control 05 Don't Give Up (with Tracy Chapman) 06 Sledgehammer 07 In Your Eyes 08 Biko -
Radio Broadcast 9.4 - Slightly dated sounding it’s still very strong, clear (sounds like someone did some work on it) and pretty much everything you want. Patti Smith Group "Joan Of Arc At The Burning River" Rock Around The World broadcast Agora Ballroom, Cleveland, OH April 18, 1978 01 -Interview - Redondo Beach 02 -Interview - Ain't It Strange 03 -Interview - Privilege (Set Me Free) 04 -Interview - Easter 05 -Radio Ethiopia 06 -Gloria 07 -Interview -
Stereo Soundboard 9.0 - While this show is also featured on another set here, we found an alternate version that seems to have a wider stereo separation, it does make it sound a tad brighter, but there are some trade-offs too, like a touch more hiss but it doesn’t bother so TURN IT UP! Black Sabbath Espace Balard Paris, France 30th September 1983 1. Children Of The Grave 2. Hot Line 3. War Pigs 4. Supernaut 5. Drum Solo 6. Rock ‘N’ Roll Doctor 7. Disturbing The Priest 8. Iron Man 9. Guitar Solo 10. Digital Bitch 11. Smoke On The Water 12. Paranoid/Heaven And Hell(reprise) Bonus Tracks Sporthalle, Boblingen, Germany 28th September 1983 13. Black Sabbath 14. Smoke On The Water 15. Paranoid/Heaven And Hell(reprise) Ian Gillan – Vocals Tony Iommi – Guitar Geezer Butler – Bass Bev Bevan – Drums Geoff Nicholls – Keyboards -
Audience 8.7 - This slightly above average tape sounds like it has been re-mastered and life restored to it, but the mix favors percussion and keys. The rest of the band is a little behind them but thankfully Carlos’ solos rise up above much more in the mix. I did find it an interesting tape with an atmosphere that lets you kind of soak up the Italian vibe – between the chatter and the feel of the venue itself it is kind of strangely…renaissance. Let’s just say the recording captures a little more than just the rock band that evening and it adds a lot to the experience. That is why I can still recommend this to fans, and the fact that it is 1971 which is that interesting period with Neil Schon. Santana Palaido Milano, Italy April 27, 1971 1. -Waiting 2. -Incident At Neshabur 3. -Toussaint L'Overture 4. -Taboo 5. -Batuka 6. -Evil Ways 7. -Soul Sacrifice 8. -Samba Pa Ti 9. -Black Magic Woman - Gypsy Queen 10. -Oye Como Va 11. -Savor 12. -Jingo -
Studio 9.0-9.4 - Varies as far as the overall sound and mix but does not stray much below a solid 9.0…but man what you are getting here is bona fide Aerosmith and NOT the dressed up, slicked out, packaged presentation of Aerosmith that the record company needed in order to make vast profits. This is down and dirty, raw, primal, and above all – fantastic! To hear unadulterated guitars, guttural, almost fuzz style bass, and howling, tortured Steven, and this is 1987 mind you! How can it be? I don’t know but this set rocks! Pandora's Leftover Permanent Vacation Sessions Little Mountain Studios Vancouver, Canada March 1, 1987 1 -Joey Kramer Drum Solo 2 -Toys In The Attic 3 -Train Kept A Rollin' (Instrumental) - Girl Keeps Coming Apart (Rehearsal, Instrumental) -
Studio 9.0 - The quality does vary but it stays within a general high quality 8.9 to 9.3 range because the material is from a wide variety of sources such as the studio, TV, radio, and live. An interesting introspection of the artist beginning with very early tracks pre-Sugarcubes. Björk Early and Rare Assorted Unreleased Studio and Live Tracks 01 -Icelandic Folksong (Björk as a Child) 02 -Langt Ude i Skoven (Björk as a Child) 03 -I Love To Love (Björk as a Child) 04 -Jolakötturinn 05 -Dancing Queen (Sugarcubes Studio) 06 -Whole Lotta Loving To Do (El Vez & Sugarcubes) 07 -Nu Flyver Anton (Danish Soundtrack) 08 -Short Time Affair (Comic Relief BBC 14.3.1997) 09 -Min Farfar Drikker Södmelk (Danish Grammy 7.2.1998) 10 -Jolasveinar ganga um golf (Merry Christmas from Björk) 11 -Satisfaction (w/ P.J. Harvey) 12 -Pin var ekki ad bioa (w/ Icelandic Band Draumsyn, Studio 1980) 13 -Su - Patrei (Elgar Systers, Studio 1986 from Unreleased Album) 14 -Geri pao sem mer synist (Sugarcubes Skytturnar Demos) 15 -Sweet Jane (Sugarcubes Skytturnar Demos) 16 -Misty (Live @ Hotel Borg, Reykjavik 30.8.1990 w/ Gling Gl¢ Band) -
Audience 9.1 - Small club vibe permeates this very intimate recording as Al sings his songs with a crack band behind him…often chatting it up with the audience who responds in kind. As I listened, I could not help but think this music really reminds me of Lou Reed, with less bratty New York attitude and more gay San Francisco. Al Stewart Band Wolfgangs San Francisco, Ca. 1983-08-11 01. -Unknown Title 02. -Unknown Title 03. -Time Passages 04. -Cafe Society 05. -Almost Lucy 06. -Rumours of War 07. -Intros - On The Border 08. -Accident On 3rd Street 09. -Valentino Way 10. -Intros - Year Of The Cat 11. -End of the Day 12. -If It Doesn't Come Haturally Leave It 13. -Paint By Number Al Stewart: vocals, guitars Peter White: guitars, keyboards, bass Adam Yurman: bass, guitars Kaz: Alto sax, keyboards Steve Chapman: drums -
Studio Quality 9.8 - Almost as good as could be, a tiny amount of hum only noticeable at the beginning and end of songs…this is almost perfect but it is unmastered studio demos that to my ears sound very close to final mix. Ozzy Osbourne Ozzmosis Demos 1. It Feels So Good To Be Bad 2. Denial 3. Too Far Gone 4. Ghost Behind My Eyes 5. Frustrated Yes I'm Hated 6. Dream For Tomorrow 7. Say Yeah Yeah 8. Oh No The Bitch Won't Go 9. My New Rock And Roll 10. Perry Mason 11. Old L.A. Tonight 12. See You On The Other Side -
Audience 9.3 - Fantastic! Wow, I’d never heard this one previously and it’s a real revelation. Open, great stereo pan, and for once I actually heard the keyboards and I could not even believe some of the little quirky bits that it added to the music. Just listen to Crazy Train and you will hear some sounds that are NOT the guitar, almost kind of funny. Great great stuff, this is a must have! Ozzy Osbourne Milwaukee Mecca Auditorium Milwaukee, WI. January 22nd 1982 01 - Over The Mountain 02 - Mr Crowley 03 - Crazy Train 04 - Revelation Mother Earth 05 - Steal Away The Night 06 - Suicide Solution 07 - Guitar Solo - Drum Solo 08 - Goodbye To Romance 09 - I Don't Know 10- I Don't Know 2 11 - No Bone Movies 12 - Believer 13 - Flying High Again 14 - Iron Man 15 - Children Of The Grave 16 - Paranoid -
FM Broadcast 9.3 - Great recording here, obviously being that it was broadcast it had to be done professionally but I really like how this was mixed to allow such an impactful guitar sound. PAT TRAVERS 1982-12-09 Civic Center Baltimore, Maryland U.S.A. Opening for BLUE OYSTER CULT w/Special Guest; BUCK DHARMA (B.O.C.) 1. -Introduction - THE FIFTH 2. -WHO'LL TAKE THE FALL 3. -LIFE IN LONDON 4. -I'D RATHER SEE YOU DEAD 5. -I LA LA LA LOVE YOU 6. -STEVIE 7. -AMGWANNA KICK BOOTY 8. -CAN'T STOP THE HEARTACHES 9. -STATESBORO BLUES 10. -SNORTIN' WHISKEY AND DRINKIN' COCAINE 11. -ROCKIN' 12. -BOOM BOOM (Out Go The Lights) 13. -SUNSHINE OF YOUR LOVE (Buck Dharma) Musicians PAT TRAVERS- Guitar/Keyboards/Vocals PAT THRALL- Guitars/Synthesizer/Backing Vocals PETER "Mars" COWLING- Bass SANDY GENNARO or DAVE LEVINE- Drums * BUCK DHARMA (B.O.C.)- Introduction & Guitar -
Audience 9.3 - I am hesitant to call this a radio broadcast but this obviously was professionally recorded, but the recording might not necessarily be through the board hence “audience” tape. Great sound! Kiss L'Olympia Theatre Paris, France May 22, 1978 1. -Intro 2. -Duece 3. -Strutter 4. -Flaming Youth 5. -Hotter Than Hell 6. -Firehouse 7. -She 8. -Ace Solo 9. -Nothing To Lose 10. -Shout It Out Loud 11. -Gene Solo 12. -100,000 Years 13. -Peter Solo 14. -Black Diamond 15. -Detroit Rock City 16. -Rock 'N Roll All Nite 17. -Let Me Go, Rock And Roll 18. -Detroit Rock City -
Audience 8.7 - Do not be put off by the rating! This is a very strong 8.7 verging closer to 8.8. Why do I stress that? Because it has a lot going for it, the only black mark I hold against it is due to the lack of distinction between guitars and Paul being pushed back in the sound mix. That being said, it’s more the “mix” of the guitars that leads me to say that, not that you can’t pick each one up. I think I am just being picky though. Kiss Jai-Alai Fronton Miami, FL. 3-21-1976 01 Intro 02 Deuce 03 Strutter 04 C´mon And Love Me 05 Hotter Than Hell 06 Firehouse 07 She 08 Ace Solo 09 Parasite 10 Nothin´ To Lose 11 Shout It Out Loud 12 Gene Solo 13 100.000 Years 14 Peter Solo - 100.000 Years 15 Black Diamond 16 Cold Gin 17 Rock And Roll All Nite 18 Let Me Go, Rock And Roll -
Soundboard 8.8 - A grungy, dirty piece of heaven! I used to listen to this band when I was young man not yet in my 20’s. I was so happy to finally hear what they were like live…and be able to hear it! I shy away from a lot of this old metal only because it was so hard to record them live unless it was through the board or professionally. This is cool shit! Nasty Savage CBGB New York, NY 11 27 85 1. No Sympathy 2. Gladiator 3. Fear Beyond the Vision 4. Asmodeus 5. Metal Knights 6. Unchained Angel 7. Instigator 8. Psychopath 9. Dungeon of Pleasure 10. The Morgue 11. Indulgence 12. Witches Sabbath 13. End of Time 14. XXX 15. Savage Desire -
Audience 9.1 - I love these in your face recordings that are well done. No distortion, max volume, hear every instrument – in fact great separation of the guitars that is so realistic and cool they seem to pan across the speakers! A very well done tape for this time period in that it does not sound like one of those heavily compressed Aiwa tape recordings, it has a lot of liveliness and decent headroom. RIOT City Island Harrisburg, PA. June 21st 1982 1 -Intro 2 -Hard Lovin' Man 3 -Loanshark 4 -Restless Breed 5 -When I Was Young 6 -Swords & Tequila 7 -Outlaw 8 -Loved By You THE BAND Rhett Forrester vocals harmonica Mark Reale guitar Rick Ventura guitar Kip Leming bass Sandy Slavin drums -
Audience 8.6 - A tape that has gone through extensive rehabilitation and is now something I can recommend to fans. First off, you no longer have a low volume, crowded tape – this new re-master has the sound panned wider which allowed the muddier channel to be dealt with properly…all the work has paid off because, quite frankly, any 70’s-‘80’s Priest tape needs to be considered as historically valuable, right up to around 1986 IMHO. Judas Priest Long Beach Arena Long Beach, California May 24, 1981 World Wide Blitz Tour 01. -Solar Angels 02. -Heading Out To The Highway 03. -Diamonds And Rust 04. -Hell Bent For Leather 05. -Breakin' The Law 06. -Sinner 07. -Beyond The Realms Of Death 08. -Grinder 09. -Desert Plains 10. -Hot Rockin' 11. -You Don't Have To Be Old To Be Wise 12. -Victim Of Changes 13. -The Green Manalishi (With The Two-Pronged Crown) 14. -Livin' After Midnight 15. -Tyrant - outro -
Audience 8.6 - A middle of the road tape that is missing a good chunk of the middle of the show…but he captures the last half somehow and we end up with a pretty full disc. Effort was made to re-master this tape which ran too fast, so that is now fixed as well. This sounds much better than how it began I can tell you that! Lou Reed Palasport, Torino, Italy February 12, 1975 01 -Sweet Jane 02 -Coney Island Baby 03 -Pale Blue Eyes 04 -I'm Waiting For The Man 05 -Heroin 06 -Berlin 07 -Lady Day 08 -Kill Your Sons 09 -Vicious 10 -encore cheer 11 -Rock & Roll 12 -crowd walkout Band line-up Lou Reed - Vocals, Guitar Doug Yule - Guitar, Organ Bruce Yaw - Bass Marty Fogel - Saxophones Michael Suchorsky - Drums Larry Packer - Violin -
SDBRD 9.8 - Fantastic upgrade to what was already a super good tape. Why is it so much better? Transferring off a newly discovered pre-broadcast master, you really can get all the ambience, the background, the crisper highs and deeper lows…all of this adds up to something really special. Even if you already have this, I recommend getting this upgrade version if nothing else just to compare the two. I think this ups the ante significantly. Roxy Music Calderone Theater Hempstead, NY 8 March 1976 01. Sentimental Fool 4:55 02. The Thrill Of It All 6:19 03. Love Is The Drug 4:10 04. Mother Of Pearl 6:33 05. Bitter Sweet 5:11 06. Out Of The Blue 4:46 07. Whirlwind 5:45 08. Sea Breezes 7:06 09. Both Ends Burning 5:04 10. For Your Pleasure > 5:02 11. Diamond Head 4:15 12. Wild Weekend 3:18 Bryan Ferry: lead vocals, keyboards Phil Manzanera: guitars, backing vocals Andy MacKay: saxophones, oboe, keyboards, backing vocals Eddie Jobson: keyboards, violin Paul Thompson: drums Rick Wills: bass, backing vocals -
Adrian 1969 & Detroit 1970 Audience 9.1 - Surprisingly good and clear! I was very tempted to call this a board tape but there’s too many artifacts that suggest otherwise…but it’s an amazing find being now the earliest known Amboy Dukes tape. Detroit 1970 Audience 8.6 - The audio is clear but the live mix drowns out vocals. Drums are perhaps the strongest here, followed by the guitar/bass in tandem but I can also hear keys in the mix…so the verdict is that this tape is most welcome and delivers where it is needed even though it is a little rough around the edges. Amboy Dukes Adrian, Michigan Adrian High School January 1969 01. Migration 02. Let's Go Get Stoned 03. Journey to the Center of the Mind 04. Baby Please Don't Go 05. Prodigal Man (cuts out) Ted Nugent - Guitar Steve Farmer - Rhythm Guitar Dave Palmer - Drums Andy Solomon - Keys Greg Arama - Bass Rusty Day - vocals, harmonica, percussion Unknown High School Detroit, Michigan January 1970 06. -Brain Games of Yesteryear 07. -Good Natured Emma 08. -Mississippi Murderer 09. -Band Intro's - Prodigal Man Ted Nugent- Lead Guitar, Vocals Andy Solomon- Organ, Piano, Vocals Greg Arama- Bass Kenneth Jay Mills (aka K.J. Knight) - Drums -
Studio Quality 9.7 - Fantastic all around collection which I would also point to as a good starting point to building up a collection of The Cure music. For me it was particularly interesting as I had no prior familiarity with their studio works. The Cure "The Unreleased Demo Tapes (1977-1986)" 01 Meathook (SAV Demo, London, 10th of October 1977) 02 Listen [early 'Pill Box Tales'] (SAV Demo, London, 10th of October 1977) 03 I Just Need Myself (SAV Demo, London, 10th of October 1977) 04 See The Children, Fear The Children (SAV Demo, London, 10th of October 1977) 05 Play For Today (Rehearsal Demo, 1979) 06 Into The Trees [aka 'A Forest'] (Rehearsal Demo, 1979) 07 Play For Today (Morgan Studios Demo, London, January 1980) 08 A Forest (Morgan Studios, London, January 1980) 09 M (Morgan Studios Demo, London, January 1980) 10 Seventeen Seconds (Morgan Studios Demo, London, January 1980) 11 Birdmad Girl (Early Demo, 1983) 12 Wailing Wall (Early Demo, 1983) 13 The Empty World (Demo, 1984) 14 Bananafishbones (Demo, 1984) 15 The Top (Demo, 1984) 16 Why Can't I Be You? (Miraval Studio Demo, France, 1986)