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Audience 8.7 - This is just a dandy, with that large hall sound but NO annoying reverb or echo, just vibe. File alongside Boston 76, which is one of the very best of the tour. -
Audience 8.4 - The situation with this recording is that although it is really clean, like master quality clean, the clarity gets a little lost when the band is at full volume. And that is because it is incredibly “live” and atmospheric and does not focus the audio directly into the mic. So, it’s very much an experience that immerses you but lacks super tight sonic clarity but a VERY nice recording otherwise. For 1975, it’s a great capture. -
Audience 9.1 - A concert recording that defines the term “immersive”. So, you are basically transported back in time and placed into a seat pretty close to the stage, sitting next to a couple of enterprising tapers. The audience is a part of this experience, it’s open, vibrant, clear, and dynamic and you are right in the middle of it all. Dang, you really should dive into this one if you do not have it. -
Audience 9.0 - Vocals come through shining! -
Audience 9.1 - More intimate setting, good stage mix, all clear and powerful. -
Audience 9.6 - Monsterous! Sounds like you are right there, crystal clear and loud. The BEST EVER! -
Audience 7.3 -
Audience 8.2 - Clear recording with some interesting “wide” vocal panning that is probably an effect from the hall, but it’s cool! -
Audience 7.1 - This tape cannot contain the power of the Rainbow! It sounds overloaded, but there’s music here, if you can get past the sort of mid band rumble. -
Soundboard 9.3 - This tour of Japan has gone down in Rainbow history as being the most fiery performances. Everyone playing superbly, and as always Dio is perfect. -
Audience 7.5 -
Soundboard 9.1 - You can hear some bleed through during quiet times and when band is not playing but when they are playing it is loud and punchy, good mix. -
Audience 9.5 - This is what happens when professional equipment is brought in by an audience member who knows what he is doing. Could be released officially, it’s so good. -
Audience 9.0 - Warm, inviting sound quality, with maybe my only gripe (and it’s a minor one) being that the guitar sits just behind the keyboards in this mix, still audible, but I am a guitar guy so… -
Audience 9.1 - Small club with great sound. One of those recordings that completely envelopes you with good, clearly defined sound that occasionally swirls above you giving you additional atmospherics. Killer! -
Audience 8.8 - What a great range on this tape. Solid low end meeting up to a very accurate mid range and the highs are not burnt to a crisp but there when you need them to be. Solid Solid Solid! -
Audience 8.8 - Deep, rich lows are what highlight this tape. There is the tiniest amount of distortion in the bass due to just how profound it is in this recording but not to the expense of everything else mind you – although I would say the rest of the music sits a little behind the low end. I can wholeheartedly recommend this but bear in mind if you want to blast it loud you may want to tune down the bass frequency. -
Soundboard 9.3 - Fantastic stuff, really will give you a profound appreciation for Robert’s early solo work. -
Audience 9.1 - Fantastic stereo separation and clarity of instruments. -
Audience 9.0 - Right in the pocket! Solid, devastating, loving it! -
Audience 8.8 - I like these small club recordings, they give you a terrific sense of being at the event with the atmosphere, the kinetic interaction between performer and audience it makes the listening experience much better. A really good, well positioned capture here! -
Soundboard 9.7 - You won’t miss the 70’s with this raging heavy kick ass Trower show. Is this really from 1985? Could have easily fooled me! -
Soundboard 9.2 -
Audience 9.7 - The title asks the question “is this the mix we really want?” and the answer is most emphatically “YES”! Brilliant sound, like you are sitting right in the front row center…why spend the money, get this CD instead! -
Audience 9.8 - Spectacular recording that captures every nuance with beautiful clarity and dynamics while allowing just enough crowd and ambience in to perfect the listening experience. So F’ING good I defy anyone to challenge my assessment. -
Audience 9.3 - Another spectacular capture that presents a detailed soundfield and plenty of atmosphere to sink yourself into the show as if you were there. Excellent! -
Audience 9.7 - This is the result of VERY diligent and committed tapers. First: get there early. Second: don’t leave until the last bit of sound comes out the P.A. Then, do a damn fine job! That sums up this experience, because that is what it is: An Experience. Well done sir! -
Audience 8.5 - Should be a higher rating but for the mastering where the mids are so hot. Put this through your Equalizer and bring the mid band down a little bit and you have a very strong recording. The highs are insane, not screechy just detailed, and the low is present, so just fiddle with the mids because it’s just too hot there. -
Audience 9.0 - I have rated this highly because it transcends the boring sameness of most modern aud recordings and sounds more like a 70’s boot! I can’t explain it really. It’s just, to me, the Stones should always sound like the Cleveland 1978 bootleg LP which really sort of sums up the Stones for me. -
Audience 7.8 - Thankful to have this one, so the less than perfect sound does not faze me, besides it’s actually decent. I get every instrument, especially Rory’s guitar and the bass, which actually has some definition to it. The only caveat is the lack of a dynamic quality, but the dynamics are provided by the playing, which is off the chain good. A memorable gig (joined by fellow Irish luminary Phil Lynott)! This is Blues Rock as performed by absolute masters. -
Audience 7.8 - Good live atmosphere, a touch trebly but not in an irritating way, just in the sound spectrum itself. Rory was riding pretty high during most of this tour having played a very historic run of shows in his native land (all released officially btw). -
Audience 8.7 - A nice one! Funny to hear the Japanese tapers between songs, but they did a good job capturing this show for sure. When performers play Japan, you have to wonder what it must be like to play in front of large crowds of people who have no clue what you are singing about. -
Audience 8.6 - Tape clears up a little bit after the first couple songs, and, it has kind of low volume but you can turn it up and it’s fine. Actually, this is very good because the crowd is very respectful here, so the quieter numbers are very, very warm and nice. -
Soundboard 9.2 with Audience 7.8 patches - A red hot show that thankfully is available in great quality with previously missing parts filled in with the long traveled audience tape. -
Soundboard 9.1 - When I hear recordings like this, I am hesitant to consider it a pure soundboard because I am aware of the presence of “room” here, especially when it’s guitar and/or vocals by themselves and you really hear it. So, probably run through a board yes, but mic’d up for a recording rather than for PA if that makes any sense. -
Soundboard 9.0 - Great guitar tone, but when did Rory ever not have that? But, it just leaps outta the speakers here. A really tight gig, the band is HOT HOT HOT! -
Pro Radio Broadcast 9.5 -
Aud 7.6 / SDBRD 9.0 - A little cluttered in the center with not the best instrument separation. Listenable. Bonus disc includes most of the same show in soundboard quality. -
Audience 9.7 - One of those recordings that validate my argument that some audience tapes are superior to soundboards. Lush and warm, with great atmosphere and precision detail. Wowsers! -
Soundboard 9.7 - If you can't get into this, you are dead from the neck up. Totally badassery here! Get it. -
Audience 6.7 - 6.9 - Fluctuates, can hear everything but there's a slight rumbling underneath. Quieter passages 7.5 -
Audience 6.6 – 7.0 - Noisy and one dimensional. The performance is special, Alex is inspired. There are moments of clarity on this tape, it is not complete garbage at all, but overall is not one of the best recordings out there. -
Audience 7.2 - Respectable audience capture if a little thin. You can enjoy this, add some bass though. -
Audience 7.3 - Probably once sounded atrocious but someone did a great remaster here. The sound occupies one thin frequency band but they got a lot out of it. I can hear everything, even though at full volume the sound breaks up a bit. -
Audience 7.5 -
Audience 9.0 -
Audience 8.5
