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Audience 9.0 - A very good recording, maybe a little “soft” but that is the house I think, bass is the predominant player, guitar is not as far up in the mix as one would prefer but it’s decent and all notes are audible. The drums are nice here, and the atmosphere is not pronounced but is present to some degree. It has the sense of just being a smaller venue, which it is, and so you sense that as you listen. Good players are joined up with Lenny, guys with plenty of jazz pedigree. Lenny White Golden Bear Huntington Beach, CA April 2, 1978 Early and Late Sets Disc 1 (Early Set) 01 Prelude: Theme For Astral Pirates (incl. intro) 02 Pursuit 03 talk / band intros 04 Mandarin Warlords 05 intros 06 And We Meet Again 07 Big City 08 Sweet Dreamer 09 Mating Drive Disc 2 (Late Set) 01 Intro, tuning, warmup 02 Chicken Fried Steak 03 talk / band intros 04 Universal Love 05 talk 06 Sunset Burgundy 07 talk 08 Theme For Astral Pirates (incl. Revival, Climax) 09 Assault 10 Sorceress Lenny White - drums, percussion Marcus Miller - bass Don Blackman - keyboards, vocals Jamie Glazer - guitar Nick Moroch - guitar -
Studio Quality 9.4 As expected, these are from studios sessions and having been remastered (to freshen the old tapes up), it sounds quite good. The material sounds a bit dated though, I mean I know it is Bowie but it’s probably not his best stuff in my opinion…some people like it though. David Bowie - Sigma Sound 1974 1. Young Americans [first take] 0:20. An incomplete version with no vocal. 2. Young Americans [second take] 2:57. An incomplete version which ends with David laughing after singing “President Nixon.” 3. Young Americans [third take] 5:40. A complete version with slight lyrical differences to the finished version. 4. Shilling The Rubes 5:09. Complete version. Towards the end of the song David says, “That’s going to be very nice when it’s got its hat on!” 5. I’m A Laser (The Gouster) 6:09. Complete version. 6. After Today 4:42. Complete version but played at a much faster tempo than the version released by Ryko in 1989. 7. Sweet Thing 4:43 (Ava Cherry on lead vocals). All tracks recorded on 13 Aug 1974 except track 7 which was recorded on 9 Jul 1974. -
All Soundboard 9.3 - This entirely depends on how much you want to hear blazing, inventive lead guitar and don’t mind if the bass sounds more like a rhythm guitar, That is what the bass sounds like to my ears, it’s there, but it’s not “low end” it’s more like a heavy rhythm guitar. It works for this style of rock though – and it’s all good stuff, if maybe a tad generic with the singing. BADLANDS Lost In The Shadows Disc 1 Richfield Coliseum Cleveland, Ohio 1989-09-23 1. -HARD DRIVER 2. -BALL & CHAIN 3. -DEVIL'S STOMP 4. -DREAMS IN THE DARK 5. -WINTER'S CALL 6. -Guitar Solo 7. -HIGHWIRE Palace Of Auburn Hills Detroit, Michigan 1989-09-22 8. -HARD DRIVER 9. -BALL & CHAIN 10. -DEVIL'S STOMP 11. -DREAMS IN THE DARK 12. -WINTER'S CALL 13. -Guitar Solo 14. -HIGHWIRE Disc 2 Hara Arena Dayton, Ohio 1989-08-30 1. -HARD DRIVER 2. -BALL & CHAIN 3. -WINTER'S CALL 4. -DANCING ON THE EDGE 5. -STREETS CRY FREEDOM 6. -JADE'S SONG - DREAMS IN THE DARK 7. -DEVIL'S STOMP 8. -Guitar Solo State Fairgrounds Du Quion, Illinois 1989-09-01 9. -HARD DRIVER 10. -BALL & CHAIN 11. -WINTER'S CALL 12. -DREAMS IN THE DARK 13. -DEVIL'S STOMP 14. -Guitar Solo 15. -HIGHWIRE -
Fillmore East 1969 Audience 8.4 - A bit of hiss is present, the music is not crystal clear until the guitar kicks in and then it comes alive. I’ll tell you what listening to this did for me: I started to understand why hippies tripped balls to Canned Heat, there is a very weird acid vibe going on, things get distorted and intense, and extremely psychedelic in a blues based presentation that is really kind of crazy. Maybe it was due to the band blowing up amplifiers, I don’t know but it’s intoxicating and you can’t stop listening to it, maybe it’s just this show, this weird recording that seems to do weird things…on purpose? You decide. Atlanta Pop Festival 1969 Audience 8.8 - A very interesting sounding old tape, with lead guitar and vocals quite present as if taper was real close but no distortion (although some tape hiss). The performance is bristling with acid blues rock electricity. It’s just palpable, I get these guys I really understand what the magic was. Canned Heat Fillmore East New York, New York, U.S.A. 02-07-1969 Disc 1 01 - Ain't That Lovin' You Baby 02 - Bullfrog Blues 03 - Sugar Mama - Bass solo 04 - Killin' Floor 05 - On The Road Again 06 - Bear Talking 07 - The Boogie Disc 2 1st Annual Atlanta Pop Festival Atlanta International Raceway Fulton County, GA July 4, 1969 01 -Going Up the Country 02 -Bring It on Home 03 -Number Nine Train 04 -When You're Twenty-Six 05 -Fried Hockey Boogie Line-up: Bob The Bear Hite - vocals, harp Alan Wilson - guitar, harp, vocals Henry Vestine - guitar Larry Taylor - bass Adolfo Fito de la Parra - drums -
Audience 9.3 - Super tight, clean recording from real close. Obviously a taper who knew what to do, and did it. Excellent! King Gizzard and the Lizard Wizard Coachella Valley Music and Arts Festival - Weekend 1 Outdoor Theatre Indio, CA 2022-04-15 01. -Intro 02. -Rattlesnake 03. -Honey 04. -Self Immolate 05. -Venusian 2 06. -Mars For The Rich 07. -Gaia 08. -Gamma Knife -
Audience 8.8 - I was surprised at just how good this sounded. The first half of the first song you wonder how it will be, and you fear it might wobble because taper is adjusting things on the fly but it gets sorted and wow, I have to give props to taper on this one! He sounds maybe halfway back in the venue, so not close up, but he’s using either high end consumer gear or maybe something more professional to be able to lock in his levels and get a really good timbre. Jethro Tull Hulman Center Terre Haute, IN 1975-10-17 Disc 1 01. -Audience Announcement 02. -Thick As A Brick 03. -Minstrel In The Gallery 04. -Wond'ring Aloud 05. -To Cry You A Song (with Flute Solo) 06. -A New Day Yesterday 07. -Skating Away On The Thin Ice Of The New Day 08. -Ladies (with Drum Solo) Disc 2 09. -War Child 10. -War Child Suite - Quartet 11. -Cross-Eyed Mary 12. -Bungle In The Jungle 13. -The Story Of The Hare Who Lost His Spectacles 14. -Aqualung 15. -Wind-Up 16. -Back-Door Angels 17. -Locomotive Breath 18. -Hard-Headed English General 19. -Back-Door Angels (reprise) -
Audience 8.8 - A good, bright recording that features rich bass, and strong vocals in particular. This allows you to hear the musicianship which believe it or not, these guys have! I also appreciate their nods to the classics. W.A.S.P. Elysee Montmartre Paris, France October 28, 1992 Disc 1 01 The Invisible Boy 02 The Real Me 03 L.O.V.E. Machine 04 Chainsaw Charlie (Murders in the New Morgue) 05 Wild Child 06 The Idol 07 The Headless Children 08 The Great Misconceptions of Me Disc 2 09 Hellion 10 On Your Knees 11 I Don't Need No Doctor 12 I Wanna Be Somebody 13 Blind in Texas -
Soundboard 9.1 - This is a strong, powerful sounding board with a pretty decent sound mix, although not super clear, but not a muddy mess…somewhere in between the two but leans toward being mostly clear. Metallica Live in Davenport, IA - DEAD HEROES May 30, 1986 Coliseum Ballroom Damage, Inc. Tour 1. Master Of Puppets 2. For Whom The Bell Tolls 3. Welcome Home (Sanitarium) 4. The Thing That Should Not Be 5. Cliff Burton Bass Solo 6. Damage, Inc. 7. Seek & Destroy 8. Creeping Death 9. Am I Evil? 10. Whiplash 11. The Four Horsemen 12. Motorbreath -
Soundboard 8.7 - This is the kind of soundboard that was probably meant just for soundman audio reference. It’s fine though, and generally speaking, way better than any audience tape because Metallica, especially in 1986 (I know because I saw them in ’86 and it was the loudest concert I’d ever heard) was so loud there wasn’t any way to get a good capture unless you had excellent gear with mic level adjustment. Metallica - Metal, Inc. Live @ The Coliseum, El Paso TX May 12, 1986 1. Master Of Puppets 2. For Whom The Bell Tolls 3. Ride The Lightning 4. Welcome Home (Sanitarium) 5. Seek And Destroy 6. Creeping Death 7. Am I Evil? 8. Damage, Inc. -
Audience 8.7 - This band, while not a household name by any stretch, actually did gain quite a following throughout Europe and even to a much lesser degree in the USA. They played a style of progressive rock that was accessible but did not convert to singing in English completely and that probably won over more fans in their home country. The recording here is clear, it provides just enough dynamics and detail to let you sink yourself into their sound, although the recording suffers some level problems towards the end, but recovers enough to end on a high note. The material is great, I am reminded of Pink Floyd, Eloy, and perhaps maybe a bit of ELP. Novalis Festival Nordestedt, Germany 1977-09-10 Disc 1 01 -Irgendwo, Irgendwann 02 -Wunderschätze 03 -Astralis 04 -Sommerabend Disc 2 05 -Track 05 06 -Wer Schmetterlinge Lachen Hört 07 -Track 07 08 -Track 08 09 -Es Färbte Sich Die Wiese Grün Brandung Feuer bricht in die Zeit Sonnenfinsternis Dämmerung -
Home Recordings 8.8 - You have to give props to Lou Reed because he can take an acoustic guitar and a bedroom atmosphere and crank out demos that you can’t ignore. The songs man, he can write! Lou Reed Demo Tape Recorded: Fall and Winter of 1970 1. I'm So Free 2. I Can't Stand It 3. Walk and Talk It Fall 1970 4. Going Down 5. Ride Into the Sun 6. I'm Stick With You 7. Lisa Says 8. Kill Our Sons (aka Kill Your Sons) 9. Lonely Saturday Night (aka Goodnight Ladies) 10. So in Love 11. She's My Best Friend 12. Looking Through the Eyes of Love (aka Oh Jim) Winter 1970 -
Amsterdam 1973 Soundboard 8.9 - Nice to have good, clean board tapes of this line up. I think this is his best band, and I think he sounds terrific here. Sheffield 1973 Soundboard 8.9 - Another great board tape featuring Lou’s best band. I love the sound of the band let alone their musicianship. Lou rises to the occasion, he knows he has to deliver or he’ll be overshadowed by these fine players. Thankfully, he actually does! Lou Reed "Berlin To Amsterdam To Sheffield" Disc 1 Concertgebouw Amsterdam 1973.09.20 01. Intro - Sweet Jane 02. How Do You Think It Feels 03. Caroline Says 04. I'm Waiting For The Man 05. Satellite Of Love 06. Walk On The Wild Side 07. Vicious 08. Oh, Jim 09. Heroin Disc 2 Oval Hall Sheffield 1973.09.29 01. Intro - Vicious 02. How Do You Think It Feels 03. Caroline Says I 04. I'm Waiting For The Man 05. Satellite Of Love 06. Walk On The Wild Side 07. Oh, Jim 08. Heroin 09. Rock 'n' Roll 10. White Light - White Heat Lou Reed - vocals Steve Hunter - guitar Dick Wagner - guitar Ray Colcord - organ Peter Walsh - bass Pentti Glan - drums -
Audience 8.8 - On the rarity scale this is one of those needle in a haystack recordings. It’s an obscure “group” (actually just a duo but here it sounds like they have some accompaniment), and the music straddles the fence between fold psyche and space rock (that’s a good thing). I would say this couple was trying to stretch something as far as they could in the context of a “folk” duo. Interesting material, very positive vibes! Emtidi Quarter Latin Berlin, Germany 1973 01. Unknown Title 02. Unknown Title 03. Die Reise 04. Unknown Title 05. Unknown Title 06. Saat 07. Touch the Sun 08. Unknown Title All attempts were made to decipher the unknown song titles. -
Studio tapes 9.0 - Great to hear this raw, early pre LP stuff because quite frankly it’s fantastic. It’s a different take because there is a real sense of urgency with this recording, like the band know it’s critical to make it happen or they remain bums on the streets of San Francisco. We all know what happened next. Metallica No Life 'Til Leather and Power-Metal Demos "No Life 'Til Leather"-Demos 1 -Hit The Lights 2 -The Mechanix 3 -Motorbreath 4 -Seek And Destroy 5 -Metal Militia 6 -Jump In The Fire 7 -Phantom Lord "Power-Metal"-Demos 8 -Hit The Lights 9 -The Mechanix 10 -Motorbreath - Jump In The Fire -
Soundboard 9.7 - I saw this band around the same time and I can tell you it’s great that there are board tapes around because even though they were spectacular live, the sound was very dense and there’s a lot going on. With this tape you can hear it all in glorious quality, it’s prime stuff, psychedelic rock taken to the next level. Ozric Tentacles April 26, 1994 Fox Theatre Boulder, Colorado, USA Disc 1 01. -Og-Ha-Be 02. -Erpland 03. -White Rhino Tea 04. -Vita Voom - Jurassic Shift 05. -Snakepit 06. -Dissolution Disc 2 07. -O-I 08. -Sunscapes 09. -The Throbbe - Pteranodon 10. -Space Between Your Ears 11. -Kick Muck 12. -encore - Poem 13. -Sniffing Dog Ed Wynne: guitar Joie Hinton: keyboards John Egan: flutes and babble Zia Geelani: bass Merv Pepler: drums -
Studio and Live 8.7 – 9.9 - A beautiful collection of recordings featuring the three original members (Tommy Shannon, Uncle John Turner, Johnny Winter) during various time periods over the decades. Most notable are the inclusion of some very rare 1969 studio sessions, and reunion material taken from Willie Nelson’s Arlyn Studios back in 1992. This material is outstanding and has yet to be officially released. Johnny Winter "Back Together Again 69-92" Disc 1 Johnny Winter with Edgar Winter Olympic Auditorium Los Angeles, CA 1970-03-07 01 -Mean Town Blues 02 -Talk To Your Daughter 03 -Mean Mistreater 04 -Johnny B.Goode 05 -Tobacco Road 06 -Drum Solo including a bit from "Frankenstein" 07 -Tell The Truth Band: Johnny Winter-Guitar,Vocals Edgar Winter-Sax,Electric Piano,vocals Uncle John Turner-drums Tommy Shannon-Bass Disc 2 The Nashville Sessions 1969 Recorded at "The Warehouse" studio Nashville, TN. 1969 1. -I'm Yours And I'm Hers (Take 1) 2. -I'm Yours And I'm Hers (Take 3) 3. -I'm Yours And I'm Hers (Take 5) 4. -I'm Yours And I'm Hers (Take 6) 5. -I'm Yours And I'm Hers (Take 7) 6. -I'm Yours And I'm Hers (Take 8) 7. -I'm Yours And I'm Hers (Take 15) Texas Gunslingers Sessions 1992 Arlyn Studios 1992 Austin, TX. 8. -Little Red Rooster 9. -Mother-In-Law Blues 10.-Shoulder Holster 11.-Shoulder Holster (Remix) 12.-Bandido (Greg Main on guitars) 13.-Parchman Farm (Greg Main guitars) 14. -Lo Down Situation (Greg Main guitars) -
Audience 8.3 - A dusty old tape, with signs of age including a bit of tape hiss. Sounds to me like this old tape could have benefited greatly from some remastering work but as it is, it’s listenable and a very fiery performance by the band. I like that you can hear every instrument, I think this recording has promise and I hope it gets a facelift soon. SPECIAL NOTE: Another title also going under the same date and venue has made the rounds but is in fact NOT Los Angeles 1970 (in fact it is listed on this site, so if you bought that, feel free to exchange it free of charge for the ACTUAL real date and venue that is that title - Anaheim 1970). JETHRO TULL L.A. FORUM INGLEWOOD, CA., USA OCTOBER 18, 1970 CD 1 101-INTRODUCTION 3:05 102-NOTHING IS EASY 6:37 103-MY GOD W/ FLUTE SOLO 13:09 104-WITH YOU THERE TO HELP ME > BY KIND PERMISSION OF... 14:30 105-A SONG FOR JEFFREY 5:03 CD 2 201-TALK 1:52 202-SOSSITY, YOU'RE A WOMAN > REASONS FOR WAITING > SOSSITY REPRISE 5:59 203-DHARMA FOR ONE W/ DRUM SOLO 18:45 204-CROWD/TALK 2:31 205-WE USED TO KNOW > 3:20 206-GUITAR SOLO > 9:00 207-FOR A THOUSAND MOTHERS 5:10 Ian Anderson: vocals, flute, acoustic guitar, percussion Martin Barre: electric & acoustic guitars Glenn Cornick: bass Clive Bunker: drums John Evan: keyboards -
Audience 9.1 - Taper is close to the action, and this gives the sound an exciting edge to it that pulls you in and doesn’t let you go. Guitar is palpable, drums are crisp and detailed, even organ sounds appear when a lot of other audience recordings seem to bury it. VERY cool and definitely a must have! Jethro Tull Anaheim Convention Center Anaheim, CA, USA October 19, 1970 01. Intro 0:50 02. Nothing Is Easy 5:53 03. Talk 1:41 04. My God 11:15 05. We Used To Know 3:22 06. Talk 1:10 07. With You There To Help Me / By Kind Permission Of... 12:24 08. A Song For Jeffrey 4:56 09. Sossity, You're A Woman / Reasons For Waiting / Sossity reprise 5:35 Ian Anderson - vocals, flute, guitars, percussion Martin Barre - guitar Glenn Cornick - bass Clive Bunker - drums John Evan - keyboards -
FM Broadcast 8.8 - A tape that sounds…1978. That doesn’t mean it’s bad at all, it’s just a rather dated sounding broadcast to my ears. That means it kind of captures the time period rather well, and the quality itself is pretty good, but not exhibiting the usual dynamic of an FM broadcast. Not enough 1978 era tapes of excellent quality though, so grab this one. ALICE COOPER Wendler Arena Saginaw, Michigan May 10th 1978 K.B.F.H. / WBCN FM Broadcast Aired July 9th 1978 1 -Ad For The Show 2 -WBCN Promo 3 -K.B.F.H.Intro 4 -Under My Wheels 5 -Billion Dollar Babies 6 -I'm Eighteen 7 -Is It My Body 8 -Devil's Food 9 -The Black Widow 10 -You and Me 11 -Only Women Bleed 12 -Escape 13 -I Never Cry 14 -It's Hot Tonight 15 -Lace & Whiskey 16 -School's Out 17 -Band Intro's and Solos - School's Out (reprise) 18 -K.B.F.H. THE BAND Alice Cooper vocals "The Cornhuskers" Jefferson Kewley guitar Davey Johnstone guitar Dee Murray bass Dennis Conway drums Fred Mandel keyboards -
Audience 8.8 - A great tape here! I heard pretty much everything happening on stage, and the mix is not bad. I was one of those who completely overlooked this band, and should have made more of an effort…but here we are now and I am digging it! The Tubes Pantages Theatre Los Angeles, CA February 22, 1978 Disc 1 01 Overture- Up from the Deep - Young and Rich - Madam I'm Adam - Mondo Bondage 02 Got Yourself A Deal 03 Show Me A Reason 04 God - Bird - Change 05 What Do You Want From Life 06 Special Ballet 07 Don't Touch Me There 08 Mondo Bondage 09 Smoke (La Vie en Fumer) 10 It's Not Unusual 11 Intermission Disc 2 12 Haloes 13 Be Mine Tonight 14 Crime Medley 15 Getoverture 16 Telecide 17 I Was A Punk Before You Were A Punk 18 I Saw Her Standing There 19 Drum Solo 20 Boy Crazy 21 Stand Up And Shout 22 White Punks On Dope -
Audience 9.0 - A really good recording seemingly done on good Japanese gear so you get a sense of placement, good sonic clarity and guitar tone is dialed in. A recording like this kind of adds that realism factor…I like that! Utopia Nakano Sun Plaza Hall, Tokyo December 12 1976 Disc One 01 -Overture - Communion With The Sun 02 -When The Shit Hits the Fan (Sunset Blvd.) - le Feel Internacionale 03 -Love of the Common Man 04 -The Seven Rays 05 -Windows 06 -Emergency Splashdown 07 -Freedom Fighters Disc Two 01 -The Verb To Love 02 -Initiation 03 -The Wheel 04 -Landmark 05 -Mister Triscuits 06 -Something's Coming 07 -Jealousy 08 -Boogies (Hamburger Hell) -
Audience 8.8 - Frighteningly close to the stage with a good, clear sound! The dynamics and clarity of “Out On The Western Plain” is spooky, it’s literally as if Rory was sitting there in your living room. RORY GALLAGHER Jahrhunderthalle Frankfurt Germany March 20th 1975 Disc 1 1 -Messin' With The Kid 2 -Tattoo'd Lady 3 -Want Ad Blues 4 -Cradle Rock 5 -Young Fashioned Ways 6 -A Million Miles Away Disc 2 7 -Walk on Hot Coals 8 -Out On The Western Plain 9 -Pistol Slapper Blues 10 -Too Much Alcohol 11 -Going To My Hometown 12 -Who’s That Coming 13 -All Around Man THE BAND Rory Gallagher guitar vocals Gerry McAvoy bass Lou Martin keyboards Rod de'Ath drums -
Audience 8.3 - Somewhat thin and rather raucus, with an outdoor venue quality and perhaps taper somewhere right in the middle – not close up and not too far – but even so, I find the guitar almost too overwhelming and can imagine what it was for the concert-goers that day. So, if you like your guitar really loud, here is your tape. RORY GALLAGHER Parc des Expos, Bordeaux, France October 19, 1978 CD 1 01 Shinkicker 02 Do You Read Me? 03 Secret Agent 04 I Wonder Who 05 Cloak And Dagger 06 Bought And Sold 07 A Million Miles Away 08 Moonchild CD 2 01 Out On The Western Plain 02 Too Much Alcohol 03 Goin' To My Hometown 04 Shadow Play 05 Tattoo'd Lady 06 Sea Cruise 07 Bullfrog Blues 08 Country Mile 09 All Around Man Rory Gallagher - guitar, vocals Gerry McAvoy - bass Ted McKenna - drums -
Audience 9.1 - Great stuff here! A wide, ambient, but solid capture. This recording has some kind of magical ability to place you in a seat close to the stage and hear what probably was the actual PA sound, not colored by tape machine or microphone limitations. Well done, well done! Donovan The Forum Inglewood, CA September 23-24, 1977 September 23, 1977 01 Cosmic Wheel (cut) 02 Sunshine Superman 03 Brave New World 04 Lady Of The Stars 05 Hurdy Gurdy Man 06 The Intergalactic Laxative 07 Local Boy Chops Wood 08 The Light 09 Mellow Yellow 10 Atlantis September 24, 1977 01 The Intergalactic Laxative 02 Local Boy Chops Wood 03 The Light 04 Mellow Yellow 05 Atlantis -
Audience 9.0 - A great recording that certainly gives you a good idea of what the ambience of the LA Forum was during that time period for an opening act! So, to be clear, it’s a somewhat sedate audience that allows you to hear pretty much every nuance. Shawn Phillips The Forum Inglewood, CA January 30, 1974 01 -Announcements, Millard Chatter and Tuning 02 -Song For Sagittarians 03 -Lookin' Up Lookin' Down 04 -Whaz' Zat 05 -Spaceman 06 -January First 07 -Bright White 08 -Moonshine 09 -She Was Waitin' for Her Mother... 10 -Keep On - Drum Solo 11 -Song For Mr. C -
Soundboard 8.8 - The audio is excellent soundboard but the mix leaves out most bottom end, although the bassist is there I can hear him sometimes! Is the recording trebly and thin? Nope. It’s a good recording, with everything you really came to hear which is guitar…and of that there is plenty. Ducking, diving, turning around on a dime, vibrating, electric and fun. I can highly recommend this even if the bass is…where’s the bass? More Bass Please ha ha! Still excellent, still worthwhile. JOHN CIPOLLINA / NICK GRAVENITES BAND (Thunder & Lightning) Milano, Palalido December 2, 1979 Disc 1 01. -Just a Little Bit 02. -Six weeks in Reno 03. -Lies 04. -Small Walk-In Box 05. -Stormy Monday 06. -Southside 07. -Not Fade Away - Cobra 08. -You Can't Judge a Book By Looking At The Cover Disc 2 09. -Mama Lion 10. -Born in Chicago 11. -Sweet Little Angel - Sweet Cocaine 12. -Junkyard in Malibu 13. -Down In The Bottom 14. -Dancing Queen 15. -Who Do You Love -
Soundboard 9.6 - This is a live soundboard compilation of songs from Kid A and Amnesiac, taken from the 2000 and 2001 tours. The songs are sourced from broadcasts, internal promos and individual tracks that Thom gifted to a fan and is just the kind of thing if you want to discover what this band was about before you dive into the deep end of the pool. A very very well thought out release. Note: Thom's recordings were raw soundboard feeds that have been matrixed with audience recordings to provide more atmosphere and to blend with the rest of the tracks. 01 The National Anthem (Verona) 02 Morning Bell (Dublin) 03 I Might Be Wrong (Jersey City #2) 04 Dollars & Cents (Verona) 05 You And Whose Army? (Nijmegen) 06 Optimistic (Dublin) 07 In Limbo (Adenau) 08 Packt Like Sardines (Vaison la Romaine) 09 Knives Out (Hollywood) 10 Pyramid Song (Jersey City #2) 11 Kid A (Berlin) 12 Idioteque (London) 13 Everything In Its Right Place (Atlanta) 14 How To Disappear Completely (Jersey City #1) 15 Motion Picture Soundtrack (Dublin) BONUS TRACKS: 16 The Thief (Warrington) 17 Cinnamon Girl (Paris) SOURCES 2000-07-04 Berlin, DE - Großer Sendesaal des SFB (Pro-Recorded Promo) 2000-09-16 Nijmegen, NL - Goffertpark (Broadcast) 2000-09-24 London, UK - Victoria Park (Soundboard/Audience Matrix) 2000-10-02 Warrington, UK - Victoria Park (Broadcast) 2000-10-07 Dublin, IE - Punchestown Race Course (Pro-Recorded Promo) 2001-04-28 Paris, FR - Studio Canal+ (Broadcast) 2001-05-28 Vaison La Romaine, FR - Theatre Antique d'Vaison (Soundboard/Audience Matrix) 2001-05-30 Verona, IT - Verona Arena (Soundboard/Audience Matrix) 2001-06-01 Adenau, DE - Nürburgring (Broadcast) 2001-07-30 Atlanta, GA - Stone Mountain Park (Soundboard/Audience Matrix) 2001-08-16 Jersey City, NJ - Liberty State Park (Soundboard/Audience Matrix) 2001-08-17 Jersey City, NJ - Liberty State Park (Soundboard/Audience Matrix) 2001-08-20 Hollywood, CA - Hollywood Bowl (Soundboard/Audience Matrix) -
Soundboard 8.9 - There is no problem with the audio fidelity of this title, it sounds great – but that is not to say there is not a problem with it. So, it’s basically like this: If you want to hear what Radiohead themselves consider their biggest ever gig, than you will have to deal with what sounds like a quadraphonic recording in stereo…which basically means you get an in/out phasing effect almost throughout the entire show. Is that a deal-breaker? It might be, then again it’s not a muddy audience tape it is a very good board so the negative effects are not nearly as horrible as they could be. Radiohead 1993-04-02 Tel Aviv, Israel 01 - You 02 - Prove Yourself 03 - Ripcord 04 - Vegetable 05 - Faithless, The Wonder Boy 06 - Creep 07 - How Do You 08 - Stop Whispering 09 - Lurgee 10 - Million Dollar Question 11 - Anyone Can Play Guitar 12 - Pop Is Dead 13 - Thinking About You 14 - Killer Cars 15 - Banana Co. 16 - The Bends 17 - Blow Out 18 - Creep 19 - Rhinestone Cowboy -
Audience 8.9 - By ’73 audiences had realized King Crimson was not a typical “rock” band and this recording captures the experience of a group of people seeing and hearing something entirely unlike your basic rock concert. The taper was well positioned and used very good gear, and this source sounds very much like either 1st gen or master it is quiet (although just the faintest bit of tape noise) and has captured the ambience and mood of the gig which is nice. Both shows are represented, what a fine document this is! King Crimson Majestic Theater Dallas TX 1973-06-09 1st and 2nd shows Disc 1 1. -Larks' Tongues In Aspic, Part One 2. -Greeting 3. -Easy Money 4. -Improvisation 5. -Exiles 6. -The Talking Drum 7. -Larks' Tongues In Aspic, Part Two 8. -21st Century Schizoid Man 9. -Crowd 2nd show 1. -Dr. D 2. -Larks' Tongues In Aspic, Part One 3. -Greeting 4. -Easy Money 5. -Improvisation 6. -Exiles 7. -The Talking Drum 8. -Larks' Tongues In Aspic, Part Two 9. -Applause 10. -21st Century Schizoid Man -
Audience 8.8 - Very exciting club shows recorded in a way that makes you wonder if the band themselves did not have it done. It is very clear, the only knock I give it is maybe the passage of time took away some of the brilliance, and/or it’s not a first gen tape…but it’s really good! THE CARS Boston 1977 Disc 1 Rathskeller Boston, MA Set 1 & 2 April 30th 1977 set 1 1. -Leave Or Stay 2. -Cool Fool 3. -Don't Cha Stop 4. -My Best Friend's Girl 5. -Show me that your mine 6. -I Don't Want To 7. -Strawberry Moonlight 8. -You're All I've Got Tonight 9. -Just What I Needed set 2 10. -Bye Bye Love 11. -Take or Leave Her 12. -City Lights 13. -Jezebel Disc 2 Set 2 cont'd 14. -Take What You Want 15. -My Best Friend's Girl 16. -Something Else 17. -Just What I Needed 18. -Cool Fool Rathskeller (Rat) Boston, MA June-xx-1977 1. -Intro 2. -Leave Or Stay 3. -Cool Fool 4. -I Don't Want To 5. -I'm In Touch With Your World 6. -Unknown 7. -Come Back Down 8. -You Always Say 9. -You've Been On My Mind 10. -You Can Have 'Em -
Chicago 1979 Soundboard 8.8 - A little bit on the “ragged” side mix-wise, with strong kick drums and guitar, vocals next. Sound quality is decent due to it being a soundboard but some instruments are placed well behind such as keyboards. It is a high energy sound, a real sonic blast to be sure. Denver 1979 Soundboard 9.3 - A refreshing and bright board tape, mixed well and everything is heard pretty clearly. Keyboards still mixed lower down the chain of command but now I think I understand this idea – while the band is playing it’s simply keyboard accompaniment, and when it’s keyboards time, he’s brought up louder. Works for me. Long Island 1979 Audience 8.7 - A pretty decent tape for this hall, the bass sounds very nice, full and round, guitars are a little back, vocals are present and up front more or less. So, all in all unless you have to have Ritchie blasting full on into your eardrums, which he is during his solo bits, this one will sit nicely in the collection and I even think it will find a repeated listen or two. Rainbow USA 1979 Disc 1 International Amphitheatre Chicago, Illinois 12th October 1979 1. -Introduction 2. -Eyes Of The World 3. -Love's No Friend 4. -Bach Brandenburg Concerto - Over The Rainbow 5. -All Night Long 6. -Keyboards Intro 7. -Lost In Hollywood 8. -Guitar Solo 9. -Beethoven 9th 10. -Keyboards Solo 11. -Drums Solo incl. 1812 Overture 12. -Long Live Rock 'N' Roll 13. -Kill The King incl. Guitar Crash 14. -Long Live Rock 'N' Roll (reprise) Disc 2 Rainbow Music Hall Denver, Colorado 16th November 1979 1. -Introduction 2. -Eyes Of The World 3. -Love's No Friend 4. -Since You Been Gone 5. -Guitar Solo - Brandenburg Concerto - Over The Rainbow 6. -All Night Long 7. -Keyboards Intro 8. -Lost In Hollywood 9. -Beethoven's 9th 10. -Keyboards Solo 11. -Drums Solo incl. 1812 Overture 12. -Lost In Hollywood (reprise) 13. -Guitar Solo 14. -Man On The Silver Mountain 15. -Blues 16. Long Live Rock 'N' Roll 17. -Over The Rainbow Disc 3 Hempstead Calderone Concert Hall Long Island, New York 30th November 1979 1. Introduction 2. -Eyes Of The World 3. -Love's No Friend 4. -Since You Been Gone 5. -Guitar Solo - Brandenburg Concerto - Over The Rainbow 6. -All Night Long incl. Happy Birthday Roger 7. -Keyboards Intro 8. -Lost In Hollywood 9. -Guitar Solo - Beethoven 9th 10. -Keyboards Solo 11. -Drums Solo incl. 1812 Overture 12. -Lost In Hollywood (reprise) 13. -Guitar Solo 14. Lazy 15. -Man On The Silver Mountain 16. -Blues 17. -Long Live Rock 'N' Roll 18. -Over The Rainbow Ritchie Blackmore - Guitar Graham Bonnet - Vocals Cozy Powell - Drums Roger Glover - Bass Don Airey - Keyboards -
Soundboard 9.2 - Very nice to hear this great quality board because it’s a good period for not only Caravan but progressive rock, and by extension, Canterbury style prog/jazz. CARAVAN Rose d'Or Festival Pavillon, Casino de Montreux Montreux, SWI April 29th 1972 1. -RIFFERAMA - NOTHING AT ALL - IT'S COMING SOON 2. -NOTHING AT ALL 3. -THE LOVE IN YOUR EYES - TO CATCH ME A BROTHER - SUBSTULUS - DEBOUCHEMENT - TILBURY KECKS 4. -WATERLOO LILY 5. -SONGS AND SIGNS Pye Hastings - guitar & vocals Steve Miller - organ Richard Sinclair - bass & vocals Richard Coughlan - drums