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Audience 8.1 - A tape new to circulation and it is decent sounding. It has some force behind it, although lacks some definition but with only a very few ’73 era Barnstorm tapes out there, this is a most welcome find. -
Audience 8.6 - A “crisp” sounding tape, emphasis on drummer and vocals in the mix but you also can really hear the background keys which is nice. Not saying Joe is buried, just that this house mix seems very democratic in allowing all players to have a presence. I appreciate hearing how much the piano and keys helped shape this material. The audience is very respectful, and they love their Joe, that’s for sure. -
Soundboard 9.3 -
Radio Broadcast 9.7 - Great job on the recording by the station. -
Audience 8.7 - Is it possible to be too good of a player? I mean, he’s clearly got mastery of the instrument, and the material, but there’s something about a player that gets too close to the edge that excites me, like Rory Gallagher for instance, you know, where it seems at any moment they might just completely take it to the ragged edge – and Joe has a very controlled fire in contrast which is fine, but I need more. Fans will love this performance, he’s clearly at the top here. -
Audience 8.8 - Sonically it sits in a good place. Although separation of instruments is a little quirky to my ears, the signal is very strong, as if right in front of the main PA system, but Plant is crystal clear, and the guitar/bass combo is super fat right behind him. It makes for an interesting experience, really giving a sense of being in the front row. -
Audience 8.6 and Audience 8.5 ... two shows are represented in this set, and both sound similar but the 2nd disc sounds maybe a touch more distant and less defined, but also less overloaded. Both sets are guitar-centric, so Page admirers are going to be good good with this set. -
Pro Studio 9.8 - Glorious sound quality, and the intimate setting of the Record Plant radio broadcasts back in the day is just perfect here because we all know what happened to this guy’s career after Margaritaville took off…would have been hard to reproduce such intimate settings after that. Jimmy Buffett with Roger Bartlett, Jerry Jeff Walker & Bob Livingston The Record Plant Sausalito, CA October 24, 1974 KSAN-FM Broadcast 01. The Wino And I Know 4:46 02. Pencil Thin Mustache 7:35 03. They Don't Dance Like Carmen No More 4:49 04. Trying To Reason With Hurricane Season 5:38 05. Saxophones 5:13 06. Door Number Three 5:34 07. Livingston's Gone To Texas 4:38 08. Railroad Lady 4:42 09. Dallas 5:32 10. A Pirate Looks At Forty 6:30 11. Peanut Butter Conspiracy > 'Satin Doll' Outro 5:09 Jimmy Buffett - guitar, vocals Roger Bartlett - guitar, backing vocals Bob Livingston - guitar, mandolin, backing vocals Jerry Jeff Walker - guitar, piano, backing vocals -
Soundboard 9.5 - More of the pre-Woodstock rehearsals this time taking place in upstate New York at the infamous “Shokan House” and sounding primo. Disc 1: 1. Back On The Desert (aka. Dance On The Desert) > Acoustic Medley 2. Izabella > The Rumble 3. Izabella / Machine Gun Jam 4. Univibe Jam 5. Message To Love 6. Mannish Boy 7. Mannish Boy > Izabella > You Make Me Feel 8. Ain't Got Nobody 9. The Dance 10. Sundance 11. Freeform Jam Disc 2: 1. Izabella 2. Izabella 3. Izabella 4. Message To Love 5. Jam Back At The House (aka. Beginning) 6. Jam in E 7. Jam Back At The House (aka. Beginning) 8. Machine Gun / If Six Was Nine 9. Flute Instrumental 10. Flute Instrumental 11. Why I Sing The Blues Alternate mixes: 12. Izabella [alternate mix with lower percussion] 13. Sundance [alternate mix with echo] Disc 3: 1. Lover Man 2. Lover Man > Drums 3. Hear My Train A-Comin' 4. Spanish Castle Magic 5. Instrumental Jam 6. Jams with Mitch incl. Villanova Junction Alternate mixes: 7. Flute Jam (from "leakage channel") 8. Instrumental Jam (Flute Jam mixed out) 9. Jams > Villanova Junction (Flute Jam mixed out) -
Jimi Hendrix Gypsy Sun & Rainbows NY Soundboard 9.5 - Rehearsals for the Woodstock Festival that took place in New York in 1969, sounds incredible! Disc 1 (46:32) 01 Freedom (29) Jam (8:00) 02 Message to Love (3) (2:35) 03 Message to Love (50) (6:18) 04 Easy Blues (1) (complete) (10:12) 05 Easy Blues (3) (edited) (7:41) 06 Easy Blues (2) (more edited mix) (4:35) 07 Jam Back at the House (13) (2:23) 08 Jam Back at the House (15) (4:19) Disc 2 (78:50) 01 Izabella (1) (0:19), Izabella (2) (1:07) 02 Izabella (3) (4:44) 03 Izabella (4) (0:40), Izabella (5) (1:07) 04 Izabella (6) (3:40) 05 Machine Gun (1) (12:18) 06 Machine Gun (2) (alternate take) (12:39) 07 Izabella (25) (mono mix) (3:40) 08 Izabella (28) (stereo mix) (3:39) 09 Machine Gun (3) (8:11) 10 Machine Gun (38) (11:19) 11 Machine Gun (39) (7:28) 12 Machine Gun (40) (1:19) Disc 3 (70:31) 01 Jungle Jam / Jam Back at the House (3) (5:58) 02 Valleys of Neptune (22) (instrumental) (3:54) 03 Blues for Me and You (2) (10:29) 04 Blues for Me and You (1) (10:00) 05 Lover Man (45) (instrumental, stereo) (3:42) 06 Blues for Me and You (3) (8:55) 07 Lover Man (4) (instrumental, mono) (4:18) 08 Blues for Me and You (4) (edited) (5:43) 09 Stepping Stone (1) (15:22) -
Aud 6.9 - Not an impossible one, for instance, vocals and guitar are here, although in a not-so-hi-fi form. That being said, the guitar bombastics in this show are second to none. He’s really letting it all fly, so I figure he was getting a good sound from his backline and he was in a terrific mood. Fiery show and worth getting for that alone. -
Aud 8.9 - This was probably recorded on a reel to reel, who knows it could have even been Jimi’s machine? Very good quality! -
Aud 7.2-7.5 - A fluctuating rating because I can hear the potential for this tape as it depends on what he is playing where it is average and where it is pretty decent. Tape noise is a factor, and that can be removed (modern technology). Otherwise, Jimi is present, especially his singing. -
CD 1 Aud 6.8 This one is pretty rough, but if you got Vol. 1, than this set completes the Texas picture (with the exception of the Houston gigs). CD 2 Aud 7.2 -
CD 1 Aud 8.2 Nice version here, must be a very low gen tape source. CD 2 Aud 8.3 I like this recording a lot, it’s a touch overloaded but you hear a very realistic sound, pretty close to what you may have heard standing close to the mains. Maybe a little bit of tape saturation (not distortion, two different things!), otherwise this one is very fun to hear putting you right in the middle of it all. -
Aud 8.2 - At times this really shines, at times a little crowded too, but really a wonderful piece of history. One of the better audience tapes of the time period for sure. -
Studio Quality Sound 9.2 -
Pro Studio Quality 9.8 The BEST collection you can find for the money. Put together by people who wanted to give you only “the goods” and not just endless noodling or naked mixes. Fantastic and intoxicating! -
Aud 8.3 - Now Hendrix collectors all know that good quality 68 tour recordings are in short supply, so when they pop up, well it’s a no-brainer…so we have two no-brainers here for you. Both are very decent, and the Vancouver in particular is very cool in both sound and performance. -
Pro Studio 9.6 - A great collection with pretty much the most essential stuff out there. -
Pro Studio 9.6 - A great collection with pretty much the most essential stuff out there. -
Aud 7.4 - Lo-Fi sound to be sure but the upside is that it’s not a sludge wall of sound mess here. Guitar is reasonably clear and louder than everything else by far as it sort of cuts right through this tapes’ audio spectrum. Drums peak through the haze next followed by distinguishable bass notes, and Jimi is remarkably clear as far as hearing every word he sings. Let your ears adjust to the narrow bandwidth and you are going to enjoy this show a lot more. It has many good qualities to offset a lack of sonics. Less loud songs shine through the clouds. -
Aud 7.6 - Large stadium sound with that telltale reverby sound but really pretty clear with just a touch of tape saturation that doesn’t hurt too much thankfully. You can get into this one. -
CD SDBRD 9.1 DVD EX Pro rare footage of the concerts. This is an excellent set and it is nice to have it all put together in one place. -
Pro Studio 9.8 -
Aud 7.1 - Cacaphony, yes – but wait a minute! There’s something more here, and it kicks ass. Jimi is SHREDDING this gig and the tape gets all JIMI all the time. This is the Jimi show folks, the tape delivers on that end and is rewarding for the listener in the end. -
Aud 8.3 - Sometimes a touch subdued, but overall quite a thrill ride. A very clear tape with some great low end to it. Jimi seems just a little buried vocal wise but you will not care because the guitar is extremely satisfying since it rings out clear during solos. A great tape in many ways really. -
Aud 7.2 - Thin, like a small transistor cassette deck recording but surprisingly the narrow bandwidth allows Jimi’s guitar to penetrate and come to the center, so you are treated to a Jimi fest on this tape. Lo Fi, yes, but it’s the Jimi show with a cutting guitar sound with that tell tale stadium echo that gives it a nostalgic vibe. I kind of like this tape. Really interesting capture! -
Aud 8.2 to 8.8 - The sound varies a little bit as the set progresses, mainly because it is a rotating stage and therefore sounds great when the stage is in front of the taper. The DVD is fascinating, a real treasure! -
Aud 7.1 - Here’s an interesting situation, a marginal recording that is clear and audible. How can that be? It’s a transistor cassette deck recording, but the capture is centered, and the band is actually clear, just lo-fi. A recent remastering really brought out some of the music and to my ears lifted this tape out of “curiosity only” and into actual collectable status. -
Aud 9.0 - One of THE BEST audience tapes yet to be officially released by Dagger. You just have to have this if you collect Jimi. -
Aud 7.3 - Gets better, is loud but not too overloaded. Small club atmosphere, a real treasure of a ’68 show. -
Pro Studio Quality 9.3 features Stephen Stills and other luminaries of the time. A nice artifact! -
Various sources SDBRD 9.0 Aud 8.6 - In order to present the entire concert, various sources had to be used but it’s well worth dealing with some level fluctuation because this is a smoking hot gig. The DVD presents the film that was shot of the entire festival, it is kind of dark and grainy in spots, other times it is nice and bright. Perhaps this is why it was never officially released? -
Aud 7.3 - Low levels, but surprisingly clear for this tour. You get this for the set list obviously as he played gems like Are You Experienced and Spanish Castle Magic. Disc two features the additional material from other venues and is very decent sound. -
Aud 7.3 – 7.5 - This recording ranges due to the fact that it is a 3 source merge. When it is at a 7.5 or even higher, it is pretty good stuff, like Red House for instance really shines. The weaker parts of the show just lack some definition and clarity but you can hear everything on stage, with some atmosphere too. Overall it is a special show, you get that sense from the bands performance. -
Disc 1 Philadelphia 1969 Aud 6.5 Pretty bad one, sound is distant and distorted due to Jimi’s insane volume and lack of taper knowledge of simple dynamics. Disc 2 Philadelphia 1970 aud 7.2 A relief to the ears after playing disc one of this set. -
Aud 7.5 - A very decent and clear recording from perhaps a little further back in the hall than one would prefer, but guitar is prominent, then drums and bass with Jimi vocals a little bit behind the noise. Also, I am glad the sound has a little separation, enough to discern everything that is going on, so big plus there! -
A mix of pro SDBRD and decent aud. The sdbrd is 9.5, the aud portion is 8.0 and taken from a vinyl source. There are a handful of tracks taken from a film audio source and those are great as well. -
Aud 6.9 - A smoking hot show marred by sub par recording quality. That being said, collectors will want this due to the scarcity of live recordings during this part of the 1968 Tour (notwithstanding the excellent Ottawa show now legitimately released). -
Aud 8.4 - A very good, clear tape for the time (includes Corn Exchange and Saville Theater 67 both excellent). Only problem is, the taper recorded less than 1 minute on almost every song except for a Red House. Kind of infuriating. (Red House is complete and smokes! It seems this was recorded by someone who interviewed Hendrix, so he probably just wanted small pieces to embellish his interview tape to be broadcast at his college station or something). -
Aud 8.4 - Oh how I love this show! Why? It’s reasonably clear with only a bit of upper level distortion – but man, this just blows EVERYTHING away! The set list for one, it’s got some little gems on it, and the playing – YUP – he’s killin’ it. What else? Oh, a very intimate feel, just has a sort of immediate impact kind of sound. Mitch and Noel are spot on, Jimi feeds off of their energy as well as the audience. A MUST! -
Studio Quality 9.7 Kind of a classic amongst the collectors due to its great song flow and high level playing and jamming. -
Aud 6.9 - Not very good, but I think someone has mastered this nonetheless because a lot of the mid band muck is gone, and you can hear Jimi sing! You get his guitar next in this mix, and at times the sun peaks from behind the clouds. I think, if you are a collector, this is of historical importance due to Jimi’s connection with the Southern blues. -
Sale!
Jimi Hendrix Masterworks Volume One Canister Disc 1: Club Filips, Stockholm 07.09.67 [Hansson & Karlsson Jam] (excerpts only): 1. -Jams I - XII Scene Club, New York City, NY 18.03.68 [Jam with Jim Morrison a.o.] 2. -Red House 3. -I'm Gonna Leave This Town 4. -Bleeding Heart 5. -F.H.I.T.A. Jam Disc 2: Unidentified New York City Night Club apr.1968 1. -Hoochie Coochie Man Cafe Au Go-Go, New York City, NY 17.03.68 2. -Instrumental Jam 3. -Drunk Again 4. -Jam III 5. -Little Wing Disc 3: Cafe Au Go-Go, New York City, NY 17.03.68 1. -Everything's Gonna Be Alright 2. -Stormy Monday 3. -Three Little Bears 4. -Jam Disc 4: Generation Club, New York City, NY 07.04.68 [Jam with Buddy Guy] 1. Jam With Buddy Guy Generation Club, New York City, NY 15.04.68 [Jam with B.B.King] 2. -Ad Libbed Impromptu Blues 3. -Kooper's Shuffle 4. -Like A Rolling Stone 5. -San Ho Zay 6. -Intro by B.B.King 7. -Slow Blues Disc 5: Generation Club, New York City, NY 15.04.68 [Jam with B.B.King] 1. -Fast Blues 2. -It's My Own Fault 3. -Intro by B.B.King Pop Expo '69, Hollywood Palladium, Hollywood, CA 30.03.69 [Jam with Delaney & Bonnie] 4. -Backstage interview by Jay Harvey 5. -Tuning Up 6. -Blues Jam 7. -outro Tinker Street Cinema, Woodstock, NY 10.08.69: 8. -The Dance 9. -Sundance 10. -Earth Blues 11. -Star Spangled Banner Disc 6: Jimi's 12th St. Apt. January 1970 1. -Astro Man - Valleys Of Neptune 2. -Power Of Soul 3. -Country Blues 4. -Room Full Of Mirrors Record Plant January 7th, 1970 5. -Chrokee Mist - Astro Man 6. -Stepping Stone 1 7. -Stepping Stone 2 Disc 7: TTG Studios, Los Angeles, CA. October 1968 1. -Jam 5 2. -Jam 6 3. -I Just Wanna Make Love To You 4. -Jam 1 5. -Jam 2 6. -Jam 3 7. -Sunshine Of Your Love 8. -Jam 4 9. -Sunshine Of Your Love Disc 8: TTG Studios Oct.'68 1. -Jam 4 2. -Izabella 3. -Unknown Song 4. -Unknown Song 5. -Calling All Devil's Children 6. -Calling All Devil's Children 7. -Calling All Devil's Children 8. -Unknown Song 9. -Hear My Freedom 10. -Electric Church 11. -Look Over Yonder 12. -The New Rising Sun Disc 9: 1. -Peace In Mississippi 2. -Slow Walkin' Talk 3. -Jam 1 4. -Jam 2 5. -Jam 3 6. -Everything's Gonna Be Alright 7. -Lover Man Intro 8. -Lover Man 9. -Lover Man 10. -Session Thing Disc 10: 1. -Gloria 2. -Red House 3. -Let Me Stay 4. -Magic Carpet 5. -Morning Glory 6. -Mr. Guy Fawkes 7. -Yes I Need Someone 8. -Someone Is Sure To Want You 9. -The Clown 10. -Captive In The Sun (Eire Apparent w/Hendrix) 11. -Look Over Yonder (Rainbow Bridge LP Mix) 12. -Gloria 13. -Red House 14. -Gloria (Unedited) -
Aud 7.4 - Thankfully this is not too much of a muddy mess, I give an average rating not because it is that bad, mainly because it is kind of distant but someone mastered it and kicked up the levels so it sounds closer. -
Aud 8.8 - Exceptional for an audience capture during this time period. Taken from three sources and merged, this tape offers the listener a really good idea of what to have expected from Jimi and company in 1970. Powerful, if not a little unbalanced at times, but infinitely enjoyable. -
Aud 8.8 - Utterly fantastic! Early experience, very good sound, total grooviness abounds.