-
Soundboard 8.6 -
Audience 8.4 -
Soundboard 9.7 - This one has a great mid range tightness, and well rounded bottom end without sacrificing any highs at all. It’s pro for sure. Really tasty! -
Audience 8.6 - It’s easy to find board tapes from most of their tours so I can understand why one might take a pass on an audience tape but you do get a different perspective here, it’s a “bouncier” sound, a more kinetic feel to the happenings and you know, the Cure sometimes drones on a bit so I like having a recording that helps keep things moving. -
Soundboard 9.2 - I like these intimate sounding gigs, with tight and punchy mixes. A great early set! -
Soundboard 9.5 - Solid all the way through. A band who’s sound and style is suited for larger venues and consequently they are usually always well mixed and balanced. Nice One! -
PRO 9.5 - Great collection! -
Soundboard 9.5 -
Pro 9.4 - Obviously this is super clean, but I thought some bottom end was missing. Still, it smokes! -
Sale!
Soundboard 8.7 - Some hiss present, but otherwise it’s a good board tape. -
Sale!
Soundboard 9.3 -
Soundboard 8.8 - This is a revelation. I had this tape for years and it was marred by annoying distortion in the low frequencies. This remaster cures a lot of that, and consequently you get a much more enjoyable and fun experience out of this show. You have to appreciate this band, when back in the day we rebelled against it because we hung onto our Rush, Zeppelin, Floyd and Van Halen but this music is a nod and a wink to the 60’s garage groups, just done in a ‘modern” setting. Kudos to The B52’s for having originality and humor too. Luv it. -
Audience 8.9 - Could be a pro recording to my ears. -
Audience 8.3 - Kind of an intimate sound, most of this is great and clear but when he stomps on that electric, it gets a little hot. Mostly he is on acoustic though, and it’s great. Lovely show. Miss this guy. -
Audience 7.8 - Thin to win, well yeah it’s kinda like that because though it is not exactly booming hi fi, it does allow one to appreciate this man’s guitar wizardry at a time in his career where you can literally hear him transitioning out of hard psyche rock into blues rock. Not a lot of Taste live recordings out there, this is a complete show, it’s worth having. -
Audience 9.3 - A great, loud and clear tape, some very minor tape hiss is all but when the music is cranking it ain’t even there. Hot guitar, screaming tone, mean blues riffing everywhere. -
Audience 9.5 - Interesting recording, it’s very clear and present and you might assume it is a board tape, but it sounds like mic capture to my ears. Very bright and clear, a MUST have! -
Pro 9.6 - Possibly recorded for an LP or broadcast but either way it is superbly detailed. Lovely! -
Audience 8.6 - This is hard to rate because the recording is both good and bad at the same time, depending on how you like to get your music delivered into your ear. Why? Because it is separated, one side gets vocals and the other side gets massive guitar, with drums going across both speakers…and I LOVE it! But, you may not, it depends I guess on your taste. -
Audience 8.5 - Everything very present, only faults are the loss of uppers and lower frequency response due to limitations of analog tape and time. You can add some EQ, although this does sound reasonably fine as it is but season to taste. -
Audience 7.2 - A lot of work went into restoring the sound on these previously un-circulated recordings. History abounds, I mean, you have post-Cream Clapton jamming with Ginger Baker! Very rare, very cool. Oh, and by the way The Jeff Beck Group shreds! -
Audience 8.3 -
Radio Broadcast 8.7 - A little generation tape hiss but a good and clear, solid broadcast with excellent instrument sound separation. The band is a hybrid jazz/prog and rock with certain influence by Frank Zappa, Miles Davis, PFM, and Gentle Giant. -
Studio and Live - Excellent source material used, especially the studio stuff. The June 10, 1979 performance is perhaps the weakest tape here but one can still hear all the action from the stage even if it sounds a little far back. Fans consider the Accolades set to be a classic piece, it’s easy to hear why. -
Audience 8.8 - Very well recorded, superb atmosphere! -
Audience 8.8 - Captured live at his home away from home, Fitzgerald’s Club in Houston, this is perhaps one of the very best small club gigs ever recorded. It has a certain vibe, perhaps that is why this show has a very special place in the hearts of SRV collectors. -
Soundboard 8.7 - Sounds like it comes from a video source, with some of that compression factor present. For such a major stadium act, there are surprisingly few tapes out there of him. -
Audience 9.0 - A very clear and atmospheric recording, no stage banter is lost, in fact this is pretty much in your face presence all the way. Good stuff! -
FM Radio Broadcast 8.6 -
SDBRD 8.8 - Good quality broadcast with some static in places, maybe some old school FM radio compression but nothing that really offends the ears. This is quite good. -
Radio Broadcast 8.7 - The organ sounds killer on this. Vocals up front, mixed for radio. -
Various sources, all generally very good to excellent. Well worth picking this up. -
Audience 8.6 - Clean, and solid dynamics make for a great listen. -
Audience 8.5 - Taken from the master source, this high energy show reveals a band on the rise. Captured from the balcony, the sound is pretty much what came from the house P.A. system and is, as could be expected, insanely loud and therefore not clear and distinct but certainly forceful and once the ears adjust, is pretty realistic. Coming from a master source, it is free of tape noise and other artifacts. -
Audience 8.3 - A serviceable tape that presents a very round bottom end but has a good solid middle during less frenetic jams, and in turn this also reveals great snappy highs. What I think it is, it’s a loud kick drum that intrudes during active sections, not too badly, but it does push itself too far into the mix. Still GREAT stuff and highly recommended. -
Audience 7.2-7.6 - From various locations (taper tries very hard and sometimes moves equipment to a better spot, so quality varies). -
Audience 8.7 - Actually not bad but it’s very close to the main PA and thus loud and noisy. There’s an annoying frequency somewhere between the mid and high that needs to be compressed. At first I thought this was a soundboard, it might be mistaken for one. It’s so close to the speakers, I mean this recording puts you in the front row. I do like it despite my concerns. -
Audience 7.4 and 8.4 -
CD 1 - Soundboard 8.6 - Sounds very low gen but the tape seems somewhat compressed, but very clean, and thankfully can be turned up loud without breaking up. CD 2 - Soundboard 8.6 - A lot like disc one, occasional phasing on one or two tracks, but again it is pretty clean and a mix that reveals how good each player is in this band. CD 3 - Soundboard 8.4 - A step down from the first couple of discs but it has a little more brightness to it, and a little more noise and a strange sort of echo on the guitar which does not bother me, it is just different than the other discs. All in all, collectors will find much to like here. -
Audience 8.8 - This is a really nice one, pretty atmospheric without being reverby and hollow and the live sound mix is pretty right-on. The sound separation here presents itself as what feels like stereo to me, whether or not taper used two mics I do not know but it does sound like it. The band is really hot! -
Soundboard 8.8 - A good and clear tape. -
Soundboard 9.4 -
Audience 7.7 - While the ratings may show this to be an average sounding tape, let me reveal my own bias for a moment. This is Rush’s best tour. You may argue with that, I mean, the previous two tours were pretty amazing too. I find the set list and performances of the Permanent Waves tour to be exceptional, and this show, while maybe not the best of the lot, does reveal yet more of the Rush mystique. A recording that requires 10 minutes to adjust to but eventually begins to sound pretty decent apart from a guitar that sits behind the action a little (except during solos). A little boomy but not a deal breaker. A good, not great, tape. -
Audience 8.6 - Sometimes, a rating cannot reflect the magnitude of a recording. I can specifically say that this one is only an 8.6 in a sonic sense, which means it is very good and worthwhile, but man, let me tell you what this show REALLY is – it’s an 11. Why? Because this is, quite simply, Rush in an unbelievable fine form playing their (arguably) best stuff, and the recording has captured that and a very palpable atmosphere at the same time. A little clarity is lost in the bass/guitar separation as they seem to sound as one unit which is not such a bad thing as it creates a sonic roar, a lion’s roar it is too, but it does get a little crowded in that frequency range. But, it captures an amazing power those two had on stage, the sound is ferocious and menacing. -
Audience 8.4 - This is a case of a show, actually let me re-phrase that, this WAS a show that many collectors lamented as being a superb performance marred by very marginal sound quality. Not anymore! Friends, this new direct from master source and re-mastered version of this totally excellent gig is simply a joy to get to listen to in this improved quality. Not that it is astounding, in fact it still has issues, but the jump from what it was (about a 7.3) to what it is now is too great an improvement to not shower heaps of praise upon it. Note: It doesn’t get good until about halfway through the first song, then there is a little cut in the tape, and then it gets noticeably better and better. -
Audience 7.6 - I have it in my mind to collect every single performance the band did in Toronto. That means I am gonna get some good, some bad, some in between. This is probably some in-between. Not horrible but not great either. Now, I will say this, let your ears adjust and you get a reasonably clear but phasing sound. Recorded from somewhere pretty well back of the auditorium, sounds like. -
Audience? Hard to tell if this is an audience or soundboard, it is really good. If it is audience, then it was done very close to the mains but no distortion at all, but I doubt that because there is very precise stereo panning on some of the effects (such as intro to 2112). If it is a soundboard, it is a good one because it allows some bleeding in of the crowd and atmosphere. -
Audience 7.3 - Noisy, but a pretty huge bass crunch which will appeal to the those who like it heavier sounding. The size of the hall does confuse the frequencies and so you get too much mess in the middle and what not but you can hear this and get used to it and it will pull you in. A good performance!