• Brand New - Sealed  Sound quality on all releases on this label is excellent. Glasgow & Dortmund 1982.
  • Audience 8.2 - Good clear sound if a little distant and thin. Small complaint though, because it is not bad at all.
  • various sources SDBRD 9.8 and audience 8.7 - The first disc contains superior, professional recordings that were sourced from a vinyl album. This stuff is ridiculously good, in every sort of way. The second disc contains an audience tape that is not bad having been refreshed with a recent re-mastering that has lifted decades of dust off it to reveal a pretty cool document. SAVOY BROWN Live 1969-1970 Disc 1 Connecticut College New London, UK. 1969 1 -Instrumental ............ 07:27 2 -I'm Tired ............... 04:50 3 -Train To Nowhere ........ 05:26 4 -Louisiana Blues ......... 24:40 Kinetic Playground Chicago, IL. 1969 5 -I'm Tired ............... 03:01 6 -A Hard Way To Go ........ 05:22 7 -A Little More Wine ...... 06:19 8 -Rock & Roll Boogie ...... 04:08 9 -Shake Rattle & Roll ..... 08:24 Leicester, UK. 1969 10 -It Hurts Me Too ......... 04:25 11 -May Be Wrong ............ 07:27 Disc 2 Fillmore East New York, NY. Dec. 19th, 1970 1. -Blues Jam 2. -Sunday Night 3. -Leavin' Again 4. -It Serves You Right To Suffer 5. -Louisiana Blues 6. -Shake, Rattle and Roll Players: Bass Guitar – Tone Stevens Drums – Roger Earl Lead Guitar – Kim Simmonds Piano – Bob Hall Rhythm Guitar – Dave Peverett Vocals – Chris Youlden  
  • Audience 8.4 - Punchy in the middle, how I like it!
  • Radio Broadcast 8.8 - One thing that I really appreciate about this recording is how you can hear a real separation between bass and guitars. This is not typical of a heavy metal concert recording unless recorded and mixed for a specific purpose, such as a broadcast. So, while the sound itself might tend to be on the "brassier" side - it's not a knock...it's a way of trying to describe how there's plenty of bass but not necessarily in the form of that typical metal low end boomy sludge sound. It's got definition and I like that.
    Savatage Harpo's Detroit, MI. June 14th, 1985
    1. Introduction 2. City Beneath The Surface 3. Skull Session 4. Warriors 5. Midas Knight 6. Visions Of Hell 7. I Believe 8. Necrophilia 9. Rage 10. Drum Solo 11. Holocaust 12. Guitar Solo 13. Washed Out 14. Sirens 15. The Dungeons Are Calling 16. Power Of The Night 17. Scream Murder 18. Twisted Little Sister 19. On The Run 20. By The Grace Of The Witch 21. The Whip
  • Soundboard 9.7 - All excellent, all must haves imho. What you get sound-wise is a rich, deep tone, the Berlin tape in particular which features emphasis on the bass which is massive but detailed. The music here is more progressive than Samba, and Carlos does sometimes resort to familiar guitar runs but he also flashes a lot of other tricks and convinces the listener that he’s not a one-trick pony at all. Best I can tell here is that Devadip Ochestra is a decent attempt to take what Mahavishnu Orchestra did and accent it in different ways. Well done Carlos!

    The Devadip Orchestra Disc 1 Deutschlandhalle Berlin, Germany November 8, 1978 01 Swapan Tari 02 Ocean Floor 03 Arise Awake 04 Light Versus Darkness 05 Jim Jeannie 06 Gardenia 07 Jharna Kala Ekeberghallen Oslo, Norway November 13, 1978 08 Swapan Tari 09 Ocean Floor 10 Arise Awake 11 Light Versus Darkness 12 Jim Jeannie 13 Gardenia 14 Jharna Kala Disc 2 Groenoordhal Leiden, Holland November 17, 1978 01 Swapan Tari 02 Arise Awake 03 Light Versus Darkness 04 Jim Jeannie 05 Gardenia 06 Oneness 07 Jharna Kala Carlos Santana: guitar/percussion David Margen: bass Graham Lear: drums Chris Rhyne: keyboards Russell Tubbs: flute/sax

  • Soundboard 9.4 - Incendiary is all I can say to describe this. High level guitar going on, be prepared for off the charts shred before shred was even a thing.
  • Soundboard 9.0 - A good, strong board tape, and a typically high quality Santana performance. This tape has been given a little facelift to reveal better dynamics, less hiss, and more depth in the bottom end, and high mids attenuated to make for a smooth, comfortable listening experience. Santana Pioneer Super Session Yokohama Stadium Yokohama, Japan August 2, 1981 Disc 1 1. Narration 1:12 2. Blue Lagoon 12:10 3. Band Intro 2:02 4. ?? 6:48 5. ?? (Rock n Roll) 6:31 6. Primera Invasion 19.02 8. Searching 5:54 9. Tales Of Kilimanjaro 2:59 10. Black Magic Woman 6:12 Disc 2 11. Well Alright 3:45 12. The Sensitive Kind 4:36 13. American Gypsy 6:39 14. She's Not There 7:44 (guest intro Neil Schon) 15. Ready to Fly 11:36 16. Shake Your Money Maker 9:20 17. Europa 8:53 18. Soul Sacrifice 13:13
  • Soundboard 9.4 - This is great, not only a very good, strong and clear board tape but also a superb performance by everyone. There is one small caveat here, starting at Bambele and extending through 5 more songs there is the presence of tape hiss (not too bad during the songs but very noticeable when quiet) which was probably the result of the engineer using a tape brand different to whatever he used for the rest of the show which has no tape hiss at all. Santana The Arena St. Louis, MO February 14, 1973 Disc 1 01 Going Home - A-1 Funk - Every Step Of The Way 02 Samba Pa Ti 03 Look Up (To See What’s Coming Down) 04 Just In Time To See The Sun 05 Incident At Neshabur 06 Bambele 07 Stone Flower 08 Batucada Disc 2 09 Xibaba (She-Ba-Ba) 10 Stone Flower (Reprise) 11 Waiting 12 Castillos De Arena, Part 1 (Sand Castle) 13 Free Angela 14 Promise Of A Fisherman 15 Aranjuez 16 Mantra 17 Castillos De Arena, Part 2 (Sand Castle) 18 Earth 19 Se A Cabo 20 Savor 21 Toussaint L’Overture Carlos Santana (guitar/percussion/vocals) Douglas Rauch (bass/guitar) Michael Shrieve (drums) Jose “Chepito” Areas (percussion) Armando Peraza (percussion/vocals) Tom Coster (keyboard/vocals) Richard Kermode (keyboard)  
  • Soundboard 9.5 - Good, airy, and dynamic tape! I also like the way this is mixed, and the playing is top shelf by anyone’s standards. The only small thing I can complain about is a little too much sizzle on the cymbals.
  • Soundboard 9.6 - This tour was well documented with a plethora of expertly recorded board tapes. This is no exception, the quality, both in terms of sound and mix, is worthy of official release. Then there is the other measure of greatness – performance. Well, it’s Santana at their creative peak, where everything came together and they were riding the crest of a wave…which lasted a good long time. Santana Gimnasio do Palmeiras Sao Paolo, Brazil October 19th, 1973 Carlos Santana (g/perc/vo) Douglas Rauch (b/g) Richard Kermode (kbd) Tom Coster (kbd/vo) Leon Thomas (vo) Michael Shrieve (ds) Jose "Chepito" Areas (perc) Armando Peraza (perc/vo) Disc 1 (76:16) T1 -Going Home - A-1 Funk - Every Step Of The Way- 20:28 T2 -Black Magic Woman - Gypsy Queen - 9:22 T3 -Oye Como Va-5:47 T4 -Bambele 2:28 T5 -Um-um-um 7:11 T6 -Batucada 3:42 T7 -Xibaba (She-Ba-Ba)- 3:42 T8 -Stone Flower- 1:19 Disc 2 T1 Waiting- 4:24 T2 Castillos De Arena (Sand Castle)- 3:36 T3 Free Angela - Aranjuez- 13:07 T4 Samba De Sausalito- 3:30 T5 Se A Cabo-- 7:38 T6 Samba Pa Ti- 10:26 T7 Savor - 3:29 T8 Toussaint L'Overture- 08:07
  • Soundboard 9.5 - A great, loud, but very well balanced board, and it has some dynamics to it, and even manages to allow some atmosphere to creep in. After all, it was New Year’s Eve so you gotta get some of the atmosphere in there. Explosive! Santana New Year's Eve 1976 Cow Palace, SF. Dec. 31, 1976 1 Carnaval - Let The Children Play - Jugando 2 Black Magic Woman - Gypsy Queen 3 Dance Sister Dance 4 Revelations 5 Oye Como Va 6 Maria Caracoles 7 Savor - Toussaint L'Ouverture 8 Let Me 9 Europa 10 Band Introduction - Soul Sacrifice 11 Let The Music Set You Free
  • Soundboard 9.4 - What a great year for Santana, really it all came together 71-72 and they were smart to record a number of shows in preparation for the live album release that became known as "Lotus" (the Japan 1972 show which is great). Any one of these other ’72 shows could have been the album as they are all stellar.

Title

Go to Top