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Audience 7.5 - Some depth for a one dimensional middle of the stadium recording. Bass is in a good place, relatively clear but somewhat distant. -
Audience 8.7 - A little lack of definition in the bottom, but at least it has bottom end. There is also some atmosphere, so you feel the arena somewhat. A strong recording! -
Audience 7.6 - What really saves this tape is the fact that it sounds like a master source – very clean virtually no noise, but you are sitting with the crowd and the band is…hmmm…not distant but not in your face, somewhere in between, and it sounds like a small venue. It’s fascinating to be honest, I really like it. -
Soundboard 9.4 - Killer, rehearsals for the Counterparts Tour. -
Audience 7.8–8.3 - Stick with this one all the way through. Taper finds the sweet spot eventually. I rather enjoyed this one! -
Audience 9.4 - One of the most exciting tapes, the sound leaps at you in amazing clarity and detail where you just get the sense that you are right there watching the gig. Great job by the taper, wish I could thank them personally. -
Audience 7.2 - Oh how I wish these mid 70’s Toronto shows were well recorded, because the band was always fired up about playing there. This one suffers from a lack of sonic clarity and separation of instruments, has background noise, and occasionally drifts over to one channel and back again. A flawed jewel for collectors only. -
Audience 7.3 - Raucous show, loud but does not distort. Not too bad. -
Audience 8.7 - Pretty straightforward recording, has good center balance, good mix, everything loud and clear and makes for a pretty enjoyable listen. -
Audience 8.4 - There’s some tape noise on this that should have been removed but I find this thin but pleasant, it’s not an annoying thin it’s just a limitation of the gear. Can EQ to taste, it will respond well I think. -
Audience 7.2 - A rare show, but sadly no Necromancer. -
Audience 7.3 - Probably once sounded atrocious but someone did a great remaster here. The sound occupies one thin frequency band but they got a lot out of it. I can hear everything, even though at full volume the sound breaks up a bit. -
Audience 7.2 - Respectable audience capture if a little thin. You can enjoy this, add some bass though. -
Audience 6.7 - 6.9 - Fluctuates, can hear everything but there's a slight rumbling underneath. Quieter passages 7.5 -
Audience 9.3 - I find this to be one of the best of the tour recording-wise. Once you get past the first song, it opens up dramatically and completely thrills. No need for Equalizer or boost on this one, it's quite great the way it is. -
Audience 8.2 - Not the very best capture of the tour so far but at least it has plenty of room to add your own flavoring. It's a recording that does need a masters touch to bring out the detail but that being said I did enjoy the show and found I adjusted to the recording. A good audience with room for improvement but worth picking up, complete the collection, and love the artwork! -
Audience 9.3 -
Pro Radio Broadcast 9.5 -
Soundboard 9.0 - Great guitar tone, but when did Rory ever not have that? But, it just leaps outta the speakers here. A really tight gig, the band is HOT HOT HOT! -
Soundboard 9.3 - Clear and bright, a solid recording with the only real fault that I find in the mix is a little “sloppiness” with the cymbals but other than that…sit back and enjoy! -
Soundboard 9.2 with Audience 7.8 patches - A red hot show that thankfully is available in great quality with previously missing parts filled in with the long traveled audience tape. -
Pro 9.7 - Studio recordings of impeccable quality. -
Audience 8.6 - Tape clears up a little bit after the first couple songs, and, it has kind of low volume but you can turn it up and it’s fine. Actually, this is very good because the crowd is very respectful here, so the quieter numbers are very, very warm and nice. -
Audience 8.6 - What is great about this tape is that again you have a situation where the highs are completely intact, in some parts maybe too much, but it lends itself perfectly to EQ’ing since you have no worry about losing highs. Great live energy, a great performance (when does he not?) also. -
Audience 7.8 - Thankful to have this one, so the less than perfect sound does not faze me, besides it’s actually decent. I get every instrument, especially Rory’s guitar and the bass, which actually has some definition to it. The only caveat is the lack of a dynamic quality, but the dynamics are provided by the playing, which is off the chain good. A memorable gig (joined by fellow Irish luminary Phil Lynott)! This is Blues Rock as performed by absolute masters. -
Volume 2: CD 1 - Soundboard 9.5 CD 2 - Soundboard 9.5 CD 3 - Soundboard 9.2 CD 4 - Audience 9.2 CD 5 - Audience 9.2Disc 1BBC 1-7-721. Tore Down 2. Used To Be 3. Hoodoo Man 4. Pistol Slapper Blues 5. The Cuckoo 6. Going To My Hometown 7. In Your Town 8. Bullfrog Blues7-10-72 Bob Harris Show9. I Could've Had Religion 10. Messin' With The Kid 11. The CuckooDisc 22-5-73 Tommy Vance Show1. Walk On Hot Coals 2. Banker's Blues2-21-73 Saturday Rock Show3. Unmilitary Two Step 4. If I Had A Reason5-12-73 Saturday Rock Show5. Tattoo'd Lady 6. Cradle Rock 7. A Million Miles Away1974-10-21 Ancienne Belgique, Belgium8.Garbage Man 9.A Million Miles Away 10.Cradle Rock 11.Tattoo'd Lady 12.Pistol Slapper Blues 13.Too Much AlcoholDisc 3Rory Gallagher My Father's Place, Roslyn, NY, Sept 3, 197401 Tattoo'd Lady 02 Early In the Morning 03 Cradle Rock 04 Just A Little Bit 05 Walk On Hot Coals 06 A Million Miles Away 07 Hands Off 08 Bullfrog BluesDisc 46-20-74 Bob Harris Show1. Tatoo'd Lady 2. Messin' With The KidThe Bottom Line, New York City, New York, USA, 08th February 197603) I Take What I Want 04) Messin´ With The Kid 05) Too Much Alcohol 06) Out on the Western Plain 07) Ain´t Too Good 08) Walk On Hot Coals 09) Tattoo´d Lady 10) Bullfrog Blues (fades out) -
Volume 1: CD 1 - Pro Radio Broadcast 9.5 CD 2 - Belgium 1974 - Pro Radio Broadcast 9.4 & Soundboard 9.1 CD 3 - Roslyn, NY 1974 - Soundboard 9.1 CD 4 - Bob Harris 1974 - Soundboard 9.1 and The Bottom Line, NY 1976 - Soundboard 8.7Disc 1BBC 1-7-721. Tore Down 2. Used To Be 3. Hoodoo Man 4. Pistol Slapper Blues 5. The Cuckoo 6. Going To My Hometown 7. In Your Town 8. Bullfrog Blues7-10-72 Bob Harris SHow9. I Could've Had Religion 10. Messin' With The Kid 11. The CuckooDisc 22-5-73 Tommy Vance Show1. Walk On Hot Coals 2. Banker's Blues2-21-73 Saturday Rock Show3. Unmilitary Two Step 4. If I Had A Reason5-12-73 Saturday Rock Show5. Tattoo'd Lady 6. Cradle Rock 7. A Million Miles Away1974-10-21 Ancienne Belgique, Belgium8.Garbage Man 9.A Million Miles Away 10.Cradle Rock 11.Tattoo'd Lady 12.Pistol Slapper Blues 13.Too Much AlcoholDisc 3Rory Gallagher My Father's Place, Roslyn, NY, Sept 3, 197401 Tattoo'd Lady 02 Early In the Morning 03 Cradle Rock 04 Just A Little Bit 05 Walk On Hot Coals 06 A Million Miles Away 07 Hands Off 08 Bullfrog BluesDisc 46-20-74 Bob Harris Show1. Tatoo'd Lady 2. Messin' With The KidThe Bottom Line, New York City, New York, USA, 08th February 197603) I Take What I Want 04) Messin´ With The Kid 05) Too Much Alcohol 06) Out on the Western Plain 07) Ain´t Too Good 08) Walk On Hot Coals 09) Tattoo´d Lady 10) Bullfrog Blues (fades out) -
Soundboard 8.8 -
Audience 8.5 - Should be a higher rating but for the mastering where the mids are so hot. Put this through your Equalizer and bring the mid band down a little bit and you have a very strong recording. The highs are insane, not screechy just detailed, and the low is present, so just fiddle with the mids because it’s just too hot there. -
Audience 9.7 - This is the result of VERY diligent and committed tapers. First: get there early. Second: don’t leave until the last bit of sound comes out the P.A. Then, do a damn fine job! That sums up this experience, because that is what it is: An Experience. Well done sir! -
Audience 9.3 - Another spectacular capture that presents a detailed soundfield and plenty of atmosphere to sink yourself into the show as if you were there. Excellent! -
Soundboard 9.2 -
Soundboard 9.4 - I love the live mix on this one, it’s not a cookie cutter board mix. One of the best I have heard! -
Audience 9.0 - Right in the pocket! Solid, devastating, loving it! -
Soundboard 8.8 - Not without its share of problems, this is a good tape to have. I can’t explain the strange phasing issue, with what sounds like a funky stereo to mono and back again drop out every so often. Needs a good remastering with some multi band compression. Still, it’s a soundboard. -
Audience 9.2 - Supremely LIVE and vibrant with maybe the slightest touch of tape noise that effects this absolutely zero because it simply DESTROYS everything, it is so good. -
This entire set is meant to fill in a collector’s gaps. CD 1 - Audience 8.0 - Thin and distant but you do get to hear everything happening, not muddy, and not echoey, so this has bright spots CD 2 - Audience 7.6 / CD 3 -Soundboard 9.5 / CD 4 - Audience 7.5 / CD 5 - Soundboard 8.8 -
Audience 8.6 - The number score doesn’t tell the story on this show. The “flaws” here work to the advantage of the listener depending on what you like about live recordings. In this case, it’s too loud, a touch distorted (not distracting at all), and maybe slightly compressed but man, what a show and the recording delivers max energy and excitement. I LOVE this tape! It is absolutely brimming with power and energy. -
Audience 9.5 - Pro recording that will have the hairs on the back of your neck standing. Only one flaw, the vocals are a little buried in this mix until about a quarter of the way into the first song but then they fix the mic problem and its smooth sailing. -
Soundboard 9.3 - Fantastic stuff, really will give you a profound appreciation for Robert’s early solo work. -
Audience 8.8 - What a great range on this tape. Solid low end meeting up to a very accurate mid range and the highs are not burnt to a crisp but there when you need them to be. Solid Solid Solid! -
Audience 9.5 - This is what happens when professional equipment is brought in by an audience member who knows what he is doing. Could be released officially, it’s so good. -
Soundboard 9.1 - You can hear some bleed through during quiet times and when band is not playing but when they are playing it is loud and punchy, good mix. -
Various sources ranging from 9.0 to 9.7 - High quality live and studio. -
Soundboard 9.3 - This tour of Japan has gone down in Rainbow history as being the most fiery performances. Everyone playing superbly, and as always Dio is perfect. -
Audience 8.2 - Clear recording with some interesting “wide” vocal panning that is probably an effect from the hall, but it’s cool! -
Audience 9.0 - Vocals come through shining! -
Audience 9.1 - A concert recording that defines the term “immersive”. So, you are basically transported back in time and placed into a seat pretty close to the stage, sitting next to a couple of enterprising tapers. The audience is a part of this experience, it’s open, vibrant, clear, and dynamic and you are right in the middle of it all. Dang, you really should dive into this one if you do not have it.