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Four Discs of music that will melt your brain. All are either Very Good or Excellent quality, so it’s not a jarring experience to sit through all four discs, they have a certain continuity to them. I think this is a great time period of music and these guys were just on another level. It’s a fun thing to ponder, whether there are any bands that can do this sort of thing today – and the answer is “I really don’t think so”. SOFT MACHINE TIME TRIPS 1969-1972 Disc 1 Live at the Lyceum, London, October 5, 1969 Lineup Mike Ratledge – Lowery Organ, Piano Hugh Hopper – Bass (Fuzz Bass) Robert Wyatt – Drums, Vocals 1. Moon In June (17:45) 2. Facelift (4:43) 3. Eamonn Andrews (5:57) 4. Mousetrap-Noisette-Backwards-Mousetrap reprise (7:16) 5. Esther's Nosejob (11:27) Disc 2 6. improv - Facelift middle section reprise (3:50) 7. Dedicated To You But You Weren't Listening (0:21) 8. We Did It Again (3:38) 9. Noisette reprise (0:56) 1970-10-10 Ronnie Scott's Jazz Club London England Lineup Elton Dean - alto sax Hugh Hopper - bass Mike Ratledge - organ Robert Wyatt - drums, vocals 10. -Facelift 11. -Kings and Queens 12. -Virtually (pts.2 & 3) 13. -Slightly All The Time 14. -Eamonn Andrews 15. -Esther's Nose Job 16. -Fire Engine Passing with Bells Clanging - Pig - Orange Skin Food - A Door Opens and Closes - 10.30 Returns To The Bedroom (pt. 1) - Pigling Bland - Esther's Nose Job (reprise) - 10.30 Returns To The Bedroom (pt. 2) Disc 3 Casino Lido, Venice, Italy September 24, 1971 1. - Drop - MC - Out-Bloody-Rageous (20:57) 2. - All White Slightly All The Time - Plain Tiffs (21:22) Lineup Elton Dean - alto sax, saxello, fender rhodes electric piano Mike Ratledge - organ, fender rhodes electric piano Hugh Hopper - bass Phil Howard - drums Disc 4 Piper Club, Rome, Italy 24 April 1972 01 -All White - 7:47 02 -Slightly All The Time 1 - 8:39 03 -Slightly All The Time 2 - 3:36 04 -Drop - 5:56 05 -MC - 5:24 06 -Out-Bloody-Rageous - 14:00 07 -As If 1 - 1:01 08 -As If 2 - 0:50 09 -As If 3 - 3:33 10 -As If 4 - 5:19 11 -As If 5 - 0:26 12 -LBO - 9:04 13 -Pigling Bland - 5:04 Line Up: Mike Ratledge - organ, electric piano Hugh Hopper - bass Elton Dean - alto sax, saxello, electric piano John Marshall - drums
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Audience 8.3 - A serviceable tape that presents a very round bottom end but has a good solid middle during less frenetic jams, and in turn this also reveals great snappy highs. What I think it is, it’s a loud kick drum that intrudes during active sections, not too badly, but it does push itself too far into the mix. Still GREAT stuff and highly recommended.
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FM Broadcast 9.6 - Crystal clear, immaculate and precise, a joy to listen to!
SNACK Benefit Students Need Athletics, Culture & Kicks Grateful Dead, Tower of Power, Santana Doobie Brothers, Jefferson Starship, Joan Baez, Neil Young and Bob Dylan with Levon Helm, Garth Hudson, Rick Danko, Ben Keith, Tim Drummond Kezar Stadium San Francisco, CA. March 25, 1975 DISC I: Interviews w/Garcia & Paul Kantner (03-23 by James Cameron) * GRATEFUL DEAD - Intro by Bill Graham Blues For Allah Milkin' The Turkey Drums Milkin' The Turkey Blues For Allah ENCORE: Johnny B. Goode DISC II: TOWER OF POWER: Intro. Tis Is It Down To The Nightclub Walking In The Sand You're The Most You're Still A Young Man SANTANA: Intro.> Jam> Black Magic Woman> Gypsy Queen> Let The Children Play> Oye Como Va> Los Breos Soul Sacrifice DISC III: DOOBIE BROTHERS Jesus Is Just Alright' Neil's Fandango Take Me In Your Arms Black Water Workin' On You Without Love JEFFERSON STARSHIP Ride The Tiger Fast Buck Freddy Git Fiddler Play On Love Around The World Sweeter Than Honey DISC IV JEFFERSON STARSHIP (cont.) Somebody To Love Volunteers JOAN BAEZ I Shall Be Released Make It Through The Night Bridging The Gap Joe Hill All My Trials the Night They Drove Old Dixie Down A Hard Rain's A Gonna Fall Amazing Grace DISC V: NEIL YOUNG, BOB DYLAN, BEN KEITH, GARTH HUDSON, LEVON HELM, RICK DANKO, TIM DRUMMOND Are You ready For The Country? Ain't That A Lotta Love Lookin For A Love Loving You I Want You The Weight Helplesss Knockin' On The Dragon's Door
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Soundboard 8.8 - A strong and clear tape with a mix that heavily favors drums and bass. That gives it a massive, sledgehammer to the skull sound - which can't be bad.
Slayer "Diabolus In The East" Nakano SunPlaza Hall Tokyo, Japan October 08, 1998 ** Bonus DVD Tokyo, Japan Akasaka Blitz July 15, 1998 Disc 1 01. BGM 02. S.E. 03. Bitter Peace 04. Death´s Head 05. Evil Has No Boundaries 06. Hell Awaits 07. War Ensemble 08. Stain Of Mind 09. South Of Heaven 10. Raining Blood 11. Dittohead 12. Gemini 13. Die By The Sword 14. Black Magic 15. Captor Of Sin 16. In The Name Of God Disc 2 01. Scrum 02. Dead Skin Mask 03. Seasons In The Abyss 04. Chemical Warfare 05. Mandatory Suicide 06. Angel Of Death * Bonus Tracks: Tokyo, Japan Akasaka Blitz July 15, 1998 07. South Of Heaven 08. War Ensemble 09. Death´s Head 10. Dead Skin Mask 11. Dittohead 12. Stain Of Mind 13. Chemical Warfare Bonus DVD: 01. South Of Heaven 02. War Ensemble 03. Death´s Head 04. Dead Skin Mask 05. Dittohead 06. Stain Of Mind 07. Chemical Warfare -
Soundboard 8.9 - Man, this is just amazing. It sounds a little dated, maybe a little faded, but definitely NOT jaded! The live sound mix isn't perfect here, I think guitars should be louder (but at least in this board I can hear every note of the bass) but in defense of the guitars I can hear both of them somewhat distinctly. Vocals do suffer, they are pushed well back of the mix, at times they get closer to the right spot, but it's all good they are there but just not at the center of the mix. I think this is classic stuff. Slayer Country Club Reseda, LA, CA. September 7th 1985 Hell Awaits Tour 1. Hell Awaits 2. Aggressive Perfector 3. Captor Of Sin 4. The Final Command 5. Haunting The Chapel 6. Praise Of Death 7. Fight Till Death 8. Necrophiliac 9. Black Magic 10. Die By The Sword 11. Crypts Of Eternity 12. Hardening Of The Arteries 13. The Antichrist 14. At Dawn They Sleep 15. Show No Mercy 16. Crowd 17. Evil Has No Boundaries 18. Chemical Warfare Tom Araya – bass, lead vocals Jeff Hanneman (R.I.P.) - lead and rhythm guitar Kerry King – lead and rhythm guitar, backing vocals Dave Lombardo – drums
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Soundboard 8.8 - This is the one the fans have all been waiting for. There are a lot of recordings out there from this period but NONE sound like this! Ferocious! The drums are frightening, vocals up front and scary AF. Midrange is a little busy, but it all sounds so much better than what I am used to listening to, and you know the reality is that unless you are listening to a board tape, this band is damn hard to listen to just because of the cacophony they generate on stage. So, the consensus here is that this has to be considered as a MUST have. SLAYER Blue Moon Oberhausen, Germany 20th June 1985 1. Introduction 2. Hell Awaits 3. Aggressive Perfector 4. Captor of Sin 5. The Final Command 6. Kill Again 7. Crypts of Eternity 8. Fight Till Death 9. Haunting the Chapel 10. Hardening of the Arteries 11. Black Magic 12. Die by the Sword 13. The Antichrist 14. At Dawn They Sleep 15. Show No Mercy 16. Chemical Warfare Tom Araya - bass, vocals Kerry King - guitar Jeff Hanneman - guitar Dave Lombardo - drums
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Soundboard 8.7 - What we have here with these two shows are a couple of primitive soundboards, and by that I mean they may have run the sound through the board but what ended up on the tape is NOT what you would expect. It's not a manicured, expert mix and pristine sound, it's a very raw, brutal, loud, obnoxious, hellish, and violent turbulence of sound that somehow fits the vibe to a tee. This is Slayer, in 1985, and it sounds like it. Wonderful in its rawness, brutal in its aggressive sonic assault, and 100% vintage Slayer.
Slayer The Dawn Of Slayer Disc 1 Katwijk aan Zee, Netherlands May 31, 1985 1. Hell Awaits 2. Aggressive Perfector 3. Captor of Sin 4. The Final Command 5. Haunting the Chapel 6. Praise of Death 7. Fight Till Death 8. Necrophiliac 9. Black Magic 10. Die by the Sword 11. Crypts of Eternity 12. Hardening of the Arteries 13. The Antichrist 14. At Dawn They Sleep 15. Drum solo 16. Show No Mercy 17. Evil Has No Boundaries 18. Chemical Warfare Disc 2 Luttenberg, Netherlands June 2, 1985 1. Hell Awaits 2. Aggressive Perfector 3. Captor Of Sin 4. Fight 'Til Death 5. Kill Again 6. Haunting The Chapel 7. Necrophiliac 8. Black Magic 9. Die By The Sword Disc 3 10. Praise Of Death 11. The Final Command 12. Crypts Of Eternity 13. Hardening Of The Arteries 14. At Dawn They Sleep 15. Drum Solo 16. Show No Mercy 17. Evil Has No Boundaries 18. Chemical Warfare 19. Encore Break 20. The Antichrist -
Soundboard 9.2 - In this mix, vocals are front and center, followed next by drums (cool) and guitars which sound just evil AF. This is surely one all fans will slay for (see what I did there?). Slayer Elkerlyck Luttenburg, The Netherlands 2nd June 1985 01 - Hell Awaits 02 - Aggressive Perfector 03 - Captor Of Sin 04 - Fight 'Til Death 05 - Kill Again 06 - Haunting The Chapel 07 - Necrophiliac 08 - Black Magic 09 - Die By The Sword 10 - Praise Of Death 11 - The Final Command 12 - Hardening Of The Arteries 13 - At Dawn They Sleep 14 - Show No Mercy 15 - Evil Has No Boundaries 16 - Chemical Warfare 17 - The Antichrist
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Soundboard 9.4 - Excellent tape for all those who actually want to hear what the band is doing. Drums are massive, and the guitars sound on point and distinct. SLAYER Memorial Coliseum Corpus Christi, TX 1987-02-19 1. Raining Blood 2. Reborn 3. Die By The Sword 4. Necrophiliac 5. Postmortem 6. Criminally Insane 7. Angel Of Death 8. Epidemic 9. Altar Of Sacrifice 10. Jesus Saves 11. Evil Has No Boundaries 12. Raining Blood (Reprise) Bonus Tracks 13. Evil Has No Boundaries (1983 Demo) 14. Crionics (1983 Demo)
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Audience 7.2–8.2 - What you get here is a very raucous sounding tape because when the band is at full volume the recorder can’t deal with it so there’s some clutter and slight high end break up, but when the band is more low key, such as a straight blues number, it’s wonderful. The music? Off the hook jamming!
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Audience 8.7 - Actually not bad but it’s very close to the main PA and thus loud and noisy. There’s an annoying frequency somewhere between the mid and high that needs to be compressed. At first I thought this was a soundboard, it might be mistaken for one. It’s so close to the speakers, I mean this recording puts you in the front row. I do like it despite my concerns.