Audience 8.8 - A very good recording here, and the atmospherics are plentiful. There’s a natural reverb going on that adds another dimension to this, and I mean that in a good way. Lovely! Van Morrison featuring the Caledonia Soul Orchestra Sports Arena San Diego, CA December 1, 1973 01 Instrumental 02 Instrumental 03 Moondance prelude (instrumental) - Van Intro 04 Come Running 05 Ain’t Nothin’ You Can Do 06 Warm Love 07 Into The Mystic 08 I’ve Been Working 09 I Just Want To Make Love To You 10 Here Comes The Night 11 Hard Times 12 I Believe To My Soul 13 Help Me 14 Boogie Chillen’ 15 Domino 16 Caravan 17 Gloria 18 Brown Eyed Girl Sid Page - violin Jack Schroer - saxophone Bill Atwood - trumpet Bill Bridges - guitar David Hayes - bass David Shaw - drums James Trumbo - piano, organ

Audience 8.8 - This may not be a tape with good song separation or detail but it occupies a sonic range that is very comfortable on the ears. Usually when attending a very loud, bombastic heavy rock or metal concert you aren’t going to distinguish much anyway, you will basically hear a roaring sound…but this tape delivers a little more than just that. This is a good document and taper used good gear, sat in a good spot, and recorded everything. I would call this recording completely immersive, with a warm, inviting sound. Alcatrazz & Ted Nugent Rocky Glen Park Moosic, PA June 29th 1984 Disc 1 ALCATRAZZ 1 -Intro 2 -Too Young To Die 3 -Jet To Jet 4 -Island In The Sun 5 -Night Games 6 -Kree Nakoorie 7 -Guitar Solo 8 -Since You've Been Gone 9 -All Night Long THE BAND Graham Bonnet lead vocals Yngwie Malmsteen guitar Jimmy Waldo keyboards backing vocals Gary Shea bass backing vocals Jan Uvena drums backing vocals Disc 2 TED NUGENT 1 -Blame It On The Night 2 -Knockin' At Your Door 3 -Free For All 4 -Don't You Want My Love 5 -Where Do You (Draw The Line) 6 -Great White Buffalo 7 -Need You Bad 8 -Ted Talks Disc 3 9 -Thunder Thighs 10 -Tied Up In Love 11 -Stranglehold 12 -Drum Solo 13 -Stranglehold (reprise) 14 -Stormtroopin' 15 -Hey Baby 16 -Cat Scratch Fever 17 -Wang Dang Sweet Poontang - Journey To The Center Of Your Mind 18 -Wango Tango 19 -Motor City Madhouse 20 -Dog Eat Dog THE BAND Ted Nugent guitar vocals Cliff Davies drums backing vocals Brian Howe vocals guitar Alan St. Jon keyboards backing vocals Doug Lubahn bass

Pro TV Studio 8.7 - A good live recording with atmosphere, it sounds slightly dated but has the ability to transport you to the time and place…I think that when a recording can do that, it overcomes some of the limitations that may be present. This recording does lack a little bit of middle band clarity. Yes Amsterdam Concert Hall Netherlands 1972 (Last track - Hollywood Bowl 1975) 1. I've Seen All Good People 2. Heart Of The Sunrise 3. Rick Wakeman Solo 4. Long Distance Runaround 5. Yours Is No Disgrace 6. The Gates Of Delirium

Radio Broadcast 9.2 A touch of hiss present, but other than that this is a pleasant and airy recording. Electronic music with an atmosphere that would convince you otherwise. Excellent! Isao Tomita Hammersmith Odeon London, England 01 Introduction 0:50 02 Dawn (from Daphnis et Chloe Suite No. 2) (Ravel) 4:29 > 03 Snowflakes Are Dancing (Debussy) 2:14 > 04 Clair de Lune (Debussy) 5:58 05 Synthesizer Sounds Demonstration (narrated by Bob Walker) 10:54 06 Arabesque No. 1 (Debussy) 4:10 Firebird Suite (w/Michael Reeves on piano) (Stravinsky) 07 Part 1 - Intro and Dance Of The Firebird 5:18 08 Part 2 - Round Of The Princesses (Khorovod) 5:12 09 Part 3 - Internal Dance Of King Kastchei 4:01 10 Part 4 - Berceuse and Finale 7:39

Audience 8.4 - Not a high fidelity recording, sounding almost like an AM radio broadcast, but it gets a good sound review because it’s got clear guitar and bass (some tape hiss) and vocals are very clear. When a new tape pops up from such an early vintage you always immediately suspect it will be muddy crap so it’s a pleasant surprise to hear that it is decent. I like this show too, it’s a regular tour stop but the band is out to prove a point – and that point is that Led Zeppelin is not the only great English heavy rock band touring the States. JETHRO TULL Delaware, Selby Stadium Delaware, Ohio, USA 28-May-1970 Disc One 101 -Stage Announcement - Tune Up 102 -Nothing Is Easy 103 -My God 104 -To Cry You A Song 105 -With You There To Help Me - By Kind Permission Of 106 -Sossity, You're A Woman - Reasons For Waiting Disc Two 201 -Dharma For One -Drum Solo 202 -We Used To Know - Guitar Solo 203 -For A Thousand Mothers Line-up: Ian Anderson: voice, guitar and flute Martin Barre: guitar Glenn Cornick: bass John Evan: keyboards Clive Bunker: drums  

Audience 7.7 - Distant and hissy, but Plant somehow can still be the loudest instrument in the building. Should you get this?  It’s not essential but it’s got its got its moments (such as What Is And What Should Never Be). Led Zeppelin Sports Arena, San Diego, CA September 3, 1970 Disc 1 01. Introduction 02. Immigrant Song 03. Heartbreaker 04. Dazed And Confused 05. Bring It On Home 06. That's The Way 07. Since I've Been Loving You 08. Organ Solo 09. Thank You Disc 2 01. What Is And What Should Never Be 02. Moby Dick 03. Whole Lotta Love 04. Communication Breakdown 05. Communication Breakdown (1970-09-02 Oakland Mono Source) 06. The Train Kept A-Rollin' (1970-09-02 Oakland Mono Source) 07. Blueberry Hill (1970-09-02 Oakland Mono Source) 08. Long Tall Sally (1970-09-02 Oakland Mono Source)

Audience 8.6 - Not a bad tape at all, and seeing how there’s now all of what, one known live tape of this band I would say that is kind of cool. The band?  Well they are in their final incarnation here, and playing is very loose and experimental…but honestly they needed to ditch the flautist as he contributes not only nothing, but he’s in the way. Let the guitarist do his thing ‘cause he seems to be able to turn on the switch and lay down bursts of awesome psychedelic insanity. Dzyan Esslingen, Germany 1974-07-14 01 The Road Not Taken 02 For Earthly Thinking 03 Unknown Title 04 Unknown Title

This collection has been remastered and despite that, there are still one or two tracks that show the ravages of time. One can only assume some of it was not saved, as was the BBC’s policy of not giving a shit, therefore it was up to fans to record from a radio broadcast themselves. Most of this does sound very good, a worthy effort for sure and some of this I’d never heard before. The Who - BBC Sessions 1965-1971 {Remastered & Complete} Disc 1 01. Good Lovin' 02. 'Pete interview #1' 03. Anyway, Anyhow, Anywhere 04. Leaving Here 05. Just You and Me, Darling 06. 'Pete interview #2' Recorded: Aeolian Hall studio 2, Bond Street, London UK; Monday 24 + Tuesday 25 May 1965 Broadcast: BBC Radio 'Saturday Club': Saturday 29 May 1965 Producers: Jimmy Grant/Brian Willey Sources: transcription disc Notes: The Who's second session for the BBC actually appears to have been a double-date. On the 24th, a three-hour session produced: 'Good Lovin'', 'Anyway Anyhow Anywhere', 'I Don't Mind' and 'Daddy Rolling Stone'. The next afternoon they performed: 'Leaving Here', 'Please Please Please' and 'Just You and Me, Darling'. The sessions tapes were wiped and the selections here are all that has survived on copies of "Top of the Tops" transcription discs #31 & #34. The song selection here is dominated by soul covers picked by Roger, who was still the undisputed leader of the group. Yet, it was Pete who got to do the interviews and talk about the group's beginnings and prospects. 07. The Good's Gone 08. 'Pete interview' 09. My Generation 10. La La La Lies 11. Baby Don't You Do It Recorded: Aeolian Hall studio 1, Bond Street, London UK; Monday 22 November 1965 Broadcast: BBC Radio 'Saturday Club': Saturday 27 November 1965 Producers: Jimmy Grant/Brian Willey Sources: 01-04 transcription disc; 05 off-air recording Note: The third session was again recorded live in studio and produced completed takes of: 'It's Not True', 'The Good's Gone', 'La La La Lies', 'My Generation' and 'Baby Don't You Do It'. The sessions tapes were wiped and the selections here are all that has survived on copies of "Top of the Tops" transcription disc #57 and an off-air recording made by a fan. By now, Pete's role as the main provider of song material has been firmly established. 12. Man With Money 13. 'Pete interview' 14. Substitute 15. Dancing In the Street 16. You Rang Recorded: Aeolian Hall studio 1, Bond Street, London UK; Tuesday 15 March 1966 Broadcast: BBC Radio 'Saturday Club': Saturday 19 March 1966 Producers: Jimmy Grant/Brian Willey Sources: 01-04 transcription disc; 05 off-air recording Note: For this fourth session, the band recorded: 'Barbara Ann', 'Substitute', 'You Rang', 'Man with Money' and 'Dancing In The Street'. The sessions tapes were once again wiped and the selections here are all that has survived on copies of "Top of the Tops" transcription disc #73 and an off-air recording made by a fan. 17. 'Intro' 18. Disguises 19. 'Pete interview' 20. I'm A Boy 21. So Sad About Us Recorded: Playhouse Theatre, Northumberland Avenue, London UK; Tuesday 13 September 1966 Broadcast: BBC Radio 'Saturday Club': Saturday 17 September 1966 Producers: Jimmy Grant/Brian Willey Source: transcription disc Note: Fifth session, which produced: 'I'm A Boy', 'Disguises', 'Heatwave', 'So Sad About Us' and a cover of the Lovin' Spoonful's 'On The Road Again'. The sessions tapes were wiped and the selections here are all that has survived on copies of "Top of the Tops" transcription disc #99. In an attempt to control the mixing balance, John suddenly turned his bass up in the middle of 'Disguises'. The balance engineer on the session did not bother correcting this and as a result the sound turns into a muddy mess from that point on (with the mixdown compressor working on overload). 'So Sad About Us' was left off the official 'BBC Sessions' release from 2000 for unknown reasons. 22. Run Run Run 23. Boris The Spider 24. 'Pete interview' 25. Happy Jack 26. See My Way Recorded: Playhouse Theatre, Northumberland Avenue, London UK; Tuesday 17 January 1967 Broadcast: BBC Radio 'Saturday Club': Saturday 21 January 1967 Producers: Jimmy Grant/Bill Bebb Source: transcription disc Note: For this sixth session, the band recorded: 'Happy Jack', 'Run, Run, Run', 'Boris The Spider', 'See My Way', 'Don't Look Away' and 'So Sad About Us'. The sessions tapes were once again wiped and the selections here are all that has survived on copies of "Top of the Tops" transcription disc #117. Disc 2 01. 'Intro' 02. I Can See For Miles 03. Pictures Of Lily 04. Summertime Blues 05. I Can't Reach You 06. Our Love Was 07. A Quick One (While He's Away) 08. Relax 09. My Generation - Boris The Spider - Happy Jack - My Generation 10. Pictures of Lily [Alternate Mono Mix] Recording & Broadcast Production: De Lane Lea Studio, Kingsway, London UK; Tuesday 10 October 1967 Broadcast: BBC Radio 'Top Gear'; Sunday 15 October 1967 Producers: Bernie Andrews/Bev Philips Sources: 01-02,07,09-10: tape 03-06: transcription disc w/ patches from tape sources 08: off-air recording Note: This seventh session marked the first time the BBC allowed any musical act to record for them outside their own studios. Recorded on this day were five jingles, 'My Way' (not broadcast) and alternate versions of 'Pictures Of Lily' & 'A Quick One While He's Away'. Also readied for the broadcast were early mixes of 'I Can See For Miles'*, 'Relax', 'Our Love Was', 'I Can't Reach You', 'Summertime Blues' & 'Someone's Coming'. These songs were already recorded on an earlier date and would eventually appear on official Who product with a slightly different mix (although it took more than 30 years for 'Summertime Blues'). This is the first Who BBC session that has at least partially survived on tape on the BBC archives, as the jingles and 'A Quick One' do not appear on copies of "Top of the Tops" transcription disc #157 & #160, yet appear in crystal clear quality on the official release. Strangely enough, the two TOTP discs seem to have been the source for the other tracks on the official CD, all of which are marred by a voiceover. The versions here are uninterrupted from start to finish (with the exception of the ending of 'Our Love Was'), for the first time ever. As a bonus, I have added a clean mono mix of 'Lily' with better fidelity than the BBC source which has not circulated before. * The 45RPM & BBC versions both contain a heavy bass dub that was imposed on the mono album master. The dubs differ, to ensure the BBC got a unique master recording. 11. 'Pete interview' 12. Pinball Wizard Broadcast: BBC TV 'Top of the Pops'; Tuesday 27 March 1969 Source: transcription disc Note: Roger/Pete(?) sing along with studio version. Part of the interview has appeared on a bonus disc that came with a limited edition of the official 2000 release. Tracks are sourced from "Top of the Tops" transcription discs #232 & #233. 13. 'David Wigg interviews Pete Townshend' Source: transcription disc Note: Sourced from "Top of the Tops" transcription disc #289 (released 20-5-1970). 14. The Seeker Recorded: IBC Studios, London UK; 19 February 1970 & BBC Television Centre, London UK, Thursday 19 March 1970 Broadcast: BBC TV 'Top of the Pops'; Thursday 19 March 1970 Source: transcription disc Note: Roger sings live over the studio version of 'The Seeker' for "Top Of The Pops", with the rest of the band miming along. John forced a re-shoot after the director did not include a shot of him in the first take. Sourced from "Top of the Tops" transcription disc #283. 15. I'm Free 16. The Seeker 17. Heaven And Hell 18. Shakin' All Over - Spoonful (Medley) 19. Substitute 20. Pinball Wizard Recorded: IBC Studios, London UK; Monday 13 April 1970 Broadcast: BBC Radio 'Dave Lee Travis'; Sunday 19 April 1970 Producer: Paul Williams Source: 01-04: transcription disc w/ patches from tape sources 05-06: tape Note: The last formal band session for the Beeb and again recorded outside an official BBC studio. 'Heaven and Hell' was later released in a slightly reworked version as a B-side to 'Summertime Blues'. Like the October 1967 session, this one is believed to have survived on tape on the BBC archives. But even so, the official album used the "Top of the Tops" transcription disc #286 as its source for Tr. 01-04, with voiceover over the intro's and outro's. The versions presented here are uninterrupted from start to finish (with the exception of 'Seeker') for the first time. 21. 'Keith Altham talks to Pete Townshend' Source: transcription disc Note: Sourced from "Top of the Tops" transcription disc #304 (released 2-9-1970). 22. I Don't Even Know Myself Recorded: Olympic Studio, Barnes, London UK; 1971 Source: tape Note: This one is a bit of a mystery. No details about it are given on the official BBC session CD. It is the same take that was released in 1971 as the B-side to 'Won't Get Fooled Again' but here we get a clean mono mix that differs in a few places from the released version. Believed to have been recorded in 1971 during the Who's Next sessions.  

Soundboard 9.8 - A beautifully mixed audio, with a touch of “verb” that allows for some air around the music. Crisp, but not crispy, warm, punch when warranted, and clean but not sterile. Pat Metheny Group Michigan State University, McDonel Hall Kiva East Lansing, MI, USA October 31, 1979 01. Phase Dance (Metheny/Mays) 7:47 02. Airstream (Metheny/Mays) 7:33 03. Pat's remarks 1:31 04. April Joy (Metheny) 4:48 05. Unity Village (Metheny) > solo guitar > The Windup (Keith Jarrett) 12:51 06. The Epic (Metheny/Mays) 15:55 07. Old Folks (Willard Robison/Dedette Lee Hill) 7:36 08. Jaco (Metheny) 4:03

Studio Quality 9.7 - As good as you can hope for. Prince recorded a lot of these tunes several times with different combinations and different mixes and that explains why you will see these tracks popping up on different collections. Hendrix did the same thing. Prince: Box O Chocolates Compilation of outtakes. All sourced from low generation tapes... NOTHING has been ripped from existing bootlegs. You won't hear a better version unless the purple vault is opened! 1. Witness 4 the Prosecution 3:52 2. Movie Star 4:24 3. A Place in Heaven 2:50 4. The Ballad Of Dorothy Parker 3:58 5. Starfish and Coffee 2:46 6. Girl O' My Dreams 1:27 7. Cant Stop This Feeling I Got 2:10 8. We Can Funk 5:31 9. Data Bank 7:56 10. Wonderful Ass 11. All Day All Night

Black Sabbath Los Angeles 1980 Audience 8.9 - This is a much welcomed recording of perhaps the best post Ozzy era of Black Sabbath. 1980 was an interesting year, Ozzy making classic “solo” albums with his new band and Sabbath beginning a new era with a new singer in Ronnie James Dio and neither the worse for it.  This is a great show, in great quality. Black Sabbath Vienna 1980 Audience 8.3 -Unfortunately this recording suffers from many ailments, mainly in the range and dynamics, but what it does offer is a previously uncirculated (and complete) show from Sabbath in Europe during the very crucial 1980 tour with Dio as new front man. This is what I get from this show- Dio is very committed to bringing the audience in to the spectacle…the performance is killer in every respect. The sound quality is not trash, but I want Dio more clear than this because he is really on his game this night. I think this tape belongs in this set because it doesn’t have to be the centerpiece of the set, it offers the collector a new tape of a complete show from 1980 and that is enough for me. BLACK SABBATH Memorial Coliseum Los Angeles, CA July 26th 1980 THE BAND Tony Iommi Guitar Ronnie James Dio Vocals Geezer Butler Bass Bill Ward Drums Geoff Nicholls Keyboards Disc 1 1 -Intro 2 -War Pigs 3 -Neon Knights 4 -N.I.B. 5 -Black Sabbath 6 -Heaven And Hell 7 -Iron Man 8 -Guitar Solo with Jam - Sabbath Bloody Sabbath - Jam - Orchid 9 -Die Young 10 -Paranoid Disc 2 Sophiensale Vienna, Austria April 24th 1980 1 -Supertzar 2 -War Pigs 3 -Neon Knights 4 -N.I.B. 5 -Children of the Sea 6 -Sweet Leaf 7 -Bill Ward solo 8 -Sweet Leaf(reprise) 9 -Lonely is the Word Disc 3 10 -Black Sabbath 11 -Heaven and Hell 12 -Iron Man 13 -Tony Iommi solo 14 -Die Young 15 -Paranoid 16 -Children of the Grave  

Soundboard 9.6 - Fantastic sound and even better performance here. Look, I know Skynyrd had a lock on all things Southern Rock for most of the 70’s, but can we agree that Molly Hatchet carried the torch admirably into the 80’s?  They did. Here is proof. MOLLY HATCHET NASSAU COLISEUM UNIONDALE, NY FEBRUARY 18, 1979 WLIR FM BROADCAST THE BAND Danny Joe Brown vocal Dave Hlubek guitars Duane Roland guitars Steve Holland guitars Banner Thomas bass Bruce Crump drums 1 -Bounty Hunter 2 -Gator Country 3 -Big Apple 4 -Dreams 5 -One Man's Pleasure 6 -Trust Your Old Friend 7 -The Harp Jam - Long Tall Sally 8 -Boogie No More

Soundboard 8.9 - Kinda cool when you get these board tapes that pan a guitar, and then one other lead instrument to the other side, which in this case is keyboards. I think this allows for an examination of the instrument in question, so you might find yourself listening once and concentrating on guitar, then another time you’ll give drums and keys more attention…and that is why this show might have you coming back several times for more.  Interesting! THE ALLMAN BROTHERS BAND Manley Fieldhouse Syracuse, New York, April 7, 1972 Disc 1 1. -Statesboro Blues 2. -Done Somebody Wrong 3. -Ain't Working Time No More 4. -One Way Out 5. -Stormy Monday 6. -You Don't Love me 7. -In Memory Of Elizabeth Reed 8. -Midnight Rider Disc 2 1. -Whipping Post 2. -Jam SUNY Stonybrook, New York, July 26, 1970 3. -Mountain Jam

Soundboard 9.3/Studio 9.4 - Excellent quality all around, and of course it’s Thin Lizzy so you know the jams are top shelf. Thin Lizzy Golders Green Hippodrome London, UK. July 26, 1973 1. The Rocker 2. Things Ain't Working Out Down At The Farm 3. Slow Blues 4. Gonna Creep Up On You 5. Suicide Track 6-9 - Thunder & Lightning sessions 6. -Bad Habits 7. -Baby Please Don`t Go 8. -Mama Don`t Like It 9. -Chosen One