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Audience 8.8 - This is a really nice one, pretty atmospheric without being reverby and hollow and the live sound mix is pretty right-on. The sound separation here presents itself as what feels like stereo to me, whether or not taper used two mics I do not know but it does sound like it. The band is really hot!
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Audience 7.7 - While the ratings may show this to be an average sounding tape, let me reveal my own bias for a moment. This is Rush’s best tour. You may argue with that, I mean, the previous two tours were pretty amazing too. I find the set list and performances of the Permanent Waves tour to be exceptional, and this show, while maybe not the best of the lot, does reveal yet more of the Rush mystique. A recording that requires 10 minutes to adjust to but eventually begins to sound pretty decent apart from a guitar that sits behind the action a little (except during solos). A little boomy but not a deal breaker. A good, not great, tape.
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Audience 8.9 - This recording gives off a sense of massive power with Geddy’s bass sound being huge and round and dead on – with a great open expanse overhead allowing the music to breathe a little. This atmosphere allows the music to sometimes move around in the stereo field a little which is nice. I like this kind of recording when it comes to the larger venues.
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Audience 8.6 - Sometimes, a rating cannot reflect the magnitude of a recording. I can specifically say that this one is only an 8.6 in a sonic sense, which means it is very good and worthwhile, but man, let me tell you what this show REALLY is – it’s an 11. Why? Because this is, quite simply, Rush in an unbelievable fine form playing their (arguably) best stuff, and the recording has captured that and a very palpable atmosphere at the same time. A little clarity is lost in the bass/guitar separation as they seem to sound as one unit which is not such a bad thing as it creates a sonic roar, a lion’s roar it is too, but it does get a little crowded in that frequency range. But, it captures an amazing power those two had on stage, the sound is ferocious and menacing.
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Audience 8.7 - So it’s kind of in the middle of the venue and so you sacrifice a little clarity in the low mid but man, somebody did know what they were doing here. It’s very clear in the upper end, there’s no real boominess or echo either. It’s the best middle of the floor aud tape I think I have ever heard, and the best part is the band is really cooking. I think you will be happy with this.
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Audience 8.4 - This is a case of a show, actually let me re-phrase that, this WAS a show that many collectors lamented as being a superb performance marred by very marginal sound quality. Not anymore! Friends, this new direct from master source and re-mastered version of this totally excellent gig is simply a joy to get to listen to in this improved quality. Not that it is astounding, in fact it still has issues, but the jump from what it was (about a 7.3) to what it is now is too great an improvement to not shower heaps of praise upon it. Note: It doesn’t get good until about halfway through the first song, then there is a little cut in the tape, and then it gets noticeably better and better.
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Audience 7.6 - I have it in my mind to collect every single performance the band did in Toronto. That means I am gonna get some good, some bad, some in between. This is probably some in-between. Not horrible but not great either. Now, I will say this, let your ears adjust and you get a reasonably clear but phasing sound. Recorded from somewhere pretty well back of the auditorium, sounds like.
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Audience? Hard to tell if this is an audience or soundboard, it is really good. If it is audience, then it was done very close to the mains but no distortion at all, but I doubt that because there is very precise stereo panning on some of the effects (such as intro to 2112). If it is a soundboard, it is a good one because it allows some bleeding in of the crowd and atmosphere.
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Audience 9.1 - Coming from the original master tape, this show circulated online claiming 1st generation source and let me tell you, just toss that one out because ladies and gentlemen prepare to ENTER THE PALLADIUM and be blown away! After adjusting position during first song, the rest of the show (with just one or two minor dropouts) really soars to great heights both sonically and performance-wise. A crisp, airy but tight sound very close up front and no distortion, tape noise, or artifacts. Simply put, if you are a Rush fan, you need this.
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Audience 7.5 - What saves this is a rich bottom end that is surprisingly warm without overt boominess. Guitar is present but sometimes hides behind the noise. Sound tends to come in and go slightly out in a wave like fashion but it’s subtle. Sometimes this gets clear and decent and then sometimes it seems to be brittle and cluttered in the lower end of the midrange. The rating is pretty accurate. It’s not atrocious – it’s for collectors though.
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Audience 7.3 - Noisy, but a pretty huge bass crunch which will appeal to the those who like it heavier sounding. The size of the hall does confuse the frequencies and so you get too much mess in the middle and what not but you can hear this and get used to it and it will pull you in. A good performance!
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Audience 7.6 - What really saves this tape is the fact that it sounds like a master source – very clean virtually no noise, but you are sitting with the crowd and the band is…hmmm…not distant but not in your face, somewhere in between, and it sounds like a small venue. It’s fascinating to be honest, I really like it.
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Audience 7.8 - Everyone knows of this one, it’s one of the MUST HAVE’S for Rush fans but that doesn’t mean it is perfect audio – there’s a bit of distortion (not too much) and some phasing here and there, and other little flaws but man oh man, just do yourself a favor and get it because it is one of the painfully few times the band performed The Necromancer and here it is in reasonably good quality and it does KILL in every sense of the word. Again, a MUST have!