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CD 1 - Audience 9.6 CD 2 - Audience 8.8 CD 3 - Audience 8.9 Hot crisp and sweet recording. -
Incredible early collection featuring performances from 1974 taken from master tapes and never sounding better, and more complete. Simply the best Aerosmith early live collection ever produced. -
Incredible early collection featuring performances from 1973 taken from master tapes and never sounding better, and more complete. Simply the best Aerosmith early live collection ever produced. -
Audience 9.1 - Excellent dynamics, bass is tight, a good warm and clear recording! -
Audience 7.5 - Vocals are very up front, overall it’s clear but music is not “full” sounds a little behind in the mix. Add mid band compression and this one would smoke. -
Audience 8.5 - Lively sound for the live portion, the demos are “studio” pro. -
Audience 8.6 - A decent capture here, it sure sounds like a master source was used, there’s no tape noise at all and all the highs are perfectly intact. -
SDBRD 8.9 - I would have rated this higher but I am not thrilled with the way it is mixed – to my ears too dry and thin. It is perfectly clear, very bright and slamming though, but I need more “atmosphere” and this recording is a PURE board feed. I mean, it’s awesome don’t get me wrong. -
Aud 8.4 -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. Detroit 68, Winterland, and San Francisco 3-10-68. Original Bell Bottom label release. -
Brand New - Sealed Sound quality on all releases on this label is excellent. San Diego and Winterland 1968. Original Bell Bottom label release. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
FM Broadcast 9.8 - Frighteningly great, as in near prefect sound mix, beautiful tonal qualities, excellent performance, and plenty of raw power and sheer brilliance on display. Quite frankly, Yngwie era Alcatrazz blows away the Vai period by miles, and I am not an Yngwie geek either. It’s just he’s that good here.Alcatrazz Country Club Reseda CA March 29TH 1984 1 -Jim Ladd Intro 2 -Too Young To Die 3 -General Hospital 4 -Kree Nakoorie 5 -Island In The Sun 6 -Evil Eye 7 -Jim Ladd 8 -Since You've Been Gone 9 -Hiroshima Mon Amour 10 -Jim Ladd 11 -Suffer Me 12 -Desert Song 13 -Jet To Jet 14 -Jim Ladd THE BAND Graham Bonnet lead vocals Yngwie Malmsteen guitar Jimmy Waldo keyboards backing vocals Gary Shea bass backing vocals Jan Uvena drums backing vocals
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Studio 9.5 - A really detailed, complete set which contains just about everything you ever wanted to hear regarding the pre-Kiss band Wicked Lester. Is it necessary? I mean, there’s a lot of repetition here, but I have to say it is kind of necessary when you call something complete, you should provide that to the collector and this set does. Quality is great.
Kiss - Complete Wicked Lester Sessions 1971/1972 Disc 1 Electric Lady Studios 18th November 1971 01. Too Many Mondays [0:03:40.20] 02. Love Her All I Can [0:02:35.44] 03. Sweet Ophelia [0:03:06.03] 04. Molly [0:02:32.12] 05. Keep Me Waiting [0:03:22.04] 06. She [0:03:06.41] 07. What Happened In The Darkness [0:03:10.26] 08. We Want To Shout It Out Loud [0:02:46.01] 09. When The Bell Rings [0:03:24.04] 10. Simple Type [0:02:40.24] 11. She (Take 2) [0:03:05.20] 12. Molly (Take 2) [0:02:33.30] 13. We Want To Shout It Out Loud (Take 2) [0:02:43.42] 14. Too Many Mondays (Take 2) [0:03:41.08] Electric Lady Studios August 1972 Sessions 1 15. Keep Me Waiting [0:03:28.12] 16. Love Her All I Can [0:02:40.72] 17. Molly [0:02:28.52] 18. She [0:03:07.43] 19. Simple Type [0:02:37.73] 20. Sweet Ophelia [0:03:09.74] 21. Too Many Mondays [0:04:04.34] 22. When The Bell Rings [0:03:10.62] 23. Molly (Take 2) [0:02:25.12] 24. Too Many Mondays (Take 2) [0:03:59.13] Disc 2 Electric Lady Studios August 1972 Sessions 2 01. We Want To Shout It Out Loud [0:02:43.14] 02. Keep Me Waiting [0:03:10.30] 03. Love Her All I Can [0:02:35.30] 04. Molly [0:02:29.52] 05. She [0:03:03.47] 06. Simple Type [0:02:42.23] 07. Sweet Ophelia [0:03:01.64] 08. Too Many Mondays [0:03:38.14] 09. What Happens In The Darkness [0:03:07.52] Final Album Reel 1972 10. When The Bell Rings [0:03:17.70] 11. Keep Me Waiting [0:03:23.47] 12. Molly [0:02:33.26] 13. Sweet Ophelia [0:03:06.24] 14. Simple Type [0:02:43.25] 15. Too Many Mondays [0:03:44.10] 16. Love Her All I Can [0:02:35.54] 17. When The Bell Rings [0:03:25.10] 18. She [0:03:07.56] 19. What Happens In The Darkness [0:03:10.60] 20. We Want To Shout It Out Loud [0:02:49.33] 21. Long, Long Road [0:04:18.67] Disc 3 Electric Lady Studios Spring 1972 Sessions 01. Keep Me Waiting [0:03:25.42] 02. Long, Long Road [0:04:20.25] 03. Love Her All I Can [0:02:54.69] 04. She [0:03:09.45] 05. Simple Type [0:02:48.22] 06. Sweet Ophelia [0:03:16.64] 07. We Want To Shout It Out Loud [0:03:10.00] 08. What Happened In The Darkness [0:03:14.67] 09. When The Bell Rings [0:03:11.09] 10. Simple Type (Take 2) [0:02:49.44]
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Audience 8.5 - I guess if you want to know what this band was about in their heyday, and if you didn’t mind the fact that one of the few tapes in existence sounded like what your parents thought of your heavy metal noise…this is for you. It’s punkish, it’s brash, it’s snotty, it’s ramshackle, it’s amateur, it’s possibly a glorious mess…and they do Vegetable Man so they get high marks for recognizing what is great and what should be covered (that’s because they don’t have enough profound original music to offer at this stage). So, yeah, I suppose this is worth getting in case you A. want to discover this band and B. want to hear what they were like at the beginning. OK, last thoughts – want to know what it sounds like when a freight train begins to crash? In slow motion? Very nearby? Side Note: I liked their song "Taste The Floor" as it reminded me of early Kinks. Plus I could decipher what they were doing...yeah, it was alright.Jesus And Mary Chain Pavilion Theatre Brighton, England 2 February 1985 01. intro 02. In A Hole 03. Vegetable Man 04. You Trip Me Up 05. Ambition 06. Taste The Floor 07. outro
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Soundboard 9.8 - Professionally recorded for release, the quality is as defined as you could hope for. Probably had to be somewhat challenging to mix, a band with three back-up singers and a lead singer, violinist, guitar/bass/drums, and keyboards. A lot to manage but an impeccable job for this show.Solstice 2Days Prog + 1 Festival Campo Sportivo Revislate, Novara, Italy September 4th, 2022
1. Shout 2. Guardian 3. Mount Ephraim 4. Light Up 5. Bulbug Tarang 6. Cheyenne 7. A New Day 8. Sacred Run -
Audience 9.5 - Brilliant! A great small venue atmosphere and it sounds fresh and exciting like it’s actually happening…live!Marshall Crenshaw Bottom Line New York City, NY February 18, 1986 Early Show 01 Yvonne 02 There She Goes Again 03 Worryin’ Kind 04 My Favorite Waste Of Time 05 Our Town 06 Monday Morning Rock 07 One More Reason 08 Mary Anne 09 Right Now 10 The Distance Between 11 Little Wild One (No. 5) 12 Rockin’ Around In N.Y.C. 13 Gimme Some Truth 14 Reet Petite 15 Cynical Girl 16 Someday, Someway 17 Whenever You’re On My Mind
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Studio Recording - This is actually a recent album (digital download only) of a band that first formed in Germany in 1969, and I knew absolutely nothing about them. Turns out they are really good! Their stock in trade is playing familiar progressive 70’s rock arrangements with the same vintage equipment used in their 70’s prime, but recording with modern facilities to get a full, powerful sound. I would say mission accomplished because this is quite good, and not only good but the fact that some of their older material is here in a reworked fashion that does it justice...which is kinda rare to find these days. Out Of Space - Out Of Time Germany 2022 (studio album released in digital download form only)- Warning Walls
- I've Come From A World
- You've Really Got It Fixed
- Wish I Were Happy
- Dreams Out In The Rain
- Dreamland
- A Dream Within A Dream
- Alone
- Valley Of Unrest
- If I Could Tell You
- Nature's Clear Wall
- Yessertronics
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Soundboard 9.2 - This was a highlight year in a career full of many highlights. A new album (which although recorded in 2010 did not see official release until recently) that Prince obviously felt good about and his playing and professionalism here on full display is just amazing. PRINCE The '20Ten' Tour La Citadelle Arras, France 9th July 2010 Disc 1 1. Intro (incl. Venus De Milo) (4:31) 2. Let's Go Crazy (3:46) 3. Delirious (4:56) 4. Let's Go Crazy (reprise) (1:52) 5. 1999 (4:13) 6. Little Red Corvette (6:13) 7. Take Me With U (2:49) 8. Guitar (incl. Hot Summer) (6:46) 9. Controversy (incl. Love Rollercoaster) (5:29) 10. Sexy Dancer - Le Freak (2:04) 11. Controversy (reprise) (1:04) 12. Angel (7:55) 13. Nothing Compares 2 U (6:01) Disc 2 1. Mountains (2:36) 2. Shake Your Body (Down To The Ground) (1:10) 3. Everyday People (2:18) 4. I Want To Take You Higher (6:09) 5. Alphabet St. (9:09) 6. Kiss (5:30) 7. Purple Rain (12:30) 8. Dance (Disco Heat) (incl. Everybody Loves Me intro) (9:57) 9. Peach (7:19) 10. Ol' Skool Company - Also Sprach Zarthustra (6:23) 11. Forever In My Life (6:18) 12. 7 (1:21) 13. 'Let Go, Let God' (outro) (5:18) -
Audience 8.7/8.8 - A little fluctuation but not much, mainly due to at times where the recording sounds a little further away probably due to taper hiding his gear. A very lively show, you can tell this is at a time when Prince mania was at a real high level (especially considering this was New Year's Eve!). Fun to reminisce… Prince Reunion Arena Dallas, TX December 31, 1984 Disc 1 01. LET'S GO CRAZY 02. DELIRIOUS 03. 1999 04. LITTLE RED CORVETTE 05. YANKEE DOODLE DANDY 06. FREE 07. TAKE ME WITH U 08. SOMETHING IN THE WATER (DOES NOT COMPUTE) 09. HOW COME U DON'T CALL ME ANYMORE 10. DIRTY MIND 11. I WANNA BE YOUR LOVER 12. DO ME, BABY 13. TEMPTATION 14. LET'S PRETEND WE'RE MARRIED 15. INTERNATIONAL LOVER 16. FATHER'S SONG 17. GOD 18. COMPUTER BLUE 19. DARLING NIKKI 20. THE BEAUTIFUL ONES 21. WHEN DOVES CRY 22. I WOULD DIE 4 U Disc 2 23. BABY I'M A STAR 24. AULD LANG SYNE 25. PURPLE RAIN -
Los Angeles 1984 Soundboard 9.7 - A great one here! Crisp sounding and a beautiful mix especially how the drums sound and all the vocals even backing vocals are clearly audible. Worcester 1984 Audience 8.8 - This is not a bad tape, but it is not recorded close to the mains so it does sound somewhat distant. The music is clear and not muddy but lacks that depth your ears crave. What it does highlight is the vocals which really project, keyboards sound comparatively good too, and the recording does improve somewhat throughout the performance sounding a little fuller as it goes along. Again, not a bad one and worthy of your time but on this 2 show set (From One End To The Other) the LA show is the better by far. Frank Zappa From One End To The Other Disc 1 The Palace Theater Los Angeles, CA July 21st, 1984 1. -Treacherous Cretins 2. -Montana 3. -Easy Meat 4. -Carolina Hardcore Ecstasy 5. -Advance Romance 6. -He's So Gay 7. -Bobby Brown 8. -Keep It Greasey 9. -Honey Don't You Want A Man Like Me 10. -Carol You Fool Disc 2 11. -Chana In De Bushwop 12. -Let's Move To Cleveland 13. -Tinseltown Rebellion 14. -Oh No 15. -Son Of Orange County 16. -More Trouble Every Day 17. -Penguin In Bondage 18. -Hot Plate Heaven At The Green Hotel 19. -Jungle Boogie 20. -The Closer You Are - Johnny Darling 21. -No No Cherry Disc 3 E.M. Loew's Theatre Worcester, MA October 25, 1984 Early Show 01 Zoot Allures 02 Tinsel Town Rebellion 03 More Trouble Every Day 04 Penguin In Bondage 05 Hot Plate Heaven At The Green Hotel 06 Lucille Has Messed My Mind Up 07 Bamboozled By Love 08 Cocaine Decisions 09 Nig Biz 10 Outside Now Disc 4 11 Be In My Video 12 I’m The Slime 13 Montana 14 Easy Meat 15 Joe’s Garage 16 Why Does It Hurt When I Pee? 17 Little Girl Of Mine 18 The Closer You Are 19 No No Cherry 20 Cosmik Debris 21 The Illinois Enema Bandit Lineup: Frank Zappa, Ike Willis, Ray White, Scott Thunes, Chad Wackerman, Alan Zavod, Bobby Martin, Napoleon Murphy Brock -
Soundboard 9.8 - A soundboard that captures lightning in a bottle! So it’s near perfect in balance, and nicely widen open in dynamics while at the same time leaving intact some of the open stadium atmospherics (most notable in between songs or during announcements). Either way you slice it this is a truly great recording and performance that every collector would want in the collection. Genesis Ibirapuera Stadium Sao Paulo, Brazil May 21, 1977 Disc 1 101 Squonk 7:13 102 One For The Vine 11:17 103 Robbery, Assault & Battery 6:46 104 Inside And Out 7:51 105 Firth Of Fifth 9:19 106 Carpet Crawlers 6:33 107 ... In That Quiet Earth > 4:41 108 Afterglow 4:25 109 I Know What I Like (In Your Wardrobe) 8:28 Disc 2 201 Eleventh Earl Of Mar 9:39 202 Supper's Ready 25:09 203 Dance On A Volcano > Drum Duet > 5:07 204 Los Endos 6:21 205 The Lamb Lies Down On Broadway > The Musical Box (closing section) 7:55 -
Studio 10 - Well, this is a rarity! Not only has this flown completely below most collectors radars, but it also qualifies as being a perfect recording…and it doesn’t necessarily begin as such (although I’d still rate it a 9.8), it becomes one. Why is that? Because it has all the elements of greatness and not just the audio quality. Eric is heard here in a more jazzy setting, with players who are well versed in music theory and are top shelf players in their own right – maybe it pushes Clapton to explore more deeply, and he does…although he still manages to make it more bluesy which to me is really cool because it gives these sessions the swing that can be sometimes absent in technical jazz. This obviously was let out on purpose, the recordings are too clean and if indeed they are rehearsals, they are very dialed in and sounding more like an album is being recorded. But if you listen super closely, there are moments where you can just hear the faintest of mic bleed through and it seems to be the kind of talk, or “shouts” that you might hear during a soundcheck or rehearsal. This is a highly recommended listen to anyone who wants to hear Eric Clapton at his tastiest best. Eric Clapton Legends Flawless (Studio) Rehearsals S.I.R. Rehearsal Studios Hollywood, CA June 1997 Disc 1 1. -Snakes 2. -Marcus #1 3. -Marcus #1 4. -Full house 5. -Full house 6. -Ruthie 7. -Ruthie 8. -Put It Where You Want 9. -Suggestions 10. -Peeper Disc 2 1. -Going Down Slow 2. -I Got You I Feel Good 3. -Silver Rain 4. -Layla 5. -Rock Me Baby 6. -Jelly Roll THE BAND Marcus Miller Bass Eric Clapton Guitar, Vocals David Sanborn Saxophone Joe Sample Keyboards, Piano Steve Gadd Drums -
Studio Quality 9.7 - Fantastic all around collection which I would also point to as a good starting point to building up a collection of The Cure music. For me it was particularly interesting as I had no prior familiarity with their studio works. The Cure "The Unreleased Demo Tapes (1977-1986)" 01 Meathook (SAV Demo, London, 10th of October 1977) 02 Listen [early 'Pill Box Tales'] (SAV Demo, London, 10th of October 1977) 03 I Just Need Myself (SAV Demo, London, 10th of October 1977) 04 See The Children, Fear The Children (SAV Demo, London, 10th of October 1977) 05 Play For Today (Rehearsal Demo, 1979) 06 Into The Trees [aka 'A Forest'] (Rehearsal Demo, 1979) 07 Play For Today (Morgan Studios Demo, London, January 1980) 08 A Forest (Morgan Studios, London, January 1980) 09 M (Morgan Studios Demo, London, January 1980) 10 Seventeen Seconds (Morgan Studios Demo, London, January 1980) 11 Birdmad Girl (Early Demo, 1983) 12 Wailing Wall (Early Demo, 1983) 13 The Empty World (Demo, 1984) 14 Bananafishbones (Demo, 1984) 15 The Top (Demo, 1984) 16 Why Can't I Be You? (Miraval Studio Demo, France, 1986) -
Audience 8.8 - A decent atmospheric tape with emphasis on vocals, and music like a warm backdrop behind him that swirls and echoes above. I would have preferred a more distinct guitar in the mix but this Morrissey not The Smiths! Morrissey United Palace Theater New York 2023-10-25 Disc 1 01 -Stage intro + The Last Night of the Fair 02 -We Hate It When Our Friends Become Successful 03 -Suedehead 04 -Alma Matters 05 -Our Frank 06 -Stop Me If You Think You've Heard This One Before 07 -Sure Enough, the Telephone Rings 08 -I Wish You Lonely 09 -How Soon Is Now? 10 -Girlfriend In A Coma 11 -Irish Blood, English Heart 12 -Darling, I Hug A Pillow Disc 2 13 -Let Me Kiss You + band intro 14 -Half A Person 15 -Speedway 16 -The Loop 17 -Please, Please, Please Let Me Get What I Want 18 -piano solo + Everyday Is Like Sunday 19 -Jack The Ripper 20 -Sweet and Tender Hooligan + outro Morrissey - vocals Jesse Tobias - guitar Camila Grey - keyboards Brendan Buckley- drums Juan Galeano Toro - bass Carmen Vendenberg - guitar -
Studio Quality 9.8 - Almost as good as could be, a tiny amount of hum only noticeable at the beginning and end of songs…this is almost perfect but it is unmastered studio demos that to my ears sound very close to final mix. Ozzy Osbourne Ozzmosis Demos 1. It Feels So Good To Be Bad 2. Denial 3. Too Far Gone 4. Ghost Behind My Eyes 5. Frustrated Yes I'm Hated 6. Dream For Tomorrow 7. Say Yeah Yeah 8. Oh No The Bitch Won't Go 9. My New Rock And Roll 10. Perry Mason 11. Old L.A. Tonight 12. See You On The Other Side -
Studio 9.0-9.4 - Varies as far as the overall sound and mix but does not stray much below a solid 9.0…but man what you are getting here is bona fide Aerosmith and NOT the dressed up, slicked out, packaged presentation of Aerosmith that the record company needed in order to make vast profits. This is down and dirty, raw, primal, and above all – fantastic! To hear unadulterated guitars, guttural, almost fuzz style bass, and howling, tortured Steven, and this is 1987 mind you! How can it be? I don’t know but this set rocks! Pandora's Leftover Permanent Vacation Sessions Little Mountain Studios Vancouver, Canada March 1, 1987 1 -Joey Kramer Drum Solo 2 -Toys In The Attic 3 -Train Kept A Rollin' (Instrumental) - Girl Keeps Coming Apart (Rehearsal, Instrumental) -
A nice sounding collection (all audience source) of concerts all from 1976. None of this material falls below a solid 8.7 and rises to 9.1 in the sonic ratings, but taken as a whole this deserves a place in any collection even if no board tapes are included. The Who The Adventures of the Who 1976 Disc 1 Seattle Center Coliseum Seattle, WA 1976-03-25 01. -I Can't Explain 02. -Substitute 03. -My Wife 04. -Baba O'Riley 05. -Squeeze Box 06. -Behind Blue Eyes 07. -Dreaming From The Waist 08. -Magic Bus Disc 2 09. -Amazing Journey 10. -Sparks 11. -Acid Queen 12. -Fiddle About 13. -Pinball Wizard 14. -I'm Free 15. -Tommy's Holiday Camp 16. -We're Not Gonna Take It 17. -My Generation 18. -Won't Get Fooled Again Disc 3 The Capital Centre Largo, MD 1976-08-03 01. -Intro 02. -I Can't Explain 03. -Substitute 04. -My Wife 05. -Baba O'Riley 06. -Squeeze Box 07. -Behind Blue Eyes 08. -Dreaming From The Waist 09. -Magic Bus Disc 4 10. -Audience 11. -Amazing Journey 12. -Sparks 13. -Acid Queen 14. -Fiddle About 15. -Pinball Wizard 16. -I'm Free 17. -Tommy's Holiday Camp 18. -We're Not Gonna Take It 19. -Summertime Blues 20. -My Generation 21. -Won't Get Fooled Again Disc 5 The Capital Centre Largo, MD 1976-08-04 01. -Intro 02. -I Can't Explain 03. -Substitute 04. -My Wife 05. -Baba O'Riley 06. -Squeeze Box 07. -Behind Blue Eyes 08. -Dreaming From The Waist 09. -Magic Bus 10. -Audience Disc 6 11. -Amazing Journey 12. -Sparks 13. -Acid Queen 14. -Fiddle About 15. -Pinball Wizard 16. -I'm Free 17. -Tommy's Holiday Camp 18. -We're Not Gonna Take It 19. -Summertime Blues 20. -My Generation 21. -Won't Get Fooled Again Disc 7 Seattle Center Coliseum Seattle, WA 1976-10-14 01. -Intro 02. -I Can't Explain 03. -Substitute 04. -My Wife 05. -Baba O'Riley 06. -Squeeze Box 07. -Behind Blue Eyes 08. -Dreaming From The Waist 09. -Magic Bus Disc 8 10. -Amazing Journey 11. -Sparks 12. -Acid Queen 13. -Fiddle About 14. -Pinball Wizard 15. -I'm Free 16. -Tommy's Holiday Camp 17. -We're Not Gonna Take It 18. -Summertime Blues 19. -My Generation 20. -Won't Get Fooled Again Disc 9 Maple Leaf Gardens Toronto, Ontario October 21st, 1976 01. -I Can't Explain 02. -Substitute 03. -My Wife 04. -Baba O' Riley 05. -Squeeze Box 06. -Behind Blue Eyes 07. -Dreaming From The Waist 08. -Magic Bus Disc 10 09. -Amazing Journey 10. -Sparks 11. -Underture 12. -The Acid Queen 13. -Fiddle About 14. -Pinball Wizard 15. -I'm Free 16. -Tommy's Holiday Camp 17. -We're Not Gonna Take It 18. -See Me, Feel Me 19. -Summertime Blues 20. -My Generation 21. -Join Together 22. -My Generation Talking Blues 23. -Who Are You 24. -Won't Get Fooled Again -
Audience 9.0 -A fine recording that does not have that digital signature to it, although many digital recordings are fine it’s just that an analog capture more faithfully replicates the vibe of the event being captured. Peter Gabriel Memorial Coliseum Los Angeles, CA September 21, 1988 01 Of These, Hope 02 Games Without Frontiers 03 Shock The Monkey 04 No Self Control 05 Don't Give Up (with Tracy Chapman) 06 Sledgehammer 07 In Your Eyes 08 Biko -
Audience 9.3 - One thing you must concede about recordings from this venue – they are almost 100% of the time decent overall but more importantly extremely pleasant atmospherically. Audiences here are generally very attuned to the performer on stage, knowing the music, and there to listen to the music. The Roxy was a venue for music connoisseurs. A brilliant tape here to add to your collection.
Peter Gabriel The Roxy West Hollywood, CA September 30, 1978 Early Show Disc 1 01 Me And My Teddy Bear 02 On Presuming To Be Modern 03 On The Air 04 Moribund The Burgermeister 05 Perspective 06 Indigo 07 White Shadow 08 D.I.Y. 09 Waiting For The Big One 10 Band Introductions 11 Mother Of Violence Disc 2 12 Slowburn 13 Flotsam And Jetsam 14 I Don't Remember 15 Solsbury Hill 16 Modern Love 17 The Lamb Lies Down On Broadway 18 Animal Magic 19 Here Comes The Flood
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“Audience” studio 8.7 An amateur recording it might be, but like any rock and roll band in rehearsals you probably weren’t too worried about doing professional recordings. They were not exactly shiny and perfect here, getting ready for a tour, so yeah I understand the nature of the tapes and I still like it. Some tape hiss, some lo-fi moments but all in all fascinating fly-on-the-wall stuff. See Artwork for Track Listings (sorry I didn't feel like typing it all out!) -
“Audience” studio 8.7 An amateur recording it might be, but like any rock and roll band in rehearsals you probably weren’t too worried about doing professional recordings. They were not exactly shiny and perfect here, getting ready for a tour, so yeah I understand the nature of the tapes and I still like it. Some tape hiss, some lo-fi moments but all in all fascinating fly-on-the-wall stuff. See Artwork for Track Listings (sorry I didn't feel like typing it all out!) -
“Audience” studio 8.7 An amateur recording it might be, but like any rock and roll band in rehearsals you probably weren’t too worried about doing professional recordings. They were not exactly shiny and perfect here, getting ready for a tour, so yeah I understand the nature of the tapes and I still like it. Some tape hiss, some lo-fi moments but all in all fascinating fly-on-the-wall stuff. See Artwork for Track Listings (sorry I didn't feel like typing it all out!) -
Audience 9.5 - A lot of audience periphery (shouting and bustling) but nonetheless it’s a crystal clean and very dynamic recording. The energy is palpable and comes right out pretty much all the way through as the audience is very responsive and Prince most definitely fed off it. Guitar tone is perfection – vocals very nicely placed in the mix as is everything really. Great, great stuff!
Audience 9.3 - The ’92 Aftershow is equally excellent with just slight differences in tone and distance to come second place to the Bataclan show.
Pro 9.3 – The radio broadcasts here are great and as you would expect, since they are professionally recorded, but honestly I still prefer the Bataclan audience tape which says an awful lot about what a good job taper did on that.
Audience 8.8 - The final disc contains London ’99 audience tape which is the weakest of this set but still decent enough to enjoy. Sounds somewhat distant (not in the stadium sense but small venue distant).
Prince Purple House Disc 1 Le Bataclan Paris 17th November 1999 1. Drum Solo 2. Let's Go Crazy 3. Doing It To Death 4. (I Feel Like) Bustin' Loose 5. The Jam 6. Everyday People 7. Eye'mageddin 8. Thank You (Falettinme Be Mice Elf Again) 9. Speech 10. Red House 11. Rock Guitar Jam Disc 2 1. Kiss 2. Gett Off 3. Gett Off (Houstyle) 4. Talkin' Loud And Sayin' Nothing - It's Alright - Push It Up 5. Release Yourself Diamonds And Pearls Tour Aftershow Les Baines Douches Paris 12th July 1992 6. Gett Off 7. Sex Machine 8. Villanova Junction 9. Jughead 10. Step 2 The Mic - Gold Nigga - Black MF In The House Nulle Part Ailleurs 5th May 1994 (Broadcast) 11. Endorphinmachine Nulle Part Ailleurs 17th November 1999 (Broadcast) 12. Baby Knows 13. The Greatest Romance Ever Sold (intro) 14. Alphabet St. 15. Everyday People 16. Finale Jam Disc 3 Mermaid Theatre, London 15th November 1999 1. Let's Go Crazy 2. She's Always In My Hair 3. U Got The Look 4. Kiss (Groove) 5. Kiss 6. Gett Off 7. Gett Off (Houstyle) 8. Talkin' Loud And Sayin' Nothing - Sex Machine - It's Alright 9. Purple House 10. The Jam 11. The Greatest Romance Ever Sold 12. The Greatest Romance Ever Sold (Loose Jam) 13. Baby Knows 14. Groove On 15. Release Yourself -
Soundboard 9.3 - There are moments in this recording that you swear it has to be one of Prince’s best ever – what got him so pumped up for this gig? Maybe he was pumped for every gig but slightly more at certain gigs. I don’t know but this one got me pumped as well! Love the energy and fluid playing.
Prince Glam Slam East Miami, FL. June 10th, 1994 Disc 1 1. Endorphinmachine 2. Space 3. Interactive 4. Acknowledge Me 5. Get Wild 6. Billy Jack Bitch 7. The Most Beautiful Girl In The World 8. Loose! Disc 2 9. It's Alright 10. I Believe In You 11. Maybe Your Baby 12. Santana Medley:Jungle Strut - Batuka - Soul Sacrifice - Ttoussant L'Overture 13. 319 14. Hide The Bone 15. Ripopgodazippa -
Audience 9.5 - I love this recording, and concert. Fantastic vibe, inspired Prince, and taper who knew what to do. Audio quality is not only excellent but so is the live sound mix. Lots of great guitar here! Prince Newpower Soul Music Festival Tour Palau Sant Jordi, Barcelona 18th December 1998 Disc 1 1. Push It Up 2. Jam Of The Year 3. Talkin' Loud And Sayin' Nothing 4. Let's Work 5. Delirious 6. Rock N' Roll Is Alive (outro) 7. Purple Rain 8. Little Red Corvette 9. I Would Die 4 U 10. Jingo-Lo-Ba - Get Yo Groove On 11. I Could Never Take The Place Of Your Man 12. Instrumental 13. Speech 14. The Christ 15. One Of Us 16. The One Disc 2 1. (Let Me Be Your) Teddy Bear - Courtin' Time 2. 2001:Also Sprach Zarathustra 3. If I Was Your Girlfriend 4. Barcelona - Diamonds And Pearls - The Most Beautiful Girl In The World - Darling Nikki 5. Nothing Compares 2 U 6. Take Me With U 7. Raspberry Beret - Mr. Happy (outro) 8. Interlude 9. (Eye Like) Funky Music - Mo' Bass In The Place 10. Release Yourself 11. Alphabet St. 12. Come On 13. Gett Off 14. Baby I'm A Star 15. 1999 -
Audience 9.0 - Solid, nothing offensive here at all to the ears. Lots of cool atmosphere…chicks dig this guy…whatever. MORRISSEY September 5, 2021 Caesars Colosseum Las Vegas, NV Disc 1 01 - It's Over 02 - How Soon Is Now? 03 - Alma Matters 04 - First of the Gang to Die 05 - Everyday is Like Sunday 06 - Shoplifters of the World Unite 07 - I'm Throwing My Arms Around Paris 08 - Knockabout World 09 - Morning Starship 10 - Ouija Board, Ouija Board 11 - Seasick, Yet Still Docked 12 - Never Had No One Ever Disc 2 13 - Half a Person 14 - Love Is on Its Way Out 15 - Satan Rejected My Soul 16 - The Lazy Sunbathers 17 - I've Changed My Plea to Guilty 18 - Lady Willpower 19 - Back on the Chain Gang 20 - Irish Blood, English Heart 21 - Jack the Ripper -
Soundboard 8.8 - A dated sounding board tape, yes it is good but I can see how there are limitations with board tapes just as there are with audience tapes. If I was a fan I would still love this show, I mean, it’s clear and clean and it’s finely performed so there’s no real downside here. The Smiths Versailles, Paris 12-01-1984 01 - Intro 02 - William, It Was Really Nothing 03 - What She Said 04 - Nowhere Fast 05 - Reel Around The Fountain 06 - Heaven Knows Im Miserable Now 07 - How Soon Is Now? 08 - Still Ill 09 - Rusholme Ruffians 10 - This Charming Man 11 - Barbarism Begins At Home 12 - I Want The One I Can't Have 13 - Hand In Glove 14 - What Difference Does It Make? 15 - Handsome Devil 16 - Miserable Lie -
Pro 9.6 -An obviously professionally recorded show, this will certainly provide the listener with a lot to love although I still like more atmosphere on a live recording than what is contained herein. The beginnings and endings do show the presence of an enthusiastic audience. The Smiths "Same Day Again" Oxford Apollo March 18th 1985 01. William It Was Really Nothing 02. Nowhere Fast 03. What She Said 04. Hand In Glove 05. How Soon Is Now? 06. Stretch Out And Wait 07. That Joke Isn't Funny Anymore 08. Shakespears Sister 09. Headmaster Ritual 10. Still Ill 11. Meat Is Murder 12. Miserable lie 13. Barbarism Begins At Home 14. You've Got Everything Now -
Audience 9.2 - A nice and bright tape with a good solid bass holding it all down. The Smiths Royal Court Theatre Liverpool, UK. Feb. 8th, 1986 1. Montagues And Capulets 2. Shakespeare's Sister 3. I Want The One I Can't Have 4. Vicar In A Tutu 5. Frankly, Mr. Shankly 6. Marie's The Name - Rusholme Ruffians 7. The Boy With The Thorn In His Side 8. Cemetary Gates 9. Nowhere Fast 10. What She Said 11. There Is A Light That Never Goes Out 12. Bigmouth Strikes Again 13. William, It Was Really Nothing 14. Meat Is Murder 15. Stretch Out And Wait