-
Audience 9.3 - Super clear, super realistic, the crowd is with him, of that there is no doubt. Warm sounding, and great balance, very vivid tape, memorable concert. Peter Gabriel The Clubhouse Santa Ana, CA June 17, 1980 01 Intruder 02 The Start/I Don't Remember 03 Solsbury Hill 04 Family Snapshot 05 Milgram's 37 06 Modern Love 07 Not One Of Us 08 Lead A Normal Life 09 Moribund The Burgermeister 10 Mother Of Violence 11 Humdrum 12 Gabriel announces the show must end -
Audience 9.3 - One thing you must concede about recordings from this venue – they are almost 100% of the time decent overall but more importantly extremely pleasant atmospherically. Audiences here are generally very attuned to the performer on stage, knowing the music, and there to listen to the music. The Roxy was a venue for music connoisseurs. A brilliant tape here to add to your collection.
Peter Gabriel The Roxy West Hollywood, CA September 30, 1978 Early Show Disc 1 01 Me And My Teddy Bear 02 On Presuming To Be Modern 03 On The Air 04 Moribund The Burgermeister 05 Perspective 06 Indigo 07 White Shadow 08 D.I.Y. 09 Waiting For The Big One 10 Band Introductions 11 Mother Of Violence Disc 2 12 Slowburn 13 Flotsam And Jetsam 14 I Don't Remember 15 Solsbury Hill 16 Modern Love 17 The Lamb Lies Down On Broadway 18 Animal Magic 19 Here Comes The Flood
-
Soundboard 9.0 - There is an immediate impact with this tape and it is a good one. You can feel the kick drum in your chest! Peter Gabriel Palasport, Torino, Italy September 30, 1980 Disc 1 1 Intruder - 7.22 2 The Start - 1.41 3 I Don’t Remember - 5.12 4 Solsbury Hill - 5.43 5 Family Snapshot - 7.03 6 Milgrams ‘37 - 3.40 7 Not One of Us - 5.59 8 Lead a Normal Life - 4.19 Disc 2 1 Moribund the Burgermeister - 5.21 2 Mother of Violence - 4.20 3 Humdrum - 4.22 4 Games without Frontiers - 4.34 5 Band Introductions - I Go Swimming - 1.23 6 Biko - 11.08 7 On the Air - 7.13 8 D.I.Y. - 5.05 9 Here Comes the Flood - 2.28 Total Running Time: 40.59 + 45.54 = 86.53 -
Audience 8.4 - Has some good mid punch to it. -
Audience 8.8 - A very warm, and casual show that features nicely defined bass notes, but you are giving up some crispness in this recording in favor of a more mid-range sound which suits me fine. This is a pleasant recording of a relaxed Gabriel and a tight backing band -
Audience 8.8 - A good recording that is taken from one side of the stage as you get much more bass presence than guitar which is probably how you would prefer if you are a big fan of Peter Hook – and not surprisingly the bass sounds badass here. Peter Hook's The Light Perform Unknown Pleasures The Music Box Los Angeles 2010-12-11 01. No Love Lost 02. Leaders Of Men 03. Glass 04. Digital 05. Disorder 06. Day Of The Lords 07. Candidate 08. Insight 09. New Dawn Fades 10. She's Lost Control 11. Shadowplay 12. Wilderness 13. Interzone 14. Encore Break 1 15. Transmission 16. Love Will Tear Us Apart 17. Encore Break 2 18. Atmosphere 19. Ceremony Notes: Track 15: Featuring Perry Farrell on vocals Band: Peter Hook: Vocals, Lead Bass Jack Bates: Bass Nat Watson: Guitar Andy Poole: Keyboards Paul Kehoe: Drums -
Audience 7.6 -
Audience 9.2 - Tremendous presence, like you are sitting on the lawn in front of the stage. Great! -
FM Broadcast 9.1 - A board tape that seems to have a more ambient quality to it, meaning it sounds like close mic’ing rather than direct into board. That means you do not hear the audience as is typical of a board tape, but you do get a “room” sound like the quality of an audience tape, albeit a very good one. This is a real good tape but it does sound somewhat dated and thankfully the remastered version (this one) brings more clarity and punch than before. Premiata Forneria Marconi Liberty Hall Houston, Texas, USA November 16th, 1976 Disc 1 01. -Intro & tuning 02. -Out of the Roundabout 03. -Left-Handed Theory 04. -Unknown Title 05. -Story in L.A. 06. -Unknown Title 07. -Jetlag Disc 2 08. -Four Holes in the Ground 09. -Celebration 10. -Interview LINE UP Franco Mussida - guitars Flavio Premoli - keyboards Greg Locke (?) - flute, violin Franze Di Cioccio - drums Jan Patrick Djivas (from Nice, France) - bass Bernardo Lanzetti - vocals -
Soundboard 8.7 - Some tape hiss during quiet parts. -
Audience 9.4 - PFM is perhaps the archetype Italian progressive rock band, having achieved international acclaim they opened the doors for the world to discover this style of music. PFM IN CLASSIC - 2011-11-07 Kawasaki Japan, Italian Progressive Rock Festival Teatro TOKYO - KAWASAKI - CLUBCITTA' Setlist DISC 1 1 - Intro 2 - Il Flauto Magico-Overture(Mozart) 3 - Danza Macabra(Saint-Saensj / Danza Slava No.1(Dvorjak) 4 - Sinfonia No.5-IV Movimento. Adagietto(Mahler) 5 - Romeo & Giulietta-Danza Dei Cavalieri(Prokofievj 6 - La Grande Pasqua Russa(Korsakov) 7 - Nabucco- Overture (Verdi) DISC 2 1 - River Of Life 2 - Promenade The Puzzle 3 - DoveQuando 4 - Maestro Della Voce 5 - Impressioni Di Settembre (Encore) 6 - Suite Italiana: Sinfonia No.4- L'ltallana (Mendellson) – Celebration - La Danza (Rossini) 7 - William Tell Overture (Rossini) 8 - Bonus Track - La Luna Nuova (Milano, Teatro degli Arcimboldi, 23.09.2011) Line Up Franco Mussida: chitarre, voce Franz Di Cioccio: voce, batteria, percussioni Patrick Djivas: basso Lucio Fabbri: violino Gianluca Tagliavini: tastiere Roberto Gualdi: batteria -
Radio Broadcast 9.1 - A rare find, this is a band that can be best defined as an eclectic, world music progressive band that features some ethnic style music that occasionally fuses in some nice, tasty jazzy electric guitar rock stylings. Piirpauke Stockholm, Sweden 1976 Radio Broadcast 1. -Konevitsan Kirkonkellot (Churchbells Of Konevitsan) (5:30) 2. -Unknown Title (6:43) 3. -Sirtos(3:04) 4. -Fyssouni (4:14) 5. -Unknown Title (3:07) 6. -Unknown Title (7:09) 7. -Penang (Osat 1 & 2) (5:20) 8. -Imala Maika (9:50) 9. -Pra Dizer Adeus (Sanon Hyvasti) (4:16) -
Sale!
Mostly Very Good to Excellent quality audience recordings. Interesting to listen in this context, with the idea being that the band worked out the arrangements in front of live audiences then went to record after the tour. You know the history, but this collection brings it to life. Pink Floyd: The Early 1972 UK Concerts. A Trip To The Moon. 11 CD set of Pink Floyd rare audience recordings from their legendary early 1972 UK gigs recorded live at: CD 1 & 2: The Dome, Brighton, East Sussex, 20.01. 1972 (Complete show). CD 3 & 4:: The Guildhall, Portsmouth, Hampshire, 21.02.1972 (Complete show). CD 5 & 6: The Wintergardens, Bournemouth, Hampshire, 22.01.1972 (2 tape sources incl. complete show). CD 7 & 8: The Rainbow Theatre, Finsbury Park, London, 17.02.1972 (Complete show from 1st gen. master). CD 9: The Rainbow Theatre, Finsbury Park, London, 20.02.1972 (Best of '72 vinyl completed and restored version). CD10 & 11: The Free Trade Hall, Manchester, 30.03.1972 (Complete show). Disc 1 1. -Speak To Me 2. -Breathe 3. -On The Run 4. -Time - Breathe (Reprise) 5. -The Mortality Sequence 6. -Money 7. -End of DSOTM & Tuning 8. -Atom Heart Mother Disc 2 1. -Tuning 2. -Careful With That Axe, Eugene 3. -One Of These Days 4. -Tuning 5. -Echoes 6. -Tuning 7. -A Saucerful Of Secrets Disc 3 1. -Speak To Me - Breathe 2. -On The Run 3. -Time - Breathe (Reprise) 4. -The Mortality Sequence 5. -Money 6. -Us And Them 7. -Any Colour You Like 8. -Brain Damage 9. -Eclipse Disc 4 1. -One Of These Days 2. -Set The Controls For The Heart Of The Sun 3. -Echoes 4. -A Saucerful Of Secrets Disc 5 1. -Breathe 2. -On The Run 3. -Time 4. -Breathe (Reprise) 5. -The Mortality Sequence 6. -Money 7. -Us And Them 8. -Any Colour You Like 9. -Brain Damage 10. -Eclipse 11. -Speak To Me 12. -Breathe 13. -On The Run 14. -Time 15. -Breathe (Reprise) 16. -The Mortality Sequence 17. -Money Disc 6 1. -Us And Them 2. -Any Colour You Like 3. -Brain Damage 4. -Wind Sound Of One Of These Days 5. -One Of These Days 6. -Tuning 7. -Echoes 8. -Careful With That Axe, Eugene 9. -Tuning 10. -A Saucerful Of Secrets Disc 7 1. -Speak To Me 2. -Breathe 3. -On The Run 4. -Time 5. -The Mortality Sequence 6. -Money 7. -Us And Them 8. -Any Colour You Like 9. -Brain Damage 10. -Eclipse Disc 8 1. -Tuning - One Of These Days 2. -Careful With That Axe, Eugene 3. -Tuning 4. -Echoes 5. -Tuning 6. -Set The Controls For The Heart Of The Sun Disc 9 1. -Speak To Me 2. -Breathe 3. -On The Run 4. -Time 5. -Breathe (Reprise) 6. -The Mortality Sequence 7. -Money 8. -Us And Them 9. -Any Colour You Like 10. -Brain Damage 11. -Eclipse Disc 10 1. -Speak To Me 2. -Breathe 3. -On The Run 4. -Time 5. -The Mortality Sequence 6. -Money 7. -Us And Them 8. -Any Colour You Like 9. -Brain Damage 10. -Eclipse Disc 11 1. -One Of These Days 2. -Careful With That Axe, Eugene 3. -Echoes 4. -Set The Controls For The Heart Of The Sun -
Audience 7.0 - Something about this recording I find very interesting. It’s a haunting, mystical vibe, a somber heaviness that falls over the stadium and envelopes everything. The recording gives you just enough to experience it, despite it not being exactly hi-fi, it is truly fascinating to experience this show from this taper’s perspective. You will be totally pulled into this gig, and the recording slowly does seem to get better. I like it! -
Audience 7.5 -
Audience 8.5 - A solid tape, with the occasional shouts of “sit down” to add atmosphere. Everything comes through lovely, and seemingly pretty close to the taper. Solid Solid Solid. -
Atlanta 1977 Audience 8.6 - At times the tape shines (quieter sections) but for the louder parts (most of the concert) the bass overtakes guitar, and the bass is not boomy so it is not an annoying thing it’s more of a live mix thing. Clarity is very good but not great, frequencies are all intact here, the sound can breathe a little, it’s not a bad tape and it is not a great tape…and I think the consensus is that you would benefit from having it in the collection. Louisville 1977 Audience 8.7 - The sound here borders on distortion but manages to stay within a sane level of tolerance due to exceptional re-mastering (which is so difficult, to keep highs and mids but lose clipping, it’s a task I would not want myself). If taper was able to manage his levels, this would have been one of the best audience tapes of all time…you can hear the quality, but yeah, some problems there with the upper level distortion keep it as a very good tape as opposed to extremely great. Still, I have to say this is well worth having. Milwaukee 1977 Audience 8.2 - This is the kind of tape that is hard to get through without needing some major adjusting. I can tell you only that even after careful re-mastering, it is still an average tape with some decent moments but mostly difficult on the ears. It’s saving grace? It’s a brand new discovery, and is only popping up for the first time since it was first recorded. I enjoyed the quieter parts (such as Wish You Were Here, and the acoustic portions of the Pigs suites). Pink Floyd "Animal Rescue Of 1977" Disc 1 The Omni Atlanta, Georgia April 26, 1977 01 -Sheep 02 -Pigs On The Wing part 1 03 -Dogs 04 -Pigs On The Wing part 2 05 -Pigs (Three Different Ones) 06 -Shine On You Crazy Diamond part I-V 07 -Welcome To The Machine Disc 2 Atlanta cont'd 01 -Have A Cigar 02 -Wish You Were Here 03 -Shine On You Crazy Diamond part VI-IX Freedom Hall, Kentucky Fair and Exposition Center Louisville, KY, USA 17 June 1977 04 -Shine On You Crazy Diamond (Parts I-V) 05 -Welcome To The Machine 06 -Have A Cigar 07 -Wish You Were Here 08 -Shine On You Crazy Diamond (Parts VI-IX) Disc 3 Kentucky cont'd 01 -Money Milwaukee Stadium Milwaukee, WI USA 1977-06-15 02. -Sheep 03. -Pigs On The Wing (part 1) 04. -Dogs 05. -Pigs On The Wing (part 2) 06. -Pigs (Three Different Ones) Disc 4 Milwaukee cont'd 01. -Shine On You Crazy Diamond (parts I - V) 02. -Welcome To The Machine 03. -Have A Cigar 04. -Wish You Were Here 05. -Shine On You Crazy Diamond (parts VI - IX) -
Audience 8.9 - When this recording first starts you get a little worried that it is going to be crap, but when the band begins to play, the sound gets surprisingly good, so much so that it totally sucks you into the moment and you lose yourself in the band. Fantastic! -
Audience 7.4 - Sounds pretty low generation, but it’s typical of the era being kind of AM radio sounding but on the positive side, the instruments are good and clear if maybe the guitar is a bit in the back. -
Audience 7.2 -
Audience 9.4 - An excellent recording featuring one unusual distinction in that guitars are hard panned to one side making for a unique listening experience. It kind of adds to the atmosphere actually. A great one! -
Audience 7.3 to 7.6 in quieter parts (upgrade). -
Sale!
Audience 8.9 - A really cool recording in that keys, drums and bass sound right next to you but guitar swirls above them, and over your head, and around your ears… VERY nice atmosphere and picked up extremely well by the taper. -
Audience 9.6 -
Audience 7.1 - A very subdued tape, and lots of hiss that at some points is cleaner so no real stress. It is reasonably clear in that you can hear everything, just sounds like it needs a kick in the mid range or some good multi-band compression. Interesting to hear these sort of stripped down Dark Side shows. -
Audience 7.8 - The recording shines during the quieter passages and gets slightly crowded during intense sections but without any distortion at all. It’s really quite good, I think even the most discerning collector can benefit by having this performance. -
Audience 7.3 - The good thing about Pink Floyd is that almost every taped concert is relatively clear because they did not overload with bombast and volume. -
Audience 8.0 - A subdued recording that occupies a pleasant bandwidth for the ears but does not venture into dynamics high or low. It’s very interesting hearing these formative versions of Animals tracks, this recording does deliver enough clarity and separation of instruments to be able to appreciate the happenings on stage – and because Pink Floyd is not a “bombastic” band, you do get periods of music that rate in the mid 8’s so a good, not great, tape. -
Audience 7.4 - MUCH MUCH better than the previously circulated version! Still not perfect, but this is well worth getting if you want to upgrade your old copy, otherwise if you are a collector and do not have it, you should get it because rock concerts at Carnegie Hall were few and far between. -
Audience 9.1 - Excellent! Very clear, balanced, and lovely atmosphere. One that will get repeated play for sure. Pink Floyd - (1972-04-28) Auditorium Theater, Chicago, IL, US Tracklist: Disc 1 01 Speak To Me 01:00 02 Breathe (In The Air) 03:13 03 On The Run 05:13 04 Time 05:46 05 Breathe (Reprise) 01:03 06 The Mortality Sequence 03:42 07 Money 07:29 08 Us And Them 07:16 09 Any Colour You Like 06:26 10 Brain Damage 03:50 11 Eclipse 01:54 Disc 2 12 One Of These Days 08:42 13 Careful With The Axe, Eugene 12:20 14 Echoes 24:06 15 Set The Controls For The Heart Of The Sun 13:16 Total time: 1:45:25 -
Audience 8.3 - Surprisingly well balanced and bright recording. -
Audience 8.7 - This is a surprisingly clear tape with a superbly detailed bottom end and would rate MUCH higher if the sound mix brought the guitar and keys up a bit more. These complaints are not the fault of the taper or his gear, but rather the actual PA sound mix at the show, which by the way is VERY good so do not be put off at all, it’s that my preference would be for more guitars. -
Audience 7.7 - Big stadium sound without a lot of boom, just maybe kind of far back and not clearly defined. You have to turn it up though, there’s TONS of headroom in this tape – somebody needs to remaster it. -
Audience 8.7 - This is a very good recording that only needs more definition in the highs, but I still think this has to rank high in the pantheon of 1971 audience tapes. It’s a show that seems to invoke an almost reverential vibe in the audience, as they are quiet and respectful throughout but show bursts of appreciate at song endings. A good one, in many respects. Pink Floyd Lecture Theatre Block 6 & 7 University of Essex Wivenhoe Park Colchester, England 12 February 1971 Disc 1 01 Atom Heart Mother 02 The Embryo 03 Careful With That Axe, Eugene Disc 2 04 Astronomy Domine 05 Cymbaline 06 Set The Controls For The Heart Of The Sun 07 A Saucerful Of Secrets -
Sale!
Audience 8.7 - An interesting tape, the recording is very lifelike and captures one of the best keyboard dominate performances I have ever heard. What I mean is, the keys really come to life on this one, as opposed to being merely “sound effects”, and the rest of the band is great too. A keeper! -
Audience 8.6 - A nice warm sound with loads of atmosphere, but no annoying echo or boominess! Great for 1972, although there is some underlying hiss (not too much). -
Audience 9.4 - Clearly this tape belongs in the tapers hall of fame. So good, you hear every little nuance, I could swear I even hear the breaths taken between verses! Yes, it is that good! -
Audience 7.6 - Gets better the louder you play it. -
Brand New unsealed. The 30th Anniversary Edition of the album remix/remaster on SACD. -
Audience 8.9 - Clear and plenty of detail here with a few problems showing up only very occasionally. One thing I noticed is there is a bit of what sounds like the music is moving around overhead, what this could be is the quad system and the mic is picking up the sound as it rotates around the venue. Otherwise it’s some kind of phasing but it’s not too annoying, just wish I knew exactly what it was. -
Sale!
Audience 8.7 - A decent tape that documents the first show of the ’77 Euro tour. There is a little bit of overcrowding in the mid to upper band, it’s not horrible but it prevents some of the detail in the guitar from being clearly heard. Bass sounds round and brassy, vocals are up front and clear. -
Audience 8.6 - A clear tape that EXPLODES from your speakers…but maybe because that is because the levels are really hot (but next to no distortion!) and it makes for a ridiculously electric sounding show. It’s like, man, I am here, my ears are melting and my mind is blowing! Way better than the previously circulating high gen tape, this is from the master reels and it shows. Pink Floyd Philips Veranstal Tungshalle Dusseldorf, West Germany 1971-06-04 Set 1: 1. -Atom Heart Mother 16:20 2. -Audience - Tuning 1:15 3. -Careful With That Axe, Eugene 15:11 4. -Fat Old Sun 11:45 5. -The Embryo 8:36 Set 2: 1. -Audience - Tuning 0:27 2. -The Return Of The Sons Of Nothing 23:48 3. -Set the Controls For The Heart Of The Sun 13:06 4. -Cymbaline 12:18 5. -Audience - Tuning 0:40 6. -A Saucerful Of Secrets Total Time: 106:45 -
Aud 7.8 - Big hall sound, slight boominess but excellent as far as this kind of recording goes. -
Audience 8.2 - This is not the source used on Massed Gadgets, and ranks similar although each source features slight differences which are up to the listener to decide which they prefer. This source has more in the higher frequencies, but consequently slightly more hiss. It’s still very decent. -
Audience 9.2 -
Audience 8.9 - This sounds WAY much better than I remember it sounding, but then I first heard this show about 25 years ago so I guess it’s quite possibly a new source or an amazing remastering. Either way, this is certainly VERY worthy of appearing in your collection as it captures that open air festival vibe, and the band…Gilmour is inspired as his solos pierce the air with ferocity and guile. Bass sounds right on point here, and drums are perfectly balanced and placed in the mix just behind the others so to give those sounds center stage. Keys are much more present during the quieter passages, but they have a nice feel to them. All in all, this is great great great stuff. Pink Floyd Insel Grün (2nd British Rock Meeting Open Air Festival) Germersheim, Germany May 21, 1972 01. -Atom Heart Mother02. -Set The Controls For The Heart Of The Sun 03. -One Of These Days 04. -Careful With That Axe, Eugene 05. -Echoes 06. -A Saucerful Of Secrets -
Audience 8.8 and Audience 8.9 (old source and new source featured on disc 2)
