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All Studio and/or pro live. Most of it is excellent quality, very little I would say is less than excellent. Interesting how it was compiled though, the producers opted to chronologically list the tracks according to their release date, not by actual performance date. That makes for an interesting listen. DISCLAIMER – to preserve the look of the original 6 volume set, I had to use materials available to me which were a little below the usual high standards we maintain with Wolfpodscd releases. Consequently, for anyone who purchases the complete set (at a huge discount), you will get a printed track sheet covering all volumes. -
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All Studio and/or pro live. Most of it is excellent quality, very little I would say is less than excellent. Interesting how it was compiled though, the producers opted to chronologically list the tracks according to their release date, not by actual performance date. That makes for an interesting listen. DISCLAIMER – to preserve the look of the original 6 volume set, I had to use materials available to me which were a little below the usual high standards we maintain with Wolfpodscd releases. Consequently, for anyone who purchases the complete set (at a huge discount), you will get a printed track sheet covering all volumes. -
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All Studio and/or pro live. Most of it is excellent quality, very little I would say is less than excellent. Interesting how it was compiled though, the producers opted to chronologically list the tracks according to their release date, not by actual performance date. That makes for an interesting listen. DISCLAIMER – to preserve the look of the original 6 volume set, I had to use materials available to me which were a little below the usual high standards we maintain with Wolfpodscd releases. Consequently, for anyone who purchases the complete set (at a huge discount), you will get a printed track sheet covering all volumes. -
Sale!
All Studio and/or pro live. Most of it is excellent quality, very little I would say is less than excellent. Interesting how it was compiled though, the producers opted to chronologically list the tracks according to their release date, not by actual performance date. That makes for an interesting listen. DISCLAIMER – to preserve the look of the original 6 volume set, I had to use materials available to me which were a little below the usual high standards we maintain with Wolfpodscd releases. Consequently, for anyone who purchases the complete set (at a huge discount), you will get a printed track sheet covering all volumes. -
Sale!
All Studio and/or pro live. Most of it is excellent quality, very little I would say is less than excellent. Interesting how it was compiled though, the producers opted to chronologically list the tracks according to their release date, not by actual performance date. That makes for an interesting listen. DISCLAIMER – to preserve the look of the original 6 volume set, I had to use materials available to me which were a little below the usual high standards we maintain with Wolfpodscd releases. Consequently, for anyone who purchases the complete set (at a huge discount), you will get a printed track sheet covering all volumes. -
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Studio recordings 8.8 - sounds like a vinyl source, cleaned up for the most part. -
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Audience 8.8 - A surprising tape! Never knew of this one, it’s quite good and clear! -
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Soundboard 9.7 - From the very beginning you know you are in for quite a thrill ride with this one. As good as it gets, highly recommended! -
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Soundboard 9.3 - Takes a minute to get a mix, but then it’s off to the races. Interesting to hear this very early period of the band. Very much a good o’l fashioned American hard rock band. -
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Soundboard 8.8 - This recording, while being very clear and obviously recorded for a broadcast, is somewhat dated sounding…in a really good way. It sounds like a relic lost in time, but the band is good and tight. It’s the beginning of the 80’s, and their sound would soon get more FM friendly, here it’s still got that “proto metal” edge to it. -
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FM Broadcast 9.4 - Excellent atmosphere (better than a pure, dry soundboard) and the band, what can I say, just great as always. -
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Audience 8.6 - Very close to the mains, and it’s incredibly loud to the point that Robin can barely control his feedback. But the tape holds together, even if there’s some loss of vocal clarity, none of that even matters because after a couple of songs you are so bludgeoned by this devastating guitar/bass onslaught that vocals would be barely noticed anyway.
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Audience 8.4 - Let’s face it, ever since the movie came out, recordings like these take on new significance. I just find it fascinating to hear, knowing the back story a little more. This is a very decent recording with primary focus on vocals and drums, with guitar and bass a little behind them but present enough to be able to enjoy this. You can turn the volume up, levels are good - the taper was careful! -
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Soundboard 8.7 - The interesting thing about this particular board tape is that the bass is the “lead” instrument in the mix and thus allows you to hear the sometimes overlooked intricacies and interplay in that regard. I would say that even though I enjoy and appreciate this aspect of the recording, the average fan may lament the somewhat overshadowed guitar and vocals, but these are not issues that nullify a superb performance and decent recording. -
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Soundboard 9.7 - A pre FM master was used and it clearly magnitudes better than what you’d get recording off the radio! -
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Soundboard 9.7 - I love the way they recorded the vocals, it has a very cool quality to it, such that it lends that sort of electric spark to the proceedings. This is very energetic set by the band. -
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Audience 7.8 - I love these little time capsules, maybe it’s not the best fidelity, but I can hear pretty much everything here and the bass is fat without distorting so it’s got some balls to it. You know, listening to things like this makes one really wish they had an actual time machine. -
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Soundboard 9.8 - Hard to find any fault in this recording, and the mix is a matter of preference so I leave .02 open to interpretation on the rating. It actually may be a 10 it is that friggin’ amazing. -
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Soundboard 9.1 - Technically super clean and tidy recording but it lacks that electric atmosphere you get when you allow some “room” and crowd noise in the mix. That is my personal preference, the actual recording quality is excellent with maybe a bit of FM radio compression that takes the edge off a little. -
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Audience 8.8 - This recording was made with obviously good gear, the sound on occasion will lead you to believe it is a pro-job but it really isn’t. What may give it away is the slightly buried guitars, and I mean slightly. The vocals are soaring and direct at the same time – just lovely. Good band, good recording, the magical 1970’s. -
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Audience 9.1 - Truly an immersive listening experience, literally you are in the crowd close to the stage but the sound is probably better than what your ears were hearing at the show simply because massive volume tends to ruin your ability to decipher anything remotely close to “music”. This tape allows you to hear the actual music, and mayhem too! Sounds like it was a real blast to have been there. -
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Soundboard 9.7 - Perfection in every way, and let me tell you, you will be completely engrossed in this concert and in the songs themselves. RIP Eddie Money. -
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Audience 7.5 - Technology has done wonders for the collecting world, this tape is a classic example of going from unlistenable muck to actually hearing what the band was doing. You will still place this one in the “fair to average” category but in the pantheon of Sabbath shows this is one hell of a barnburner. I wish we had something a little better, but this tape is MUCH better sounding now than it was 10 years ago. -
Officially reissued by ShroomAngel, this CD gathers together the 1977 demos recorded by a group of musicians based in the Canterbury section of London. The music is spacey, with Middle East overtones and occasionally reminds of a minimalist version of Steve Hillage. -
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Audience 8.1 - This tape is slightly overloaded but mastering has kept the distortion to a bare minimum so it’s actually pretty damn good. The sound is forceful, with drums and bass driving the beat home and guitar thankfully riding over the top of it in good clarity. A total jam fest it is, fans of UFO will love love love this early gig! -
The second CD released by the ShroomAngel label featuring vintage Hands studio recordings. These recordings make up what would have been the bands 2nd LP and date mainly from 1980. This is officially reissued by ShroomAngel Records. -
Official reissue from ShroomAngel Records, this is a collection of live (and live in studio) tracks by the 70's Dallas, TX. prog band Hands (before they were known as Hands, they were called Prism). -
Released in 2002 on the ShroomAngel Records label, this has been officially reissued in this format. This studio album marked 25 years of the bands existence (hence the title). -
A collection of rare, never before issues tracks originating from Texas during the 1970's. Featuring a handful of demos produced by the group Truck, a band who slipped under the radar and whose music remained undiscovered for decades. The rest of the disc is rounded out by some known and some very obscure acts, some so obscure we do not even know what their name is! These tracks were discovered on an old forgotten multi-track reel that was owned by Ernie Myers (guitarist of Hands out of Dallas, TX.). Studios would frequently reuse reels to save costs, and this particular reel was no exception Tracks were discovered on the end of the reel that was used to record some demos in 1980. All that we know of the band are the first names of the members written on a track sheet inside the tape box. The recordings originated out of a studio called JD&D Sound...and that's it. The music is excellent! -
A limited edition offering from Houston based ShroomAngel Records. This band was one of the "inner loop" bands that began pushing boundaries in the local scene with their hybrid style, born out of two worlds - the growing "grunge" sound pioneered by Janes Addiction (which you can hear in their sound especially vocals) and Mudhoney among others, but also in old guard punk and hard rock, which you also get reminiscences of in their sound. The music even crosses into some psychedelic territory, it's pretty much an amalgamation of several styles that sometimes adds a sort of exotic feel, but with an anxious, almost paranoid underpinning. -
This is the CD only follow up release to the first album by Hooker. These tracks were culled from the bands personal archives and were transferred from the original reels. The time frame spans a period of several years, from around 1978 to approx. 1986. Some of the tracks do feature on the first album, but are going to be alternate versions, mixes, etc. There are also a few live tracks, we concluded those would have been from around 1974 making them some of the oldest surviving recordings of the band. -
This is the follow up album to the recent reissue of Ruff Mix, the band's official studio offering released in 1975. Culled from the band's personal archives, the music was saved from destruction (literally the master tapes burned in a fire and barely survived) and remixed to present a picture of the band just prior to recording Ruff Mix, and then a few years after its release. The CD features late guitarist Richard Heath (Oz Knozz, Lady Killer, Lic) on side 1 and Rick Wheeler on side 2.