• Audience 8.6 - Slight tape saturation. Eddie is front and center and is SMOKING hot. I love DLR in the first song forgetting the words and turning it into a lyric. Classic VH in every way.
  • Audience 7.8 - I can handle an average audience tape as long as the guitar is clear, and this one thankfully showcases guitar in the mix and man, I am glad because he is TEARING it up here! At times even the mix gets really good and clear, like the taper is maneuvering for better position so this is a strong 7.8.
  • Audience 8.7 - One of those tapes that you have to force yourself past the first song which gets mauled as the taper seemingly works to find his spot and get all his shit together…but then it just opens up to a much better experience. It kind of feels like going from the mud puddle to a waterfall, but in reality the tape is still only a little above average – but muddy it is not and that is great news to Van Halen collectors who seek every DLR recording in existence. Van Halen Rosemont Horizon Chicago, IL. 1984-03-13 Disc 1 01. -Unchained 02. -Hot For Teacher 03. -Drum Solo 04. -On Fire 05. -Running With The Devil 06. -Little Guitars 07. -Cathedral 08. -House Of Pain 09. -Bass Solo 10. -Jamie's Crying 11. -I'll Wait 12. -Keyboard Solo Disc 2 13. -Everybody Wants Some 14. -Girl Gone Bad 15. -1984 16. -Jump 17. -Guitar Solo 18. -Oh, Pretty Woman 19. -Panama 20. -You Really Got Me 21. -Ain’t Talkin’ ’Bout Love  
  • Soundboard 8.7 - The only flaw with this tape is that it features a typical video compression type sound but the mastering job mitigated a lot of that so that the sound does breathe a bit more. It’s still very good, a little rough maybe but I take it and I am happy with it especially if nothing else because all instruments are present, the bass work is surprisingly defined in this mix…I can actually hear individual notes being played and my goodness Michael Anthony was a boss! Van Halen Poliedro de Caracas Caracas, Venezuela 1983-01-16 01. Romeo Delight 02. Unchained - Drum Solo 03. The Full Bug 04. Runnin' With The Devil 05. Jamie's Cryin' 06. Little Guitars 07. Dance The Night Away 08. Somebody Get Me A Doctor (Incl. I'm So Glad) 09. Little Dreamer 10. Mean Street 11. Secrets 12. Everybody Wants Some!! 13. Ice Cream Man 14. Intruder 15. (Oh) Pretty Woman 16. Eruption 17. Ain't Talkin' 'Bout Love 18. Bottoms Up! 19. You Really Got Me David Lee Roth: Vocals Edward Van Halen: Guitars, Backing Vocals Michael Anthony: Bass, Backing Vocals Alex Van Halen: Drums  
  • Studio Quality 9.3 - Astounding and revelatory, this is indispensable to anyone who remotely appreciated rock and roll music…regardless of the association with band members named Van Halen…I am saying that if you like rock and roll music this stuff is essential listening. Now, if you were a fan of the Van Halen brand rock sound, well, yeah it is kinda obvious how important these demos are and this collection features them in excellent quality. Van Halen 'Before The Eruption' Studio & Rehearsal Recordings Gene Simmons Demos 1976 & Warner Bros. Demos 1977 Disc 1 01 - Intro 02 - On Fire 03 - Woman In Love 04 - House Of Pain 05 - Runnin' With The Devil 06 - She's The Woman 07 - Let's Get Rockin' 08 - Big Trouble 09 - Somebody Get Me A Doctor 10 - Babe, Don't Leave Me Alone 11 - Put Out The Lights 12 - Let's Get Rockin' 13 - We Die Bold 14 - Voodoo Queen 15 - Little Dreamer 16 - House Of Pain 17 - Runnin' With The Devil 18 - On Fire 19 - Babe, Don't Leave Me Alone 20 - Bring On The Girls 21 - Young & Wild 22 - Last Night 23 - Light In The Sky 24 - Get The Show On The Road Disc 2 01 - D.O.A. 02 - Somebody Get Me A Doctor 03 - Show Your Love 04 - She's The Woman 05 - Put Out The Lights 06 - Big Trouble 07 - I Wanna Be Your Lover 08 - Feel Your Love Tonight 09 - In A Simple Rhyme 10 - Piece Of Mind 11 - You Really Got Me 12 - Happy Trails 13 - Ain't Talkin' 'Bout Love 14 - House Of Pain 15 - Runnin' With The Devil 16 - On Fire Rehearsals From Pasadena Convention Center, October 15, 1977 17 - On Fire 18 - Voodoo Queen 19 - Atomic Queen 20 - Ain't Talkin' 'Bout Love 21 - On Fire Disc 1 Tracks 12-24 Disc 2 Tracks 1-12 are from the 1977 demo produced by Ted Templeman and Mo Ostin for Warner Bros. in Los Angeles late 1977. Disc 2 Tracks 13-16 are unused sessions and alternate takes. Disc 2 Tracks 17-21 are rehearsals from Pasadena, Ca. USA Convention Center October 15, 1977  
  • Audience 8.8 - Quite the find!  This is a strong and clear tape, although I sense the taper is quite new at it because for starters he manages only part of the show (although it’s most of the show) and second he says things (he’s clear on the recording, but thankfully not too chatty) that indicate he’s a noob. The audience around him gets into the show but are not overly intrusive in the recording. I found the guitar solo portion of the show to be the most electric as it sounds so close and clear…very cool! I like the I’m So Glad/Somebody Get Me A Doctor combo because it is one of those rare improvisational moments that you don’t know where it will go. Taper loves to stop and start too close to the songs sometimes cutting off endings it’s infuriating (and again indicates he’s a beginner) but thanks go to him for doing this one regardless. Van Halen Riverside Centroplex Baton Rouge, Louisiana November 26, 1982 1. Hang 'Em High 2. Cathedral - Secrets 3. Everybody Wants Some! 4. Dance The Night Away 5. Somebody Get Me a Doctor 6. Ice Cream Man 7. Intruder - Pretty Woman 8. Eruption 9. Ain't Talkin 'Bout Love 10. Bottom's Up 11. You Really Got Me  
  • Audience 8.7 - A fantastic live atmosphere on this one! I mean, this is a total immersion tape, somebody out there knew how to properly capture a loud rock band once upon a time.
  • Studio 8.8 - This is a band recorded project obviously. Like it was done on a boom box, but a good boom box because you can just tell it was loud in the room and it’s not ideal but it gets the job done. So, it’s a tad overdriven in a good way – raw, and loud, and VAN HALEN in about as real a way as it could be. Very fun to listen to and classic fly on the wall stuff. VAN HALEN 1979 Tour Rehearsals 1 -Running with the devil 2 -On Fire 3 -Bass 4 -Your No Good 5 -Talking 6 -Bass - Drums 7 -Bright lights Big City 8 -Somebody get Me a Doctor 9 -Light up the Sky 10 -Dave Talks 11 -Dance the Night Away 12 -Beautiful Girls 13 -Eddie Guitar Solo Jam - Sound Check 14 -Eddie Acoustic Jam Home Demo 15 -Bass and Drums 1 16 -Bass And Drums 2 17 -Bass And Drums 3 18 -Bass And Drums 4 19 -Bass And Drums 5  
  • Audience 7.2 - A bit thin sounding but I could get everything that was happening, and while it is not hi-fi sound, I could equalize and bring out the bottom end a bit. Still decent enough.
  • Audience 8.6/Pro 9.1 - This recording was not done on great equipment but it’s not a load of crap. The high frequency range is well represented but at times when the horns hit higher notes it gets a little screechy. The atmosphere is a touch bouncy and live, mid and low frequencies are present but not powerful. Overall it’s not bad, but it isn’t going to set the world on fire. The BBC material is a vast improvement from the ’77 stuff as it is a pro recording and broadcast. VAN DER GRAAF Chateau Neuf Oslo 9 March 1977 Disc 1 1. -Crying Wolf 2. -Lost And Found 3. -Rock And Role 4. -Arrow 5. -My Room Disc 2 6. -The Siren Song 7. -Time Heals 8. -When She Comes 9. -Urban 10. -Last Frame Bonus Tracks BBC In Concert 23 September 1971 11. -Man-Erg 12. -W 13. -Killer 14. -Theme One 15. -Dambusters March  
  • Audience 8.7 - Even though this recording does not feature a full and rounded spectrum of lows to high, it is very clear and resides mostly in the middle range EQ-wise. So, it’s most welcome to lovers of VDGG because there’s just not a whole lot of high quality recordings out there. This one is one of those that grows on you and sounds better and better the more you listen…get it! Van der Graaf Generator Marquee Club London, England 1976-08-12 Disc 1 01. -The Undercover Man - Peter talks 02. -Masks 03. -Arrow 04. -Still Life 05. -Wondering 06. -Peter talks - La Rossa Disc 2 07. -Childlike Faith In Childhood's End 08. -When She Comes 09. -Meurglys III - The Songwriter's Guild 10. -The Sleepwalkers 11. -A Place To Survive Peter Hammill: vocals, guitar, piano. keyboards Hugh Banton: organ, bass Guy Evans: drums David Jackson: sax, flute
  • Pro 9.0 - Everything in this set is very good to excellent, sounds mostly all Soundboard too. What a peculiar band, interesting, intense, angular (see title).
  • Audience 8.1 - One of the better early recordings. Get it!
  • Audience 8.2 - Above average Audience recording with one very critical feature – contains perhaps the most sinister, gnarliest Hammond organ sound ever committed to tape. Just ferocious, and the band is on fire. Brilliant!
  • Sale!

    URIAH HEEP – Seattle 1973 (2CD)

    Original price was: $23.49.Current price is: $22.00.
    Audience 8.7 - A good strong sounding tape with a minimal bit of clutter somewhere in the middle frequencies that does not distract thankfully. Recorded on some good gear, you can tell. Just listen to the organ when the music stops during Gypsy and you know what I'm talking about...just ripping!
  • Audience 9.0 - This may have been a radio broadcast but I don’t know. It is Excellent!
  • Audience 8.8 - Aww yeah! This is the stuff. Great sound!
  • Audience 8.4 - A barn-burner gig and maybe one of the best of the tour (recorded, anyway) with some unbelievable jamming. The audio is decent, some mid band clutter was equalized to allow less noise and more music to permeate your space. I think that made the difference with this tape. It’s worth getting and will impress you even more than you might already have been with these guys. Always gave their best. URIAH HEEP Portland Expo, Portland, ME August 19th 1973 THE BAND David Byron vocals Mick Box guitar Ken Hensley keyboards Gary Thain bass guitar Lee Kerslake drums SETLIST 1 -Tune up - Intro 2 -Easy Living 3 -Sweet Lorraine 4 -Stealing 5 -July Morning 6 -The Dreamer 7 -If I Had The Time 8 -Gypsy 9 -Keyboard solo - Gypsy reprise 10 -Drum Solo 11 -Seven Stars 12 -Sweet Freedom 13 -Look At Yourself 14 -Love Machine 15 -Roll Over Beethoven 16 -Blue Suede Shoes 17 -Hound Dog I8 -I Got A Woman 19 -At The Hop - Let's Go To The Hop 20 -Thank you, Goodnight
  • Sale!

    URIAH HEEP – Karlstad, Sweden 1977 (1CD)

    Original price was: $16.49.Current price is: $15.00.
    Audience 7.7 - Most of the unauthorized recordings of Uriah Heep with John Lawton as lead vocalist are only of fair audio quality. John's vocals are clear through most of the recording. The recording is a bit cut-up in places but the big upside is an unusual setlist featuring some tunes from Heep's Firefly album.  Also John's bluesy vocals shine throughout.
  • CD 1 - Audience 7.4 - Strong and loud without the dreaded over driven distorted mess or squashed lo fi sound. Jamming! CD 2 - Audience 7.0 - Tape is a bit over-saturated but even so, you do get everything on the stage in full force (meaning sledgehammer to your skull).
  • Audience 8.2 - A real gem! Someone did a great remastering on this very low generation tape, what used to be a frustrating, muddy mess is now a real treat. Technology has made it possible to breathe new life into the old tapes of yore.
  • Audience 7.6 - I rate this highly because I am amazed that the taper got something this decent because it is obvious the gear is amateur and the band is LOUD as all hell. That being said, this should give you a very good idea of what you could have expected seeing this band in the early 70’s.
  • Audience 8.8 - Very cool, great atmosphere!
  • Audience 7.0 - Might not be the highest fidelity, but you can hear all the instruments, each one, so no dynamics here, just enjoy the wild music these guys made back in the day. Historical artifact for collectors.
  • Audience 7.9 - A very loud and almost distorted tape, not quite, but certainly pushed to the max which gives this show an immense feeling of unbridled power and fury. Absolutely intense! I really think you are going to dig this one, I certainly did.
  • Audience 7.2 - For the time, this is actually pretty decent. I mean, this band was LOUD, and really there’s no way to properly record on some cheap cassette player. Still, a rare early show, applaud this taper please!
  • 9.5 - Professionally recorded with a mobile truck, open mic direct to reel to reel. Difficult to accurately describe this, you could call it so many things. Uli Trepte was the bassist in Krautrockers Guru Guru, this is what he did after that. I should say “after his brain cells all waved bye bye” because this Spacebox stuff is about as “out there” as “music” can possibly get.
  • Audience 8.9 - A super clear recording with a marvelous drum sound. Recording levels are a touch low so crank it up, don’t worry it sounds MUCH better loud! ELECTRIC SUN Hammersmith Odeon London, England May 23, 1983 THE BAND Uli Jon Roth Guitar vocals Ule Ritgen Bass Backing Vocals Clive Bunker Drums Simon Fox Drums percussion David Lennox keyboards Jenni Evans Vocals Dorothy Patterson Vocals Disc 1 1 -Intro 2 -Icebreaker 3 -Firewind 4 -What Is Love 5 -Why? 6 -Enola Gay - Hiroshima Today 7 -Angel of Peace 8 -Return (Chant Of Angel) 9 -Cast Away Your Chains Disc 2 10 -Virgin Killer 11 -Drum & Percussion Solo 12 -Electric Sun 13 -The Night The Master Comes 14 -Polar Nights 15 -Beethoven 16 -Hell Cat 17 -Dark Lady 18 -Midnight Sun  
  • Soundboards 8.7 - A bit on the thin side with some minor tape noise. Altogether it’s not bad because the sound is clear enough to get every player on stage, and if you have your own Equalizer, you can bring in a little more low end very easily.
  • Audience 10 - This is the first 10 rating I have ever issued. Why? Simply put, this recording is BREATHTAKING. The detail, the precision, the mix, the dynamics, the atmosphere, the playing, the quality is nothing short of PERFECT. So, if I had the information on these tapers I would ask them for copies of anything else they recorded. It’s THAT GOOD folks.
  • Audience 9.8 - This is so good, so smooth, so spacious, so warm, so amazing that not only could it be officially release…it SHOULD be officially released. HIGHLY recommended for any fan of music, period. U.K. Civic Auditorium Santa Monica, CA July 28, 1978 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder 01 Alaska 02 Time To Kill 03 The Only Thing She Needs 04 Forever Until Sunday 05 Thirty Years 06 By The Light Of Day Part 2 07 Presto Vivace/In The Dead Of Night Part 1 08 Caesar's Palace Blues
  • Soundboard 8.9     (4-3-79)
  • Soundboard 8.8     (4-13-79)
  • Audience 7.7 - Noisy but good, exciting atmosphere. The music seems to move through the audience, the audience responds, it’s kind of cool to hear.
  • Los Angeles 1975 - Soundboard 9.5 Offenburg 1977 Audience 8.9 - A very strong tape for sure. Clear, and pretty dynamic with great bass, and deep drums with guitars very tuneful and nicely placed in the overall mix. Lovely. Buffalo 1977 Audience 8.6 - The recording here is pretty clear, it definitely does lean towards the upper mid and highs but there thankfully is enough bottom to keep it from being irritating. Your ears do adjust quickly, and at some point you begin to notice it is actually very decent…think of it as maybe a superb AM radio broadcast (it isn’t, but it sounds like it could have been). Boston 1978 Audience 8.8 - It is apparent that very good gear recorded this show, the sound is warm and rounded, not a jagged, raucous tape like a lot of the amateur recordings can turn out to be. The live mix sound is good too, and the live mix is spot on. I think this tape offers a lot and you’ll probably give it multiple spins…especially after you hear Schenker just RIPPING on guitar. What a badass! The Secret UFO Files Disc 1 Record Plant Studios Los Angeles, CA September 23, 1975 01 - Intro - Let It Roll 02 - Doctor Doctor 03 - Oh My 04 - Built For Comfort 05 - Out In The Street 06 - Mother Mary 07 - All Or Nothing 08 - This Kid's 09 - Shoot Shoot 10 - Rock Bottom 11 - C'Mon Everybody Lineup: Phil Mogg: Vocals Pete Way: bass Andy Parker: drums Michael Schenker: guitar Danny Peyronnel: keyboards Disc 2 Offenburg, Germany March 03, 1977 1 -Intro - Lights Out 2 -Gettin' Ready 3 -On With The Action 4 -Doctor Doctor 5 -Love To Love 6 -Too Hot To Handle 7 -Out In The Street 8 -This Kids 9 -Shoot Shoot 10 -Rock Bottom 11 -Come On Everybody 12 -Boogie For George Disc 3 New Century Theatre Buffalo, NY November 1977 1. -Lights Out 2. -Love To Love 3. -On With The Action 4. -Doctor Doctor 5. -Out In the Streets 6. -Shoot Shoot 7. -Rock Bottom 8. -Too Hot To Handle Disc 4 Orpheum Theater Boston, Mass. December 15, 1978 1. -Hot N Ready 2. -Only You Can Rock Me 3. -Cherry 4. -Love To Love 5. -Mother Mary 6. -Doctor Doctor 7. -Too Hot To Handle 8. -Rock Bottom Phil Mogg: vocals Paul Chapman: guitars Paul Raymond: keyboards and guitars Pete Way: bass Andy Parker: drums
  • Sale!

    UFO – Reading Festival 1980 (2CD)

    Original price was: $23.49.Current price is: $22.00.
    Audience 8.4 - Decent, maybe a little bit thin (needs more low end) but all highs are really there, so a bit of compression is not going to hurt this if someone wants to re-master it.  A good one for the collection nonetheless.
  • Soundboard 9.5 - Excellent in just about every way, including the performance itself. Great stuff!
  • Sale!

    UFO – Kiel, Germany 1971 (1CD)

    Original price was: $16.49.Current price is: $14.00.
    Audience 8.1 - This tape is slightly overloaded but mastering has kept the distortion to a bare minimum so it’s actually pretty damn good. The sound is forceful, with drums and bass driving the beat home and guitar thankfully riding over the top of it in good clarity. A total jam fest it is, fans of UFO will love love love this early gig!
  • Audience 8.7 - Clear and bright recording. Point of Special Interest: The official double release of "Strangers in the Night" is composed of 3 different shows and not all of the Chicago, Amphitheater show, like many might think, so you will find some of the same titles on this one that are different recordings. This is the rare 1978 Chicago show in its entirety with nothing left out, hence the title "The Real Strangers in the Night".  
  • Audience/Pro? 8.7 - It sounds like this is recorded from the audience, but to my ears it sounds like it may be a television audience or in some kind of studio. It sounds like microphones were placed strategically, and there’s no ancillary noises that you would expect from a stealth audience recording.

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