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Audience 8.7 - Many fans of the band, especially those who seek out Lemmy period recordings, look to this one as being easily top 3. It is left here untouched, even though to my ears it could use a volume boost but that can be done on the listener's end so it's not a deal-breaker at all. The recording is notable for being clear, and easy to discern Lemmy's immense power bass lines. I'd never heard it prior, so to me it was a very welcome addition to the collection. Hawkwind Gruga Halle, Essen 8 September 1972 1. Intro 2. Technicians Of Spaceship Earth 3. Born to Go 4. Seven by Seven 5. Brainstorm 6. Electronic no 1 7. The Black Corridor 8. Master Of the Universe 9. Paranoia Dave Brock - guiar, vocals Simon King - drums Nik Turner - sax, flute, vocals Lemmy - bass, vocals Del Detmar - synths -
Audience 9.7 - Spectacular, crystal clear and lush sound makes you sink deeply into this one. For some, the Grateful Dead are not easily understood, but this show and this recording can easily be understood as beautiful music played with passion and talent galore. Now, to be honest, this set is missing an important segment, the "space/drums" part is conspicuously absent, but there is still plenty of lengthy workouts to keep you engaged with the psychedelic overtones of a Dead concert as well as the more bluegrass and bluesy numbers. All in all this is one for the history books. Grateful Dead Long Beach Arena Long Beach, CA December 13, 1980 Disc 1 01 Feel Like A Stranger 02 Sugaree 03 C.C. Rider 04 To Lay Me Down 05 Minglewood Blues 06 Ramble On Rose 07 Lost Sailor 08 Saint Of Circumstances Disc 2 09 Deal 10 Scarlet Begonias 11 Fire On The Mountain 12 Playing In The Band 13 Not Fade Away 14 Black Peter 15 Sugar Magnolia 16 One More Saturday Night -
Audience 9.5 - You can relax into this show, it's occupying a very pleasant space when the soundwaves wash over you and you begin to have a sense of the size of the venue, the space around you, and the distance from the stage. That's what I like about smaller venue recordings, and modern taping gear is getting so much better with the mic technology and level adjust that it's really hard to screw it up. Susanna Hoffs McCabe's Guitar Shop Santa Monica, Ca April 28, 2012 10:00 PM show 01. intro 02. Raining 03. November Sun 04. Always Enough 05. Different Drum 06. Picture Me 07. All I've Got to Do 08. One Day 09. Eternal Flame 10. All I Want 11. Manic Monday medley 12. In Your Room 13. Hero Takes a Fall 14. Holding My Breath 15. Teacher Teacher 16. Everybody Knows This is Nowhere+ 17. To Sir, with Love 18. King Midas in Reverse* 19. Cinnamon Girl+ Susanna Hoffs - lead vocals, acoustic guitar, tambourine Andrew Brassell - electric and acoustic guitar, vocals Derrick Anderson - bass guitar, vocals Jim Laspesa - drums, vocals Dennis Taylor - electric guitar John Calacci - percussion Val McCallum - electric and acoustic guitar, vocals +Matthew Sweet - vocals, tambourine *John Wicks - vocals -
Soundboard 9.6 - Superb recording that delights the senses in every way with precision attack. The distortion this band uses does not in any way mask imperfection as so many other bands use it for, in fact the band is unbelievably tight, and the mix highlights each of them in a very harmonious way but especially tantalizing is the bass sound and placement in the mix. You'd expect, and even almost prefer that the vocals be the star of the show but they are not particularly highlighted as good as they are. The guitar solos are breathtaking, and each player is panned to one side in a non-synthetic stereo sound-field giving the listener a sense of space, like natural surround sound. Great great recording! Stryper B.B. Kings Blues Club New York, NY. Sept. 24, 2005 Disc 1 1. Intro 2. For You 3. Open Your Eyes 4. Make You Mine (cut) 5. Loud N Clear 6. Loving You 7. The Rock That Makes Me Roll 8. Reach Out 9. Calling On You 10. Free 11. Lady 12. Honestly 13. Passion Disc 2 14. All For One 15. Band Intros - Drum Solo 16. Live Again 17. Reborn 18. The Way 19. To Hell With The Devil 20. More Than A Man 21. Soldiers Under Command 22. Closing Prayer -
Audience 9.7 - It takes the soundman a little while to dial it in, I mean, there's a lot going on so give him a break! Once he gets his mix right, it's off to the raises and one heck of a winning ticket. This is one of the best, Alan White has never been as fluid, even with the extended and complex jamming he's on every beat like a beastmaster. Steve Howe is in excellent form, in fact they all are...amazing! Yes Long Beach Arena Long Beach, CA June 23, 1975 Disc 1 01 Firebird Suite 02 Sound Chaser 03 Close To The Edge 04 To Be Over 05 The Gates Of Delirium 06 Your Move Disc 2 07 Mood For A Day 08 Long Distance Runaround 09 Patrick Moraz Solo 10 The Clap 11 And You And I 12 Ritual 13 Roundabout 14 Sweet Dreams Jon Anderson - Vocals Chris Squire - Bass Steve Howe - Guitar Alan White - Drums Patrick Moraz - Keyboards -
Audience 9.4 - Having listened very critically to this performance, I offer the following conclusion: BRILLIANCE. Simply put, this is a mature John McLaughlin leading an ensemble through a series of confident, muscular, thought-provoking pieces of jazz-rock music that goes into many more places than the old band ever did. Does that mean it's all fire and speed? No, it's really not, although there are places where it is appropriate and the band goes there...with the utmost confidence. Bravo to John McLaughlin for knowing the strengths of his band and really allowing all of them to shine. Very mature and a positive outcome was the result. Great recording too! Mahavishnu Bottom Line New York City, NY August 14, 1985 Early Show Disc 1 01 Tuning 02 Radio - Activity 03 Clarendon Hills 04 Nostalgia 05 East Side West Side 06 Jonas Hellborg Solo - Little Wing Disc 2 07 Living In The Crest Of A Wave 08 Flight Of The Falcon 09 Nem Um Talvez 10 Just Ideas - Jozy 11 Pacific Express - Gottlieb Solo 12 Unknown title - Are You The One? Are You The One? -
Audience 9.3 - The secret to making a lifelike stealth recording is knowing what kind of microphone to use and how to operate peak level control meters. If you master those two aspects, the rest comes down to location inside the venue and physical handling of the gear. In this case, every element is handled appropriately with excellent results. There's a reason why they call the taper (Mike Millard RIP) Mike The Mic. Moody Blues Pacific Amphitheatre Costa Mesa, CA August 30, 1990 Disc 1 01 Lovely To See You 02 Gemini Dream 03 The Voice 04 Rock 'N' Roll Over You 05 Tuesday Afternoon 06 I Know You're Out There Somewhere 07 The Story In Your Eyes 08 Your Wildest Dreams 09 Isn't Life Strange Disc 2 10 The Other Side Of Life 11 I'm Just A Singer (In A Rock And Roll Band) 12 Nights In White Satin 13 Legend Of A Mind 14 Question 15 Ride My See-Saw -
SDBRD 9.2/Audience 8.8 - Two sources comprise this offering, with the first (and thankfully the bulk of the recording) being very good quality, I would say excellent more precisely. Being a soundboard it does come off a little on the dry side, and by contrast the audience taped portion (the last 1/3 of the show) is very good, and lively, which wakes up certain instruments giving them more accuracy as far as what they actually sounded like coming through the at the show. The guitar in particular has a different attack and dynamic from the audience tape, in a good way. This is almost the perfect example of what kind of differences there are, both positive and negative, between a board and an audience tape source.
Frank Zappa Hemmerleinhalle Neunkirchen am Brand, West Germany 25-Feb 1978, Disc 1 01 The Purple Lagoon 02 Dancin' Fool 03 Peaches En Regalia 04 The Torture Never Stops 05 Tryin' To Grow A Chin 06 City Of Tiny Lights 07 Baby Snakes 08 Pound For A Brown 09 Is That Guy Kidding Or What 10 I Have Been In You Disc 2 11 Flakes 12 Broken Hearts Are For Assholes 13 King Kong (incl White Person, YCDTOSA 6) 14 Wild Love 15 Yo Mama 16 San Berdino 17 Watermelon In Easter Hay 18 Dinah Moe Humm 19 Black Napkins -
Audience 9.0/9.2 - Two very good captures that convey a lot of information, most notably the popularity of the band at such an early stage of their careers, and that the Japanese used very high quality taping gear and knew instinctively how to stealth record a rock show. This is good for historical purposes in that these recordings always eventually take on much more significance with the passage of time. This is my argument for why artists should relax their stances against "bootlegging" because while your moment may be on the surface a commercial venture, in the long run it is a milestone not just for the artist in their career but in the overall culture and therefore should be, if possible, preserved. End of rant.
Judas Priest Japan Tour 1978 Disc 1 Nagoyashi-Kokaido Nagoya, Japan August 3, 1978 1. Intro 2. The Great Gates Of Kiev 3. Exciter 4. White Heat, Red Hot 5. The Ripper 6. Sinner 7. Beyond The Realms Of Death 8. Better By You, Better Than Me 9. Victim Of Changes 10. Diamonds And Rust 11. Genocide 12. Starbreaker 13. Tyrant Disc 2 Festival Hall Osaka, Japan August 5, 1978 1. The Great Gates Of Kiev 2. Exciter 3. White Heat, Red Hot 4. The Ripper 5. Sinner 6. Beyond The Realms Of Death 7. Better By You, Better Than Me 8. Victim Of Changes 9. Diamonds And Rust 10. Genocide 11. Starbreaker 12. Tyrant -
Audience 9.0 - A big sound here, and I mean it can be asbig as you want because there's just enough headroom here to add volume without fear of too much of any one thing to take away from other frequencies. It's an even sounding mix, with maybe just a little more emphasis on the massive bass/guitar attack. But even then, you still get all the vocals and drums you need...its a well rounded recording giving you sense of venue as one more benefit that comes with audience recordings.
BLACK SABBATH Mayflower Theatre Southampton, UK 6th September 1992 Disc 1 1. E5150 2. The Mob Rules 3. Computer God 4. Children of the Sea 5. Time Machine 6. War Pigs 7. I 8. Die Young 9. Guitar Solo 10. Black Sabbath Disc 2 1. Master of Insanity 2. After All (The Dead) 3. Drum Solo 4. Iron Man 5. Heaven and Hell 6. Neon Knights Ronnie James Dio - Vocal Tony Iommi - Guitar Geezer Butler - Bass Vinny Appice - Drums Geoff Nicholls - Keyboards -
Audience 9.2 - Here is another great Millard tape that gives you a clear picture of an event, capturing it not just with good gear in good location but allowing the atmosphere of the occasion to shine through as well. The show here is not complete, there was a problem halfway through Mysteries And Mayhem (too bad it started here as this song jams), and apparently three songs were not taped from that point. It resumes at Dust In The Wind and is complete the rest of the way. Kansas The Forum Inglewood, CA August 16, 1978 01 Introduction 02 Down The Road 03 Point Of Know Return 04 Paradox 05 Journey From Mariabronn 06 Mysteries and Mayhem 07 Dust In The Wind 08 Band Introductions 09 Miracles Out Of Nowhere 10 Portrait (He Knew) 11 Carry On My Wayward Son 12 Sparks Of The Tempest 13 Bringing It Back 14 Magnum Opus -
Soundboard 9.7 - Possibly the best live Boston in existence. It just does not get much better Than this. Boston The Spectrum Philadelphia, PA. December 18, 1976 1. Introduction 2. Rock And Roll Band 3. Shattered Images (Help Me) 4. More Than A Feeling 5. Peace Of Mind 6. Something About You 7. Smokin' 8. Guitar Solo 9. Foreplay 10. Long Time 11. Television Politician 12. Don't Be Afraid -
Brand New - Sealed Sound quality on all releases on this label is excellent. Live In Holland 1984. -
Brand New unsealed. The 30th Anniversary Edition of the album remix/remaster on SACD. -
Brand New - Sealed Sound quality on all releases on this label is excellent. Rare 1983/84 Demos. -
Brand New - Sealed Sound quality on all releases on this label is excellent. Glasgow & Dortmund 1982. -
Sealed original. 1990 Sanctuary UK -
Brand New - Sealed Sound quality on all releases on this label is excellent. Eindhoven, Netherlands April 1992. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. Live In Denmark 1981. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. Live In Gelsenkirchen, Germany June 7, 1986. -
Brand New - Sealed Sound quality on all releases on this label is excellent. Live In San Antonio, TX. 1982 -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Audience 9.2 - Here we have a real treat for those who now realize what we had in our youths with the "Seattle Sound" as epitomized by Soundgarden, a sound that fit the times very appropriately. Now for the kicker: This show not only sounds great but has plenty of fun moments with Chris Cornell and the audience (I think he's a bit toasty on the potent German suds). What I liked most is the live sound here is mixed well for the guitars especially, only Chris gets a bit drowned out during the extreme volume heavier parts but overall it's hitting the sweet spot, at least for me.SOUNDGARDEN April 1, 1994 Musikhalle Frankfurt, Germany Disc 1 01. Night Surf (intro) 02. Jesus Christ Pose 03. Spoonman 04. Let Me Drown 05. Mailman 06. The Day I Tried To Live 07. My Wave 08. Room A Thousand Years Wide 09. Black Hole Sun 10. Searching With My Good Eye Closed - It's A Beautiful Day 11. Superunknown Disc 2 15 12. Rusty Cage 13. Half 14. Mind Riot 15. Fell On Black Days 16. Hands All Over 17. Kickstand 18. Like Suicide 19. Face Pollution 20. encore break 21. Somewhere 22. Head Down 23. Limo Wreck -
Audience 8.5 - -This is a somewhat distant recording, my guess is from somewhere in the middle of the venue. It lacks punch in the middle, definition, and volume in general. In my estimation this one won't get much play except by someone who is not getting enough 1996 tour ROIO's in the o'l collection. Pass if you are a casual fan, collector's who need more 1996 (of which, strangely enough, there's not a preponderence of), you can get this to round out the collection.
Rush San Diego Sports Arena San Diego, California November 23, 1996 DISC 1 01 - Intro - Dreamline 6:35 02 - The Big Money 6:11 03 - Driven 5:48 04 - Half The World 3:55 05 - Red Barchetta 6:35 06 - Animate 6:22 07 - Limbo 5:51 08 - The Trees 5:08 DISC 2 01 - Red Sector A 5:09 02 - Virtuality 5:51 03 - Nobody's Hero 5:15 04 - Closer To The Heart 4:45 05 - 2112 20:27 DISC 3 01 - Test For Echo 6:55 02 - Subdivisions 5:23 03 - Freewill 5:32 04 - Roll The Bones 5:54 05 - Resist 4:45 06 - Leave That Thing Alone - The Rhythm Method 11:47 07 - Natural Science 7:57 08 - Force Ten 4:37 09 - The Spirit of Radio 4:47 10 - Tom Sawyer 6:19 11 - YYZ 4:25 12 - Cygnus X-1 0:49 -
Audience 8.7 - While this tape may not enjoy the same clarity as some of the Japan 82 recordings, it does have a good powerful delivery nonetheless. Vocals come through the clearest, but the combination of bass, and guitars follows with the force of a piledriver to your skull...and I rather like it. The bonus here is the inclusion of the set by the band The Rods, and having never heard of any live tapes of them before, it was a most welcome addition to this great vintage Iron Maiden set.Iron Maiden Colston Hall Bristol, England 1982-03-11 Disc 1 {79:49} 01 - Intro [Doctor Doctor] ........ 3:39 02 - The Ides of March ............ 0:51 03 - Murders in the Rue Morgue .... 3:28 04 - Wrathchild ................... 3:32 05 - Run to the Hills ............. 4:25 06 - Children of the Damned ....... 4:46 07 - The Number of the Beast ...... 5:31 08 - Another Life ................. 3:43 09 - Killers ...................... 5:39 10 - 22 Acacia Avenue ............. 6:31 11 - Total Eclipse ................ 4:12 12 - Drum Solo .................... 3:20 13 - Transylvania ................. 6:12 14 - The Prisoner ................. 5:48 15 - Hallowed Be Thy Name ......... 7:14 16 - Phantom of the Opera ......... 6:51 17 - Iron Maiden .................. 3:58 Disc 2 {63:50} 01 - Sanctuary .................... 6:52 02 - Drifter ...................... 7:46 03 - Running Free ................. 5:03 04 - Prowler ...................... 4:32 Bonus Rods 05 - Rocking And Rolling .......... 3:26 06 - Waiting For Tomorrow ......... 4:02 07 - Get Ready To Rock 'n' Roll ... 5:34 08 - Nothing Going On In The City . 3:32 09 - Too Hot To Stop .............. 4:07 10 - Crank It Up .................. 5:54 11 - Getting Higher ............... 3:42 12 - Drum Solo .................... 3:50 13 - Power Lover .................. 5:23 -
Soundboard 8.7 - What we have here with these two shows are a couple of primitive soundboards, and by that I mean they may have run the sound through the board but what ended up on the tape is NOT what you would expect. It's not a manicured, expert mix and pristine sound, it's a very raw, brutal, loud, obnoxious, hellish, and violent turbulence of sound that somehow fits the vibe to a tee. This is Slayer, in 1985, and it sounds like it. Wonderful in its rawness, brutal in its aggressive sonic assault, and 100% vintage Slayer.
Slayer The Dawn Of Slayer Disc 1 Katwijk aan Zee, Netherlands May 31, 1985 1. Hell Awaits 2. Aggressive Perfector 3. Captor of Sin 4. The Final Command 5. Haunting the Chapel 6. Praise of Death 7. Fight Till Death 8. Necrophiliac 9. Black Magic 10. Die by the Sword 11. Crypts of Eternity 12. Hardening of the Arteries 13. The Antichrist 14. At Dawn They Sleep 15. Drum solo 16. Show No Mercy 17. Evil Has No Boundaries 18. Chemical Warfare Disc 2 Luttenberg, Netherlands June 2, 1985 1. Hell Awaits 2. Aggressive Perfector 3. Captor Of Sin 4. Fight 'Til Death 5. Kill Again 6. Haunting The Chapel 7. Necrophiliac 8. Black Magic 9. Die By The Sword Disc 3 10. Praise Of Death 11. The Final Command 12. Crypts Of Eternity 13. Hardening Of The Arteries 14. At Dawn They Sleep 15. Drum Solo 16. Show No Mercy 17. Evil Has No Boundaries 18. Chemical Warfare 19. Encore Break 20. The Antichrist -
Audience/Soundboard 8.6-9.0 - The majority of the set is very good, audience quality tapes that have a decent enough sound where you can take it easy and not strain yourself trying to hear George rip his leads. I would say the lone exception though might be the Amsterdam tape which is less clear, but even here it's not a trainwreck at all. The board tape from France is good to have, obviously Dokken is clearly the top of the heap when it comes to the 80's "hair" metal bands although I hate to classify them there because they were class musicians first.
Dokken The Important Years 1983-1988 ARCO Arena Sacramento, CA December 28, 1983 Breaking The Chains Tour Disc 1 01. Paris Is Burning 02. Going Down Under 03. Young Girls 04. In The Middle 05. Hit And Run 06. Nightrider 07. George Lynch Guitar Solo 08. Live To Rock, Rock To Live 09. Breaking The Chains Jaap Edenhal Amsterdam, Netherlands March 09, 1986 10. Unchain The Night 11. The Hunter 12. When Heaven Comes Down 13. It's Not Love 14. Into the Fire 15. Lightnin' Strikes Again Disc 2 Chapiteau Reims,France April 25, 1986 01. Unchain The Night 02. Tooth And Nail 03. Into the Fire 04. In My Dreams 05. It's Not Love 06. Alone Again 07. When Heaven Comes Down 08. Lightnin' Strikes Again 09. Just Got Lucky Disc 3 Civic Arena Pittsburgh, PA. June 15, 1988 01. Tooth And Nail 02. Just Got Lucky 03. Burning Like A Flame 04. Into The Fire 05. Heaven Sent 06. It's Not Love 07. George Lynch Solo 08. Mr. Scary 09. Standing In The Shadows 10. Alone Again -
Audience 8.7 - This is a show that just came onto my radar, I can't believe I'd never heard it before. What I was expecting and what I got were two wildly different things...and I mean, it is a good thing. It's a good tape! It also happens to be the gig where the iconic photo of Ozzy lifting Randy was taken, and being able to now hear that show is kind of cool.OZZY OSBOURNE Rosemont Horizon Chicago, Illinois January 24th, 1982 *** "Diary of a Madman" tour *** 01. Intro 02. Over The Mountain 03. Mr. Crowley 04. Crazy Train 05. Revelation (Mother Earth) 06. Steal Away (The Night) 07. Suicide Solution 08. Randy Rhoads Solo 09. Drum Solo 10. Goodbye To Romance 11. I Don't Know 12. No Bone Movies 13. Believer 14. Flying High Again 15. Iron Man 16. Children Of The Grave 17. Paranoid -
Audience 9.4 - Excellent sound and atmosphere, enough audience participation near the taper to remind you that you're part of a live concert but not enough to interfere which in my estimation is what lends a missing element to most sdbrd tapes. I'd officially release this if I was the band.Tygers Of Pan TangNakano SunplazaTokyo, JapanSept. 30, 1982Disc 101. Intro 02. You Always See What You Want To See 03. Lonely At The Top 04. Letter From L.A. 05. Blackjack 06. Never Satisfied 07. Paris By Air 08. Tides 09. Wild Catz 10. Don't Stop By 11. Suzie Smiled 12. Love Don't Stay 13. The Actor 14. Slave To FreedomDisc 201. Love Potion #9 02. Life Of Crime 03. Hellbound 04. Raised On Rock 05. Gangland 06. Outro -
Radio Broadcast 8.8 - One thing that I really appreciate about this recording is how you can hear a real separation between bass and guitars. This is not typical of a heavy metal concert recording unless recorded and mixed for a specific purpose, such as a broadcast. So, while the sound itself might tend to be on the "brassier" side - it's not a knock...it's a way of trying to describe how there's plenty of bass but not necessarily in the form of that typical metal low end boomy sludge sound. It's got definition and I like that.Savatage Harpo's Detroit, MI. June 14th, 19851. Introduction 2. City Beneath The Surface 3. Skull Session 4. Warriors 5. Midas Knight 6. Visions Of Hell 7. I Believe 8. Necrophilia 9. Rage 10. Drum Solo 11. Holocaust 12. Guitar Solo 13. Washed Out 14. Sirens 15. The Dungeons Are Calling 16. Power Of The Night 17. Scream Murder 18. Twisted Little Sister 19. On The Run 20. By The Grace Of The Witch 21. The Whip -
Audience 9.0 -A lovely, intimate sounding show. Now, don't get me wrong, there seems to be a large audience but the quality of the capture feels smaller, closer, warmer than your average midsize venue.Ry Cooder and The Moula Banda Rhythm Aces Mayfair Theatre Santa Monica, CA March 16, 1987 Late Show Disc 1 01 Showtime Intro 02 Little Sister 03 Smack Dab In the Middle 04 Go Home Girl 05 If Walls Could Talk 06 Money Honey 07 How Can A Poor Man Stand Such Times And Live 08 One Meat Ball Disc 2 09 Women Will Rule The World 10 Jesus On The Mainline 11 He'll Have To Go 13 Crazy 'Bout an Automobile (Every Woman I Know) 14 Canción Mixteca 15 La Bamba - Twist And Shout Jim Keltner - drums Ry Cooder - guitar, vocals Van Dyke Parks - keys Jorge Calderon - bass Flaco Jimenez - accordion Miguel Cruz - percussion Steve Douglas - sax George Bohannon - trombone Bobby King - tenor Terry Evans - baritone Arnold McCuller - tenor Willie Green Jr - bass -
Audience 8.8 - A functional capture, not like maybe the typical Prince stealth recording with the crisp highs and deep lows, punchy middle...this one is the stepchild I suppose where it has everything one step below it's vaunted siblings. Does that mean it is bad? Not at all, it's a fine recording that presents a VERY top form and funky Prince in his element...it's very good but not greatness and I am thankful to have it nonetheless. Prince Prom Center Minneapolis, MN. June 7, 1985 1. A Love Bizarre 2. Mutiny 3. Sheila E. Drum Solo 4. Sometimes It Snows In April 5. Irresistable Bitch 6. Possessed 7. The Bird 8. Drawer's Burnin' 9. Holly Rock -
Audience 8.7 All shows appear to have been recorded by the same taper who was diligent to show up to all the Sabbath shows in his town three years in a row. I am impressed with his effort, you can tell he's not an amateur and but for the fact he's not using pro equipment, he most certainly would otherwise have gotten a stellar result. As it is, it's fine but not winning any dynamics awards. What it does deliver is consistent, strong, error-free recordings that you can relax into, and let yourself adjust to what is there because it's certainly not that bad. I started listening to these shows in order to rate them and ended up just letting them play because it's cool to hear this great line-up playing in a far away place away from the glitz and glamour of the metropolis, year-after-year-after-year, and yet deliver a performance no different from one they might have done at, say, Radio City Music Hall or Madison Square Garden.
Black Sabbath Cornwall Coliseum St. Austell, UK June 24, 1980,Feb. 2, 1981 & Jan. 14, 1982 Disc 1 St. Austell, UK June 24, 1980 1. Intro 2. War Pigs 3. Neon Knights 4. N.I.B. 5. Lonely Is The Word 6. Sweet Leaf 7. Children of the Sea 8. Black Sabbath 9. Heaven and Hell Disc 2 10. Iron Man 11. Guitar Solo 12. Die Young 13. Paranoid 14. Children of the Grave St. Austell Feb. 2, 1981 15. Supertzar 16. War Pigs 17. Neon Knights 18. N.I.B. 19. Children of the Sea 20. Lady Evil Disc 3 21. Black Sabbath 22. Heaven and Hell 23. Iron Man 24. Guitar Solo 25. Die Young 26. Paranoid 27. Children Of The Grave St. Austell, UK. 1982 28. E5150 (Intro) 29. Neon Knights 30. N.I.B. Disc 4 31. Children Of The Sea 32. Country Girl 33. Black Sabbath 34. War Pigs 35. Slippin' Away 36. Drum Solo 37. Iron Man 38. Mob Rules 39. Heaven And Hell 40. Paranoid 41. Children Of The Grave -
Studio Quality 9.5 - This 2CD set compiles some of the best uncirculating or hard to find Badfinger demos and studio outtakes. Many other worthy tracks were excluded since they already appear in excellent quality on other collections. (ie. Apple Demos 1970-1972 and Complete Ass). Highlights include a 'new' version of Coppertoone Blues, the speed corrected demo of Without You (I Can't Live), the first appearence on CD of an alternate 'piano version' of Do You Mind and the rough mixes of several tracks from their classic Apple-era. In addition the original mix of the 1974 'Head First' album taken from cassette obtained directly from Mike Gibbins in the late 90's. These 1974 mixes are different from the 2000 Snapper CD mixes and are a major upgrade from other circulating copies.Badfinger Without You 1968 - 1975 Demos, Outtakes and Rarities Disc 1 01 Carry On Til Tomorrow – 1969 Demo 02 Knocking Down Our Home – 1968 Demo Given To Paul McCartney 03 Maybe Tomorrow – 1969 Recording For B66bc Radio 04 John Forgot To Sing – 1970 Pete Ham Demo 05 No Matter What – 1970 Early Mix W / Alternate Lead Vocal 06 I Can Not Take It – 1970- Alternate / Extended Mix – No Horns 07 No Matter What – 1970 ‘Top Of The Pops’ Live Vacal Version With Fixed Intro 08 Without You – 1969 Pete Ham Demo 09 Without You – 1969 Tom Evans Demo- Speed Corrected 10 We’re For The Dark – 1970 Alternate Mix- Different Guitar Overdubs, No Horns Or Strings 11 I’ll Be The One – 1970 Rehearsal 12 Take It All – 1971 Pete Ham Demo 13 Day After Day – 1971 Rough Mix Alternatelead Vocal And Lacking Overdubs 14 Name Of The Game – 1971 Unreleased Al Kooper Single Mix 15 Do You Mind – 1972 “Ass” Outtake – 1st Unreleased Version From Upgraded Source 16 Do You Mind – “Ass” Outtake – Piano Based Version – Unreleased To Date 17 Coppertone Blues – New Composite Version From Original Pete Ham Demo And 1972 “Ass” Outtake Backing Track 18 Shine On – 1973 Rehearsal 19 Oh Wow – 1973 Unfinished Track From Self-titled Warner Bros. Sessions – Aka ‘Love My Lady’ 20 Song For A Lost Friend – 1973 Rough Mix Of Finished Take With Extened Ending 21 Where Do We Go From Here – 1973 Rough Mix Of Finished Take With Piano vs. Steel Drums 22 It Does Not Really Matter – 1974 Undubbed Pete Ham Demo 23 Just How Lucky We Are – 1974 Longer Pete Ham Demo 24 Ringside – 1975 1st Pete Ham Demo 25 Ringside – 1975 Longer Pete Ham Demo – One Of His Final Recordings 26 Dennis – 2006 Edit Version From ‘Perfection; The Songs Of Badfinger’s Pete Ham & Tom Evans Promo Disc 2 01 Lay Me Down – Alternate Take Warner Bros. Mix 02 Turn Around – Alternate Take Warner Bros. Mix 03 Keep Believing – Alternate Take Warner Bros. Mix 04 Rockin ‘Machine – Alternate Take Warner Bros. Mix 05 Passed Fast – Alternate Take Warner Bros. Mix 06 Saville Row – Alternate Take Warner Bros. Mix 07 Moonshine – Alternate Take Warner Bros. Mix 08 Rock ‘N’ Roll Contract – Alternate Take Warner Bros. Mix 09 Back Again – Alternate Take Warner Bros. Mix 10 Hey, Mr Manager -. This Is The Rough Mix Done By Engineer Phil Mcdonald, At Apple Studios On December 15th, 1974. SECRET BONUS TRACKS 11 Piano Red - unreleased 12 Sweet Tuesday Morning - alternate take 13 No Good At All - unreleased 14 Loving You - alternate version 15 Dreaming - unreleased 16 Rock 'N' Roller - unreleased 17 Regular - alternate version 18 Regular - alternate mix 19 When I Say - early mix 20 Blind Owl - early rehearsal 21 Timeless - early take 22 Timeless - alternate take 23 I Can Love You - take 7