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Aud 8.4 -
Audience 8.3 -
SDBRD 9.8 - Almost absolutely perfect, like you get both guitars in their own space so you can hear what each player is doing perfectly. This is how I prefer to listen to ACDC! -
FM Broadcast 8.8 - Once you get past the first song which has some channel dropouts, it’s all systems go full tilt boogie for reals. This is just flat out awesome! -
SDBRD pre-FM source 9.4 - Legendary for the pristine sound quality but let’s not forget that the late 70’s was ACDC at their best. This is one for the books. -
Aud 8.5 and PRO RADIO 9.6 - The Brisbane is a raucous, loud, crashing kind of show/recording that gives one a sense of sitting on the side of the stage and watching them. The BBC material is awesome! -
SDBRD 8.9 - I would have rated this higher but I am not thrilled with the way it is mixed – to my ears too dry and thin. It is perfectly clear, very bright and slamming though, but I need more “atmosphere” and this recording is a PURE board feed. I mean, it’s awesome don’t get me wrong. -
Audience 8.7 - This is a very bright and clear recording from close to the stage. Loads of electrifying atmosphere – you literally are planted right in between the tapers close to the stage and you really sense that. -
Audience 8.5 - Lively sound for the live portion, the demos are “studio” pro. -
Audience 7.5 - Vocals are very up front, overall it’s clear but music is not “full” sounds a little behind in the mix. Add mid band compression and this one would smoke. -
Soundboard 9.3 - One of the absolute best of the early Aerosmith recordings. Brilliant! -
Soundboard 9.2 -
FM Broadcast 8.8 - A fantastic early document! -
Pro Sound 9.2 -
FM Broadcast 9.3 - Crisp and airy, with hardly any complaints but if I were to do so, I would have toned down the guitars actually as I found sometimes they were actually too up front…some people would prefer that though. A great one no matter. -
Pro 9.0 - Both are excellent, bright, snappy recordings. Goes without saying if you don’t have this you should get it! -
Audience 8.3 - Nothing overtly wrong here, but it is a tad on the hot side with a very tiny amount of break up in the highs where it is maybe pushing so hard, this could be tape limitation. It’s a good recording nonetheless. -
Studio Quality 9.5 - Demo Sessions from "No Parole From Alcatrazz ". -
Audience 8.4 - Very rare show, perhaps slightly on the thin side but screaming guitar and vocals stand out. A must have for any Aldo Nova fan! -
Pro Radio Broadcast 9.2 - Sounds very much like a product of its time, and, it is rather good and Aldo shreds convincingly. -
Soundboard 9.7 - Sparkling, immaculate, totally pro mix and sound. -
Soundboard 8.7 - It’s fine just sounds a little dated to me, all the instruments are present which is cool since a lot of times Glenn’s guitar is mixed low or struggles to be heard. -
Audience 7.3 - A rip-roaring, over the top onslaught of greasy rock and roll captured painfully close to the PA. Sounds like this may be lifted from vinyl, and there’s tape noise artifacts present. But, all that taken into account, this is still a very good time and not painful on the ears despite the volume (I think someone attempted to remaster this but it can use one more time). -
Pro Soundboard 9.5 - Stellar, super clean!Alice Cooper Apollo Theatre Glasgow, Scotland February 19, 198201) Go to Hell 5:37 02) Guilty 4:21 03) I'm Eighteen 4:41 04) Cold Ethyl 2:50 05) Only Women Bleed 2:55 06) No More Mr. Nice Guy 3:07 07) Clones (We're All) 2:50 08) I Never Cry 3:00 19) Seven & Seven Is 3:02 10) Grim Facts 3:12 11) Pain 4:45 12) Billion Dollar Babies 2:58 13) Generation Landslide 3:59 14) School's Out 13:53The Band: Erik Scott - Bass Wayne Cook - Keyboards Jan Uvena - Drums Mike Pinera - Guitar John Nitzinger - Guitar -
Pro Soundboard 9.8 - One of the best ever. Must get it.Alice Cooper LA Forum Los Angeles 1975-06-17 CA,USA01. -Welcome To My Nightmare 02. -Years Ago 03. -No More Mr. Nice Guy 04. -Years Ago 05. -Billion Dollar Babies 06. -Years Ago 07. -I'm Eighteen 08. -Years Ago 09. -Some Folks 10. -Cold Ethyl 11. -Only Women Bleed 12. -Devil's Food 13. -The Black Widow 14. -Steven 15. -Nightmare Reprise 16. -Escape 17. -School's Out (W/Escape Reprise) 18. -Department Of Youth -
Audience 9.1 - Excellent and great, electric atmosphere. Yup, a certain keeper!Alice Cooper Providence Civic Center Providence, RI 16 July 197501 -intro 02 -Welcome To My Nightmare 03 -Years Ago 04 -No More Mr. Nice Guy 05 -Years Ago 06 -Billion Dollar Babies 07 -Years Ago 08 -I'm Eighteen 09 -Years Ago 10 -Some Folks 11 -Cold Ethyl 12 -Only Women Bleed 13 -Devil's Food 14 -The Black Widow 15 -Steven 16 -Welcome To My Nightmare 17 -Escape 18 -School's Out 19 -The Department Of Youth -
Pro 9.0 - This recording is great for the time period but it seems that it has been remastered to remove what was probably a great deal of hiss. There’s some left here, but I gotta say this is still one hell of a nice recording. -
Soundboard 9.2 - Very direct and forceful sounding, but a touch harsh I would say. Still I am being picky, it’s a damn good one!Alice Cooper The Forum Inglewood, CA, USA May 11, 197301 Hello Hooray (2:37) 02 Billion Dollar Babies (4:25) 03 Elected (2:30) 04 I'm Eighteen (4:31) 05 Raped And Freezin' (3:30) 06 No More Mr Nice Guy (3:19) 07 My Stars (8:09) 08 Unfinished Sweet (5:50) 09 Night On Bald Mountain I (Interlude) (2:17) 10 Sick Things (3:24) 11 Dead Babies (3:05) 12 I Love The Dead (6:57) 13 Night On Bald Mountain II (Interlude) (1:22) 14 School's Out (12:46) 15 Under My Wheels (5:28) 16 God Bless America Outro (2:51)Vincent Furnier (Alice Cooper) - Lead Vocals Glen Buxton - Lead Guitar Michael Bruce - Rhythm Guitar, Backing Vocals Dennis Dunaway - Bass Guitar, Backing Vocals Neal Smith - Drums, Backing Vocals Mick Mashbir - Lead Guitar Bob Dolin - Keyboards -
Soundboard 8.8 - Good to hear this material live, the band was so good in 1971, this board tape reveals that.Alice Cooper St. Louis Arena St. Louis, MO December 17, 19711. Intro - Be My Lover 2. You Drive Me Nervous 3. Yeah, Yeah, Yeah 4. I'm Eighteen 5. Halo of Flies 6. Is It My Body - My Very Own 7. Dead Babies 8. Killer 9. Long Way To Go -
Audience 8.3 - A great effort by the taper to capture and preserve a rock concert in his hometown with what sounds like pretty good gear. The levels are a touch low, but the fact that everything is pretty clear and there’s no distortion at all, well I tip my hat to this guy! A good one. -
Soundboard 9.0 - A mix that captures the band firing on all cylinders, certainly you have to say that Alice Cooper had total command of performance throughout his career and if you worried that his drinking might affect him onstage, well listen to these early shows. I hear no signs of inebriation. In fact this is extremely tight and strong performance wise.Alice Cooper Civic Arena Pittsburgh, PA, USA December 27, 197101 Be My Lover (4:48) 02 You Drive Me Nervous (2:28) 03 Yeah, Yeah, Yeah (4:38) 04 I'm Eighteen (5:34) 05 Halo Of Flies (9:47) 06 Is It My Body (7:05) 07 Dead Babies (5:35) 08 Killer (4:45) 09 Long Way To Go (2:55)Vincent Furnier (Alice Cooper) - Lead Vocals Glen Buxton - Lead Guitar Michael Bruce - Rhythm Guitar, Keyboards, Backing Vocals Dennis Dunaway - Bass Guitar, Backing Vocals Neal Smith - Drums, Backing Vocals -
Pro Studio 9.7 - A real treat, "From The Inside" has atmosphere and is great in pretty much every aspect. Hard to not fall in love with this one.Alice Cooper Studio Jam (1979 Studio Jam Radio Network)01. Intro - From The Inside 02. Serious 03. Vincent Price 04. Welcome To My Nightmare 05. Billion Dollar Babies 06. Eighteen 07. Quiet Room 08. I Never Cry 09. Band Jam Medley 10. Beverly Hills 11. Nurse Rozetta 12. Go To Hell 13. School's Out [W/ Band Intros] -
SDBRD 9.1 - Classic stuff, a great band at a great time, having a great time! The crowd is amped, the guitars are pumping, the bass and drums are thumping…aw yeah! -
Audience 7.8 -
Soundboard 8.4 - A very obscure Danish hard rock band with a lot of heaviness to their sound, consequently the signal is maybe slightly overloaded but this is still a great recording and can be immensely enjoyed by all. -
Soundboard 9.4 - I love how they relate to the audience. I could have hung with these guys. Oh, their music is deep and insightful too. Great stuff here. -
Audience 7.3 - This tape is a welcome find mainly due to the scarcity of live Amon Duul tapes in existence. Sound is not hi-fi, there is some tape noise, there is general noise, and there is music which thankfully can be heard through the din. Actually the mid to highs are intact, some bottom end is missing, it’s still not a completely annoying tape at all, can be enjoyed for what it is. -
Audience 7.1 - A rough tape that improved a lot with some mastering. Now, you actually can really tell what they are doing! Worth it for the improved sound. -
Soundboard 9.6 -
Soundboard 9.4 - What I find most appealing about this show is the mix, and how they do not bury the guitar which is what you might normally assume given the type of “top 40” music Annie wrote at the time. You will be pleasantly surprised to hear the guitar front and center, and actually pretty grungy sounding. -
Soundboard 9.6 - Amazing! -
Audience 8.8 - A very direct and punchy recording that delivers the music straight into your ears without passing through any air. As if you are sitting in front of the speaker as they play, nobody in front of you. It makes for a cool experience to hear this super intense band so intimately. -
Audience 8.7 - A strong and intense recording with a percussive tilt to it, so you get a very present and crisp drums and percussion. Everything else is also pretty clear but I would have liked guitars more up front but they are fine. This period of the band is exciting and intense, so if you love your progressive jazz hard rock played with fire and intensity that sometimes is off the charts this band is for you. -
Audience 8.3 - This recording captures a medium to large hall atmosphere from maybe middle rows and is quite good under those circumstances. It actually lends a cool vibe to the show, despite that naturally huge reverb going on. Oh, if you are unfamiliar with them, here’s the deal: GREAT hard and heavy jazz rock leaning towards rock with a very quirky singer. Once you get used to him, you are LOVING this band. -
Pro recordings 9.4 - Totally excellent. -
Pro Studio - Rehearsals -
Audience 7.0 -
Audience 8.3-8.7 - What starts out sounding kind of boomy, slowly starts to turn into a very good and powerful recording as if the taper started on one side (bass) and moved to the middle…either that or the sound man finally got it right. Either way this will surely please!