Soundboard 9.5 - Cool to hear such a nice board because quite frankly the volume and mix of most of the live recordings I have heard just have little separation of instruments and I like hearing Geezer clearly.  Drums sound great on this one. It also happens to be the final show.

Audience 8.8 - A solid and punchy recording that delivers bass and vocals in super detail. Drums come through real nice too, guitars and keys, while not as up front in this mix are still present in a stereo pan where they sit nicely because it gives the recording a balance. It’s easy on the ears and maybe more accurately replicates what you would have been hearing had you been sitting in the tapers seats.

Soundboard 9.5 - I believe this originates from an ALD recording, so yeah, it’s real good.

Audience 9.4 - Soundboard that manages to include enough audience to make me think this was a total pro recording meant for something else besides being shelved.

Audience 8.7 - An interesting tape, the recording is very lifelike and captures one of the best keyboard dominate performances I have ever heard. What I mean is, the keys really come to life on this one, as opposed to being merely “sound effects”, and the rest of the band is great too. A keeper!

Audience 8.9 - A really cool recording in that keys, drums and bass sound right next to you but guitar swirls above them, and over your head, and around your ears… VERY nice atmosphere and picked up extremely well by the taper.

FM Broadcast 9.0 - Not sure what the master source is for this one, it could either be a cassette tape or an LP, either way the sound is very good but there’s a little bit of that typical kind of compression you got off FM broadcasts. Not a problem here, just that I notice it.

Audience 7.7 - A distant recording, and some hiss present, but the music can be discerned. Not going to have a lot of dynamics, but for collectors out there, you can enjoy this one for what it is…and it continues to fill in the missing pieces of the Keith Moon years.

Audience 8.6 - This recording straddles the fence a little. On the one hand, it’s got very defined highs and good overall acoustics but also a pretty rowdy audience that whoops and hollers (this is Texas after all). I can’t really blame them though, this is actually THE best Presto gig I have ever heard as far as the performance. Not all Rush shows are homogenous by the way. Listen to Alex rip on La Villa Strangiato for example. They are firing on all eight (with the lone exception being a marginal effort on the beginning of Xanadu).

Early and Late Shows - Soundboard 9.1 and Soundboard 8.6 - The late show board tape is slightly problematic in that vocals and to some extent the drums are really prominent in the mix but the rest is pushed back. Acoustic songs come through nicely, they bring up piano and acoustic guitar so you get everything more even. At times it gets a little better, it’s not bad it’s just not as good a mix as the early show.

Audience 9.5 - When you listen to this, just keep in mind it is taped by someone in the audience…you won’t believe it. Great balance, superb low end, sweet middle band tone, lush and warm with the perfect amount of high end (no sizzle or annoying squeal or cymbal wash). Just terrific, and the band sounds great!

Audience 8.7 - This is from the Royal Albert Hall, so be prepared for a lot of atmospherics as the sound dances around almost right above your head. The music is very present though, so there’s no harm in having some ‘verb which is probably exactly how you would have received the sound at the venue anyway.

Audience 8.7 - This is a radio broadcast that sounds very good with some minor signs of age and occasionally a dodgy mix in spots that get corrected quickly, at least. The band play pretty much every song that you remember most by them, the set list is thrilling.