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Soundboard 8.9 - Very nice board with emphasis on vocals, a little less on the rhythm section but not by much. Classic period with all their hits, but missing Candy-O which is still one of my faves. -
Soundboard 9.5 -
PRO 9.5 - Great collection! -
Audience 9.2 - Startling realism, bright, clear, punchy, and well positioned with some peripheral audience atmosphere to really put you in the seat in front of the band. It does sound like the taper had great seats. Really nice this one. -
Audience 8.6 - With the shortage of recordings spanning 2016 to now, anything is welcome including this rather spacious sounding capture. Bigger on atmosphere than super focused instruments, the vocals ring loud and clear but guitar chimes behind most of it all. Still, rather good, and I will take that! -
Audience 9.1 - Thrilling capture! Gives you excellent mid band punch, and really clear, direct to ears sonics -
Audience 9.1 - Taper had really good seats because you don’t get that cavernous sound you might expect at a venue like this. It’s a warm, articulated sound, makes for a satisfying listen. -
Audience 8.7 - What you get here is a lot of large stadium ambiance, actual recording is pretty realistic from around the middle of the venue – not overpowering and good, clear, loud enough to get a sense of the event and of actually being there. It’s good – it’s not overwhelming – just good. Not a lot of 2016 tapes out there so I like having yet another one since the band played different songs at every venue. -
Soundboard 9.5 - Solid all the way through. A band who’s sound and style is suited for larger venues and consequently they are usually always well mixed and balanced. Nice One! -
Soundboard 9.2 - I like these intimate sounding gigs, with tight and punchy mixes. A great early set! -
Soundboard 9.2 - Pleasant, airy, well balanced but it does lean toward thin sounding to me. Still, it’s not exactly a heavy band anyway, so that leaves the listener with much more stuff to hear in the high range, keys, percussion, etc. Sounds very decent. -
Audience 8.6 - It’s easy to find board tapes from most of their tours so I can understand why one might take a pass on an audience tape but you do get a different perspective here, it’s a “bouncier” sound, a more kinetic feel to the happenings and you know, the Cure sometimes drones on a bit so I like having a recording that helps keep things moving. -
Soundboard 9.7 - This one has a great mid range tightness, and well rounded bottom end without sacrificing any highs at all. It’s pro for sure. Really tasty! -
Pro Soundboard 9.3 - Sourced from a pro shot video, the audio thankfully is not too compressed but also not super atmospheric either. It is, however, very clean and well mixed. -
Audience 8.4 -
Soundboard 9.6 -
Soundboard 8.6 -
Audience 8.0 -
Audience 7.7 - A little quiet but good low end presence, very narrow in the mid range though. Could easily be remastered to sound great. -
Pro Sound 9.1 -
Audience 8.0 - This is a very acceptable recording that occupies a midrangey place and subdued highs but since everything is clear for the most part it can be totally enjoyed. Oh, and the band really jams! -
Pro 9.0 -
Audience 8.3 - A fine recording all things considered. It’s a big hall, recording comes from somewhere in the middle of the arena but the capture is reasonable albeit without a good definition and some mild boominess. Overall you can be happy with this recording and of course the band has a fine repertoire. -
CD 1 - Soundboard 8.3 / CD 2 - Soundboard 8.8 / CD 3 - Soundboard 8.8 What a difference from 1966 to 1975! I rather like the 70’s Guess Who more, but fascinating to hear their formative sound and style. -
Audience 8.7 - Both very decent recordings capturing a band that is on the cusp of breaking up, but holding it together very nicely for the shows. Interesting stage banter and occasional extended lead jamming present, certainly worthy of your consideration. -
Soundboard 9.0 and Audience 8.6 - This is a very interesting document of a period of time in the band’s history where they lost a key member of the band in guitarist Randy Bachman. That did not stop them, as these shows attest. Quality varies but is consistently good across all shows with the first part being Soundboard and the rest very clear and reasonably dynamic Audiences. -
Soundboard 9.6 - Professional recording and mix…almost perfect in every way! -
Audience 8.5 - A steady, reliable recording that delivers a very live, natural sound but lacking just a little separation of instruments. Still a VERY good one! -
Audience 9.3 - Hard to dispute the excellence of this recording. The only downside is that not only does it capture the happenings on stage extremely well, it also captures the audience close to the mic…but, that seems to add excitement so we let it slide. -
Audience 9.5 - Technically speaking, you could argue with my rating, but a rating must not only represent sonic clarity but also overall enjoyability of a show/recording. This one rates as high as I can allow for both excellence and all the other aspects of what makes a tape really great. -
Audience 9.0 - Fantastic recording really, in fact I can only try and be real nitpicky to try to find anything outright bad about it. It’s close up, warm, atmospheric (I don’t mean echo or reverb either), and pretty good separation of instruments. Kick drum is even present, so it is also detailed. Good One! -
Audience 7.1 - A little noisy and squeezed into the middle, but I hear everything on the stage happening, very kinetically I might add!