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Audience 8.6 and Audience 8.5 ... two shows are represented in this set, and both sound similar but the 2nd disc sounds maybe a touch more distant and less defined, but also less overloaded. Both sets are guitar-centric, so Page admirers are going to be good good with this set. -
Audience 7.8 - Let me first say this: Why did this album get panned so harshly? I mean, even the band expressed some regret over it. Look, I get that Passion Play may not fit with the preconception of what Jethro Tull’s music is supposed to be, but at face value the music and playing is superior. The fault may have been the accompanying stage show, and maybe if I were to criticize one thing about the compositions would be that they relied a lot on overly dramatic minor key shifts way too often. However that stuff does not diminish the overall content and performance of a fine and unfairly panned album. This CD captures a complete performance of Passion Play in pretty good overall quality with some minor issues here and there. Fascinating! -
Audience 8.3 - Not that bad really, some hiss present but otherwise it’s worthy of your attention. -
Audience 8.0 - Very loud up front tape which gets a little crowded during intense jams but is actually my kind of audience recording. It seems to be more exciting and electrified when it is so close to the stage as long as it doesn’t distort I love it. -
Soundboard 8.6 - A little noisy and compressed but still hot and a great show. -
Soundboard 9.1 - Acetates and live noticeable wear from the acetates but everything is clearly heard. -
Aud 7.7 - Guitar is the dominant instrument on this tape, which features qualities I can appreciate knowing that there is so much worse out there than this. The DVD features a short segment of footage synced properly with the audio so collectors will enjoy that. -
Aud 8.2 to 8.8 - The sound varies a little bit as the set progresses, mainly because it is a rotating stage and therefore sounds great when the stage is in front of the taper. The DVD is fascinating, a real treasure! -
Aud 7.5 - A very decent and clear recording from perhaps a little further back in the hall than one would prefer, but guitar is prominent, then drums and bass with Jimi vocals a little bit behind the noise. Also, I am glad the sound has a little separation, enough to discern everything that is going on, so big plus there! -
CD 1 Aud 8.2 Nice version here, must be a very low gen tape source. CD 2 Aud 8.3 I like this recording a lot, it’s a touch overloaded but you hear a very realistic sound, pretty close to what you may have heard standing close to the mains. Maybe a little bit of tape saturation (not distortion, two different things!), otherwise this one is very fun to hear putting you right in the middle of it all. -
Studio quality with some tape hiss 8.7 -
Soundboard 9.0 -
Aud 9.0 - One of THE BEST audience tapes yet to be officially released by Dagger. You just have to have this if you collect Jimi. -
All Studio Quality 9.7 -
Audience 8.5 - OK, so the deal here is that the taper seems to be real close to the PA system and his machine is getting bombasted like heck, but the thing is holding up somewhat. Early on, the snare drum is pegging his meters and it’s kind of annoying until he seems to either move a little or dial back the recording levels because it evens out after a couple songs. A very kinetic and wild show and recording that throws you headfirst into the action, a thrill ride of epic proportions I would say. Have fun! -
All Pro Studio Sound 9.8 -
Aud 6.8 - Muffled, and a short tape clocking in at under 30 minutes. But, you know what? I still think you should have this if you are a collector, the tape itself is presented as it was recorded and for a historical document it is interesting. -
Aud 8.3 - Not your typical mumbled mess of a tape here, this one is rather powerful without the distortion. Anyone could appreciate this tape, which is why it comes recommended by most collectors. -
Aud 7.2 - Thin, like a small transistor cassette deck recording but surprisingly the narrow bandwidth allows Jimi’s guitar to penetrate and come to the center, so you are treated to a Jimi fest on this tape. Lo Fi, yes, but it’s the Jimi show with a cutting guitar sound with that tell tale stadium echo that gives it a nostalgic vibe. I kind of like this tape. Really interesting capture! -
Studio Quality 9.2 -
Radio Broadcasts 8.7 - Contrary to what the title states, there is no Utica show, it was broadcast out of Utica but recorded elsewhere, two shows, two different dates – and the title should more technically be “Utica 1969/70” since the recordings date from those two years. -
Aud 7.3 - Low levels, but surprisingly clear for this tour. You get this for the set list obviously as he played gems like Are You Experienced and Spanish Castle Magic. Disc two features the additional material from other venues and is very decent sound. -
Soundboard 9.4 -
Volume 3: Audience 7.6 - Bass is pumping at the expense of everything else unless the music pauses now and then which makes guitar front and center for a moment. It’s somewhat muddy, but you do hear everything happening, and the ears do adjust. It’s the worst of the three night stand. Good, at times, and worth having nonetheless. -
A mix of pro SDBRD and decent aud. The sdbrd is 9.5, the aud portion is 8.0 and taken from a vinyl source. There are a handful of tracks taken from a film audio source and those are great as well. -
Audience - all shows Berlin Aud 7.2 A reasonably clear tape, Jimi vocals come through and guitar is right up front too. Drums a little buried but you get enough to know what’s going on. Enjoyable! Cologne Aud 7.0 Mono recording without much separation of instruments, guitar being the clearest here. Hamburg Aud 6.6 Very loud and distorted recording. Nuremberg Aud 6.7 Thin, with tape noise present, no dynamics, only Jimi's guitar is heard but it is heard clearly ringing out like he was the only one mic’d up! -
Aud 7.6 - Exciting brutal live sound with bristling, tangible electricity that will send hairs on your neck to shivering. Not pro, not perfect, but has that manic excitement and energy that makes the gig. -
Audience 8.9 - Terrific! A real sonic treat not to be missed. -
Aud 6.8 - Overloaded tape, and raucous crowd, but with all that Jimi’s guitar cuts right through and surprisingly is a decent sound and not paper thin. Strange tape, should be horrible but there’s just enough here to suck you right into to this show. I tell you what, you really get a sense of the volume of a Hendrix gig! -
Aud 6.8 – 7.0 in spots -
Aud 7.3 - Gets better, is loud but not too overloaded. Small club atmosphere, a real treasure of a ’68 show. -
FM Radio Broadcast 9.8 - Excellent! -
Audience 8.3 - Spectacular for such a primitive audience recording Audience 8.5 - Another early gem of a recording. Both have some roughness to them but they shine considering the age. A must! -
Audience 8.8 -
Audience 8.8 - Spectacular live presence and good clear vibrant recording. -
Audience 9.2 - A lot of dynamics and presence on this tape. -
Soundboard 8.8 - Very cool when you listen to these ’66 shows because to my ears this music really was the heart and soul of the hippie free love movement. Just incredible stuff. -
Radio Broadcast 8.3 - Somewhat hissy but MUCH better than the version that circulated before. Someone remastered this, thank goodness because it’s great but needed some work. -
Audience 8.7 - A fascinating live document that showcases some amazing talents paired with Jack’s keen sense of songcraft on a night where all cylinders are firing. A great way to begin exploring the post Cream Jack Bruce if you have not done so already. The bonus material on disc 2 is equally fascinating, offering a sneak peak into the inner workings of Jack’s mind. Everyone can get into this power-packed set! -
Audience 8.8 - Sounds like a pro recording to me. A little remastering would have this officially releasable. -
Volume 1,2,3: Oxford (3-9-82) / London (5-26-83) / Ipswich (9-18-84) All three shows are some of the best of the early 80’s recordings. -
Volume 3: Audience 8.2 - Ipswich (September 18, 1984) (All three shows are some of the best of the early 80’s recordings). -
Volume 2: Audience 8.4 - London (May 26, 1983) (All three shows are some of the best of the early 80’s recordings). -
Demos 1980: Pro recording 8.2 - Some generations down, loss of bandwidth, but this is just fine and a welcomed bit of Iron Maiden history. Live Friday Rock Show Broadcast 1979: Pro recordings 9.4 - Crisp and bright, excellent! -
Iron Maiden - Tour of Japan 1982: (complete set) Volume One: Audience 7.4 - Thankful for these Japanese tapers who had the best gear at the time. Reasonably clear if a little squashed, it nevertheless is way better than 85% of the early Maiden audience recordings. Volume Two: Audience 7.6 - Just a touch better than Volume one, suffers from the same limitations but has a slightly more open sound. Volume Three: Audience 8.4 - This is best of the tour by far. A great early audience recording...it’s clear and open sounding. Yes! -
Volume Three: Audience 8.4 - This is best of the tour by far. A great early audience recording it’s clear and open sounding. Yes! -
Audience 6.3 - There is music here, buried under time and dust. Understanding that we have a limited number of pre-Bruce era tapes, and that most of those sound horrid, it is suggested one must hunt down the ones that have been mastered like this one.
