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Audience 7.8 - Similar to the Bruxelles show but the sound field opens up more on this and the highs, while maybe slightly crispy, are a plus as they give some definition to the music. -
Pro Studio - Rehearsals -
Audience 8.9 - Very strong, clear, and dynamic recording. -
Formed in 1972, Hands were originally called Ibis, and then a series of name changes which eventually led to Prism, which they were widely known as, until things got serious. With the production of high quality studio demos, they were forced to change names again, this time for good - with the name HANDS. These early recordings capture them at a time before the studio quality demos, when they were still working small clubs and colleges and playing a lot of covers (albeit very interesting ones). -
Soundboard 9.6 - Amazing! -
Soundboard 9.6 -
Soundboard 8.4 - A very obscure Danish hard rock band with a lot of heaviness to their sound, consequently the signal is maybe slightly overloaded but this is still a great recording and can be immensely enjoyed by all. -
Early show - Audience 7.7 - Cluttered, not distorting but some tape break up present as the volume was too much for the cassette player. Late Show - Audience 8.3 - A big step up from the earlier show, this one is clearer, sounds like taper had better seats. -
SDBRD 9.1 - Classic stuff, a great band at a great time, having a great time! The crowd is amped, the guitars are pumping, the bass and drums are thumping…aw yeah! -
Audience 7.4 - Pretty average recording, a touch distorted, but Duane comes through it all which is what you want. -
Soundboard 8.4 - Some distortion due to tape saturation. -
Audience 9.0- The band taped these rehearsals which consist of writing, ideas, smoking lots of dope, jamming, and smoking more dope. -
Pro Studio 9.7 - A real treat, "From The Inside" has atmosphere and is great in pretty much every aspect. Hard to not fall in love with this one.Alice Cooper Studio Jam (1979 Studio Jam Radio Network)01. Intro - From The Inside 02. Serious 03. Vincent Price 04. Welcome To My Nightmare 05. Billion Dollar Babies 06. Eighteen 07. Quiet Room 08. I Never Cry 09. Band Jam Medley 10. Beverly Hills 11. Nurse Rozetta 12. Go To Hell 13. School's Out [W/ Band Intros] -
Soundboard 8.8 - Good to hear this material live, the band was so good in 1971, this board tape reveals that.Alice Cooper St. Louis Arena St. Louis, MO December 17, 19711. Intro - Be My Lover 2. You Drive Me Nervous 3. Yeah, Yeah, Yeah 4. I'm Eighteen 5. Halo of Flies 6. Is It My Body - My Very Own 7. Dead Babies 8. Killer 9. Long Way To Go -
Audience 9.1 - Excellent and great, electric atmosphere. Yup, a certain keeper!Alice Cooper Providence Civic Center Providence, RI 16 July 197501 -intro 02 -Welcome To My Nightmare 03 -Years Ago 04 -No More Mr. Nice Guy 05 -Years Ago 06 -Billion Dollar Babies 07 -Years Ago 08 -I'm Eighteen 09 -Years Ago 10 -Some Folks 11 -Cold Ethyl 12 -Only Women Bleed 13 -Devil's Food 14 -The Black Widow 15 -Steven 16 -Welcome To My Nightmare 17 -Escape 18 -School's Out 19 -The Department Of Youth -
Audience 8.4 - Very rare show, perhaps slightly on the thin side but screaming guitar and vocals stand out. A must have for any Aldo Nova fan! -
Studio Quality 9.5 - Demo Sessions from "No Parole From Alcatrazz ". -
Audience 8.0 - Crisp and loud mids/highs with a little lacking in bottom but very enjoyable nonetheless. The band sometimes sounds a little unsure, but the energy is great. -
Audience 9.7 - Superb in every detail. -
Audience 8.3 - Nothing overtly wrong here, but it is a tad on the hot side with a very tiny amount of break up in the highs where it is maybe pushing so hard, this could be tape limitation. It’s a good recording nonetheless. -
CD 1 - Audience 9.6 CD 2 - Audience 8.8 CD 3 - Audience 8.9 Hot crisp and sweet recording. -
Incredible early collection featuring performances from 1974 taken from master tapes and never sounding better, and more complete. Simply the best Aerosmith early live collection ever produced. -
Incredible early collection featuring performances from 1973 taken from master tapes and never sounding better, and more complete. Simply the best Aerosmith early live collection ever produced. -
Audience 9.1 - Excellent dynamics, bass is tight, a good warm and clear recording! -
Audience 7.5 - Vocals are very up front, overall it’s clear but music is not “full” sounds a little behind in the mix. Add mid band compression and this one would smoke. -
Audience 8.5 - Lively sound for the live portion, the demos are “studio” pro. -
Audience 8.6 - A decent capture here, it sure sounds like a master source was used, there’s no tape noise at all and all the highs are perfectly intact. -
SDBRD 8.9 - I would have rated this higher but I am not thrilled with the way it is mixed – to my ears too dry and thin. It is perfectly clear, very bright and slamming though, but I need more “atmosphere” and this recording is a PURE board feed. I mean, it’s awesome don’t get me wrong. -
Aud 8.4 -
Audience 9.3 - I love this recording, probably a lot more than a soundboard. This is the one your ears have been waiting for. Good separation between bass and guitar so that each is distinct, plenty of bottom end but it isn't at the expense of anything else in the mix - it's perfect. I love the bass definition too, and Ian sounds good. Sometimes I think this may be pro, but for the drums which, while excellent, have the slightest touch of sizzle on the cymbals (and by extension you get a touch of it every now and then on vocals) but it's minor and it probably would not be present on a pro recording. This is really just quibbling, trying to find flaws, the recording is BADASS! Black Sabbath Quebec City Coliseum Quebec, Canada 1983-10-20 Disc 1 101. Supertzar 102. Children Of The Grave 103. Hot Line 104. War Pigs 105. Supernaut 106. Drums Solo 107. Rock 'n' Roll Doctor 108. Disturbing The Priest 109. Iron Man Disc 2 101. The Dark 202. Zero The Hero 203. Heaven And Hell 204. Guitar Solo 205. Digital Bitch 206. Black Sabbath 207. Smoke On The Water 208. Paranoid - Heaven And Hell (Reprise) -
Audience 8.8 - Very clear, and pretty bright, and that means the tape sacrifices the bottom end in favor of getting the clarity and separation of instruments - that might be considered the trade-off here. I would prefer more bass, but this is something one can add themselves, that is why I highly rate this recording. I think because it is so clear you can really season it to taste more so than if you had a cluttered, or muddy recording. Black Sabbath The Spectrum Philadelphia, PA 1981-12-04 Disc 1 101. E5150 102. Neon Knights 103. N.I.B. 104. Children Of The Sea 105. Country Girl 106. Black Sabbath 107. War Pigs Disc 2 201. Slipping Away 202. Drum Solo 203. Iron Man 204. The Mob Rules 205. Heaven And Hell 206. Paranoid - Heaven And Hell (Reprise) 207. Children Of The Grave -
Hoffman Estates - Audience 8.7 - Residing mainly in the mid and upper mid range this recording does not showcase any real definition in the highs, and the metal loudness defined as a solid guitar/bass attack for the low end. What you end up with here with these two recordings is something of historical value but nothing you would use to impress your buddies with. Are they essential for the collection? Yes, both of these shows are very significant in value and because they are not horrible recordings I can recommend them.
Chicago - Audience 8.8 - This recording has a softer mid-range making it a little more comfortable, but still does not have a clarity and distinction to it, but it is also not muddy, it's just a capture that was made with equipment that had only the capability to document a live event, it wasn't made to do a professional live recording so keep that in mind - pretty decent but not great. I will say this, and I sincerely believe this - I think this recording is exactly what your ears would have been hearing at this show. That is why I think these recordings are important, even if they lack soundboard clarity and are not A+ audience tapes. There's plenty to enjoy here with both of these shows.
Black Sabbath Last Night With Ronnie Disc 1 Poplar Creek Music Theater Hoffman Estates, Illinois 1982-08-31 101. E5150 102. Neon Knights 103. N.I.B. 104. Children Of The Sea 105. Voodoo 106. Black Sabbath 107. War Pigs 108. Drums Solo Disc 2 201. Iron Man 202. The Mob Rules 203. Heaven And Hell 204. Guitar Solo 205. The Sign Of The Southern Cross 206. Heaven And Hell (Reprise) 207. Paranoid 208. Children Of The Grave Disc 3 International Amphitheater Chicago, Illinois 1981-12-21 301. E5150 302. Neon Knights 303. N.I.B. 304. Children Of The Sea 305. Country Girl 306. Black Sabbath 307. War Pigs 308. Slipping Away 309. Drums Solo 310. Iron Man 311. The Mob Rules 312. Heaven And Hell 313. Paranoid -
Audience 8.7 - A new re-mastering has taken what was once a very muddy recording and breathed significant new life into it. I mean, if ever there was a time to be collecting it is right now. So while it still might be considered as an average audience recording, the fact is that there is much more in this tape than what was once believed and which is why it flew under the Sabbath collector radar. But it's actually pretty good, I can only be a little critical if I analyze what is happening at the lower end here, not much definition and guitar blends into the bass somewhat and provide a volume backdrop that is "dark" and foreboding but not a mess either. I think people should give this re-mastered version a chance, I did and I am very glad I did. Black Sabbath 1971-01-18 City Hall Newcastle-Upon-Tyne, UK 01. Paranoid 02. N.I.B. 03. War Pigs 04. Into The Void 05. Iron Man 06. Black Sabbath 07. After Forever 08. Wicked World 09. Guitar Solo 10. Wicked World (Reprise) 11. Fairies Wear Boots 12. Paranoid -
Newcastle Audience 8.7 - A fairly bombastic recording that insists you pay attention to it. Thundering, massive, and thankfully listenable. It's not winning any awards for clarity, but it makes up for a lot of that with a representative recording of what you probably heard from the front row at this show. That leads me to say that while you would think there should be distortion, you can't really tell, but yes there just a bit of saturation deep in the bowels somewhere but I don't find it disturbing because it's low enough that you don't focus too much there. London Audience 8.6 - Dropping down one notch here, but there actually might be more mid-upper mid clarity with this recording. I think overall, this recording is a little less forceful, and there is no distortion at all on this. My ears rate this slightly below the Newcastle not because it is inferior quality, but because it is not quite as ballsy, and the trade-off is you have to give up a but of the balls in order to achieve more clarity, but sometimes ballsy is not a bad thing if it isn't too muddy. Black Sabbath Newcastle City Hall Newcastle, UK 1982-01-06 Disc 1 101 Introduction - E5150 102 Neon Knights 103 N.I.B. 104 Children Of The Sea 105 Country Girl 106 Black Sabbath 107 War Pigs 108 Slipping Away 109 Vinnie Appice Drum Solo 110 Iron Man Disc 2 201 The Mob Rules 202 Heaven And Hell 203 Paranoid - Heaven And Hell (Reprise) 204 Children Of The Grave Hammersmith Odeon London, UK 1982-01-03 205 Introduction - E5150 206 Neon Knights 207 Country Girl 208 Slipping Away 209 The Mob Rules -
Audience 9.3 - Excellent quality, in fact I think this is a professional recording done on or very close to the stage. It has certain tell-tale qualities, like there being minimal audience noise and very clear, well-balanced band. Good mix here, even without Duane present I think most listeners will find this most welcome especially considering two songs are played featuring Johnny Winter. THE ALLMAN BROTHERS BAND Hollywood Bowl Hollywood, CA August 6, 1972 1. Statesboro Blues 2. Done Somebody Wrong 3. One Way Out 4. Stormy Monday 5. You Don't Love me 6. Trouble No More 7. In Memory Of Elizabeth Reed 8. Whipping Post 9. Johnny B. Goode 10. Dust My Broom Tracks 9-10 with Johnny Winter Gregg Allman Dickey Betts Berry Oakley Butch Trucks Jai Johanny Johanson -
Studio Quality 9.6 - Fantastic set! The entire thing has been delicately re-mastered to best anything and everything already out there. David Bowie - Plastic Soul (Young Americans Sessions) Disc 1 01 Young Americans (Dick Cavett) 02 Can You Hear Me (The Gouster) 03 Young Americans (early take ending) 04 After Today (version 2) 05 John, I'm Only Dancing (Again) (early take) 06 John, I'm Only Dancing (Again) 07 Right (vocal rehearsal) 08 I Am A Lazer (with Ava Cherry) 09 I'm Divine 10 Fascination (stripped-down mix) 11 Young Americans (The Gouster) 12 Across The Universe (alternate extended mix) 13 Fame (instrumental) 14 Funky Music (Is A Part Of Me) (with Luther Vandross) 15 Young Americans (extended remix) 16 Fame (extended remix) 17 Can You Hear Me (Live, Mono) Disc 2 01 I Am A Laser - Scream Like A Baby (Ava Cherry Working Master) 02 Fame (Original Version) 03 John, I'm Only Dancing (Again) (Live Soul Tour `74) 04 1984 (Live Soul Tour `74) 05 Young Americans (Live Soul Tour `74) 06 Can You Hear Me (Live Soul Tour `74) 07 It's Gonna Be Me (Live Soul Tour `74) 08 Somebody Up There Likes Me (Live Soul Tour `74) 09 Knock On Wood (Live Soul Tour `74) 10 Foot Stompin'-I Wish I Could Shimmy Like My Sister Kate-Foot Stompin' (Live Soul Tour 74) 11 Young Americans (2007 Tony Visconti Mix, Edit) 12 Young Americans (Monitor Mix Fragments & Chat, Mono) 13 Young Americans (US tv promo ad) 14 Young Americans (US radio promo ad) 15 Dick Cavett Interview -
Studio Quality 9.6 - Fantastic set! The entire thing has been delicately re-mastered to best anything and everything already out there. David Bowie - Plastic Soul (Young Americans Sessions) Disc 1 01 Young Americans (stripped down mix) 02 Somebody Up There Likes Me (unfinished mix) 03 Can You Hear Me (demo) 04 Can You Hear Me (stripped down mix) 05 Young Americans (Alternate Ending Version) 06 Across The Universe (stripped down mix) 07 Fame (stripped down mix) 08 Fame (vocal only track) 09 Young Americans (Take One) 10 Young Americans (Take Two) 11 Young Americans (Take Three) 12 Shilling The Rubes (Take One) 13 Lazer (The Gouster) 14 After Today (Take One) 15 Sweet Thing (Sigma Acetate) 16 It's Gonna Be Me (With Strings, 1975) Disc 2 01 Right (Sessions) 02 Somebody Up There Likes Me (Sessions) 03 I Am A Laser (Ava Cherry Rough Mix - Stereo) 04 Fame (Cher Show, 09-18-75, Mono) 05 Can You Hear Me (Cher TV Show, 11-23-75) 06 Young Americans + Medley (Cher TV Show, 11-23-75) 07 Win (alternate ryko mix) 08 Fame (Right A-Side, Original Single Edit) 09 Fascination (alternate ryko mix) 10 Right (alternate ryko mix) 11 Who Can I Be Now (Bonus) 12 It's Gonna Be Me (Bonus) 13 After Today (Outtake) 14 It's Hard To Be A Saint In The City (Outtake) 15 Young Americans (Single Edit) 16 John I'm Dancing Again (Edit) 17 Fame (alternate flute version) -
1970 - Audience 9.1 - Excellent! Very clear, pretty close, respectful audience, good acoustics, great instrument separation...it's all here for your ears to feast upon. 1972 - Pro SDBRD 9.7 - Amazing of course, it's a professional recording that was released on video but I think this is not taken from a video source as it is totally uncompressed. 1973 - Audience 9.0 - A choice recording as it has a really driving energy. This is not one of those Traffic shows that gets bogged down, it's high energy, loud, and thankfully captured very nicely.
Traffic The Santa Monica Tapes 1970-1973 Disc 1 Civic Center Santa Monica, California July 5, 1970 (late show) 01. Who Knows What Tomorrow May Bring 02. Every Mother's Son 03. Medicated Goo 04. John Barleycorn Must Die 05. Pearly Queen 06. Stranger To himself 07. Empty Pages 08. 40,000 Headmen 09. Glad - Freedom Rider 10. Feeling Good Steve Winwood - Guitar, Piano, Vocals Chris Wood - Flute, Saxophone Jim Capaldi - Percussion, Drums, Keyboards, Vocals Disc 2 Santa Monica Civic Center Santa Monica, CA February 21, 1972 01. Low Spark Of High Heeled Boys 02. Light Up Or Leave Me Alone 03. John Barlycorn 04. Rainmaker 05. Percussion Solo 06. Glad 07. Freedom Rider 08. Forty Thousand Headmen 09. Dear Mr. Fantasy Steve Winwood – vocals, guitar, keyboards, bass (1967–1974, 1994) Jim Capaldi – drums, percussion, vocals (1967–1974, 1994) Chris Wood – flute, saxophone, keyboards (1967–1974) Rebop Kwaku Baah – percussion (1971–1974) Roger Hawkins – drums (1972–1973) David Hood – bass (1972–1973) Disc 3 Santa Monica Civic Auditorium Santa Monica, CA. 1973 1. Low Spark of High-Heeled Boys 2. Light Up or Leave Me Alone 3. John Barleycorn 4. Rainmaker 5. Glad - Freedom Rider 6. 40,000 Headmen 7. Dear Mr. Fantasy Midsummer Rock Festival Cincinnati, OH. June 17, 1970 8. Pearly Queen 9. Stranger To Himself Stevie Winwood - keyboard, guitar, vocals; Jim Capaldi - drums, vocals; Chris Wood - sax; David Hood - bass; Roger Hawkins - keyboards; Reebop Kwaku Baah - percussion -
Audience 8.7 - A somewhat crude tape that manages to still present some meat you can savor. The slightly overloaded tape can still allow everything to be heard although drums are not very distinct (cymbal washes do clear the mix because they sit in the high band range) and neither are the vocals - but here's the saving grace: The guitar is present and accounted for and you really NEED that with this band because this guy is phenomenal. PFM Teatro Nuovo, Torino, Italy March 13, 1974 1. L'isolo Di Niente (The Mountain) 2. Is My Face On Straight 3. Mr. 9 Till 5 4. Violin Solo 5. Have Your Cake And Beat It 6. River Of Life 7. Dolcissima Maria (Guitar Solo) 8. Just Look Away 9. La Luna Nuovo (Four Holes In The Ground) 10. Celebration 11. La Carrozza Di Hans - Drum Solo 12. Impressioni Di Settembre (The World Became The World) -
New York - Audience 8.8 - This is a good tape for the vintage, even if the tapers are sometimes talkative they are at least not shouters and nor are those around them. San Bernadino - Audience 9.2 - A surprisingly clear tape, you can tell right away it is a master tape source. The quality of this capture is appreciated very much, it really gives one a sense of what was beginning to happen in the States for Yes. I sometimes just can't believe there was a time when this kind of adventurous, demanding music was so well received and consumed by the American public. Yes Fragile Tour 1971-72 Disc 1 Academy Of Music New York City, NY. November 24, 1971 1.01 Firebird Suite (1.04) 1.02 Roundabout (8.08) 1.03 I've Seen All Good People (7.54) 1.04 The Clap (3.26) 1.05 Wakeman Improv (0.53) 1.06 Long Distance Runaround (3.52) 1.07 The Fish (9.46) 1.08 Perpetual Change (15.37) 1.09 Yours Is No Disgrace (12.27) Disc 2 Swing Auditorium San Bernadino, CA. March 17, 1972 1.01 Firebird Suite (1.58) 1.02 Roundabout (8.01) 1.03 Heart Of The Sunrise (11.24) 1.04 The Clap (4.28) 1.05 Perpetual Change (14.51) 1.06 I've Seen All Good People (7.30) -
Audience 8.8 - This is a very good audience tape. It is very clear, with great separation of instruments. It is not terribly dynamic though, but it's also not sluggish there either - it sort of sits in the midrange of things but in a way that is not too bad on the ears. I enjoyed this performance, I liked the atmosphere of the gig, and the respectful audience. Yes Freedom Hall Coliseum Louisville, KY 1979-04-13 Disc 1 1. -Future Times - Rejoice 2. -Circus Of Heaven 3. -Time And A Word - Long Distance Runaround - Survival - The Fish (Schindleria Praematurus) - Perpetual Change - Soon 4. -Don't Kill The Whale 5. -Clap 6. -Starship Trooper Disc 2 7. -On The Silent Wings Of Freedom 8. -Wakeman Solo 9. -Awaken 10. -Tour Song 11. -I've Seen All Good People 12. -WLRS Award Ceremony 13. -Roundabout -
Soundboard 9.0 - A VERY animated and live sounding recording. There is nothing sterile about this! It bristles with electric mayhem and tension, sometimes it goes a little over the edge (takes a minute for the mix to even out a little bit - and it seems to lean slightly onto upper mid/high end leaves some of the balls of the bass out, but there's enough meat here to add some bass and I think once you do that you'll have a real banger with this one. It's already great, but I'd certainly season it to taste. The Damned Oxford College Of Further Education Oxford, UK. 3-1-1984 01. there ain't no sanity claus 02. disco man 03. ignite 04. stranger on the town 05. wait for the blackout 06. do the blitz 07. melody lee 08. born to kill 09. love song 10. neat neat neat 11. looking at you 12. smash it up pt1 13. smash it up pt 1 1_2 14. smash it up pt 2 15. new rose 16. hippy hippy shake 17. i feel alright 18. we love you 19. i just can be happy today 20. love song -
Soundboard 9.4 - Intense! Great mix here, full frontal assault and Dio shines! Dio Coliseum Spokane, WA 1984-07-24 01. -We Rock 02. -Mystery 03. -Shame On The Night 04. -Children Of The Sea 05. -Heaven & Hell 06. -Guitar Solo 07. -The Last in Line 08. -Heaven And Hell 09. -Stand Up & Shout 10. -Holy Diver 11. -Drum Solo 12. -Mob Rules 13. -Rainbow In The Dark 14. -Man On The Silver Mountain 15. -Starstruck - Long Live Rock 'N Roll 16. -Man On The Silver Mountain (reprise) -
Audience 8.7 - A large sound, complete with the bassy, big stadium boominess that telegraphs the volume and power of live Dio. Does that mean it is a muddy mess? No, it's not bad...it's just that your ears will hear this recording probably exactly how they would have heard it at the show. It's a well known fact that the sound at these big shows is one thing to your ear while there in the audience and another thing if you are listening to it over a radio broadcast. This is the sound coming from the P.A. - big, ballsy, LOUD, metal, and atmospheric, immersive, live. It's worth getting this, it has something to offer the listener. DIO Worcester Centrum Worcester MA. October 31st 1985 Disc 1 1. INTRO 2. KING OF ROCK AND ROLL 3. LIKE THE BEAT OF A HEART 4. DON'T TALK TO STRANGERS 5. HUNGRY FOR HEAVEN 6. LAST IN LINE - HOLY DIVER - DRUM SOLO 7. HEAVEN AND HELL 8. GUITAR AND KEYBOARD SOLO Disc 2 1. SACRED HEART -LAST IN LINE (REPRISE) 2. ROCK AND ROLL CHILDREN 3. LONG LIVE ROCK AND ROLL 4. MAN ON THE SILVER MOUNTAIN -ROCK AND ROLL CHILDREN (REPRISE) 5. STAND UP AND SHOUT 6. RAINBOW IN THE DARK 7. WE ROCK THE BAND Ronnie James Dio Vocals Vivian Campbell Guitar Jimmy Bain Bass Vocals Vinny Appice Drums Claude Schnell Keyboards -
Custom humidors using various materials such as metal, vinyl, Spanish cedar, wood-infused plastic, analog or digital hygrometers, and Boveda brand humi-packs to keep the unit under proper humidity for up to 10 weeks. -
Custom humidors using various materials such as metal, vinyl, Spanish cedar, wood-infused plastic, analog or digital hygrometers, and Boveda brand humi-packs to keep the unit under proper humidity for up to 10 weeks. -
Audience 8.8 - This is better than I give it credit for, mainly because it has all the elements needed to be very enjoyable - namely: clarity, separation of instruments, and atmosphere. Where it lacks the necessary qualifications to enter into 9.0 and above rating status is more in the dynamics range (is low end low, is high end high, are mids clear and punchy?) which here are expressed mostly with the lovely, brassy and defined bass sound. This is good! But perhaps we are spoiled now with all the audio riches we have at our disposal. This is a very good old tape, with a re-mastering I assume it would rise to the 9.0 level, but the bones are here. E.L.P Odeon Theatre Birmingham, UK 1972-11-24 Disc 1 01. ABADDONS BOLERO 02. HOEDOWN 03. TARKUS 04. ALAN FREEMANS THEME 05. THE SHERIFF 06. TAKE A PEBBLE Disc 2 07. LUCKY MAN 08. PIANO IMPROVISATIONS - TAKE A PEBBLE 09. PICTURES AT AN EXHIBITION 10. NUTROCKER 11. RONDO -
Audience 9.5 - Rich, clear, dynamic...if you don't have these elements in a heavy metal (especially Doom metal) recording, you aren't going to be very satisfied. But this, this is EVERYTHING you want and more. MUST HAVE! The Skull Mississippi Studios Portland, OR. 2013-10-13 1. The Tempter 2. Thinking Of The Past 3. Wickedness Of Man 4. Plastic Green Head 5. The Eye 6. Pray For The Dead - Psalm 9 7. Assassin 8. The Last Judgement 9. Another Day 10. Revelation (Life Or Death) 11. Bastards Will Pay 12. Hello Strawberry Skies 13. At The End Of My Daze Eric Wagner - Vocals Ron Holzner - Bass Jeff Olson - Drums Lothar Keller - Guitar Michael Carpenter - Guitar