Audience 8.4 - Tapers sitting kind of close it seems, and the recorder admirably managed to prevent too much over-saturation although there is a touch of it and the instrumentation gets cluttered up in the middle a bit at full volume. Overall this is simply a wonderful document of a band that seems to be very comfortable with the material (obviously) and firing on all cylinders.

SDBRD 8.8 - A solid one, albeit there’s some tape hiss present, and vocals are a little muddied in the mix but it’s still a really good and anyone can appreciate.

Soundboard 9.6 - This rating reflects what I feel about this recording in the way that the guitar and bass come across in the mix. So, what you get is a well rounded, brassy bass sound that is articulate and not lost in the low end wastelands or overshadowed by Pete. It sounds like two guitar players playing in perfect harmony, and a lot of Who recordings you do not get that effect so much as just a wall of power and volume. This one is just so good in that sense and deserves a special acknowledgement.

Audience 9.1 - A good atmospheric recording with the sound coming at you front and center channel with power. I love the song selection, a lot of focus on the music, not that I mind the vocals but you get more band interplay at this show.

Audience 8.4 - A great find here!  So few Power Windows tour shows out there, and this one, while not a “great” recording, is pretty clear and has a lot of atmosphere. Does sound maybe midway in the venue, so you get a little of that “wash” or stadium “verb” effect but to my delight the bass notes are distinct and not just a boominess. It’s maybe the guitar that is slightly lost, with Geddy also being a touch behind the sound rather than in front. Overall, it is still a good listen and well worth having.

Audience 8.5  - There are some shows where the ratings numbers cannot tell the story. This is certainly the best example of that. I overlooked this show in the past, I did not, could not, get past the “wall of sound” factor. Now, thanks to modern mastering techniques, this recording has morphed into a real gem. Is it better? Yes! Is it perfect? No. But, perhaps while some would still find it too much to handle, other will find it to be a ton of fun. The tapers were real close to the mains, but managed to keep levels just low enough to prevent the dreaded distortion, but in so doing got a tape without dynamics, or at least one dynamic which is SUPER loud intense power – which if you are a hard core Rush fan, will REALLY tickle your fancy when you pop this on the stereo. It’s almost like a heavy metal concert!  Unbridled fury, simply an intense concert and intense recording, let yourself get into it, and your ears will adjust and you will find that the audio frequency range here is comfortable to the ears even though it’s off the charts in massiveness.

Audience 8.8 - A warm and inviting recording that spreads the audio spectrum out very evenly. May be from midway back in the hall, as it is not super sharp, but likewise it is also not too echoey or bassy either. It is a pretty atmospheric sound, with guitar leads swirling above and around adding to the liveness of the recording.

Audience 8.9 - A great way to discover this band, with a realistic and well captured recording of a very professional performance.

Audience 8.4 - Somewhat one-dimensional and a touch thin but it’s pretty darn clear, with a pronounced emphasis on guitar (cool!).  Historically I guess you place this high on the priority list as it is their last show, but as a collector you get it because it’s one of the better sounding recordings.

Soundboard 9.8 - Do not right Billy Idol off as some curiosity of the 80’s .... I mean, listen to this and tell me this guy is not a bona fide singer-writer-performer in any decade. He’s a pro and he can work an audience.

Soundboard 8.9 - A good one, if slightly below the expectations of perfection you might be anticipating with a mid 70’s board tape. Occasional phasing, and sometimes a little volume fading as the sound man adjusts things on the fly but it’s greatness is derived from the spectacularly cohesive performance by all the musicians and the sometimes disparagingly different styles they run through in the set.

Audience 8.8 - A large hall with a lot of atmosphere but the recording thankfully was handled with care by the tapers. Not super close, but not nosebleed, levels are perfect, and the stereo effect is nice. Audio quality is decent, giving you a pretty solid idea of what you would have been hearing with your own ears if you were there.

Audience 7.9 - This is the complete concert from the 23^rd and NOT the officially released Dec, 24^th Rainbow show. The problem with it being unofficial, or course, is that it was not recorded professionally, and in this case the audio is a little on the muddy side. I don’t think it is ruined though, because it’s not “thick” mud, it’s just missing something on the high end.

Audience 8.6 - Talk about being in the crowd, this recording is total immersion if ever there was immersion! But, here’s the good news – it’s a BLAST!  The crowd is really an integral part of this performance, the band senses they have a great audience and they really play to them. It’s rather fun and gives you a tremendous feeling of nostalgia. A great ride!

Audience 8.7 - A surprisingly good recording, honestly when I first came upon this title I thought to myself it must be crap sound ‘cause I’d never heard of it before. Not so! It’s pretty good.

FM Radio 9.5 - All pro recordings from three different cities in Texas. Originally broadcast by KBFH.

Soundboard 9.4 - Excellent stereo pan, I love how the vocals sound on this tape. A good one to get, the band is on fire!

Soundboard 9.4 - A good stereo board of a criminally underrated band. You will hear plenty of Celtic themed rock material, but also a band with a wide palette of ideas. Great stuff!

Audience 9.6 - Unbelievably clean and clear, could be released officially it’s that good!

Audience 9.3 - Did you miss Queen in their prime? Don’t worry, because now you can be there again by listening to this show. I think every English band that plays Boston elevates their game, perhaps it is because Boston feels like home to them…it is kind of quaint and vaguely British I guess.

Audience 8.4 - A solid tape that sounds like it has been remastered to remove hiss, but artifacts remain. I imagine though that it sounds better than before, because it is clear that there is something to work with here.

CD 1 - Audience 8.8 - Direct into face, a driving and persistent intensity, very clean, very clear. CD 2 - Audience 8.3 - A more open spaced recording where you lose some of the dynamics, and vocals tend to get muffled and placed further back but guitar and drums are prominent and clear…bass is present but not as articulate or deep. A good tape and collectors will be happy to hear it since it is not widely circulated.

Soundboard 9.6 - A professionally recorded and mixed affair that was actually broadcast on the radio and it’s obvious as nobody would take the time and care to produce such a convincing live tape unless they had a good reason. The performance is marvelous, and the recording shimmers. A must have for Spirit fans!

Audience 8.5 - Slightly low recording levels meaning go ahead and turn up the volume on this one, and thankfully there’s no distortion. Recording is clear, not overly dynamic (it is metal after all) but you’ll probably enjoy this immensely if you understand that it’s really about the lyrics and the stage banter. Always fun, and it’s two discs so you get a lot of songs!