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Mostly professional studio quality, and some live soundboards, all generally excellent quality throughout the entire set. A real treasure trove of materials basically spans her entire career. The whole thing is just a site to behold. JANIS JOPLIN Retrospective 1962-1970 CD 1: THE EARLY YEARS 1962-63 1. What Good Can Drinkin' Do - John Riley's home, Austin, Texas 1962 Threadgill's Bar, Austin, Texas 1962 2. CC Rider 3. San Francisco Bay Blues 4. Winning Boy Blues 5. Careless Love 6. I'll Drown In My Own Tears San Jose Coffeshop, with Jorma Kaukonen & Steve Mann, november 1962 7. Honky Tonk Angel 8. Empty Pillow On My Bed Grant Ave., Coffehouse, late 1962 or early 1963 9. Gospel Ship 10. Stealin' 11. Leaving This Morning 12. Daddy, Daddy, Daddy 13. Careless Love 14. Bourgeois Blues 15. Black Mountain Blues Austin, Texas, Reel #1: 1963 16. Trouble In Mind 17. What Good Can Drinking Do 18. Silver Threads And Golden Needles 19. Mississippi River 20. Stealin' 21. No Reason For Livin' Austin, Texas, Reel #2: 1964 22. I'll Drown In My Own Tears 23. Daddy, Daddy, Daddy 24. Careless Love 25. San Francisco Bay Blues 26. Winning Boy Blues 27. CC Rider 28. Leaving This Mornin' CD 2: THE MIDDLE YEARS 1964-68 The Typewriter Tape, San Jose, 25 june 1964, Jorma's Mother's House, with Jorma Kaukonen & Margaretta Kaukonen 1. Typewriter talk 2. Trouble In Mind 3. Kansas City Blues 4. Hesitation Blues 5. Nobody Knows You When You're Down And Out 6. Daddy, Daddy, Daddy 7. Long Black Train Blues San Francisco 1965, with Dick Oxtot Jazz Band 8. Black mountain Blues 9. Walk Right In 10. River Jordan 11. Mary Jane Big Brother & The Holding Company Studio sessions 1967 12. Call On Me 13. Bye, Bye Baby Cheap Thrills Outtakes, March 1968 14. It's A Deal 15. Easy Once You Know How 16. Roadblock 17. Flower In The Sun 18. Misery'n 19. Catch Me Daddy 20. Farewell Song 21. Summertime CD 3: THE LATE YEARS 1968-70 Cheap Thrills Outtakes, April-June 1968 1. Misery'n 2. Catch Me Daddy 3. Harry The Grande Ballroom, Detroit 1-2 March 1968 4. Magic Of Love 5. Down On Me 6. Piece Of My Heart Amsterdam, 1 April 1969 7. Maybe 8. Try (Just A Little Bit Harder) 9. Ball And Chain Kozmic Blues Outtakes & Demos, June & July 1969 10. Dear Landlord 11. Nobody Knows You When You're Down And Out 12. Try (Just A Little Bit Harder) 13. Let's Don't Quit 14. Get It While You Can 15. Get It While You Can Studio Session with The Paul Butterfield Blues Band, 28 March 1970 16. One Night stand 17. One Night Stand Dick Cavett Show, 25 June 1970 18. Get It While You Can CD 4: LIVE BIG BROTHER California Hall, San Francisco, 12 February 1967 1. Call On Me 2. Combination Of The Two 3. Blow My Mind 4. Down On Me 5. All Is Loneliness 6. Road Block 7. Light Is Faster Than Sound 8. Bye, Bye Baby 9. Goin' To Brownsville 10. Ball And Chain 11. I Know You Rider CD 5: Unknown Studio, With Jazz Band 1. Black Mountain 2. Careless Love San Francisco, late 1962 3. Gospel Ship 4. Stealin' 5. Leavin' This Mornin' 6. Daddy Daddy Daddy 7. Careless Love 8. Bourgeois Blues 9. Black Mountain Folk Theater, San Jose, December 1962, With Steve Talbot 10. Honky Tonk Angel 11. Empty Pillow 12. Red Mountain Burgundy 13. No Reason For Livin' 14. Mary Jane KPFA Studios, San Francisco, 18 January 1963, With Larry Hanks, Roger Perkins & Gert Cherito 15. Black Mountain 16. Columbus Stockade Jorma Kaukonen's House, San Jose, Probably 1964 with Steve Mann 17. Winnin' Boy Blues 18. Trouble In Mind CD 6: Carousel Ballroom, San Francisco, 23 June 1968 1. (cuts in) Combination Of The Two 2. I Need A Man To Love 3. Flower In The Sun 4. Light Is Faster Than Sound 5. Summertime 6. Mr. Natural (cuts) Avalon Ballroom, San Francisco, 1968 7. Bye Bye Baby 8. Women Is Losers 9. All Is Loneliness 10. Call On Me 11. Ball & Chain CD 7: 1. So Sad to Be Alone (1965) 2. San Francisco Blues (San Francisco 1963) 3. Apple Of My Eye 4. 219 Train 5. Codine 6. Down & Out 7. Turtle Blues 8. I Ain't Got A Worry 9. Brownsville (circa 1965) 10. Catch Me Daddy (Brownsville) 11. Piece of My Heart (New Generation Club, New York, April 1968) 12. Down On Me (Avalon Ballroom, San Francisco 1966) 13. Summertime 14. I Need A Man To Love 15. chat with Don Adams (Hollywood Palace Show, 26 October 1968) 16. Combination Of The Two 17. Farewell Song ("Cheap Thrills" outtake 1968) CD 8: Newport Festival, August 1968 1. Piece of My Heart 2. Summertime 3. Coo Coo 4. Combination Of The Two 5. Ball & Chain 6. Down On Me 7. Piece of My Heart (reprise) Swedish TV, April 1969 8. interview 9. Piece Of My Heart 10. Summertime 11. Me 12. Raise Your Hand 13. Work Me Lord Winterland, San Francisco, 21 March 1969 14. Stay With Me 15. Walk Right CD 9: Dick Cavett Show, July 1969 1. Dick Cavett introduction 2. To Love Somebody 3. interview Tom Jones Show, December 1969 4. Little Girl Blue 5. Raise Your Hand - with Tom Jones Boston Music Hall, 11 December 1969 6. Kozmic Blues 7. Ego Rock - with Johnny Winter 8. Help Me Baby - with Johnny Winter 9. One Night Stand - with Paul Butterfield Band, Columbia Studios, March 1970 Harvard Stadium, 12 August 1970 10. Mercedes Benz 11. Try (Just A Little Bit Harder) 12. My Baby 13. My Baby (Dick Cavett Show, March 1970) 14. Sunday Mornin' Comin' Down (Ken Threadgill's Birthday Party, Austin, TX, 10 July 1970) CD 10: Honolulu International Center Arena Honolulu, Hawaia July 8, 1970 1. -Tell Momma 2. -Half Moon 3. -Move Over 4. -Maybe 5. -Summertime 6. -Get It While You Can 7. -Time Keeps Movin' On 8. -A Little Piece Of My Heart -
Pro Studio and Pro Live CD 2: 1. Family [03:49] 2. Memo From Turner [02:47] 3. Give Me A Hamburger To Go (aka Stuck Out Alone) [03:22] 4. Downtown Suzie [03:50] 5. Blood Red Wine [05:26] 6. Dear Doctor [03:33] 7. You Got The Silver [02:53] 8. Loving Cup [06:37] 9. I'm Going Down [03:06] 10. Honky Tonk Women [03:03] 11. You Gotta Move [02:35] 12. Brown Sugar [04:06] 13. Cocksucker Blues [03:32] 14. All Down The Line [04:17] 15. Shine A Light [04:13] 16. Shake Your Hips [04:17] 17. Travelling Man [05:59] 18. 32-20 Blues [01:50] 19. Criss Cross (aka Save Me) [01:32] 20. Silver Train [04:00] • 1968-05-13: Olympic Sound Studios, London, UK, Studio Session Track: 1 ( CD 2 ) Track: 3 ( CD 2 ) Track: 4 ( CD 2 ) Track: 5 ( CD 2 ) Track: 6 ( CD 2 ) • 1968-11-17: Olympic Sound Studios, London, UK, Studio Session Track: 2 ( CD 2 ) • 1969-02-10: Olympic Sound Studios, London, UK, Studio Session Track: 7 ( CD 2 ) Track: 10 ( CD 2 ) • 1969-06-10: Olympic Sound Studios, London, UK, Studio Session Track: 8 ( CD 2 ) • 1970-06-16: Olympic Sound Studios, London, UK, Studio Session Track: 9 ( CD 2 ) Track: 14 ( CD 2 ) Track: 15 ( CD 2 ) Track: 16 ( CD 2 ) • 1969-12-02: Muscle Shoals Sound Studios, Florence, AL, Studio Session Track: 11 ( CD 2 ) • 1970-12-18: Olympic Sound Studios, London, UK, Studio Session Track: 12 ( CD 2 ) • 1970-05-09: RS Mobile Recording Studio, Stargroves, UK, Studio Session Track: 13 ( CD 2 ) • 1970-10-17: Olympic Sound Studios, London, UK, Studio Session Track: 17 ( CD 2 ) • 1972-06-23: Sumet-Burnet Recording Studio, Dallas, TX, Rehearsal Track: 18 ( CD 2 ) • 1972-11-25: Dynamic Sound Studios, Kingston, Jamaica, Studio Session Track: 19 ( CD 2 ) Track: 20 ( CD 2 ) -
Pro Studio and Pro Live CD 1: 1. Diddley Daddy [02:42] 2. Road Runner [03:05] 3. Bright Lights, Big City [02:27] 4. I Want To Be Loved [02:04] 5. Baby What's Wrong [03:28] 6. Memphis, Tennessee [02:21] 7. Roll Over Beethoven [02:19] 8. Mr Spector And Mr Pitney Came Too [02:47] 9. Route 66 [02:43] 10. Cops And Robbers [03:57] 11. You Better Move On [02:57] 12. Mona [02:53] 13. High-Heel Sneakers [03:00] 14. Stewed And Keefed [04:08] 15. Tell Me Baby [01:57] 16. Down in the Bottom [02:44] 17. I've Been Loving You Too Long [02:54] 18. Mercy, Mercy [02:51] 19. Cry To Me [03:09] 20. Fanny Mae [02:14] 21. (I Can't Get No) Satisfaction [03:49] 22. Looking Tired [02:14] 23. Con Le Mie Lacrime [02:45] 24. Some Things Just Stick In Your Mind [02:29] 25. Paint It Black [02:18] 26. Cosmic Christmas [00:32] 1963-03-11: IBC Studios, London, UK, Studio Session Track: 1 ( CD 1 ) Track: 2 ( CD 1 ) Track: 3 ( CD 1 ) Track: 4 ( CD 1 ) Track: 5 ( CD 1 ) • 1963-09-23: Saturday Club, London, UK, Radio performance Track: 6 ( CD 1 ) Track: 7 ( CD 1 ) • 1964-02-04: Regent Sound Studios, London, UK, Studio Session Track: 8 ( CD 1 ) • 1964-03-19: Camden Theatre, London, UK, Live Concert Track: 9 ( CD 1 ) Track: 10 ( CD 1 ) Track: 11 ( CD 1 ) Track: 12 ( CD 1 ) • 1964-06-11: Chess Studios, Chicago, IL, Studio Session Track: 13 ( CD 1 ) Track: 15 ( CD 1 ) Track: 16 ( CD 1 ) • 1964-06-10: Chess Studios, Chicago, IL, Studio Session Track: 14 ( CD 1 ) • 1965-05-12: RCA Studios, Hollywood, CA, Studio Session Track: 17 ( CD 1 ) • 1965-08-20: 'Sarturday Club' BBC, London, UK, Radio performance Track: 18 ( CD 1 ) Track: 19 ( CD 1 ) Track: 20 ( CD 1 ) Track: 21 ( CD 1 ) • 1965-12-03: RCA Studios, Hollywood, CA, Studio Session Track: 22 ( CD 1 ) • 1966-03-15: IBC Studios, Portland Place, London, UK, Studio Session Track: 23 ( CD 1 ) • 1964-06-29: Regent Sound Studios, London, UK, Studio Session Track: 24 ( CD 1 ) • 1966-09-11: 'Ed Sullivan Show' CBS TV Studio, New York City, NY, TV appearance Track: 25 ( CD 1 ) • 1967-07-02: Olympic Sound Studios, London, UK, Studio Session Track: 26 ( CD 1 ) -
Soundboard 9.4 - An expertly mixed affair, with a particularly lovely and warm vocal presence. Pretty thumping bass too! Artist: Genesis Date: 1977-06-24 Venue: Earls Court Arena Location: London Disc 1 01. -Squonk 02. -One For The Vine 03. -Robbery, Assault & Battery 04. -Inside & Out 05. -Firth Of Fifth 06.-The Carpet Crawlers 07. -...In That Quiet Earth 08. -Afterglow 09. -I Know What I Like Disc 2 01. -11th Earl Of Mar 02. -Suppers Ready 03. -Dance On A Volcano - Drum Duet 04. -Los Endos 05. -The Lamb Lies Down On Broadway 06. -The Musical Box 07. -The Knife -
FM Broadcast 8.9 - A decent tape that seems a gen or two down but it has a pleasant warmth and is pretty clean otherwise. I am reminded of the amazing dexterity and feel that Lowell George displays especially when it comes to his slide work…impeccable!
Ultrasonic Studios Long Island, NY. 4-10-73 1. Apolitical Blues
2. Got No Shadow
3. Willin'
4. On Your Way Down
5. Walkin' All Night
6. Two Trains
7. Fat Man In The Bathtub
8. Sailin' Shoes
9. Cold Cold Cold
10. Dixie Chicken
11. Triple Face Boogie
12. Teenage Nervous Breakdown -
Jimi Hendrix - Black Gold ... Volume 3 Pro Studio 9.7 - Expertly compiled and many would say that this represents one of the top tier collections of studio work compilations out there. In its own right, you could say the “Black Gold” series is definitive or at least was held in that esteem for many years by collectors. CD 5: (70:35, 6 tracks) Record Plant, New York, 01may68 (track 1) Greenwich Village, New York, Home Rec., 01feb70 (track 2, medley) Record Plant, New York, Jimi solo, 20apr68 (tracks 3-6) 1. Voodoo Chile [Blues Session: takes 1-5] 36:44 2. Instrumental Jam Inc.: 23:48 Stepping Stone Sending My Love To Linda Freedom Here Comes The Sun Cherokee Mist All Devil's Children 3. 3 Little Bears 2:38 4. Gypsy Eyes 2:38 5. 1983...(A Merman I Should Turn To Be) 4:27 6. Untitled Instrumental 0:44 -
Jimi Hendrix - Black Gold ... Volume 2 Pro Studio 9.7 - Expertly compiled and many would say that this represents one of the top tier collections of studio work compilations out there. In its own right, you could say the “Black Gold” series is definitive or at least was held in that esteem for many years by collectors. CD 3: (71:12, 6 tracks) Electric Ladyland Studiod, New York, 23jul70 (track 1) Record Plant, New York, 21nov69 (track 2) Record Plant, New York, 23jan70 (track 3) Record Plant, New York, 07nov69 (tracks 4-5) Sheridan Square, Greenwich Village, New York, 10sep69 (track 6) 1. Had To Cry Today 16:30 2. Paper Airplanes [rehearsals] 26:41 3. Blue Suede Shoes [jam] 11:36 4. Izabella [overdub session: take 2] 3:50 5. Izabella 4:41 6. Honey Bed [takes 1-5] 7:52 CD 4: (31:59, 2 tracks) Record Plant, New York, 07jan70 (track 1) 25 Brook Street, London, Home Rec., 10mar69 (track 2) 1. Mannish Boy [rehearsals: takes 1-7] 39:55 2. Closer To The Truth [Room Full Of Mirrors] 22:06 -
Jimi Hendrix - Black Gold ... Volume 1 Pro Studio 9.7 - Expertly compiled and many would say that this represents one of the top tier collections of studio work compilations out there. In its own right, you could say the “Black Gold” series is definitive or at least was held in that esteem for many years by collectors. CD 1: (77:21, 11 tracks) Playhouse Theatre, London, 06oct67 (track 1) Record Plant, New York, 03may68 (track 2) Drake Hotel, Jimi Solo, New York, 17apr68 (tracks 3-11) 1. Ain't Too Proud To Beg (Parts I & II) 8:35 2. Voodoo Chlid (Slight Return) [The Session: takes 1-15] 32:43 3. Long Hot Summer Night (Parts I& II) 4:23 4. 1983...(A Merman Should Turn To Be) 4:00 5. Moon Turn The Tides...Gently, Gently Away 3:28 6. Angel 3:22 7. Cherokee Mist 3:12 8. Getting My Heart Back Together Again 1:21 9. Voodoo Chile 6:07 10. Gypsy Eyes 5:53 11. Gypsy Eyes 4:14 CD 2: (70:31, 11 tracks) Record Plant, New York, 14jun68 (track 1) Record Plant, New York, 10jun68 (tracks 2-4) Record Plant, New York, 14may68 (track 5) Electric Ladyland Studiod, New York, 16jun70 (track 6) Record Plant, New York, 24mar69 (track 7) Record Plant, New York, 24sep69 (tracks 8-9) Olmstead Studios, New York, 04mar69 (track 10) Record Plant, New York, 21apr69 (track 11) 1. South Saturn Delta 3:29 2. Rainy Day, Dream Away [overdub session: take 1] 0:56 3. Rainy Day, Dream Away [take 2] 2:19 4. Rainy Day, Dream Away [take 3] 10:21 5. Third Stone From The Sun/ Villanova Junction Blues 14:05 6. Jam Back At The House 5:47 7. Bleeding Heart 3:48 8. Pride Of Man [take 1] 1:28 9. Pride Of Man [take 2] 2:18 10. Midnight, Valleys Of Neptune Arising [takes 1-7] 14:51 11. Sending My Heart To Linda [takes 1-2] 11:06 -
Pro Studio 9.5 - This collection would be for the person who does not wish to sift through exhaustive comps of early B-sides and studio sessions. Rather, it showcases a cross section of his early sessions designed to reveal only the highlights. It’s certainly easier to tackle especially if you plan on bringing the disc for a road trip.
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A limited edition offering from Houston based ShroomAngel Records. This band was one of the "inner loop" bands that began pushing boundaries in the local scene with their hybrid style, born out of two worlds - the growing "grunge" sound pioneered by Janes Addiction (which you can hear in their sound especially vocals) and Mudhoney among others, but also in old guard punk and hard rock, which you also get reminiscences of in their sound. The music even crosses into some psychedelic territory, it's pretty much an amalgamation of several styles that sometimes adds a sort of exotic feel, but with an anxious, almost paranoid underpinning. -
Dweezil Zappa Denver 2014 Audience 9.7 - Exceptional audio, this one has great balance of instuments, while the band is very tight. -
Aud 8.9 - This was probably recorded on a reel to reel, who knows it could have even been Jimi’s machine? Very good quality! -
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Audio - Excellent! - Mozartsaal, Mannheim, Germany (May 25, 1988) This is the fourth of 4 shows recorded in Germany during the 1988 Tour. The sought after, complete set (all 4 shows) as well as each individual show is extremely rare and a must have. You can also purchase all 4 shows together as a complete set for a slight savings. -
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Audio - Excellent! - Rudi-Diem-Halle, Munchen, Germany (May 9, 1988) This is the third of 4 shows recorded in Germany during the 1988 Tour. The sought after, complete set (all 4 shows) as well as each individual show is extremely rare and a must have. You can also purchase all 4 shows together as a complete set for a slight savings. -
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Audio - Excellent! - Carl-Diem Halle, Wurzburg, Germany (April 22, 1988) This is the second of 4 shows recorded in Germany during the 1988 Tour. The sought after, complete set (all 4 shows) as well as each individual show is extremely rare and a must have. You can also purchase all 4 shows together as a complete set for a slight savings. -
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Audio - Excellent! - Sporthalle, Cologne, Germany (April 14, 1988) This is the first of 4 shows recorded in Germany during the 1988 Tour. The sought after, complete set (all 4 shows) as well as each individual show is extremely rare and a must have. You can also purchase all 4 shows together as a complete set for a slight savings. -
Aud 7.6 - decent all around without a lot of dynamics but strong -
Radio Broadcast 8.3-9.0 - Very old, and quite rare source material means a little analog degradation in the earlier broadcast but gets much better for the rest of the material. -
Audience 8.6 - This is a very fine recording that has recently surfaced, a tour that had the band displaying their absolute mastery of the ultra complex progressive rock extravaganzas that sometimes took up nearly the entire side of an LP. Audiences back then were fully engaged with such performances, unlike today.
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Soundboard 8.7 - A tape that is a little hissy, and some of the instruments are low in the mix (vocals) but, on the bright side, the guitar is pumped way up (and sounds killer), and the band is in a GREAT mood! -
Soundboard 9.1 - The source used for this CD is a DAT tape made from a direct transfer of Joey Molland’s tapes of the show. Whether that means it is the same as what else is out there, I do not know, but it is possible that the radio station did their own recording for broadcast and other releases use the FM broadcast. This is not that! The sound quality is uneven at times while the levels are adjusted but after that it’s smooth sailing. -
2 Shows: CD 1 - Audience 8.3 - A very good, reasonably clear tape that does not showcase a wide dynamic range but doesn’t really need to, I mean to say, it’s an historic artifact that most fans and collectors of Love/Arthur Lee will be very happy to hear. CD 2 - Audience 8.1 - This tape starts off kind of rough but gradually gets better until it gets to a consistency that you can appreciate for what it is. It does not take much of the show before it gets better which is a relief because it is a good, strong show. Disc 3 is a video CD (MP4 file) of 6 minutes, very Rare, never before seen b/w video footage of Love a few days before the show on disc one. -
FM Broadcast 9.2 - This was a real revelation for me because I had not known much about this band other than “The Devil Went Down To Georgia”. I find them to be similar in a lot of ways to maybe Marshall Tucker Band and Allman Brothers, where perhaps if Allmans were Southern Comfort then CDB would be Jack Daniels. This period of the band features Billy Cox (Hendrix/Band of Gypsys) on bass too, which I never knew about either (I would have lost on Jeopardy). -
All video in this collection is pro shot. Disc 1 is all excellent quality. Disc 2 is more uneven, all watchable but not as crisp and perfect as the first disc. -
Audience 8.9 - A little bit of tape noise comes through on quieter passages but this is a very strong recording for the vintage. I’d like to know what the taper used for this. -
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Audience 8.5 - A significant evening for the band as they headline their first show, just after being booted from ZZ Top tour. Sounds fine, taper does maneuver at times and the movement is picked up on the sensitive mic, but overall this is very listenable if not overly dynamic. Good to have it, a very important show in Black Crowes history. -
Audience 8.7 - Pieced together from a few different sources, we finally get a pretty good representation of the events of the day which, now together with the rare footage included in this set, reveal a pretty incredible artifact for collectors. -
Audience 9.0 - This band is certainly an acquired taste for many, but every ear can agree to the quality of this recording. Airy but right there in a very comfortable mid range with very detailed high end and a smooth, round bass. Terrific! -
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Audience 9,6 and Audience 8.4 - The UK 78 material is fantastic! Vibrant and dynamic, should be released officially. -
NEW SOURCE Audience 8.7 This is a major upgrade to the previous version (see old review below for comparison) and as such we felt that it had to be offered here as a replacement. If you purchased the previous version (the artwork is untouched, only the music has been replaced in this set) than you are entitled to receive replacement discs without charge (pay postage cost only). Just reach out to us and we will take it from there. If you have never bought this title, than consider this one worthy of the collection. I will offer this caveat though - it is a recording that still shows its share of shortcomings, such as maybe a touch of overload during more bombastic passages (not nearly as bad as previous!), and the last track is incomplete (better an incomplete but listenable track than a totally un-listenable mess). OLD SOURCE Audience 7.2 This one is rather mediocre, although it is not “unlistenable” at all, but compared to other 1977 recordings it is what I would classify as “for completists only”. That being said, I can point out a few moments of this concert that I found interesting in a lot of ways. Like, during Pigs On The Wing Pt.1 you hear large explosions from the audience (possibly fireworks or maybe PA problem?) and you immediately think of Roger and how he’s probably disgusted with the whole thing by this time. Pink Floyd Spectrum Theater Philadelphia, PA, USA 29 June 1977 Disc 1 01 Sheep 02 Pigs On The Wing, Part 1 03 Dogs 04 Pigs On The Wing, Part 2 05 Pigs (Three Different Ones) 06 Shine On You Crazy Diamond (Parts I-V) Disc 2 07 Welcome To The Machine 08 Have A Cigar 09 Wish You Were Here 10 Shine On You Crazy Diamond (Parts VI-IX) 11 Money 12 Us And Them -
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Audience 7.3 - A tape new to the collectors, it is not without its limitations but it is audible. Without the re-mastering I would not recommend it on any level but for its rarity, however, it is now listenable (as if a layer of grime was wiped away). -
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Audience 7.5 - Technology has done wonders for the collecting world, this tape is a classic example of going from unlistenable muck to actually hearing what the band was doing. You will still place this one in the “fair to average” category but in the pantheon of Sabbath shows this is one hell of a barnburner. I wish we had something a little better, but this tape is MUCH better sounding now than it was 10 years ago. -
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Audience 9.1 - Truly an immersive listening experience, literally you are in the crowd close to the stage but the sound is probably better than what your ears were hearing at the show simply because massive volume tends to ruin your ability to decipher anything remotely close to “music”. This tape allows you to hear the actual music, and mayhem too! Sounds like it was a real blast to have been there. -
Audience 8.6 - A gem of a show, and a recording that thankfully is pretty decent although it does highlight Halford at the expense of the rest of the band. That actually works well here because Rob is just killing it, hitting every high note and wowing the audience. The musicianship is as always a cut above the rest, hence the reason this band lives on to this day. A keeper! -
Audience 8.4 - Not super dynamic but pretty clear, a decent ’74 tape where you can hear and enjoy everything (including the crowd) quite clearly but without a wide palate of audio spectrum. Not saying it is thin, not saying it is one-dimensional either, just that from highs to lows you aren’t going to have much depth although you can EQ and probably adjust to your specific needs. A good tape. -
Audience 8.5 - Tape is a little hissy, but it is still a clear recording where you hear a lot of separation between instruments and “air” or “headroom” which allows music a chance to unfold and show peaks and valleys. Very good, not great, but very good. -
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Audience 9.3 - This recording effectively conveys the power and volume of the gig, with pretty much a direct blunt force to your brain. There’s not a helluva a lot of headroom in the recording meaning the levels are at peak (no clipping or distortion) so if you plan to crank it loud, just be prepared for a lot of neighborhood complaints. -
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Soundboard 9.4 - As can be expected this is professionally done and the source is low gen as it sounds fresh and crisp with minimal tape noise. -
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Audience 8.9 - Taper sitting very close, and manages to get a great recording without distorting or invasive shouting and screaming into the mic during the songs (well, maybe at the beginning of some songs). A good one, an old fashioned in your face bootleg recording of the Stones! -
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Audience 7.8 - I love these little time capsules, maybe it’s not the best fidelity, but I can hear pretty much everything here and the bass is fat without distorting so it’s got some balls to it. You know, listening to things like this makes one really wish they had an actual time machine. -
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Soundboard 9.7 - I love the way they recorded the vocals, it has a very cool quality to it, such that it lends that sort of electric spark to the proceedings. This is very energetic set by the band. -
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Audience 7.7 - A distant recording, and some hiss present, but the music can be discerned. Not going to have a lot of dynamics, but for collectors out there, you can enjoy this one for what it is…and it continues to fill in the missing pieces of the Keith Moon years. -
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Audience 8.7 - A decent tape that documents the first show of the ’77 Euro tour. There is a little bit of overcrowding in the mid to upper band, it’s not horrible but it prevents some of the detail in the guitar from being clearly heard. Bass sounds round and brassy, vocals are up front and clear. -
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Audience 8.7 - An interesting tape, the recording is very lifelike and captures one of the best keyboard dominate performances I have ever heard. What I mean is, the keys really come to life on this one, as opposed to being merely “sound effects”, and the rest of the band is great too. A keeper! -
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Audience 8.8 - This is a huge stadium and the sound is very atmospheric, you can hear the music swirl above your head giving you an amazing sense of space. It’s actually very cool! I feel like I am there, and I missed this concert so I am so happy to get to experience it. -
Soundboard 9.6 - An incredible recording meets an amazing performance by a superb band. Get this now if you have any interest in progressive rock, because this is going to be a regular guest in your CD player I guarantee. -
Audience 8.7 - I think this is an onstage recording, the audience sounds distant from the atmosphere as opposed to the band which sounds VERY close to the mic. It sounds like the mic is placed near the drummer and Roy’s amp, not the house mains (vocals are very low). This could also actually be a board tape, sometimes you get all the instruments and vocals are nonexistent because they are pushed exclusively through the main P.A. and the instruments usually have their own amplification. It’s hard to tell – sometimes you will swear this is a board tape, and other times a stage recording. It’s pretty good, a little muck in the middle when loud but mostly very good on your ears. -
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Soundboard 9.5 - I believe this originates from an ALD recording, so yeah, it’s real good.