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Audience 8.4 - Not a great one, but certainly indicative of the band and their sound in 1994, a year that I do not have a plethora of recordings from…also it is a Houston show and since I am from there…Good enough! Rush The Summit Houston, TX. January 26, 1994 1. -Roll The Bones 2. -Animate 3. -Stick It Out 4. -Double Agent 5. -Limelight 6. -Mystic Rhythms 7. -Closer To The Heart 8. -The Rhythm Method 9. -The Trees 10. -Xanadu 11. -Hemispheres - Prelude 12. -Tom Sawyer 13. -Force Ten 14. -YYZ
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Audience 7.8 - A little bit rough but its incredible nonetheless…see, truth be told it took me 10 years to finally acquire this show. I have a special interest in it. I will say that, actual audio fidelity, while not hi-fi, is not lo-fi either – it has some power to it (without distortion!) and I LOVE the audience reactions throughout. A fiery gig!
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Soundboard 9.2 - A warm sounding tape, very punchy where it needs to be, maybe if I can complain about anything it would be in the relative sterility of it but that’s a soundboard’s Achilles heel isn’t it ? I’d recommend this to anyone, it is what we like to call “a keeper” for sure! Disc 1 1-1 Subdivisions 1-2 The Body Electric 1-3 The Enemy Within 1-4 The Weapon 1-5 Witch Hunt 1-6 New World Man 1-7 Between The Wheels 1-8 Red Barchetta Disc 2 2-1 Distant Early Warning 2-2 Red Sector A 2-3 Closer To The Heart 2-4 YYZ 2-5 Drum Solo 2-6 YYZ (Cont.) 2-7 Temples Of Syrinx 2-8 Tom Sawyer 2-9 Red Lenses Notes: Live at Neil Blaisdell Center, Honolulu, Hawaii, USA 25th November 1984 [STEREO SOUNBOARD] (noiseless!) The last show of Grace Under Pressure Tour
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Audience 8.6 - Sometimes, a rating cannot reflect the magnitude of a recording. I can specifically say that this one is only an 8.6 in a sonic sense, which means it is very good and worthwhile, but man, let me tell you what this show REALLY is – it’s an 11. Why? Because this is, quite simply, Rush in an unbelievable fine form playing their (arguably) best stuff, and the recording has captured that and a very palpable atmosphere at the same time. A little clarity is lost in the bass/guitar separation as they seem to sound as one unit which is not such a bad thing as it creates a sonic roar, a lion’s roar it is too, but it does get a little crowded in that frequency range. But, it captures an amazing power those two had on stage, the sound is ferocious and menacing.
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Audience 8.6 - OK, so this is one you might not be too familiar with, but it’s from ’79 so you know you gotta have it…so what’s the catch? Does it suck? Naw man, this recording actually captures THE EVENT in a way that sounds so realistic you’d think you were there. Now, here’s the catch – poor taper’s gear just was not quite up to the challenge of the volume and so there’s the little tiniest bit of distortion that affects one very narrow piece of the middle bandwidth that thankfully is not the annoying kind of distortion, it’s not a deal breaker. It does mean you may not wish to crank this up too loud as the louder it gets the more that frequency announces its presence to your ears. That being said, if you want complete immersion this tape provides it and then some. For that reason I think you have to dive in, I did and I really do appreciate this kind of tape. Rush Date: May 27, 1979 Location: Stadhalle, Erlangen, Germany DISC 1: 01 - Anthem 4:27 02 - A Passage To Bangkok 4:01 03 - Bytor And The Snowdog 5:27 04 - Xanadu 12:32 05 - The Trees 5:00 06 - Hemispheres 11:34 07 - Closer To The Heart 3:26 DISC 2: 01 - A Farewell To Kings 5:43 02 - La Villa Strangiato 10:09 03 - 2112 17:53 04 - Working Man 3:59