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Mahavishnu Orchestra Central Park 1972 Audience 8.6 - A somewhat percussive recording that has loads of middle band punch making for a sound that contains fierce kinetic energy. The performance is astounding, the recording adds an element of immediacy, with the drums especially sounding like they are placed right next to you. Very cool. Mahavishnu Orchestra Munchen 1972 Professional TV audio 9.3 - This is a nice one, and it is not suffering from TV compression although the “atmosphere” here is somewhat muted as if it was in a studio setting and not live in front of an audience. Either way, no bother, it’s great. Mahavishnu Orchestra Disc 1 Central Park N.Y.C. New York, U.S.A. August 8, 1972 touring "birds of fire" 1. -Meeting Of The Spirits 2. -You Know, You Know 3. -Dream 4. -One Word 5. -Resolution (Jack Bruce) Central Park Cont'd 1. -Dawn Disc 2 Kongreßsaa Deutsches Museum München, Bayern, Germany August 17, 1972 1972-08-17 FM broadcast 2. -Meeting of the Spirits 3. -You Know, You Know 4. -Band Intros - The Dance of Maya Disc 3 1. -One Word - Resolution 2. -A Lotus On Irish Streams 3. -Awakening John McLaughlin: guitar Jan Hammer: keyboards Jerry Goodman: violin Rick Laird: bass Billy Cobham: drums -
Soundboard 9.3 - OK, let me explain why the high rating here. Technically speaking, the actual audio quality is more like 8.8 to be honest…but this tape is so MUCH more than that and deserves a super high rating because of it. Let me explain: First of all, the audio is good enough to get excellent separation of instruments, that allows you to hear the detail of the guitar and drums, with a driving keyboard and clear vocals…and that is important because a certain new vocalist is hoping to impress in front of a London audience – and he does, they ALL do in a major way especially Blackmore. See, Richie is one of those guitarists that really goes for it, and sometimes it works and sometimes he is probably not inspired as much so it falls a little flat…not here! He’s simply brilliant and when I hear him like this I remember to include him on my all time greatest guitarists list ha ha! This rating is for the spectacular event this gig is, and how happy we should be to hear it clearly. DEEP PURPLE Hammermith Odeon, London, May 9, 1974 CD 1: 1. -Burn 2. -Might Just Take Your Life 3. -Lay Down Stay Down 4. -Mistreated 5. -Smoke On The Water CD 2 1. -Space Truckin’ 2. -Going Down 3. -Richie Blackmore interview David Coverdale - vocals Ritchie Blackmore - guitar Jon Lord - keyboards Glen Hughes - bass Ian Paice - drums -
Audience 8.7 - A good recording with what seems to be a little middle band compression but not too much. So, it’s smooth low end and louder upper middle and highs but softer middle band, that is not necessarily bad, it’s just lacking in that punch factor. It is though, as stated, a pretty decent recording. Oh, and the last song of the evening is “Don’t Fear The Reaper” so VERY cool to hear another live version of that. You know why BOC fans love the live recordings? Because with 5 guitar players at any given time, you just want to hear what they do with these amazing songs on stage. Folkets Park Malmo, Sweden 1978-05-25 01 R.U. Ready 2 Rock 02 ETI 03 Harvester of Eyes 04 Cities on Flame 05 Golden Age of Leather 06 Then Came the Last Days of May 07 ME 262 08 Hot Rails to Hell 09 Godzilla 10 This Ain't the Summer of Love -> 5 Guitars 11 Born to be Wild 12 Don't Fear The Reaper -
Audience 8.6 - Loud and noisy but every instrument heard…loudly. Here’s the thing – this is a complete show from 1975, for BOC fans, yeah it’s gotta be in your collection. It’s not terrible either, it’s just loud and thankfully not distorted but make sure you turn volume down before you press play ha ha! Blue Oyster Cult Tivolis Koncertsal Copenhagen, Denmark. October 27th 1975 Disc 1 01.Intro 02.Stairway to the stars 03.OD'd on life 04.Harvester of eyes 05.Flaming Telepaths 06.Last days of may 07.Candy store (fill in jam)-Cities on flame (with rock n roll) 08.Maserati GT 09. Buck's Boogie-with drum solo Disc 2 01.ME-262-with 5 guitars 02.Hot rails to hell 03.Born to be wild The Band Eric Bloom - Vocals/Guitar/Keyboards Donald "Buck Dharma" Roeser - Lead Guitar/Vocals Joe Bouchard - Bass/vocals Allen Lanier - Guitar/Keyboards Albert Bouchard- Drums/vocals -
Audience 8.4 - So, first the good news. This recording is much better than the Dublin ’83 show. Why is that significant? Because there are precious few live recordings of any kind of quality highlighting this short lived period with Gillan. I don’t know about you, but I think this material and the sound of the band during this time period is just awesome. I really would have loved more of this…but alas it was not meant to be. The downside is that the recording is mainly from Geezer’s side of the stage, so you are going to get an earful of Geezer, and that is not a deal breaker but what sucks is that Tony sounds weak in comparison. Another upside? You can hear Ian Gillan over the wall of sound, and therein lies the main reason why this tape deserves a listen. Will it get repeated plays? Probably not…but I was happy to be able to get another chance to hear Ian Gillan live with Black Sabbath and I am better for it. BLACK SABBATH Pavillon Des Sports Del Champel Geneve, Geneva, Switzerland September 25th 1983 THE BAND Ian Gillan vocals Tony Iommi guitar Geezer Butler bass Bev Bevan drums Geoff Nicholls keyboards Disc 1 1 -Supertzar 2 -Children of the Grave 3 -Hot Line 4 -War Pigs 5 -Born Again 6 -Supernaut 7 -Drum Solo 8 -Rock N Roll Doctor 9 -Disturbing the Priest Disc 2 10 -Iron Man 11 -The Dark 12 -Zero the Hero 13 -Heaven and Hell 14 -Iommi Solo 15 -Digital Bitch 16 -Black Sabbath 17 -Smoke On the Water 18 -Paranoid -
Soundboard 9.6 - A radio broadcast that has excellent clarity and punch. Paradise Theater Boston, Mass. USA October 29, 1978 1. -Life Beyond L.A. 6:19 2. -If Heaven Could Find Me 4:46 4. -Not As You Were 4:15 5. -How Much I Feel 5:47 6. -And... Somewhere I've Never Traveled > 5:12 7. -Nice, Nice, Very Nice 6:07 8. -The Brunt 5:39 9. -Band Intros - Holding On To Yesterday 5:55 10. -can't Let A Woman (Get Into My Head) 6:23 11. -I Wanna Know 7:17 Ambrosia David Pack: vocals, guitar Chris North: keyboards David Cutler Lewis: keyboards Joe Puerta: lead vocals, bass Burleigh Drummond: drums, percussion, background vocals -
Black Sabbath Los Angeles 1980 Audience 8.9 - This is a much welcomed recording of perhaps the best post Ozzy era of Black Sabbath. 1980 was an interesting year, Ozzy making classic “solo” albums with his new band and Sabbath beginning a new era with a new singer in Ronnie James Dio and neither the worse for it. This is a great show, in great quality. Black Sabbath Vienna 1980 Audience 8.3 -Unfortunately this recording suffers from many ailments, mainly in the range and dynamics, but what it does offer is a previously uncirculated (and complete) show from Sabbath in Europe during the very crucial 1980 tour with Dio as new front man. This is what I get from this show- Dio is very committed to bringing the audience in to the spectacle…the performance is killer in every respect. The sound quality is not trash, but I want Dio more clear than this because he is really on his game this night. I think this tape belongs in this set because it doesn’t have to be the centerpiece of the set, it offers the collector a new tape of a complete show from 1980 and that is enough for me. BLACK SABBATH Memorial Coliseum Los Angeles, CA July 26th 1980 THE BAND Tony Iommi Guitar Ronnie James Dio Vocals Geezer Butler Bass Bill Ward Drums Geoff Nicholls Keyboards Disc 1 1 -Intro 2 -War Pigs 3 -Neon Knights 4 -N.I.B. 5 -Black Sabbath 6 -Heaven And Hell 7 -Iron Man 8 -Guitar Solo with Jam - Sabbath Bloody Sabbath - Jam - Orchid 9 -Die Young 10 -Paranoid Disc 2 Sophiensale Vienna, Austria April 24th 1980 1 -Supertzar 2 -War Pigs 3 -Neon Knights 4 -N.I.B. 5 -Children of the Sea 6 -Sweet Leaf 7 -Bill Ward solo 8 -Sweet Leaf(reprise) 9 -Lonely is the Word Disc 3 10 -Black Sabbath 11 -Heaven and Hell 12 -Iron Man 13 -Tony Iommi solo 14 -Die Young 15 -Paranoid 16 -Children of the Grave -
Studio Quality 8.9 - The quality is great but you have to get past the first song and a half as there is some static present. Once you move past those tracks you get some very interesting studio rehearsals and outtakes. I love the rawness here, it’s very visceral and powerful. ALICE COOPER Studio Outtakes Killer and Muscle Of Love album 01. Desperado 02. Be My Lover 03. Killer 04. Halo Of Flies 05. You Drive Me Nervous 06. You Drive Me Nervous Part 2 07. Man With The Golden Gun 08. Teenage Lament 09. Woman Machine 10. Never Been Sold Before 11. Muscle Of Love 12. Muscle Of Love Part 2 13. Workin Up A Sweat 14. Babe Please Don't Stop 15. Hard Hearted Alice -
Soundboard 9.6 - Fantastic sound and even better performance here. Look, I know Skynyrd had a lock on all things Southern Rock for most of the 70’s, but can we agree that Molly Hatchet carried the torch admirably into the 80’s? They did. Here is proof. MOLLY HATCHET NASSAU COLISEUM UNIONDALE, NY FEBRUARY 18, 1979 WLIR FM BROADCAST THE BAND Danny Joe Brown vocal Dave Hlubek guitars Duane Roland guitars Steve Holland guitars Banner Thomas bass Bruce Crump drums 1 -Bounty Hunter 2 -Gator Country 3 -Big Apple 4 -Dreams 5 -One Man's Pleasure 6 -Trust Your Old Friend 7 -The Harp Jam - Long Tall Sally 8 -Boogie No More -
Audience 8.8 - A fine tape by all accounts, and that is nice because this show is legendary. You can’t help but marvel at the performance, especially the final three songs clocking in at over 45 minutes! Purple Rain Tour Inglewood Forum, Los Angeles 23rd February 1985 Disc 1 01. CONTROVERSY 5'25 02. LET'S GO CRAZY 6'28 03. DELIRIOUS 2'51 04. 1999 5'35 05. LITTLE RED CORVETTE 4'02 06. TAKE ME WITH U 5'57 07. 4 THE TEARS IN YOUR EYES 2'31 08. YANKEE DOODLE DANDY 3'53 09. A CASE OF YOU 1'25 10. FREE 2'01 11. RASPBERRY BERET 3'08 12. DO ME, BABY 2'00 13. IRRESISTIBLE BITCH 5'22 14. TEMPTATION 3'56 15. LET'S PRETEND WE'RE MARRIED 1'23 16. INTERNATIONAL LOVER 3'40 17. GOD 9'40 Disc 2 01. COMPUTER BLUE 4'28 02. DARLING NIKKI 4'43 03. THE BEAUTIFUL ONES 5'18 04. WHEN DOVES CRY 8'38 05. I WOULD DIE 4 U 3'22 06. BABY I'M A STAR (Including ICE CREAM CASTLES - PARTYUP) 18'28 07. AMERICA 14'46 08. PURPLE RAIN 19'56 -
Audience 8.9 - A good, clear, and very strong recording. The percussion is crisp and detailed, all of the music is well balanced, Prince vocals are mixed above all which is great. This gig celebrated Prince’s receiving the Minnesota Music Awards honors. Prince 1986-05-20 Bloomington - Carlton Celebrity Room 6th Annual Minnesota Music Awards 01. Intro 02. Raspberry Beret 03. Girls And Boys 04. Life Can Be So Nice 05. Controversy (Incl. All Day All Night) 06. Mutiny (Incl. Holly Rock - Dream Factory) 07. Kiss 08. Love Or $ 09. Awards Speech -
SDBRD 9.5 - Excellent comp of extended guitar jamming, from 1978-1980 period. FRANK ZAPPA "Monsters" 01 Persona Non Grata (1978-10-15 Stony Brook) 02 Outside Now (1980-10-31 New York City) 03 City Of Tiny Lites (1980-11-18 St. Paul) 04 Easy Meat (1980-06-24 Geneva) 05 Inca Roads (1979-03-19 Brest) 06 Chunga's Revenge (1980-07-02 Frankfurt) 07 Black Napkins (1978-10-13 Passaic) -
John Miles Boston 1977 Audience 9.0 - A very well captured document, in fact the entire evening was recorded making for one very special listening experience. Talk about a time capsule! Sound is excellent, putting you right up close and hearing pretty much every nuance of the music. Lovely! Gary Wright Boston 1977 Audience 9.0 - Excellent audio features a great atmosphere and decent, warm, and inviting tones of sound wafting overhead and funneling into your brain. Includes opening act and headlining act, great job by taper! Manfred Mann’s Earth Band Boston 1977 Audience 9.0 - The headlining act for the evening, they did not disappoint! A great capture here, pulls you right into the action, you hear every note in detail…a night to remember! An Evening At The Music Hall 1977 Disc 1 JOHN MILES Music Hall Boston Mass April 2nd 1977 1 -Intro 2 -House on the Hill 3 -Pull the Damm Thing Down 4 -Stand Up (and Give Me a Reason) 5 -Music 6 -High Flyer 7 -Slow Down THE BAND John Miles lead vocals keyboards guitar Bob Marshall bass Barry Black drums Gary Moberley keyboards Disc 2 GARY WRIGHT Music Hall Boston Mass April 2nd 1977 1 -Tune Up 2 -My Love Is Alive 3 -Water Sign 4 -Better By You Better Than Me 5 -Light Of Smiles 6 -She's Her Own Victim 7 -Time Machine 8 -I Don't Know 9 -Phantom Rider 10 -Blind Feeling 11 -Dream Weaver 12 -Are You Weeping 13 -Can't Find The Judge 14 -I'm Alright THE BAND Gary Wright Vocals Keyboards Peter Reilich Moog Bass Richard Baker Keyboards Art Wood Drums Hiroshi Upshur Piano Clavinet Betty Sweet Vocals Lorna Wright Vocals Disc 3 MANFRED MANN'S EARTH BAND Music Hall Boston Mass April 2nd 1977 1 -Waiter There's A Yawn In My Ear 2 -On The Road To Babylon 3 -Spirit In The Night 4 -Father By Day, Father By Night 5 -Captain Bobby Stout 6 -Blinded By The Light 7 -Instrumental 8 -Drum Solo 9 -Drums and Keyboards 10 -Mighty Quinn THE BAND Chris Hamlet Thompson lead vocals rhythm guitar Manfred Mann keyboards backing vocals Dave Flett lead guitar Colin Pattenden bass Chris Slade drums backing vocals -
Soundboard 9.1 - Recorded and broadcast this is as expected a very good recording. The music is also… let’s face it these guys were top shelf and had a classy approach to heavy metal. Armored Saint 11/9/84 Harpo's Detroit, MI WLLZ - FM broadcast - A 1. March of the Saint 2. Mutiny on the World 3. Stricken by Fate 4.Seducer 5. Take a Turn 6. Envy 7. Glory Hunter 8. False Alarm 9. Can U Deliver 10. Lesson Well Learned 11.Madhouse 12.outro and interview -
Audience 9.2 - A lovely sound, it’s warm and close and very articulate. There’s some interesting spacial characteristics, almost 3D-like. Bowie on this tour paid homage to his back catalog, I would say comprehensively and complimentary. Dodger Stadium Los Angeles, CA. 5-26-1990 Disc 1- Space Oddity
- Changes
- TVC 15
- Rebel Rebel
- Ashes To Ashes
- Fashion
- Life On Mars
- Blue Jean
- Let's Dance
- Pretty Pink Rose
- Stay
- Sound And Vision
- Ziggy Stardust
- China Girl
- Station To Station
- Young Americans
- Suffragette City
- Fame
- Heroes
- Panic In Detroit
- The Jean Genie
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KISS - "New York Academy Of Music - First Demo Tape 1973" Academy Of Music, New York Ciy, NY December 31st, 1973 KISS - 1st demo tape Electric Lady Studios, New York City, NY March 13th, 1973 Produced and engineered by Dave Wittman supervised by Eddie Kramer 01 Deuce 02 Strutter 03 Cold Gin 04 Watchin' You 05 Black Diamond Academy Of Music, New York Ciy, NY December 31st, 1973 06 Deuce 07 Cold Gin 08 Nothin' To Lose 09 Firehouse 10 Let Me Know 11 100,000 Years (rare live version) 12 Black Diamond 13 Goin' Blind (Howard Stern show) 14 Love Theme From KISS (1995 NYC KISS Konvention tour) 15 Mr. Speed (1995 NYC KISS Konvention tour) 16 Dirty Livin' (extended version 1979) Notes: On March 13, 1973, KISS recorded a low-budget five-song demo tape with producer Eddie Kramer. In October of 1973, Bill Aucoin, who had witnessed several KISS concerts during the summer months, approached the group to become their personal manager. KISS hired Aucoin, and subsequently inked a recording contract with Casablanca Records on November 1, 1973. KISS was the first act signed to Neil Bogart's new label. KISS began recording tracks for their debut LP at Bell Sound Studios in New York City during Autumn of '73. On December 31st, KISS performed at the Academy of Music in New York City, opening for Blue Öyster Cult and Iggy Pop, with the hyped New Years Eve gig billed as the band's official industry premiere. This has gone down in KISStory as the first time Gene would accidentally ignite his hair while breathing fire at the end of "Firehouse!" "Dirty Livin'" extended version wasn't very widely known at the time of release, possibly because it was only released in countries like Italy, Germany, France and Mexico. Soundboard 8.6 The board mix favors only one half of the band to the near exclusion of the others but does level out some as it progresses. In this presentation it certainly allows you to understand the contributions of Ace! The bonus material is all outstanding. This is worth picking up despite the strange board tape because it is extremely early Kiss and these kinds of tapes are very scarce.