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Audience 8.6 - A little thin but surprisingly clear, and man, just to hear this stuff I gotta say it’s a privilege. The material these bands came up with around this time – 1972-73 – it’s just a whole different world of rock and roll that most people were, and still are, completely unaware of. I like the experimental spaciness of the opening “jam sessions” with Franco Battiato (probably with members of the other bands), you get the feeling these guys were really tuned in to each other because it’s not recklessly chaotic, there’s a mystical beauty to it. The Quella Vecchia Locanda is just insane, too bad only one song, and it’s not complete, but I think only a small portion was missed I could be wrong. Garybaldi’s set consists of most of the Astrolabio record, which is very cool but I wished there was some of the Nuda stuff on here.
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FM Radio Broadcast 8.5 - The tape source shows its age, and then there’s the telltale radio compression as well so you get a reasonably clear sound with a lack of high end clarity, occasional minor drop outs, that sort of thing. It’s not that bad, I expect better of an FM broadcast but there’s not much out there from this station, this is a pretty rare thing, and the band, while very good, never achieved a lot of commercial success. They are traditional AOR rock that sometimes reminds me of Bob Seger or Meatloaf.
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Audience 7.6 - Very impressive stuff. This band sounds so much heavier live than on their record, and their record is pretty damn heavy! I would imagine a lot of young people at this gig later formed their own bands and decided they could be even heavier than these guys - thus was born the modern metal sound. So, to me, it just sounds like these guys were taking the music they heard as kids (Blue Cheer, Led Zeppelin, Black Sabbath), and putting their own twist on it. Great stuff!
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CD 1 - Reading 1979 – Audience 5.7 - Loud and thundering but lead guitar is heard through the din, and you can kind of hear Lemmy singing, and there’s some drum like noises too. CD 2 Paris 1980 – Aud 6.9 - You can hear the music on this show. There are practically no decent recordings of the early Motorhead, but this one, even though it is bad, is one of the better ones because you can hear the songs, and it is not distorted. The guitar is really pretty clear – and so is Lemmy thank goodness. Oh, they kick ass on this show - Really.
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Audience 8.8 - This recording has been attributed to a soundboard radio broadcast but I highly doubt that. For one thing, listen to the vocals, that should be a dead giveaway. That all being said, the recording is very, very good, a little on the bright side but it is still smokin’ hot and not to be missed.
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Audience 7.5 - Not quite as good as Manchester, some kind of compressed, almost muffled but probably only needs a kick in the highs which you can do on whatever you play it with. There's a little bit of headroom to play with. Not going to blow anyone away but if you've heard any of the other 2015 captures you realize that this and Manchester are the better ones.
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Audience 7.8 - Probably as good as you can get for the tour right now unless and until a Soundboard surfaces. The reality is this is a stadium rock band and the sound is exactly that. Large kick drum, vocals in front, indistinct PA loud guitar and bass, but that being said, this is probably exactly as it sounded at this show. It is enjoyable for what it is.
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Audience 9.3 - Wow ... somebody knew what they were doing! Michael Schenker’s Temple of Rock Le Bataclan Paris, France 2015-11-03 Disc 1 01 -Intro 02 -Doctor Doctor 03 -Live and Let Live 04 -Lights Out 05 -Where the Wild Winds Blow 06 -Natural Thing 07 -Before the Devil Knows You're Dead 08 -Victim of illusion 09 -Lovedrive 10 -Coast to coast Disc 2 11 -Vigilante Man 12 -Savior Machine 13 -Too Hot to Handle 14 -Lord of the Lost and Lonely 15 -Rock You Like a Hurricane 16 -Rock Bottom 17 -Attack of the Mad Axeman 18 -Communion everybody 19 -Blackout Michael Schenker - guitar Doogie White - vocals Wayne Findlay - guitar & keyboards Francis Buchholz - bass Herman Rarebell - drums
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Audience 8.3 - Interesting recording, it is actually very clean, master quality source, but just fails to contain the massive Metallica sound by a mere inches, and I mean by how close to the mains this seems to be. Collectors who do not have this will LOVE it though, it really gives you a real sense of the loudness and intensity of the band.
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Audience 8.3 - This has been mastered, because where the sounds are placed actually helps better define this recording – the vocals “should” be buried deep but they aren’t, and the bass and the drums are in their own space too. Remarkable to get this so clear because it sounds like at one time it may have been a mess. Bochum 1987 - Audience 8.7 - Wow the bass is kicking, and so defined!
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Audience 9.6 - Scary good! It would be easy to dismiss this offhand simply because it is 2007 and maybe you are thinking it is not indispensable Megadeth right? Wrong answer. This recording will give you newfound respect and appreciation for this band, with their ultra tight, ultra-sophisticated sense of craft and ability, you will say “yes, time to rediscover this band again” just like I did after listening to this.
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Audience 7.0 - Ultra loud, no clear separation except the drums actually do have some distinction and this tape has a much broader sound spectrum and is not stuck in a very lo-fi mid band position. I like this tape, it features more raw energy than the others and even though is still “rough”, it gets the blood pumping and is quite exhilarating to hear. What a find! A rare show recently surfaced.
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Audience 7.0 - Impossible to really document this band on amateur equipment, they were too loud. I kind of compare them to Blue Cheer, a more progressive, and British, Blue Cheer. That being said, believe it or not this is one of the better live tapes. Loud, crowded, noisy tape, all that yes but man, this is amazing!