-
Audience 8.5 - Tape is a little hissy, but it is still a clear recording where you hear a lot of separation between instruments and “air” or “headroom” which allows music a chance to unfold and show peaks and valleys. Very good, not great, but very good. -
Soundboard 9.6 - This guy literally can play Happy Birthday and make it sound sexy and groovy (proof is available). Too bad I was so hard-headed and never went and saw him live. I could have on many occasions, but I just never saw myself as one of the “beautiful people” I guess. What a shame I would have loved it. (Soundchecks, Rehearsals and Jams) -
Audience 8.4 - A solid tape that sounds like it has been remastered to remove hiss, but artifacts remain. I imagine though that it sounds better than before, because it is clear that there is something to work with here. -
CD 1 - Audience 8.8 - Direct into face, a driving and persistent intensity, very clean, very clear. CD 2 - Audience 8.3 - A more open spaced recording where you lose some of the dynamics, and vocals tend to get muffled and placed further back but guitar and drums are prominent and clear…bass is present but not as articulate or deep. A good tape and collectors will be happy to hear it since it is not widely circulated. -
Soundboard 9.4 - What a great year for Santana, really it all came together 71-72 and they were smart to record a number of shows in preparation for the live album release that became known as "Lotus" (the Japan 1972 show which is great). Any one of these other ’72 shows could have been the album as they are all stellar. -
Soundboard 9.5 - The evening before this show in Kansas City, the band had just played a stadium with a stacked line-up, so they were probably pretty amped up for this show. They got to showcase some of the Marathon LP material in front of an appreciative, but much smaller crowd than the night before. A great one! -
Soundboard 9.6 - A professionally recorded and mixed affair that was actually broadcast on the radio and it’s obvious as nobody would take the time and care to produce such a convincing live tape unless they had a good reason. The performance is marvelous, and the recording shimmers. A must have for Spirit fans! -
Audience 8.8 - Smooth and consistent, a recording that is clear, not overly dynamic (it is metal after all) but you’ll probably enjoy this immensely if you understand that it’s really about the lyrics and the stage banter. Always fun, and it’s two discs so you get a lot of songs! Steel Panther House Of Blues Boston, MA. April 17, 2013 Disc 1 01. In The Future 02. Supersonic Sex Machine 03. Tomorrow Night 04. Band Talking - Intros 05. Fat Girl 06. Asian Hooker 07. Just Like Tiger Woods 08. Band Talk 09. Turn Out The Lights 10. You Really Really Love Me 11. Guitar Solo Disc 2 12. It Wont Suck Itself 13. Weenie Ride 14. Community Property 15. Eyes Of A Panther 16. Death To All But Metal 17. Party All Day (Fuck All Night) 18. 17 Girls In A Row -
Audience 8.7 - A tape that finds balance even with the somewhat squashed sound, because it is pretty clear regardless. Fills a lot of gaps in my Alice Cooper collection as these Lace And Whiskey tour shows seem few and far between compared to other tours. -
Soundboard 9.7 - One of the most interesting concerts by Prince I have heard. It’s an after show gig, and Prince is cutting loose with some amazing guitar solos, to the point where it is hard to believe it is actually him playing. Certainly one to add to your collection, and one that will get frequent plays. -
Audience 8.5 - A recording that leans towards brassy but presents the concert in a way that you get a pretty clear representation of the evening, in a slightly better than average way. The band, at times, seems to be feeling the songs out rather than be fully committed to them but that gives the show an edginess that some might find more interesting. For instance, Stairway to Heaven, the band must have played this a thousand times yet here Jimmy can’t figure out the solo! -
NEW SOURCE Audience 8.7 This is a major upgrade to the previous version (see old review below for comparison) and as such we felt that it had to be offered here as a replacement. If you purchased the previous version (the artwork is untouched, only the music has been replaced in this set) than you are entitled to receive replacement discs without charge (pay postage cost only). Just reach out to us and we will take it from there. If you have never bought this title, than consider this one worthy of the collection. I will offer this caveat though - it is a recording that still shows its share of shortcomings, such as maybe a touch of overload during more bombastic passages (not nearly as bad as previous!), and the last track is incomplete (better an incomplete but listenable track than a totally un-listenable mess). OLD SOURCE Audience 7.2 This one is rather mediocre, although it is not “unlistenable” at all, but compared to other 1977 recordings it is what I would classify as “for completists only”. That being said, I can point out a few moments of this concert that I found interesting in a lot of ways. Like, during Pigs On The Wing Pt.1 you hear large explosions from the audience (possibly fireworks or maybe PA problem?) and you immediately think of Roger and how he’s probably disgusted with the whole thing by this time. Pink Floyd Spectrum Theater Philadelphia, PA, USA 29 June 1977 Disc 1 01 Sheep 02 Pigs On The Wing, Part 1 03 Dogs 04 Pigs On The Wing, Part 2 05 Pigs (Three Different Ones) 06 Shine On You Crazy Diamond (Parts I-V) Disc 2 07 Welcome To The Machine 08 Have A Cigar 09 Wish You Were Here 10 Shine On You Crazy Diamond (Parts VI-IX) 11 Money 12 Us And Them -
Audience 8.4 - A tape that seems like it’s been heavily re-worked to clean it up and give it some life. Pretty decent, leans towards the upper frequencies a bit, lacks some punch in the center, but it is still a good one. -
Audience 8.5 - This recording has a lot working in its favor by mainly allowing the listener to hear each instrument clearly. The tape does have sonic limitations in that it sounds like the taper wisely dialed down the levels so as not to overload the signal, especially as JP was probably quite loud. This means that you will want to turn the volume up a little even though it may mean that you also bring up some background noise, which is present but not invasive. It’s a very good tape, I believe that this has been re-mastered too, so I consider it an upgrade to other versions that may be out there, although I was unfamiliar with this show until recently. -
Audience 8.1 - A shaky start to this recording, but it smooths out and becomes listenable with clear vocals that rise up and out of the depths. The interesting thing about this show is that Pete is nailing all his solos with precision, a rare thing to be honest. The band is in fine form, they even play “However Much I Booze” which was only done a handful of times on this tour. -
Audience 8.7 - Pieced together from a few different sources, we finally get a pretty good representation of the events of the day which, now together with the rare footage included in this set, reveal a pretty incredible artifact for collectors. -
Audience 8.5 - Taken from the master source, this high energy show reveals a band on the rise. Captured from the balcony, the sound is pretty much what came from the house P.A. system and is, as could be expected, insanely loud and therefore not clear and distinct but certainly forceful and once the ears adjust, is pretty realistic. Coming from a master source, it is free of tape noise and other artifacts. DVD - Shot on Hi8MM, the picture looks great! The angle is from the balcony, which was not that high or far from the stage so even though you are looking slightly down on top of the band, you see the entire stage and most of the audience on the floor without any interference. Camera occasionally zooms in, pans slightly, and at brief intervals goes slightly too high missing the front of the stage but I suppose that may have been due to the filmer trying to adjust. -
All video in this collection is pro shot. Disc 1 is all excellent quality. Disc 2 is more uneven, all watchable but not as crisp and perfect as the first disc. -
Audience 8.8 - A historic concert showcasing the full orchestra, this was to be the final evening for them as it was all dismantled due to financial disaster. The recording is quite good though, vocals have marvelous presence, and the music comes through pretty well with some cluttering (we are talking about dozens of instruments here) in the center, but you will appreciate this in many ways. A real find for the collector,...pretty much indispensable. -
Soundboard 8.7 - A tape that is a little hissy, and some of the instruments are low in the mix (vocals) but, on the bright side, the guitar is pumped way up (and sounds killer), and the band is in a GREAT mood! -
Audience 8.2 - This is not the source used on Massed Gadgets, and ranks similar although each source features slight differences which are up to the listener to decide which they prefer. This source has more in the higher frequencies, but consequently slightly more hiss. It’s still very decent. -
Audience 8.6 - This is a very fine recording that has recently surfaced, a tour that had the band displaying their absolute mastery of the ultra complex progressive rock extravaganzas that sometimes took up nearly the entire side of an LP. Audiences back then were fully engaged with such performances, unlike today.
-
Audience 9.1 - Crisp and clear, rowdy audience that thankfully do not intrude into the music that much. It is strange to hear it put this way, but the nature of these funky songs lends itself well to having a sort of background of people whooping it up. It works in this case to great effect. A really fine one to enjoy whenever you need your fix of his Royal Purpleness. -
Pro Audio 9.3 - This does not sound like a board tape, but does sound like a pro recording nevertheless as I am pretty sure it was broadcast in Japan. -
Sale!
Audio - Excellent! - Sporthalle, Cologne, Germany (April 14, 1988) This is the first of 4 shows recorded in Germany during the 1988 Tour. The sought after, complete set (all 4 shows) as well as each individual show is extremely rare and a must have. You can also purchase all 4 shows together as a complete set for a slight savings. -
Sale!
Audio - Excellent! - Carl-Diem Halle, Wurzburg, Germany (April 22, 1988) This is the second of 4 shows recorded in Germany during the 1988 Tour. The sought after, complete set (all 4 shows) as well as each individual show is extremely rare and a must have. You can also purchase all 4 shows together as a complete set for a slight savings. -
Sale!
Audio - Excellent! - Rudi-Diem-Halle, Munchen, Germany (May 9, 1988) This is the third of 4 shows recorded in Germany during the 1988 Tour. The sought after, complete set (all 4 shows) as well as each individual show is extremely rare and a must have. You can also purchase all 4 shows together as a complete set for a slight savings. -
Sale!
Audio - Excellent! - Mozartsaal, Mannheim, Germany (May 25, 1988) This is the fourth of 4 shows recorded in Germany during the 1988 Tour. The sought after, complete set (all 4 shows) as well as each individual show is extremely rare and a must have. You can also purchase all 4 shows together as a complete set for a slight savings. -
Aud 8.9 - This was probably recorded on a reel to reel, who knows it could have even been Jimi’s machine? Very good quality! -
SDBRD 9.6 - yeah this is the stuff! Gong may not be mentioned in the same breath with all the other notable Euro 70’s icons but they should be. -
Soundboard 8.8 - A good live radio broadcast with emphasis on the guitar where it should be of course. Sound ranges towards treble and that gives guitar lots of bite, however everything else is right there. -
Pro FM 9.6 - Sound quality is absolutely spot on but so is the band. They were well rested and rehearsed, and it clearly shows with stunning accuracy and a packed set list too. Get this! -
SDBRD 9.2 Excellent of course with some early pegging of the meters that gets worked out pretty quickly. I like where the bass is in this mix. -
Aud 8.3 - A legendary gig, mainly because of the covers they play for the encore. The tape has a rough beginning but eventually evens out to reveal a surprisingly powerful capture. Most collectors consider this one a must have and from what I understand this source comes from a master tape. -
Soundboard 9.5 - A very nice mix, as if done for a proposed live LP. Band is very tight. -
Soundboard 9.4 -
Dweezil Zappa Denver 2014 Audience 9.7 - Exceptional audio, this one has great balance of instuments, while the band is very tight. -
Audience 9.4 -
Audience 9.6 - This one is crystal clear, a great mix full of vibe and energy on both parts. Guitar work/Well done. -
Steel Panther Sunset Strip Live December 29, 2017 House Of Blues - Mandalay Bay Las Vegas, Nevada Vocals: Michael Starr - Ralph Michael Saenz Lead Guitar: Satchel - Russell John Parish Bass Guitar: Lexxi Fox - Travis Haley Drums: Stix Zadinia - Darren Leader [01] Intro (1:02) [02] Kickstart My Heart (4:21) - Motley Crue [03] Nothin' But A Good Time (4:05) - Poison [04] Sunset Strip Live banter (4:06) [05] Band Introductions #1 (1:47) [06] La Grange (tease) (0:45) - ZZ Top [07] Band Introductions #2 (4:03) [08] Eyes Of A Panter (3:53) [09] Up All Night (4:01) - Slaughter [10] Stage banter - Guitar Medley (1:42) [11] The Final Countdown (intro) (1:01) [12] The Final Countdown (1:38) - Europe [13] stage banter (2:05) [14] Livin' On A Prayer (4:04) - Bon Jovi [15] Sexy Baby (improv tune) (3:03) [16] stage banter (2:16) [17] Jump (4:07) - Van Halen [18] stage banter (4:52) [19] Hot From A Distance (improv) (0:27) [20] Girl From Oklahoma (intro) (1:59) [21] Girl From Oklahoma (5:01) [22] girls on stage banter (2:47) [23] Photograph (2:44) - Def Leppard [24] Youth Gone Wild (3:40) - Skid Row [25] hot bitches banter (0:45) [26] Community Property (3:52) [27] show closing banter (0:42) [28] Paradise City (6:30) - Guns N' Roses Running Time: 81 minutesAudience 8.8 - A recording that features a pretty wide dynamic range giving you a real feel for the event as it happened. -
Led Zeppelin, Birmingham Odeon December 16, 1972, Birmingham, England Disc 1 1. -Rock And Roll 2. -Over The Hills And Far Away 3. -Black Dog 4. -Misty Mountain Hop 5. -Since I've Been Loving You 6. -Dancing Days 7. -Bron-Y-Aur Stomp 8. -The Song Remains The Same 9. -The Rain Song Disc 2 1. -Dazed and Confused 2. -Stairway To Heaven 3. -Whole Lotta Love (Medley) 4. -HeartbreakerAudience 8.0 - One of those “back to the clubs” gigs where you assume, because Zep were so loud, that any recording of them in a small club would sound like crap. This one is not crap, you can clearly enjoy each member as the separation of instruments is actually very good, in fact the bass notes are distinct here. The mix is good, the sound is decent, the performance is very good. I see no reason why not to have this. -
Queen Providence, RI, USA Providence Civic Center November 14, 1978 Disc 1: 1) -We Will Rock You 2) -Let Me Entertain You 3) -Somebody To Love 4) -If You Can't Beat Them 5) -Death On Two Legs 6) -Killer Queen 7) -Bicycle Race 8) -I'm In Love With My Car 9) -Get Down, Make Love 10) -You're My Best Friend 11) -Now I'm Here 12) -Spread Your Wings 13) -Dreamers Ball 14) -Love Of My Life 15) -'39 16) -It's Late Disc 2: 2) -Brighton Rock 3) -Fat Bottomed Girls 4) -Keep Yourself Alive 5) -The March Of The Black Queen (intro) 6) -Bohemian Rhapsody 7) -Tie Your Mother Down 8) -Sheer Heart Attack 9) -We Will Rock You 10) -We Are The Champions 11) -God Save The QueenAudience 8.8 - Spacious and lush, a full spectral sound range to wrap your ears around. This is what I would call a fully immersive live recording and it’s all thanks to a fan with great gear and a passion for preservation. Great stuff! -
RUSH Cow Palace, Daly City, CA May 24th 1984 THE BAND Geddy Lee vocals bass keyboards Alex Lifeson guitar Neil Peart drums SETLIST 1 -Intro 2 -The Spirit of Radio 3 -Subdivisions 4 -The Body Electric 5 -The Enemy Within 6 -(Count Floyd Intro) The Weapon 7 -Witch Hunt 8 -(Intro) New World Man 9 -Between the Wheels 10 -Red Barchetta 11 -Distant Early Warning 12 -Red Sector A 13 -Closer to the Heart 14 -Afterimage 15 -YYZ 16 -2112 The Temples of Syrinx 17 -Tom Sawyer 18 -Red Lenses 19 -Drum Solo 20 -Vital Signs 21 -Finding My Way 22 -In the MoodAudience 8.6 - A recording that is very clear and bright but lacks low end…but do not take that as saying this recording is too thin. It’s got just enough in the middle and bottom to allow you to attenuate the recording to your liking and in that regard you will find yourself going with this one often. It’s not a one and done show at all. GREAT find and appreciated a little bit more being that it’s a Grace Under Pressure tour gig which for some reason there’s not a plethora of excellent recordings from this tour. -
Audience 8.5 - A decent recording that stays pretty much in the middle of the spectrum in a mildly compressed fashion…so highs are not too high and lows are not boomy. That does take away some of the dynamics of the sound, but at least you get reasonably decent sonic clarity. 10cc Venue: Koseinenkin Hall, Tokyo, Japan Date: 4 Oct 1977 Disc 1 1 -The Second Sitting For The Last supper 2 -You've Got a Cold 3 -Honeymoon With B Troop 4 -Wall Street Shuffle 5 -People In Love 6 -Band intro 7 -Art For Art's Sake 8 -Ships Don't Disappear In The Night (Do They) 9 -I'm Mandy Fly Me 10 -Marriage Bureau Rendezvous 11 -Good Morning Judge Disc 2 1 -Feel The Benefit 2 -Waterfall 3 -The Things We Do For Love 4 -I'm Not In Love 5 -Modern Man Blues Eric Stewart - Vocals, Guitar, Grand Piano & Keyboard Graham Gouldman - Vocals, Guitar & Bass Guitar Rick Fenn - Backing Vocals, Guitar & Bass Guitar Tony O'Malley - Backing Vocals (lead on AFAS), Piano & Keyboard Stuart Tosh - Backing vocals, Drums & Percussion Paul Burgess - Drums & Percussion -
Audience 8.4 - While not nearly as spectacular as the Uniondale ’77 (a pro-mixed board btw), this is still an important tape being that it is among the last of the Kath era shows. It’s also not bad at all – in a narrow bandwidth it manages to offer decent separation of instruments and nothing annoying in the frequencies. It’s a solid capture on limited equipment and for that I give the thumbs up to the tapers. Chicago November 21, 1977 (1977-11-21) LA Forum Los Angeles, California USA Terry Kath Danny Seraphine Robert Lamm Peter Cetera Lee Loughnane James Pankow Walt Parazaider Disc 1 01.[06:02] Beginnings 02.[03:21] Wake Up Sunshine 03.[05:01] This Time 04.[05:44] Unknown 05.[06:07] Just You n Me 06.[05:41] Mississippi Delta City Blues 07.[03:42] Baby, What a Big Surprise 08.[14:04] Ballet for a Girl in Buchanan Disc 2 01.[08:10] Dialogue 02.[04:01] Does Anybody Know What Time It Is? 03.[06:40] Takin' It On Uptown 04.[05:36] Take Me Back to Chicago 05.[03:45] Scrapbook 06.[13:41] A Hit by Varese 07.[04:26] Saturday in the Park 08.[04:34] I've Been Searching So Long 09.[08:11] Mongonucleosis 10.[05:53] 25 or 6 to 4 11.[04:39] If You Leave Me Now 12.[03:33] Got To Get You Into My Life 13.[01:28] Feeling Stronger Everyday Total 2:04:28 -
Audience 8.9 - This is one helluva nice find! First of all, it was new to me to begin with, but the kicker is that it is just great, and a furious show with outstanding performances by everyone. You simply cannot call yourself a fan and not be interested in a great sounding ’73 tape like this. Get it! DEEP PURPLE Long Beach Arena Long Beach CA. April 15th 1973 THE BAND Jon Lord keyboards Ritchie Blackmore guitar Ian Gillan vocals Harmonica Ian Paice drums Roger Glover bass SETLIST 1 -Intro 2 -Highway Star 3 -Smoke On The Water 4 -Strange Kind Of Woman 5 -God Save The Queen Intro - Mary Long 6 -Jon Lord Solo 7 -Lazy 8 -Ian Paice Solo 9 -The Mule 10 -Space Truckin 11 -Crowd we want more 12 -Announcer -
Soundboard 9.0 - A strong board that could have been maybe a little crisper, but since it is not super common I appreciate it very much. It does sound like either a lower gen tape or a remastering because when compared to the old CD title from which it has been designed after, it does sound less hissy and a little more dynamic. SANTANA THE SPECTRUM, PHILADELPHIA, PA FEBRUARY 26, 1973 Disc 1: 1. -Going Home - A-1 Funk - Every Step Of The Way 2. -Samba Pa Ti 3. -Look Up (To See What’s Coming Down) 4. -Just In Time To See The Sun 5. -Incident At Neshabur 6. -Bambele 7. -Stone Flower 8. -Batucada 9. -Xibaba (She-Ba-Ba) 10. -Stone Flower Total Time: 58:31 Disc 2: 11. -Waiting 12. -Castillos De Arena, Part 1 (Sand Castle) 13. -Free Angela - Aranjuez 14. -Mantra - Kyoto 15. -Mantra - Kyoto - Castillos De Arena, Part 2 (Sand Castle) - Earth 16. -Se A Cabo 17. -Savor 18. -Toussaint L’Overture Total Time: 47:17 Carlos Santana Jose “Chepito” Areas Tom Coster Richard Kermode James “Mingo” Lewis Armando Peraza Douglas Rauch Michael Shrieve -
Audience 8.6 - A lively tape, with an almost “bar room” feel to it. Fleetwood Mac Veterans Memorial Coliseum New Haven, Connecticut, USA Monday October 20th, 1975 Track List: 01 Get Like You Used To Be 02 Station Men 03 Spare Me a Little 04 Rhiannon 05 Why 06 Landslide 07 Over My Head 08 I'm So Afraid 09 Go Your Own Way (Pre-Rumours performance) 10 Oh Well 11 Green Manalishi 12 World Turning 13 Blue Letter 14 Don't Let Me Down Again 15 Hypnotized Line-up: Stevie Nicks - vocals Lindsey Buckingham - guitar, vocals Christine McVie - keyboards, synthesizer, vocals John McVie - bass Mick Fleetwood - percussion, drums