Audience 8.7 and SDBRD 8.8/9.1 - Both sources are clean and decent, the first disc is actually a radio broadcast but they used a tape source that was recorded by a fan in the audience! Sounds a little distant but clear with good atmospherics, just unusual to know how they did it. The other disc contains a board tape made at the Fillmore which is very good but more than that really shows the crossing over the line by “country” artists into uncharted territory. This music reminds me of what would happen if you took The Flying Burrito Brothers and The Beatles and told them to pretend they are Eagles flying around the Bay Area. The last bit of disc 2 is from Holland and is the best sounding of the set. Poco Eagles Auditorium Seattle, WA 1969-07-05 Disc 1 Set 1 early show 01. Pickin' Up The Pieces 02. Hurry Up 03. My Kind of Love 04. Nothin's Still the Same 05. Just In Case It Happens, Yes Indeed 06. Grand Junction 07. A Child's Claim To Fame 08. Make Me A Smile 09. Nobody's Fool 10. El Tonto De Nadie Regresa Set 2 late show 11. What A Day 12. Do You Feel It Too? 13. Calico Lady 14. Anyway Bye Bye 15. I Guess You Made It 16. Just In Case It Happens, Yes Indeed 17. Grand Junction 18. Consequently, So Long 19. Pickin' Up The Pieces 20. Short Changed 21. Nobody's Fool 22. El Tonto De Nadie Regresa Lineup: Richie Furay - guitars, vocals Jim Messina - guitars, bass, vocals Rusty Young - pedal steel guitar, Dobro George Grantham - drums, vocals Disc 2 1970-11-01 Fillmore West, San Francisco, CA 01. I Guess You Made It 02. C'mon 03. Hear That Music 04. Anyway Bye Bye 05. Hurry Up 06. Hard Luck - A Child's Claim To Fame - Picking Up The Pieces 07. Make Me Smile 08. You Better Think Twice 09. Just In Case It Happens, Yes Indeed - Grand Junction - Consequently, So Long Lineup: Richie Furay - guitar, lead vocals Paul Cotton - guitar, vocals Rusty Young - steel guitar, guitar, vocals Timothy B. Schmit - bass, vocals George Grantham - drums, vocals VPRO-Muziek, Nederland-1 Radio show Eindhoven, Netherlands 1972-02-10 10. Hoedown 11. Just For You and Me 12. You Are The One 13. Bad Weather 14. Hard Luck-Pickin Up the Pieces 15. Railroad Days

SDBRD 9.5 - This is basically the same set already available here but in SDBRD quality. Also, there are some tasty bonus tracks on some of the discs that aren’t on the other set. Consequently, I am phasing out the other set which is a 6 disc set (three 2CD sets). You can get that last set for a huge discount right now (only one available). If you want the best quality then opt for this one though. Prince Montreux Jazz Festival Auditorium Stravinski Switzerland July 12-14-15 2013 Disc 1 First Night Pt.1 7-13-2013 (Prince & The NPG) 1. Intro 2. Strays Of The World 3. Days Of Wild 4. Big City 5. Superconductor 6. 1999 7. Mutiny 8. Old Friends 4 Sale 9. People Pleaser 10. Ain't Gonna Miss U When U R Gone 11. F.U.N.K. 12. Dark 13. Something In The Water (Does Not Compute) 14. Courtin' Time 15. Xpectation 16. Get On The Boat 17. School Boy Crush 18. We're A Winner 19. I Never Loved A Man (The Way I Love You) Disc 2 First Night Pt. 2 7-13-2013 (Prince & The NPG) 1. Satisfied 2. I Don't Want Nobody To Give Me Nothing 3. Housequake 4. The Jam 5. The Bird 6. Musicology 7. Extralovable 8. Purple Rain Second Night Pt.1 7-14-2013 (Prince & The NPG) 9. Intro 10. Act Of God 11. What Have You Done For Me Lately 12. Northside 13. (Theme Song From) Which Way Is Up? 14. Dancing Machine 15. Partyman 16. It's Alright 17. Take Me With U 18. Rasberry Beret 19. Cool 20. Let's Work 21. U Got The Look 22. Shade Of Umber Disc 3 Second Night Pt.2 7-13-2013 (plus Bonus) (Prince & The NPG) 1. Days Of Wild 2. Nothing Compares 2 U 3. Mutiny - Ice Cream Castles 4. Something In The Water (Does Not Compute) 5. Big City 6. Superconductor 7. 1999 8. Musicology - Mama Feelgood 9. Partyup Prince & The NPG rehearsals at Paisley Park Studios, July 6, 2013 10. Days Of Wild 11. People Pleaser 12. Ain't Gonna Miss You When U're Gone 13. F.U.N.K. 14. Dark 15. Something In The Water (Does Not Compute) 16. Courtin' Time Disc 4 Third Night Pt. 1 7-15-2013 (w/3rd Eye Girl) 1. Intro 2. Let's Go Crazy reloaded 3. Endorphinemachine 4. Screwdriver 5. She's Always In My Hair 6. The Love We Make 7. I Could Never Take The Place Of Your Man 8. Guitar 9. Plectrumelectrum 10. Fixurlifeup 11. Bambi 12. Sometimes It Snows In April 13. The Max 14. Cause And Effect 15. Introductions 16. When We're Dancing Close And Slow 17. Play That Funky Music Disc 5 Third Night Pt.2 7-15-2013 (plus Bonus) 3rdEyeGirl 1. Dreamer 2. The Breakdown 3. When Doves Cry 4. Nasty Girl 5. Alphabet St. 6. Sign O' The Times 7. Hot Thing 8. A Love Bizarre 9. Love 10. Housequake Prince And 3rdEyeGirl Rehearsals at Paisley Park Studios, 11-30-2012 11. I Like It There 12. Let's Work (6-22-2013) 13. Menstrual Cycle (01-07-2013) 14. Plectrumelectrum (01-07-2013) 15. Octopus Heart (01-07-2013) 16. Moon Drop (01-07-2013) 17. The Third Heart Of The Octopus Menstrual Cycle Originally Dropped From The Moon (01-07-2013) 18. Endorphinemachine (06-22-2014) 19. She's Always In My Hair (06-22-2014)

Fillmore East 1970 Soundboard 8.8 - Clear although not bristling with perfection is a very good early period SMB recording Honolulu 1970 Soundboard 8.8 - A tape that needs one song to dial in the live mix but then gets much better. Still, it’s very good but not sparkling and bright…just good enough to rank pretty high in the category of the formative Steve Miller anthology of concert tapes. San Rafael 1970 Soundboard 9.1 - This is a really nice recording that exemplifies why it is so cool to hear tapes of an artists’ earlier career works before they made it to the big time. This certainly shows the vulnerability and the possibility at the same time. An artist who is still not 100% convincing but clearly has the tool set necessary to advance…and advance he did! Steve Miller Band Before The Glory Live 1970 Disc 1 Fillmore East New York, NY March 6, 1970 01. -Kow Kow Kalculator 02. -Motherless Children 03. -Stormy Monday 04. -Space Cowboy 05. -Living in the USA Honolulu Civic Auditorium Honolulu, HI 6/13/70 06. -Introductions & Tuning 07. -Unknown song 08. -Industrial-Military Complex Hex 09. -Blues With A Feeling 10. -Jackson-Kent Blues Disc 2 Pepperland San Rafael, Ca. September 1970 1. -Unknown 2. -Band Introductions - Never Kill Another Man 3. -Brave New World 4. -Good Morning To You 5. -Kill - Come Play The Drum (Fandango) 6. -Harmonica Jam - Drum Solo 7. -I Love You - Bass Solo 8. -Going To The Country 9. -Children Of The Future Steve Miller- guitar and vocals Bobby Winkelman- rhythm guitar Ross Valory- bass Jack King- drums

Due to the complexity of this recording, more detailed notes can be reviewed below. As far as a number rating I can honestly give this a 9.0/9.4 due to the fact it is indeed a welcome upgrade to a great show that we can finally put away the countless other versions of! LED ZEPPELIN - 1973-03-16 - Vienna - NEW 4 SOURCE MATRIX Disc 1 01. Introduction [0:57] 02. Rock and Roll (Bonham, Jones, Page, Plant) [3:48] 03. Over the Hills and Far Away (Page, Plant) [6:41] 04. Black Dog (Jones, Page, Plant) [6:18] 05. Misty Mountain Hop (Jones, Page, Plant) [4:27] 06. Since I've Been Loving You (Jones, Page, Plant) [9:09] 07. Dancing Days (Page, Plant) [5:53] 08. Bron-Y-Aur Stomp (Jones, Page, Plant) [6:26] 09. The Song Remains the Same (Page, Plant) [5:20] 10. The Rain Song (Page, Plant) [9:19] --- [* = board tape available / optional disc division @ 58:19] Disc 2 11. Dazed and Confused (Page, Holmes) * [28:30] contains: San Fransisco (Phillips) Mars, the Bringer of War (Holst) 12. Stairway to Heaven (Page, Plant) * [10:59] 13. Whole Lotta Love (Bonham, Dixon, Jones, Page, Plant) [25:36] contains: Everybody Needs Somebody to Love (Wexler, Berns, Burke) Boogie Chillun' (Besman, Hooker) * (You're So Square) Baby I Don't Care (Leiber, Stoller) * Let's Have a Party (Robinson) * I Can't Quit You Baby (Dixon) * 14. Heartbreaker (Bonham, Jones, Page, Plant) * [8:01] Jimmy Page - guitars John Paul Jones - bass, organ John Bonham - drums Robert Plant - vocals MATRIX NOTES: The general aim was to provide the whole concert in as consistent and upgraded a listening experience as could be stitched together from the various recordings which are all incomplete. While there are always some downsides to matrixing analog recordings that have been manually synchronized, it is hoped that the benefits, such as the improved stereo dimension, of the results outweigh those deficiencies. Further lesser quality audience sources than those described below also exist but were not used. AUD source #1: The master was reportedly a TDK SA 90 cassette, which matches the 45 + 45 minutes which are extant and captured tracks 2-8 & 12 and parts of 1, 9, 11, 13. Winston Remaster used for the first part (which is unmatrixed on that version). Best of the audience recordings overall, recorded close to the stage towards one side. The guitar is somewhat buried here. AUD source #2: A lower/medium quality cassette recording at a greater distance to the stage, used only to patch missing AUD sections of tracks 1 & 9-11 (and the encore break before 14). AUD source #3: Captured most of the concert except for the introduction and notably two gaps in DAC. The master reported to have been recorded with Sony mics to Uher Report reel-to-reel. Close to the quality of AUD.1 but with a different sound balance (guitar is prominent, vocals somewhat buried) and recorded towards the other side of the stage. Matrixing with AUD.1 thus allows reproducing the occasional stereo panning effects of the house mix (which are not present on the SBD): guitar break in Bron-Y-Aur Stomp, bow solo in DAC, Theremin in WLL. SBD source: Apparently a 60 minute cassette which contains most of tracks 11-14. However, several minutes of 11/DAC & 13/WLL are missing, as the tape was not flipped immediately when the side or reel A ran out. There was probably another cassette on which the first hour of the concert was recorded (or copied), including the beginning of DAC, with the engineer likely missing some two minutes of the song between the cassettes, after the first one stopped and until recording resumed on a fresh tape. The reason why only the second cassette is available (for this and also certain other dates) is perhaps that someone in or with the band wanted a listening copy of just the songs with improvisation. The mix that was recorded is not exactly the same as what was played over the PA, as some of the delay/reverb effects (particularly on the vocals), as well as the panning, heard on the audience recordings are not present. Track by track breakdown: tr.01: AUD.2+1. AUD.2 contains half a minute more of the pre-show compared to AUD.1, none of which is on AUD.3. 02-08: AUD.1+3. SBD not available for the first part of the show but AUD.1 & 3 run practically without breaks until the end of BYAS. 09: AUD.1/2+3. AUD.1 has breaks during the intro and its side A completely cuts out @ 1:30 into TSRTS; the taper evidently did not flip the tape and resume recording until well into DAC which gap has here been patched with AUD.2. 10: AUD.2+3. AUD.1 thus does not exist for The Rain Song; the lower quality tape of AUD.2 used to substitute. 11: AUD.2/1+3. AUD.1 continues recording @ 5:00 while AUD.3 cuts out around 6:45 for one minute. Both gaps in DAC have been patched by matrixing with AUD.2, except for the section between roughly 2:50 and 4:00 where that tape itself has a discontinuity. 11: SBD & AUD.1+3. SBD cuts in about 15 seconds after AUD.1, i.e., around 5:15 into DAC from which point on it is the main source for the matrix but augmented with AUD.1 & 3 - and some patching from AUD.2 - as far as they are available. 12: SBD & AUD.1+3. AUD.3 has short cuts in the introduction; SBD cuts out after STH ends as the tape side ran out. 13: AUD.1+3 / SBD & AUD.1+3. Side B of the AUD.1 cassette runs out around 10:15 into WLL but SBD continued recording 4 minutes before that. 13-14: SBD & AUD.3. The segment containing the last 13 minutes of WLL and nearly all of Heartbreaker is therefore a matrix of SBD and AUD.3 since AUD.1 was no longer recording. The encore break is largely cut on both sources between the songs: AUD.3 misses about 2:20 of atmosphere while SBD loses only 1:30 and has the first notes of Heartbreaker intact. For the sake of completeness the missing part has again been patched from AUD.2 although the change in sound is noticeable.    

Audience 8.8 - Quite the find!  This is a strong and clear tape, although I sense the taper is quite new at it because for starters he manages only part of the show (although it’s most of the show) and second he says things (he’s clear on the recording, but thankfully not too chatty) that indicate he’s a noob. The audience around him gets into the show but are not overly intrusive in the recording. I found the guitar solo portion of the show to be the most electric as it sounds so close and clear…very cool! I like the I’m So Glad/Somebody Get Me A Doctor combo because it is one of those rare improvisational moments that you don’t know where it will go. Taper loves to stop and start too close to the songs sometimes cutting off endings it’s infuriating (and again indicates he’s a beginner) but thanks go to him for doing this one regardless. Van Halen Riverside Centroplex Baton Rouge, Louisiana November 26, 1982 1. Hang 'Em High 2. Cathedral - Secrets 3. Everybody Wants Some! 4. Dance The Night Away 5. Somebody Get Me a Doctor 6. Ice Cream Man 7. Intruder - Pretty Woman 8. Eruption 9. Ain't Talkin 'Bout Love 10. Bottom's Up 11. You Really Got Me  

Audience 8.8 - A nicely atmospheric tape that is very clear, with pretty decent instrument separation and emphasis on vocals so you hear every lyric. Nothing is drowned out in this mix! Fabulous tape! ELO Anaheim Stadium Anaheim, CA. August 26, 1978 Disc 1 1. Intro 2. Standing In The Rain 3. Night In The City 4. Turn To Stone 5. Can't Get It Out Of My Head 6. Cello Solo 7. Tightrope 8. Telephone Line 9. Rockaria Disc 2 1. Violin Solo 2. Strange Magic 3. Mr. Blue Sky 4. Sweet Talkin' Woman 5. Evil Woman 6. Do Ya 7. Livin' Thing 8. Ma-Ma-Ma Belle 9. Roll Over Beethoven

Audience 8.6 -A sonic blast not held back by some of the typical limitations such as the actual venue itself which is notorious for sounding more like a gymnasium than a concert hall. Tape cannot be faulted for being muddy, it’s not very clean, but that is due to proximity to PA and unprofessional gear. That being said, the tape scores high in terms of sheer electricity and fun…once your ears adjust, yeah, but what a ride!  Band did not know they were being taped by someone so I guess this is a pretty honest performance. They sound very primitive, underground, gritty…and I guess that is why Cooper made changes because perhaps that style and sound was getting outdated on such a large caliber tour. Personally, I much prefer this honest, maybe if a bit more crude, band sound. Alice Cooper Boston Garden Boston, Massachusetts March-26-1973 the band alice cooper vocals michael bruce guitar glen buxton guitar dennis dunaway bass neal smith drums 1 -intro - tune up 2 -hello hooray 3 -billion dollar babies 4 -elected 5 -im 18 6 -raped and freezing 7 -no more mr nice guy 8 -my stars 9 -unfinished sweet 10 -I Love The Dead 11 -schools out 12 -under my wheels 13 -god bless america

Soundboard 9.2 - The Paris is a little better, but the Edinburgh is also a good board tape showing perhaps a few more signs of its age. I find this period of the band perhaps their best musically, with a lot more confidence and drive. CAN Live 1973 Disk 1 Olympia, Paris 1973-05-12 01. Queueing Down 02. One More Night Disk 2 03. Spoon - Stars and Lines 04. Vitamin C Disc 3 Empire Theatre, Edinburgh 25th August 1973 01. Soup 02. Stone Strike 03. Hakucho No Uta (Swan No Song) 04. Hot Day in Koeln 05. I'm Your Doll Damo Suzuki - vocals Holger Czukay - bass Michael Karoli - guitar Jaki Liebezeit - drums Irmin Schmidt - keyboards