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Audience 7.1 - A rough tape that improved a lot with some mastering. Now, you actually can really tell what they are doing! Worth it for the improved sound. -
Soundboard 9.6 -
Soundboard 9.3 - Some tape hiss during quieter passages, but overall an excellent show. -
We got this tape years ago when it was submitted by a customer of ours who thought we would be interested in it. He was from Ohio, and told me he was friendly with the guys in this band. He managed to get their demo recording and sent it on behalf of the band. That was around 1986, and the recordings dated around 1983. That was the last I heard about it. Decades later, I rediscovered the tape and decided it was time. Heavy and complex, the first track of their demo tape was 45 minutes long! As you can imagine, there were no labels that took them on...except me of course! -
Audience 8.8 - Bright and very clean recording! -
Hard driving Dallas rock band that worked all the clubs back in the day (1972-1975) before changing their name to Brat and slowly moving into a different direction. Featuring the guitar pyrotechnics of Dickey Ferguson, who found a measure of success much later during his stint in US Kids. -
Soundboard 9.4 - What I find most appealing about this show is the mix, and how they do not bury the guitar which is what you might normally assume given the type of “top 40” music Annie wrote at the time. You will be pleasantly surprised to hear the guitar front and center, and actually pretty grungy sounding. -
Soundboard 9.6 - Amazing! -
Audience 8.3 - Some tinny highs but a good defined bass, so a complete sound spectrum present although I might roll off the highs and boost my mids for better listening. -
Audience 8.8 - A very direct and punchy recording that delivers the music straight into your ears without passing through any air. As if you are sitting in front of the speaker as they play, nobody in front of you. It makes for a cool experience to hear this super intense band so intimately. -
Audience 8.7 - A strong and intense recording with a percussive tilt to it, so you get a very present and crisp drums and percussion. Everything else is also pretty clear but I would have liked guitars more up front but they are fine. This period of the band is exciting and intense, so if you love your progressive jazz hard rock played with fire and intensity that sometimes is off the charts this band is for you. -
Austin band that formed out of the ashes of The Cosmic Head Band circa 1976. These recordings took place over the course of a decade, in various garages, in sweltering heat amidst cases of Lone Star beer and cheap Mexican brick. The results, while a little rough around the edges, are pretty devastating. Twin guitar attack influenced by Rush, Wishbone Ash, Cream, Frank Marino, and Black Sabbath - loads of feedback, wah-wah, dirty and distorted garage acid prog psyche proto-metal. Cool! -
Audience 8.3 - This recording captures a medium to large hall atmosphere from maybe middle rows and is quite good under those circumstances. It actually lends a cool vibe to the show, despite that naturally huge reverb going on. Oh, if you are unfamiliar with them, here’s the deal: GREAT hard and heavy jazz rock leaning towards rock with a very quirky singer. Once you get used to him, you are LOVING this band. -
Audience 8.6 - A little bit thin as far as this recording goes in that it could use a little more bottom end but that is not a deal breaker because it is not a “shrill” thin, just could use more lows. That being said, there’s a lot to chew on with this show. Great performance, good quality, so just be aware the singer requires some getting used to! Have fun. -
Formed in 1972, Hands were originally called Ibis, and then a series of name changes which eventually led to Prism, which they were widely known as, until things got serious. With the production of high quality studio demos, they were forced to change names again, this time for good - with the name HANDS. These early recordings capture them at a time before the studio quality demos, when they were still working small clubs and colleges and playing a lot of covers (albeit very interesting ones). -
Audience 8.9 - Very strong, clear, and dynamic recording.