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Disc 1 Soundboard 8.8 - This sounds like it could be from a television special as it has that telltale compression, and to my ears it sounds dated but in a cool way. A little narrow but clear and retains a sharpness, so you get every nuance of guitar but at the expense of any real bottom end – still is very good for the early vintage. Disc 2 Soundboard 9.6 except last two songs Audience 9.2 - This disc showcases some of the very best stuff I’ve heard, really a joy and fine quality too. Disc 3 SDBRD 9.7 - I hate to say it, but this is almost too good. At times though, guitar is mixed a little low, but it seems it’s only when he is on a certain setting on his guitar for whatever reason. Mostly it’s mixed real well. The audio fidelity is crystal clear, I think it needs more atmosphere…although to be fair Roy’s guitar creates that in spades. Roy Buchanan Live History 1972-1987 Disc 1 The Crossroads Bladensburg, MD April 17, 1972 01. -Them Changes 02. -Sweet Dreams 03. -Johnny B Goode 04. -Down By The River 05. -Roy's Bluz (My Soul Died Last Friday) 06. -By the Time I Get To Phoenix Fillmore East 1971 07. -Bill Graham introduces Nils Lofgren 08. -Shotgun 09. -The Messiah Will Come Again Disc 2 1974-09-13 Ebbett's Field, Denver, Colorado 1. Too Many Drivers 2. Reelin' and Rockin' 3. My Soul Died Last Friday 4. You Don't Love Me 5. CC Rider 6. I Hear You Knockin' 7. Honky Tonk 8. The Messiah Armadillo World Headquarters Austin, TX September 2, 1978 9. -Instrumental 10. -Sunshine Of Your Love 11. -Instrumental 12. -Instrumental Toad's Place New Haven, CT January 20, 1981 13. -Audience 14. -Roy's Bluz (My Soul Died Last Friday) Disc 3 Rockefeller's Houston, Texas February 5, 1987 01 -Instrumental 02 -Peter Gunn - guitar intro 03 -When a Guitar Plays the Blues 04 -Can't Judge a Book 05 -Beer Drinkin' Woman - Down By the River intro 06 -Down By the River 07 -Green Onions 08 -Sunshine of Your Love 09 -Hey Joe - Purple Haze 10 -Short Fuse 11 -Green Onions 12 -Blues Instrumental - When a Guitar Plays the Blues 13 -Can't Judge a Book 14 -Beer Drinkin' Woman -
Audience 8.7 - I think this is an onstage recording, the audience sounds distant from the atmosphere as opposed to the band which sounds VERY close to the mic. It sounds like the mic is placed near the drummer and Roy’s amp, not the house mains (vocals are very low). This could also actually be a board tape, sometimes you get all the instruments and vocals are nonexistent because they are pushed exclusively through the main P.A. and the instruments usually have their own amplification. It’s hard to tell – sometimes you will swear this is a board tape, and other times a stage recording. It’s pretty good, a little muck in the middle when loud but mostly very good on your ears. -
Audience 9.1 -
Audience 7.6 -
Audience 9.5 - If the date of this show looks familiar, it’s because she’s opening for Black Sabbath! Now, while this music is a product of its time, it is not to say that it’s not worthy of examination – I’ll be the first to say I love this stuff. First, it’s just kick ass rock and roll, with loads of hooks and even though the majority of the song structures are standard barre chord blues-based riff rock, they have put enough creativity in them to make you take notice. Ruby is best known for being stage mates with Jim Dandy in Black Oak Arkansas, but whatever she learned from him she has taken very good notes and delivers primo stadium caliber boogie. Great “saucy” voice too! Ruby Starr and Grey Ghost Long Beach Arena Long Beach, CA September 7, 1975 01 You Need a Chain 02 Sweet Sweet Sweet 03 Long Wait 04 Let Your Love Drift Away 05 Money 06 Wall to Wall 07 I'll Come Back 08 Living Proof 09 Top Me Off With All Of Your Love -
Audience 8.8 -
FM Broadcast 9.0 - There’s not much information as to what this is exactly, but to me it sounds like a live in studio thing. It’s pretty cool actually. -
Audience 9.2 - I love how this sounds! Geddy is so clear, the sound is very comfortable to my ears and I just love how the drums and bass are distinct – especially the bass because my gosh Geddy is such a badass and so on point here. This is kind of a historic gig in as way most would not even notice. 30 years prior to this date was the last time Rush played the Allentown Fair, and they played a few songs not yet released…welp, fast forward 30 years and they do the same thing here! How cool is that? One other personal detail that struck me was how the performance took me back to around 1979, I felt the performance and atmosphere, along with how the tape itself was recorded, all for some reason made me, at times, think this sounded like the late 70's. Rush The Great Allentown Fair Allentown, PA 2010-08-31 Disc One 1. The Real History of Rush (5:41) 2. The Spirit of Radio (5:24) 3. Time Stand Still (5:24) 4. Presto (6:26) 5. Stick It Out (4:36) 6. Workin' Them Angels (5:00) 7. Leave That Thing Alone (5:33) 8. Faithless (6:05) 9. BU2B (4:31) 10. Freewill (5:41) 11. Marathon (6:43) 12. Subdivisions (5:58) ~Intermission~ Disc Two 1. The Real History of Rush (3:17) 2. Tom Sawyer (4:58) 3. Red Barchetta (7:03) 4. YYZ (4:41) 5. Limelight (4:33) 6. The Camera Eye (10:17) 7. Witch Hunt (4:47) 8. Vital Signs (5:18) Disc Three 1. Caravan (5:52) 2. Love 4 Sale (7:54) 3. Closer to the Heart (5:11) 4. 2112 (7:03) 5. Far Cry (6:41) ~Encore~ 6. La Villa Strangiato (7:41) 7. Working Man (6:28) 8. Slappa Da Baas (6:28) -
Audience 8.4 - This is a case of a show, actually let me re-phrase that, this WAS a show that many collectors lamented as being a superb performance marred by very marginal sound quality. Not anymore! Friends, this new direct from master source and re-mastered version of this totally excellent gig is simply a joy to get to listen to in this improved quality. Not that it is astounding, in fact it still has issues, but the jump from what it was (about a 7.3) to what it is now is too great an improvement to not shower heaps of praise upon it. Note: It doesn’t get good until about halfway through the first song, then there is a little cut in the tape, and then it gets noticeably better and better. -
Audience 9.6 - Been looking for a great sounding 1981 show? Yeah, me too. Now, I am happy to say we have found it. This is as good as you would ever hope for, spacious and warm, with plenty of headroom to increase your volume, tone, whatever you want and it just gets better. Hasn’t left my player in a week. Rush Anaheim Convention Center Anaheim, CA June 12, 1981 Disc 1 01 2112 Overture 02 The Temples of Syrinx 03 Freewill 04 Limelight 05 Hemispheres Prelude 06 Beneath, Between & Behind 07 The Camera Eye 08 YYZ 09 Drum Solo 10 Broon's Bane 11 The Trees 12 Xanadu 13 The Spirit of Radio Disc 2 14 Red Barchetta 15 Closer to the Heart 16 Tom Sawyer 17 Vital Signs 18 Natural Science 19 Working Man 20 Hemispheres Armageddon 21 By-Tor and the Snow Dog 22 In the End 23 In the Mood 24 2112 Grand Finale 25 La Villa Strangiato -
Audience 8.9 - A very well balanced recording with lovely high end and a smoothness that is nice on your ears. The band is relaxed and having a great show. Band name: Rush Date: February 24, 1994 Venue: The Omni Location: Atlanta, Georgia, USA Tour name: Counterparts Disc 1 (63:09) Intro/Dreamline The Spirit Of Radio The Analog Kid Cold Fire Time Stands Still Nobody's Hero Roll The Bones Animate Stick It Out Double Agent Limelight Disc 2 (62:12) Mystic Rhythms Closer To The Heart Show Don't Tell Leave That Thing Alone The Rhythm Method The Trees Xanadu Hemispheres: Prelude Tom Sawyer Force Ten YYZ -
Audience 8.6 - I wanted to give this a better rating, and truth is it ain’t bad, but it is a little distant and the music lacks punch. It is clear enough though, and audience actually helps propel the energy level up a notch. Austin music fans are always up for a great concert and really show their enthusiasm. Also, I think the set list around this time was put together very well and flows nicely. Rush Date: January 30, 1988 Location: Erwin Special Events Center, Austin, Texas, USA DISC 1: 01 - The Big Money 5:46 02 - Subdivisions 5:30 03 - Limelight 5:03 04 - Marathon 7:05 05 - Turn The Page 4:51 06 - Prime Mover 5:34 07 - Manhattan Project 5:16 08 - Closer To The Heart 4:41 09 - Red Sector A 5:30 10 - Force Ten 4:54 11 - Time Stand Still 5:27 12 - Distant Early Warning 6:32 DISC 2: 01 - Lock And Key 6:45 02 - Mission 5:44 03 - Territories 6:16 04 - YYZ 2:40 05 - The Rhythm Method 1:24 06 - Red Lenses 0:27 07 - The Spirit of Radio 4:59 08 - Tom Sawyer 5:33 09 - 2112 6:10 10 - La Villa Strangiato 5:25 11 - In The Mood 2:49 -
Audience 8.7 - Nothing offensive here, a capture with more than enough headroom to EQ to taste, which shows me the tapers knew what they were doing with the levels. Thank you. -
Audience 8.4 - A tape that I am sure has slipped through the cracks and has been forgotten by collectors when I don’t think it ought to be. It’s surely not the greatest recording, and it’s also not nearly the worst – but it’s from a really great period and tour, some of the best moments for Rush seemed to occur on the European leg of the 1979 tour. You can listen to the infamous Offenbach or Pink Pop tapes as proof, but this forgotten old tape, having been dusted off and given a fresh re-mastering, is ready to be added to your collection. Rush May 18, 1979 Poperinge, Belgium 01 - Anthem 4:20 02 - A Passage To Bangkok 4:04 03 - Bytor And The Snowdog 5:43 04 - Xanadu 12:26 05 - The Trees 5:31 06 - Hemispheres 20:20 07 - Closer To The Heart 3:17 -
Audience 7.4 - A scratchy, distant, and cluttered recording of an energetic show (band and audience). Is it worth getting? It’s on the ragged edge if you ask me, but as a completist you will find that it is not unlistenable muck, thankfully. It is interesting to hear a veteran touring band giving it 100% effort even if the city is other than New York, LA or Chicago. Just another tour stop, in the deep south no less, but there’s Rush giving their fans their all, night after night. God Bless Rush! -
Audience 7.2 - A rare show, but sadly no Necromancer. -
Soundboard 9.9 - The rating says it all. You all know I do not easily give ratings that top 9.8, so it has to be really special to get something like this. An excellent soundboard is not enough, in this case the source is from a multi track soundboard so it was recorded with intent and not for reference only. Rush National Exhibition Centre Birmingham, U.K. 04-23-88 Disc One: 1. Three Stooges Intro 0:52 2. The Big Money 5:57 3. Subdivisions 5:23 4. Marathon 6:32 5. Turn The Page 4:42 6. Prime Mover 5:33 7. Manhattan Project 5:10 8. Closer To The Heart 4:32 9. Red Sector A 5:11 10. Force Ten 4:55 11. Time Stand Still 5:11 12. Distant Early Warning 5:15 Disc Two: 1. Lock And Key 6:34 2. Mission 5:41 3. Territories 6:20 4. YYZ 3:18 5. The Rhythm Method 4:37 6. The Spirit Of Radio 4:59 7. Tom Sawyer 5:38 8. 2112: Overture/The Temples of Syrinx 5:33 9. La Villa Strangiato 5:27 10. In The Mood 3:11 -
Audience 8.6 - Taped by the same person using the same gear so there is only minor differences between these shows which are related specifically to position, and it sounds like taper was in roughly the same general position for each show. Very consistent throughout, although just to be super detailed I have to prefer the second show which seems to be slightly closer to my ears. The quality is very clear, leans towards the upper end of the sound spectrum but not too harsh, only to the point I think you could add some bass and that would really allow these shows to satisfy. They are all very good, bass would put them into the great category. Rush May 14, 1983 National Exhibition Centre, Birmingham, England DISC 1: 01 - 3 Stooges Intro 0:47 02 - The Spirit of Radio 4:37 03 - Tom Sawyer 5:10 04 - Freewill 5:28 05 - Digital Man 6:40 06 - Subdivisions 5:25 07 - Vital Signs 5:11 08 - The Camera Eye 6:58 09 - Closer To The Heart 3:20 10 - The Analog Kid 4:51 11 - Broon's Bane 1:33 12 - The Trees 4:26 13 - Red Barchetta 6:28 DISC 2: 01 - The Weapon 8:00 02 - New World Man 4:01 03 - Limelight 4:43 04 - Countdown 5:55 05 - 2112 Temples Of Syrinx 6:24 06 - Xanadu 2:28 07 - La Villa Strangiato 3:32 08 - In The Mood 3:59 09 - YYZ / Drum Solo 11:08 -
Audience 8.6 - Taped by the same person using the same gear so there is only minor differences between these shows which are related specifically to position, and it sounds like taper was in roughly the same general position for each show. Very consistent throughout, although just to be super detailed I have to prefer the second show which seems to be slightly closer to my ears. The quality is very clear, leans towards the upper end of the sound spectrum but not too harsh, only to the point I think you could add some bass and that would really allow these shows to satisfy. They are all very good, bass would put them into the great category. Rush May 15, 1983 National Exhibition Centre, Birmingham, England DISC 1: 01 - 3 Stooges Intro 0:43 02 - The Spirit of Radio 4:44 03 - Tom Sawyer 5:12 04 - Freewill 5:28 05 - Digital Man 6:46 06 - Subdivisions 5:29 07 - Vital Signs 5:16 08 - The Camera Eye 7:01 09 - Closer To The Heart 3:18 10 - The Analog Kid 4:50 11 - Broon's Bane 1:33 12 - The Trees 4:24 13 - Red Barchetta 6:19 DISC 2: 01 - The Weapon 8:14 02 - New World Man 4:00 03 - Limelight 4:37 04 - Countdown 6:00 05 - 2112 Temples Of Syrinx 6:22 06 - Xanadu 2:31 07 - La Villa Strangiato 3:28 08 - In The Mood 3:17 09 - YYZ / Drum Solo 10:47 -
Audience 8.6 - Taped by the same person using the same gear so there is only minor differences between these shows which are related specifically to position, and it sounds like taper was in roughly the same general position for each show. Very consistent throughout, although just to be super detailed I have to prefer the second show which seems to be slightly closer to my ears. The quality is very clear, leans towards the upper end of the sound spectrum but not too harsh, only to the point I think you could add some bass and that would really allow these shows to satisfy. They are all very good, bass would put them into the great category. Rush May 22, 1983 National Exhibition Centre, Birmingham, England DISC 1: 01 - 3 Stooges Intro 0:47 02 - The Spirit of Radio 4:37 03 - Tom Sawyer 5:10 04 - Freewill 5:28 05 - Digital Man 6:40 06 - Subdivisions 5:25 07 - Vital Signs 5:11 08 - The Camera Eye 6:58 09 - Closer To The Heart 3:20 10 - The Analog Kid 4:51 11 - Broon's Bane 1:33 12 - The Trees 4:26 13 - Red Barchetta 6:28 DISC 2: 01 - The Weapon 8:00 02 - New World Man 4:01 03 - Limelight 4:43 04 - Countdown 5:55 05 - 2112 Temples Of Syrinx 6:24 06 - Xanadu 2:28 07 - La Villa Strangiato 3:32 08 - In The Mood 3:59 09 - YYZ / Drum Solo 11:08 -
Audience 9.7 - One of those recordings that validate my argument that some audience tapes are superior to soundboards. Lush and warm, with great atmosphere and precision detail. Wowsers! -
Audience 8.8 - This is a very decent tape, with a few minor cuts that do not ruin it at all, but the atmosphere and crispness of the tape is refreshing and makes for a most enjoyable listen. It’s wide open to where you can feel yourself in the seat as the music washes over you. Great job taper! Boston Garden Boston, Mass. December 6, 1982 disc 1 54:40 1: spirit of radio 2: Tom Sawyer 3: free will 4: digital man 5: subdivisions 6: vital signs 7: the camera eye 8: closer to the heart 9: chemistry 5:09 10: the analog kid disc 2 60:32 12: (guitar solo) Broon's Bane > the trees 13: red barchetta 14: the weapon 15: new world man 16: limelight 17: countdown 18: 2112: Overture > the temples of Syrinx > Xanadu > La Villa Strangiato medley 19: in the mood 20: YYZ with drum solo -
Audience 8.9 - A beautifully warm, tight sound. Great capture here! -
Audience 9.0 - A sweet, warm, and spacious (mostly) recording that came out of nowhere. First of all, it’s already a rarity to find a tape of Rush from the UK, second, it’s a great vintage. The show? Awesome! This is, quite simply, a must have. Rush - Freewill And A Broken String Time: 68:00, 49:09 Date: November 2, 1981 Location: Brighton Conference Center, Brighton, England DISC 1: 01 - 2112 6:44 02 - Freewill 5:56 03 - Limelight 4:50 04 - Hemispheres: Prelude 4:24 05 - Beneath, Between, Behind 2:38 06 - Subdivisions 4:56 07 - The Camera Eye 10:58 08 - YYZ / Drum Solo 8:39 09 - Broon's Bane 1:37 10 - The Trees 4:37 11 - Xanadu 12:42 DISC 2: 01 - The Spirit of Radio 5:54 02 - Red Barchetta 6:44 03 - Closer To The Heart 3:42 04 - Tom Sawyer 4:59 05 - Vital Signs 5:09 06 - Working Man 1:30 07 - Hemispheres Armageddon 0:53 08 - Bytor And The Snowdog 4:06 09 - In The End 1:44 10 - In The Mood 1:36 11 - 2112 Finale 2:45 12 - La Villa Strangiato 10:07 -
Audience 8.6 - A recording that is very clear but dangerously close to being too crisp on the highs…but thankfully it doesn’t sizzle and ruin anything. It’s still very good – might could use more thickness, but you will probably be able to enjoy this show and certainly are welcome to boost the low end which will help. RUSH Date: April 18, 1994 Location: Buffalo Memorial Auditorium Buffalo, New York, USA DISC 1 Intro 1:10 Dreamline 4:58 The Spirit of Radio 4:56 The Analog Kid 5:47 Cold Fire 4:57 Time Stand Still 5:51 Nobody's Hero 5:21 Roll The Bones 6:09 Animate 7:54 Stick It Out 5:13 Double Agent 4:55 DISC 2 Limelight 4:33 Mystic Rhythms 5:57 Closer to the Heart 5:35 Show Don't Tell 5:25 Leave That Thing Alone 5:54 The Rhythm Method 7:12 The Trees 5:21 Xanadu 6:32 Hemispheres: Prelude 4:16 Tom Sawyer 5:29 Force Ten 4:41 YYZ 3:23 -
Audience 8.7 - Respectable capture, not mindblowing but still very enjoyable. Does not hurt my ears! -
Audience 8.7 - Pretty straightforward recording, has good center balance, good mix, everything loud and clear and makes for a pretty enjoyable listen. -
Soundboard 9.8 - Damn near perfection here. There are a couple of very desirable boards from this tour and this, by far, is one of them. Grab it! Rush Blockbuster Pavilion Charlotte, North Carolina June 14, 1992 DISC 1 01 - Force Ten 5:01 02 - Limelight 4:21 03 - Freewill 4:04 04 - Distant Early Warning 4:26 05 - Time Stand Still 6:16 06 - Dreamline 5:07 07 - Bravado 6:53 08 - Roll The Bones 6:06 09 - Show Don't Tell 6:17 10 - The Big Money 6:30 11 - Ghost Of A Chance 5:32 DISC 2 01 - Vital Signs 4:52 02 - The Analog Kid 5:24 03 - The Trees 5:12 04 - Where's My Thing 5:28 05 - The Rhythm Method 7:46 06 - Closer To The Heart 4:43 07 - Xanadu 6:39 08 - Superconductor 5:07 09 - Tom Sawyer 6:03 10 - The Spirit Of Radio 4:50 11 - 2112 Overture 1:28 -
Audience 9.0 -
Audience 8.7 - A little lack of definition in the bottom, but at least it has bottom end. There is also some atmosphere, so you feel the arena somewhat. A strong recording! -
Audience 8.8 - Pretty good sound especially if you want to focus on Geddy’s playing. -
Audience 9.1 - Guitar sounds hot, overall excellent live mix -
Soundboard 8.7 - An oldie but goodie – tape does show some age but it is a classic nonetheless. Bonus here is a rip from the first single released, quite rare actually. -
Audience 8.8 - This is what we all look forward to as Rush collectors, another great, and rare, Rush show from one of their best time periods. While not quite as clear as the Boston 79, this tape gives us a great aural spectrum for our ears to delight in. Bright, and plenty of good atmosphere while retaining a tight focus even in a large arena. Rush Richfield Coliseum Cleveland, OH. February 3, 1979 Disc 1 1. -Anthem 2. -A Passage To Bangkok 3. -By-Tor And The Snow Dog 4. -Xanadu 5. -Something for Nothing 6. -The Trees 7. -Cygnus X-1 8. -Hemispheres 9. -Closer to the Heart Disc 2 1. -Circumstances 2. -A Farewell to Kings 3. -La Villa Strangiato 4. -2112 5. -Working Man 6. -Bastille Day 7. -In the Mood 8. -Drum Solo -
Audience 9.2 - A lovely, spacious, almost elegant recording even though it is originating somewhere in the middle I would guess. The sound feels slightly above you, but it’s warm and pleasant. The only knock is that taper missed a little of a couple of songs due to hassles from security. I can forgive that, at least they didn’t seize his gear. Good job taper! RUSH November 4, 1996 Gund Arena Cleveland, OH, USA Disc 1 01 Intro 02 Dreamline 03 The Big Money 04 Driven 05 Half the World 06 Red Barchetta 07 Animate 08 Limbo 09 The Trees 10 Red Sector A 11 Virtuality Disc 2 12 Nobody's Hero 13 2112: Overture 14 2112: Temples of Syrinx 15 2112: Discovery 16 2112: Presentation 17 2112: Oracle-The Dream 18 2112: Soliloquy 19 2112: Grand Finale 20 Intro 21 Test For Echo 22 Subdivisions 23 Freewill Disc 3 24 Roll the Bones 25 Time and Motion 26 Leave That Thing Alone 27 Drum Solo 28 Natural Science 29 Force Ten 30 The Spirit of Radio 31 Tom Sawyer 32 YYZ 33 Cygnus X-1 -
RUSH Cow Palace, Daly City, CA May 24th 1984 THE BAND Geddy Lee vocals bass keyboards Alex Lifeson guitar Neil Peart drums SETLIST 1 -Intro 2 -The Spirit of Radio 3 -Subdivisions 4 -The Body Electric 5 -The Enemy Within 6 -(Count Floyd Intro) The Weapon 7 -Witch Hunt 8 -(Intro) New World Man 9 -Between the Wheels 10 -Red Barchetta 11 -Distant Early Warning 12 -Red Sector A 13 -Closer to the Heart 14 -Afterimage 15 -YYZ 16 -2112 The Temples of Syrinx 17 -Tom Sawyer 18 -Red Lenses 19 -Drum Solo 20 -Vital Signs 21 -Finding My Way 22 -In the MoodAudience 8.6 - A recording that is very clear and bright but lacks low end…but do not take that as saying this recording is too thin. It’s got just enough in the middle and bottom to allow you to attenuate the recording to your liking and in that regard you will find yourself going with this one often. It’s not a one and done show at all. GREAT find and appreciated a little bit more being that it’s a Grace Under Pressure tour gig which for some reason there’s not a plethora of excellent recordings from this tour. -
Audience 9.0 -
Audience 8.6 - OK, so this is one you might not be too familiar with, but it’s from ’79 so you know you gotta have it…so what’s the catch? Does it suck? Naw man, this recording actually captures THE EVENT in a way that sounds so realistic you’d think you were there. Now, here’s the catch – poor taper’s gear just was not quite up to the challenge of the volume and so there’s the little tiniest bit of distortion that affects one very narrow piece of the middle bandwidth that thankfully is not the annoying kind of distortion, it’s not a deal breaker. It does mean you may not wish to crank this up too loud as the louder it gets the more that frequency announces its presence to your ears. That being said, if you want complete immersion this tape provides it and then some. For that reason I think you have to dive in, I did and I really do appreciate this kind of tape. Rush Date: May 27, 1979 Location: Stadhalle, Erlangen, Germany DISC 1: 01 - Anthem 4:27 02 - A Passage To Bangkok 4:01 03 - Bytor And The Snowdog 5:27 04 - Xanadu 12:32 05 - The Trees 5:00 06 - Hemispheres 11:34 07 - Closer To The Heart 3:26 DISC 2: 01 - A Farewell To Kings 5:43 02 - La Villa Strangiato 10:09 03 - 2112 17:53 04 - Working Man 3:59 -
Audience 8.8 - What happens when you take an already good tape and make it better?....This....MAJOR UPGRADE! -
Audience 8.6 - Go ahead and crank this, the louder it gets the better it sounds. -
Audience 8.6 - Sometimes, a rating cannot reflect the magnitude of a recording. I can specifically say that this one is only an 8.6 in a sonic sense, which means it is very good and worthwhile, but man, let me tell you what this show REALLY is – it’s an 11. Why? Because this is, quite simply, Rush in an unbelievable fine form playing their (arguably) best stuff, and the recording has captured that and a very palpable atmosphere at the same time. A little clarity is lost in the bass/guitar separation as they seem to sound as one unit which is not such a bad thing as it creates a sonic roar, a lion’s roar it is too, but it does get a little crowded in that frequency range. But, it captures an amazing power those two had on stage, the sound is ferocious and menacing. -
Audience 7.5 - Some depth for a one dimensional middle of the stadium recording. Bass is in a good place, relatively clear but somewhat distant. -
Audience 6.6 – 7.0 - Noisy and one dimensional. The performance is special, Alex is inspired. There are moments of clarity on this tape, it is not complete garbage at all, but overall is not one of the best recordings out there. -
Audience 8.4 - Captures the PA sound in reasonable quality, as if you are midway back on floor, so you do get the special aspect, you get some hall verb for sure but I have heard worse. -
Audience 7.9 - Low levels but pretty clear when you turn it up. Some lack of distinction, but a straightforward audience recording with nothing to offend but not going to blow anyone away. -
Audience 9.4 - One of the most exciting tapes, the sound leaps at you in amazing clarity and detail where you just get the sense that you are right there watching the gig. Great job by the taper, wish I could thank them personally. -
Soundboard 9.8 -
Audience 8.1 - A low generation tape used for this source helps immensely, as it sounds maybe recorded from middle of the floor, but it is actually quite good, a recommended addition to your collection.