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Soundboard 8.7 - This is clear enough and is a board tape but my guess is that it is actually sourced from a line feed (video) because I do notice some compression on the signal. Still, it is highly enjoyable, getting ample amounts of bass, drums, and of course guitars (even some panning effects now and then, very cool). Capital Centre Landover, MD. August 12th 1978 Disc 1: 1. -Just What The Doctor Ordered (4:25) 2. -Yank Me, Crank Me (4:17) 3. -Dog Eat Dog (5:29) 4. -Free For All (5:24) 5. -Snakeskin Cowboys (5:00) 6. -Cat Scratch Fever (5:29) 7. -Need You Bad (5:23) 8. -Tight Spots (3:06) 9. -Name Your Poison (5:38) Disc 2: 1. -Wang Dang Sweet Poontang (6:05) 2. -Guitar Solo (6:11) 3. -Stormtroopin' (4:57) 4. -Stranglehold (10:46) 5. -Motor City Madhouse (9:13) 6. -Gonzo (6:35) -
Audience 8.3 - Do not let the low rating dissuade you from obtaining this show, because it is actually pretty clear and for this tour probably one of the better auds. It does lean toward low end, in a good way because it does not crowd everyone else out. Eddie is on fire and you hear him well, vocals and bass are solid (vox are a touch behind it all but still right there) so perhaps drums are the weakness but even then I can hear what he’s doing. Once your ears adjust, man this ain’t that bad. Van Halen Monday, April 14, 1980 MECCA Arena, Milwaukee, WI Disc 1 01 -Radio Promo 02 -Intro 03 -Romeo Delight 04 -Bottoms Up 05 -Runnin' With The Devil 06 -Tora Tora - Loss Of Control 07 -Take Your Whiskey Home 08 -Dance The Night Away 09 -Women In Love 10 -Jamie's Cryin' 11 -banter 12 -Feel Your Love Tonight Disc 2 13 -Bright Lights, Big City 14 -Atomic Punk 15 -And The Cradle Will Rock 16 -Light Up The Sky 17 -Guitar Solo 18 -Ain't Talkin' Bout Love -Encores- 19 -Applause 20 -Ice Cream Man 21 -You Really Got Me -
Soundboard 8.8 - Not too bad for a 48 year old tape. Does have some lack of clarity (minor) being old analog but for the most part I say dive right in because with this band…well the water is rather deep, and colorful. GONG 1972-12-14 Maison des Jeunes Rodez, France CD1 1. Gnome intro 2. Pot Head Pixies 3. Zero the Hero & the Witch's Spell 4. I am your Pussy 5. Why are we Sleeping? 6. Radio Gnome Invisible 7. I Feel so Lazy 8. It's The Time of Your Life CD2 1. Tropical Fish 2. Dreaming it 6:04 3. Flying Teapot 6:55 4. Flying Teapot pt. II 12:54 5. Flying Teapot pt. III 4:46 CD3 1. Lawrence The Alien 2. Blues For Findlay 3. Encore Jams lineup: Daevid Allen - voc, guitar, glissando guitar Shakti Yoni - space whispers & vocals Bloomdido Bad de Grass - sax, voc Hi T Moonweed - synth Francis Moze - bass Laurie Allan - drums -
Audience 8.6 - Very low gen (no noise) recording that is leaning much more towards the bright side, perhaps even a little bit crispy but a recording like this can be tuned to your liking. What prevents a recording from having any chance at all is muddiness, and thankfully there is no muddy quality to this tape. All in all, I have to rate this as a show that one notices first the performance (from the opening notes you know it is going to be a good one), and the ears do adjust to the concert hall sound very soon, notwithstanding the EXTREMELY excited audience…like, throughout the entire show. Can’t blame ‘em I guess, but damn let the band play! Rush Lakeland Civic Center Arena Lakeland, Florida, USA Sunday April 11th, 1982 Track List: Disc 1: 2112 (Overture/The Temples Of Syrinx) Freewill Limelight Beneath, Between & Behind Subdivisions (Early Version) The Camera Eye YYZ / drum solo Broon's Bane The Trees The Analog Kid (Early Version) Disc 2: The Spirit of Radio Red Barchetta Closer to the Heart Tom Sawyer Vital Signs Working Man Hemispheres (Armageddon) By-Tor & The Snow Dog In The End In The Mood 2112 (Grand Finale) La Villa Strangiato -
Audience 8.6 - Taped by the same person using the same gear so there is only minor differences between these shows which are related specifically to position, and it sounds like taper was in roughly the same general position for each show. Very consistent throughout, although just to be super detailed I have to prefer the second show which seems to be slightly closer to my ears. The quality is very clear, leans towards the upper end of the sound spectrum but not too harsh, only to the point I think you could add some bass and that would really allow these shows to satisfy. They are all very good, bass would put them into the great category. Rush May 22, 1983 National Exhibition Centre, Birmingham, England DISC 1: 01 - 3 Stooges Intro 0:47 02 - The Spirit of Radio 4:37 03 - Tom Sawyer 5:10 04 - Freewill 5:28 05 - Digital Man 6:40 06 - Subdivisions 5:25 07 - Vital Signs 5:11 08 - The Camera Eye 6:58 09 - Closer To The Heart 3:20 10 - The Analog Kid 4:51 11 - Broon's Bane 1:33 12 - The Trees 4:26 13 - Red Barchetta 6:28 DISC 2: 01 - The Weapon 8:00 02 - New World Man 4:01 03 - Limelight 4:43 04 - Countdown 5:55 05 - 2112 Temples Of Syrinx 6:24 06 - Xanadu 2:28 07 - La Villa Strangiato 3:32 08 - In The Mood 3:59 09 - YYZ / Drum Solo 11:08 -
Audience 8.6 - Taped by the same person using the same gear so there is only minor differences between these shows which are related specifically to position, and it sounds like taper was in roughly the same general position for each show. Very consistent throughout, although just to be super detailed I have to prefer the second show which seems to be slightly closer to my ears. The quality is very clear, leans towards the upper end of the sound spectrum but not too harsh, only to the point I think you could add some bass and that would really allow these shows to satisfy. They are all very good, bass would put them into the great category. Rush May 15, 1983 National Exhibition Centre, Birmingham, England DISC 1: 01 - 3 Stooges Intro 0:43 02 - The Spirit of Radio 4:44 03 - Tom Sawyer 5:12 04 - Freewill 5:28 05 - Digital Man 6:46 06 - Subdivisions 5:29 07 - Vital Signs 5:16 08 - The Camera Eye 7:01 09 - Closer To The Heart 3:18 10 - The Analog Kid 4:50 11 - Broon's Bane 1:33 12 - The Trees 4:24 13 - Red Barchetta 6:19 DISC 2: 01 - The Weapon 8:14 02 - New World Man 4:00 03 - Limelight 4:37 04 - Countdown 6:00 05 - 2112 Temples Of Syrinx 6:22 06 - Xanadu 2:31 07 - La Villa Strangiato 3:28 08 - In The Mood 3:17 09 - YYZ / Drum Solo 10:47 -
Audience 8.6 - Taped by the same person using the same gear so there is only minor differences between these shows which are related specifically to position, and it sounds like taper was in roughly the same general position for each show. Very consistent throughout, although just to be super detailed I have to prefer the second show which seems to be slightly closer to my ears. The quality is very clear, leans towards the upper end of the sound spectrum but not too harsh, only to the point I think you could add some bass and that would really allow these shows to satisfy. They are all very good, bass would put them into the great category. Rush May 14, 1983 National Exhibition Centre, Birmingham, England DISC 1: 01 - 3 Stooges Intro 0:47 02 - The Spirit of Radio 4:37 03 - Tom Sawyer 5:10 04 - Freewill 5:28 05 - Digital Man 6:40 06 - Subdivisions 5:25 07 - Vital Signs 5:11 08 - The Camera Eye 6:58 09 - Closer To The Heart 3:20 10 - The Analog Kid 4:51 11 - Broon's Bane 1:33 12 - The Trees 4:26 13 - Red Barchetta 6:28 DISC 2: 01 - The Weapon 8:00 02 - New World Man 4:01 03 - Limelight 4:43 04 - Countdown 5:55 05 - 2112 Temples Of Syrinx 6:24 06 - Xanadu 2:28 07 - La Villa Strangiato 3:32 08 - In The Mood 3:59 09 - YYZ / Drum Solo 11:08 -
Audience 8.3 - What is happening with this tape is that the bass frequencies are too much for the microphone, and it causes some peaking (not pure distortion, just level peak). On the plus side, it’s relatively open in all the other frequencies, meaning you can actually listen to this show and once your ears sort of adjust to the limitations, it’s not that bad. I would still call this one for hardcore collectors only though, even when there is a shortage of 1979 tapes. On a personal note, I listened to the entire show and liked it, I think it has a place in the collection. Van Halen Northlands Coliseum Edmonton, AB, Canada September 18, 1979 Disc 1 1. Light Up The Sky 6:39 2. Somebody Get Me A Doctor / Drum Solo 4:20 3. Runnin' With The Devil 4:29 4. Dance The Night Away 3:25 5. Beautiful Girls 3:31 6. DLR Talking 5:03 7. On Fire 6:13 8. You're No Good 3:56 9. Jamie's Cryin' 3:21 10. More DLR Talking 3:38 (includes "Eyes of the Night" tease) Disc 2 11. Feel Your Love Tonight 5:14 12. Outta Love Again 6:28 13. Ice Cream Man 7:10 14. Ain't Talkin' 'Bout Love 10:05 15. Eddie's Guitar Solo 8:41 16. You Really Got Me 9:11 -
Audience 8.5 - A thin-ish recording, but it is pretty clear and thus can be appreciated. It’s a really fine performance too. Genesis Ambassador Theatre St. Louis, MO April 23, 1976 01 Dance On A Volcano 02 Lamb Lies Down On Broadway 03 Fly On A Windshield 04 Carpet Crawlers 05 Cinema Show 06 Robbery, Assault And Battery 07 White Mountain 08 Firth Of Fifth 09 Entangled 10 Squonk 11 Supper’s Ready 12 I Know What I Like 13 Los Endos 14 It > Watcher Of The Skies -
Audience 8.6 - Small club vibe and really good sound with an emphasis on percussion clarity and presence. Recording leans to the mid and upper end but it’s not too brittle there, so it’s very comfortable but can use some added low end anyway. Aside from that, this is quite good. Psychedelic Furs Punto a Capo, Budria, Italy June 8, 1984 Band line-up Richard Butler – vocals John Ashton – guitar Tim Butler – bass guitar Keith Forsey – drums, percussion Total Time = 83:22 Disc 1 01 Love My Way 02 Pretty In Pink 03 Here Come Cowboys 04 My Time 05 President Gas 06 Sleep Comes Down 07 The Ghost In You 08 Heaven -- tape flip -- 09 Angels Disc 2 10 Sister Europe 11 Alice's House 12 Heartbeat 13 Forever Now 14 Imitation Of Christ 15 Into You Like A Train 16 India The Psychedelic Furs are an English rock band founded in 1977. Led by singer Richard Butler and his brother Tim Butler on bass. The Psychedelic Furs are one of the many acts spawned from the British post-punk scene. Their debut album was in 1980. But in 1982, the band were reduced to a four-piece. The Furs did find success in the US with their next release, 1981's Talk Talk Talk, which included the original version of "Pretty in Pink", which was later re-recorded for the 1986 movie soundtrack "Pretty in Pink". This movie would help launch Molly Ringwald's acting career. -
Soundboard 9.1 - This mix favors Mick Jagger, but I like the very lifelike feel of it overall. It’s not super well separated but everything can be heard well enough and that includes the piano (although horns are pushed back), and Mick Taylor is especially present when he solos (an added bonus!). There is no doubt that this recording must be present in every Rolling Stones fan’s collection. The Rolling Stones Philadelphia Specialties Plus Spectrum Sports Arena Philadelphia,Pennsilvania 20th & 21st July 1972 CD ONE 01 Brown Sugar July 21st early show 02 Bitch July 21st early show 03 Rocks Off July 21st early show 04 Gimme Shelter July 21st early show 05 Happy July 21st early show 06 Tumbling Dice July 21st early show 07 Love In Vain July 21st early show 08 Sweet Virginia July 20th only show 09 You Can't Always Get What You Want July 21st early show 10 All Down The Line July 21st early show CD TWO 01 Midnight Rambler July 21st late show 02 Band introduction 03 Bye Bye Johnny July 21st late show 04 Rip This Joint July 21st late show 05 Jumping Jack Flash July 21st late show 06 Street Fighting Man July 21st late show 07 Uptight - Satisfaction July 20th only show 08 Dead Flowers 09 Don`t Lie To Me 10 Honky Tonk Woman 11 Loving Cup 12 Torn And Frayed 13 Ventilator Blues 14 Sweet Black Angel CD TWO: Tracks 8 (First show), 9 (Second show), 14 (First show - audience recording) Tarrant County Convention Centar, Fort Worth, Texas 24th June 1972 Tracks 10, 11, 12, 13 Pacific Coliseum, Vancouver, Canada 3rd June 1972 (Audience recording) -
Soundboard 9.2 - A warm sounding tape, very punchy where it needs to be, maybe if I can complain about anything it would be in the relative sterility of it but that’s a soundboard’s Achilles heel isn’t it ? I’d recommend this to anyone, it is what we like to call “a keeper” for sure! Disc 1 1-1 Subdivisions 1-2 The Body Electric 1-3 The Enemy Within 1-4 The Weapon 1-5 Witch Hunt 1-6 New World Man 1-7 Between The Wheels 1-8 Red Barchetta Disc 2 2-1 Distant Early Warning 2-2 Red Sector A 2-3 Closer To The Heart 2-4 YYZ 2-5 Drum Solo 2-6 YYZ (Cont.) 2-7 Temples Of Syrinx 2-8 Tom Sawyer 2-9 Red Lenses Notes: Live at Neil Blaisdell Center, Honolulu, Hawaii, USA 25th November 1984 [STEREO SOUNBOARD] (noiseless!) The last show of Grace Under Pressure Tour -
Audience 8.6 - A recording that is very clear but dangerously close to being too crisp on the highs…but thankfully it doesn’t sizzle and ruin anything. It’s still very good – might could use more thickness, but you will probably be able to enjoy this show and certainly are welcome to boost the low end which will help. RUSH Date: April 18, 1994 Location: Buffalo Memorial Auditorium Buffalo, New York, USA DISC 1 Intro 1:10 Dreamline 4:58 The Spirit of Radio 4:56 The Analog Kid 5:47 Cold Fire 4:57 Time Stand Still 5:51 Nobody's Hero 5:21 Roll The Bones 6:09 Animate 7:54 Stick It Out 5:13 Double Agent 4:55 DISC 2 Limelight 4:33 Mystic Rhythms 5:57 Closer to the Heart 5:35 Show Don't Tell 5:25 Leave That Thing Alone 5:54 The Rhythm Method 7:12 The Trees 5:21 Xanadu 6:32 Hemispheres: Prelude 4:16 Tom Sawyer 5:29 Force Ten 4:41 YYZ 3:23 -
Audience 8.9 - A very well balanced recording with lovely high end and a smoothness that is nice on your ears. The band is relaxed and having a great show. Band name: Rush Date: February 24, 1994 Venue: The Omni Location: Atlanta, Georgia, USA Tour name: Counterparts Disc 1 (63:09) Intro/Dreamline The Spirit Of Radio The Analog Kid Cold Fire Time Stands Still Nobody's Hero Roll The Bones Animate Stick It Out Double Agent Limelight Disc 2 (62:12) Mystic Rhythms Closer To The Heart Show Don't Tell Leave That Thing Alone The Rhythm Method The Trees Xanadu Hemispheres: Prelude Tom Sawyer Force Ten YYZ -
Audience 8.3 - Not recorded from the best vantage point on the best gear, but taper made the best of it, and it gets incrementally better from the time where he moves to a better spot (closer). Tape has all the hallmarks of a large stadium, loud rock concert, the regular deal…not going to blow anyone away. Now that I’ve said that, there’s some good news! Yup – Pete is playing great and he is the clearest sounding, followed by Roger, and the bass has a good, deep, rumbling growl that comes through (NOT boomy!). If this tape had been boomy, I would have rated it in the upper 7’s. The Who Sports Arena, San Diego, CA October 7, 1976 Band line-up Roger Daltrey - lead vocals, harmonica Pete Townshend - guitar, vocals John Entwistle - bass, vocals Keith Moon - drums, vocals Total Time = 01:39:56 Disc 1 01 I Can't Explain 02 Substitute 03 My Wife 04 Baba O'Riley 05 Squeeze Box 06 Behind Blue Eyes 07 Dreaming From the Waist 08 Magic Bus 09 Amazing Journey 10 Sparks Disc 2 11 The Acid Queen 12 Fiddle About 13 Pinball Wizard 14 I'm Free 15 Tommy's Holiday Camp 16 We're Not Gonna Take It 17 See Me, Feel Me 18 Summertime Blues 19 My Generation 20 Join Together 21 My Generation Blues 22 Won't Get Fooled Again Show comments: The Who/Mother's Finest For this Who show, the realistic recorder was used. First song, first row behind the stage looking at Keiths Moon’s back. Track two starts and I’m looking for a better recording position. The stage has typical left and right arrays but there was also an extra array on the right side facing the stage. Strangely not one to the left side. I parked myself in front of it which was basically just above me. On minor movement towards the center of the arena on the right side to avoid two chicks with whistles and the remaining show was recorded in that position. -
Audience 8.8 - I can’t fault this too much even though it is not a tape without a certain sonic limitation – but it’s not enough of a fault to be critical of what is a fantastic performance paired with a warm, energy filled tape. It’s a great capture that barely holds the intensity before it begins to break-up, albeit only slightly, as the volume overwhelms the microphone. Is that bad? Normally it spells disaster if the recording equipment is, say, a realistic or some no-name generic piece of crap but this taper is obviously using high end stuff. The point at which volume and intensity causes normal gear to fail only slightly bother this set-up. So, I recommend it as one of the better 1976 tapes out there. It’s simply great and you’ll love it. YES 1976-07-22 PNE Coliseum Vancouver, British Columbia Canada DISC 1 1.01 Siberian Khatru (9.45) 1.02 Sound Chaser (10.32) 1.03 I've Seen All Good People (6.50) 1.04 The Gates Of Delirium (21.11) 1.05 Long Distance Runaround (2.41) 1.06 Keyboard Solo (5.16) DISC 2 2.01 The Clap (4.55) 2.02 Harp Solo (4.01) 2.03 Heart Of The Sunrise (10.29) 2.04 Ritual (27.18) 2.05 Roundabout (8.49)