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PRO STUDIO 9.3 - One of the best I have come across, a great selection of tracks and some I’d never heard before. Excellent! -
FM Broadcast 9.0 - There’s not much information as to what this is exactly, but to me it sounds like a live in studio thing. It’s pretty cool actually. -
Soundboard 9.1 - I love this one, great performance and great atmosphere. The band must have recorded a lot of shows on this tour, maybe they were trying to get the penultimate show on tape for the Live Lotus LP release. -
Soundboard 9.4 - Incendiary is all I can say to describe this. High level guitar going on, be prepared for off the charts shred before shred was even a thing. -
Audience 6.8 - A little boomy, present guitar but low vocals. -
Soundboard 9.8 - Simply fantastic! A MUST!!!! -
The 2017 show is an Audience 8.7 - Decent but not showing a lot of dynamics / The 2018 show is Soundboard 9.4 and the star of this set. -
Pro Studio Quality -
Sale!
Audience 7.5 - A tape that struggles to get better, like you keep expecting it to suddenly open up because it isn’t bad once the taper gets his levels set. It maybe hovers too close to the bottom, but you get the sounds of everything on stage, maybe vocals a little behind the mix but so what? It’s Gentle Giant, you want the music parts mainly. I think fans can appreciate this early gig. -
Audience 8.6 -
Disc 1: The Bronx 1971 - Audience 8.3 - A huge upgrade to the old tape we know and love. It has been carefully remastered, speed corrected as well, and now is better than ever. Disc 2: Birmingham 1972 - Audience 7.1 - A rare find, but not the best quality. This too has been remastered and is now listenable and worth the price of admission for the very rare inclusion of the track After Forever. -
FM Broadcast 8.8 - A terrific slice of power pop played by perhaps the best ever in the genre. All the songs are killer - no filler, a band at the height of their powers. -
Soundboard 9.6 - From the very first notes, you know this one is going to be one helluva ride, and it delivers! -
Soundboard 8.9 - Hard to find anything to complain about when it comes to listening to vintage Kiss board tapes, that is, if you are like me and grew up with Kiss. Believe it or not, Kiss displayed very competent musicianship back in these days. -
Audience 8.5 - Starts off a little funky as the taper gets in position but slowly develops into a very good and clear recording for the duration. The audience is golden, very respectful and this makes for a better overall experience too. -
Audience 8.6 - This is a guitar-fest right here, the sound mix allows Jeff’s sound to cut through the bass which, if you have been collecting much BBA, you know bass is almost always WAY too loud! Well, it is understandable I guess, but this show features a more democratic mix and you will REALLY enjoy it for that reason alone. Besides for that, it’s a good show, the band sounds like they might not be beating the shit out of each other backstage…ahem. -
Audience 7.8 - The better between the two Paris 1977 shows in my opinion. -
Audience 7.7 - Ever wonder what the opening act was like? OK, so this is a great example of that – a band that opened for Jethro Tull in 1970 and someone recorded them. Are they good? They are very competent and it’s easy to see why they got the slot. The recording is kind of one-dimensional but sufficient to allow you to hear it all, with clarity, just not a lot of dynamics. This is probably the only existing live recording of them so it’s worth grabbing. -
Pro Studio and Live 9.0 - Consistent, with some obvious age related issues present on some cuts but overall pretty much in the pocket. -
Audience 9.0 - A very “present” recording, meaning the audio captured on this tape sounds remarkably realistic which is ideal for a live recording. Love it! -
Audience 8.7 - Right in your face, loud and clear, which is appropriate for this hard hitting style of rock and roll. -
SDBRD 9.2 - Must be in every fans collection but if it isn’t, go for it because it’s one of the best shows ever! Disc two is also SDBRD but I rate it a solid 8.9 as it is not as crisp, but it’s still great stuff. -
Pro Studio 9.2 - Minimalism never sounded so catastrophic! But it’s cool in a subversive kind of way. -
Audience 8.2 - What does this tape offer? Unequaled tension, suspense, musicianship, mood, and satisfaction. Is it the best quality? No, but you can clearly hear every instrument, and I will take an 8.2 Crimson over 98% of anyone else in a heartbeat. This music is just brilliant and intense. -
Audience 8.4 - This is a recording that is hard to figure out because on the one hand it could also be taped in a television studio which is my hunch. The tapers and those around them can be heard between songs but settle down once the music starts, it kind of adds a lot to the atmosphere. That being said, this is still pretty good, and what a gig, really, I mean amazing! -
Pro Studio 9.7 and SDBRD 9.4 - Only the cleanest and best source material is used in this set. I would recommend this as a good starting point for a 70’s era Jeff Beck collector. -
Radio Broadcast 9.7 - Great job on the recording by the station. -
Audience 8.4 - Tapers sitting kind of close it seems, and the recorder admirably managed to prevent too much over-saturation although there is a touch of it and the instrumentation gets cluttered up in the middle a bit at full volume. Overall this is simply a wonderful document of a band that seems to be very comfortable with the material (obviously) and firing on all cylinders. -
SDBRD 8.8 - A solid one, albeit there’s some tape hiss present, and vocals are a little muddied in the mix but it’s still a really good and anyone can appreciate. -
Audience 9.0 - This rating is representing a lot more than strictly audio fidelity, because truth be told it’s more of an 8.7 for sound, but the show, and the crowd, and the atmosphere…simply incredible! It’s also important to note that this show is the last live recording of Bon Scott. -
Audience 7.8 - A recording that slowly gets a little better after the first song or two but I have to tell you – for historical purposes this recording is the first time Brian Johnson appears on tape with the band (live, not studio). I think he does a fine job filling the spot too, but that’s up to every fan to decide. -
Audience 9.0 - The recording levels are a bit low, but there’s plenty enough headroom in the recording to allow max volume and it sounds killer.