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Soundboard 9.4 - FM broadcast very high quality, low generation. -
Radio Broadcast 8.7 - The organ sounds killer on this. Vocals up front, mixed for radio. -
Multiple sources used to make up this first volume of the 70’s series. * The first is a really cool 1967 show that is professionally recorded in an amateur fashion. So, yes, a pro recording but whoever engineered it was slow on the uptake, levels are peaked, the mix is funky, oh well, it could have been much better but for a super early Spirit show this is PURE GOLD and the surprise is how jazzy they are here. * The second disc comes from another early gig (1969) from Seattle and is Audience 8.3 for the clarity but has some hiss, and is not exactly hi-fi but you can hear everything very nicely and clear, pretty much, maybe vocals are a little buried but that is all. * Disc 3 is the continuation of the previous plus begins the Chicago 1975 gig (Disc 4) which is Soundboard 8.8 and has lovely atmosphere, and I think it is in stereo, or at least the way it is panned, mimics a stereo effect. -
Pro Soundboard 9.3 -
Audience 9.0 - Very present and clear guitar! The whole band sounds great – this is a great tape! -
Audience 8.1 - Not that bad, but vocals a little back, and some tape distortion in the mid band somewhere that does not bother but it is there lurking. The Mellotron adds a nice sweeping atmosphere. Bonus disc - Audience 7.0 - Presents occasional tape flaws, so is something for collectors only. Spirit My Father's Place Old Roslyn, New York August 8th 1976, 1st and 2nd shows Disc 1 1st Show 01. Nature's Way 02. Veruska 03. Little Time To Fly 04. Like A Rolling Stone 05. Farther Along 06. Mr Skin 07. Stoney Night 08. Fresh Garbage 09. World Eat World Dog 10. 1984 11. It's All The Same 12. I Got A Line On You 13. Animal Zoo 14, Hey Joe Disc 2 2nd Show 01. Prelude - Nothing To Hide 02. Nature's Way 03. Like A Rolling Stone 04. World Eat World Dog 05. Mr Skin 06. Farther Along 07. Stoney Night 08. Mega Star 09. I Got A Line On You 10. Reelin' In The Night 11. Dark Eyed Woman 12. 1984 Original reunion with Neil Young, Santa Monica, Ca., August 28 1976 13. Just Like Thumb's Blues 14. Like A Rolling Stone -
Audience 8.3 -
Audience 7.9 - A delightful tape, rather warm and intimate although not super bright and clear. It still works, it has that vibe and emotional thing happening. -
CD 1 - Audience 8.8 / CD 2 - Audience 7.7 / CD 3 - Audience 7.2 / CD 4 - Audience 8.3 Some tape problems persist but they are not severe and do not affect the tape or show for that matter, but for a minor faint pop type sound. -
FM Radio Broadcast 8.8 -
Audience 9.0 -
Audience 6.9–7.2 - Tries to get better, sometimes it does. It’s a genuine 1969 audience tape for sure, but at least I can actually hear the band, and like I said at times this rises up to maybe a 7.2. -
Soundboard 8.5 - It’s really hard to tell but I think it’s a board because of the way the sound is mixed. Vocals are way up front, and then they get pushed a little back, and there’s a lack of surrounding noise. There is some tape noise present. The audience noise you do hear sounds like it is picked up from one of the stage mics. -
Audience 8.6 -
Audience 7.6 - Guitar cuts through quite well on this one. DVD is pro shot from French TV 1970 and features the original band members. DVD is a real treat. -
Audience 7.7 - Bright, clear, some tape over-saturation is present but not from any low end, or even high end which is clear and intact, it’s from maybe a touch of overload due to volume and average microphone. A good tape though, even with the limitations. -
Audience 7.9 - Good for the time period. Sounds like taper had decent gear. A tad distant sounding but the frequencies are actually strong. This is not that bad. -
Audience 8.6 - Sourced from a 1st gen analog tape, this sounds surprisingly good for a pre-fame grunge band with questionable live mix sound. They really never had a good live sound until they got famous, but this qualifies as one of the “must have’s” of their early career -
Audience 9.0 - This recording has a good solid middle highlighting the musicianship of the band, possibly at the expense of Chris in the overall mix. Don’t let that stop you, by all means this is one to get. -
Audience 8.7 - Lacks maybe some good mid punch, lows are good, Chris sounds good, but honestly listening now it kind of haunts you. RIP Chris Cornell. -
Radio Broadcast 8.8 - Some age showing on the tape (hiss) but highly enjoyable. -
Audience 8.3 - A serviceable tape that presents a very round bottom end but has a good solid middle during less frenetic jams, and in turn this also reveals great snappy highs. What I think it is, it’s a loud kick drum that intrudes during active sections, not too badly, but it does push itself too far into the mix. Still GREAT stuff and highly recommended. -
Audience 7.2-7.6 - From various locations (taper tries very hard and sometimes moves equipment to a better spot, so quality varies). -
Soundboard 9.8 - Wow! Superb! -
Audience 7.2–8.2 - What you get here is a very raucous sounding tape because when the band is at full volume the recorder can’t deal with it so there’s some clutter and slight high end break up, but when the band is more low key, such as a straight blues number, it’s wonderful. The music? Off the hook jamming! -
Soundboard 8.8 -
Audience 8.4 - Not too bad, but not the perfect live mix. Still, seems like a somewhat professional recording or attempt was made here, as if the tapers set up a reel to reel with decent mics and perhaps their placement just wasn’t the best. -
Audience 8.2 - Good clear sound if a little distant and thin. Small complaint though, because it is not bad at all. -
Audience 8.4 - Punchy in the middle, how I like it! -
Audience 7.7 -
Soundboard 8.6 - A good tape if a touch flat at times. -
Soundboard 9.0 - A little bit of hiss in the background but otherwise a solid, and enjoyable one! -
Audience 8.8 - Taper had good gear for this one, you can tell there is some sense of space, and the music has a chance to float above you. A rather sweet recording. -
Soundboard 8.8 -
Soundboard 9.0 -
Audience 9.2 -
Audience 7.7 - While the ratings may show this to be an average sounding tape, let me reveal my own bias for a moment. This is Rush’s best tour. You may argue with that, I mean, the previous two tours were pretty amazing too. I find the set list and performances of the Permanent Waves tour to be exceptional, and this show, while maybe not the best of the lot, does reveal yet more of the Rush mystique. A recording that requires 10 minutes to adjust to but eventually begins to sound pretty decent apart from a guitar that sits behind the action a little (except during solos). A little boomy but not a deal breaker. A good, not great, tape. -
Audience 8.6 - Sometimes, a rating cannot reflect the magnitude of a recording. I can specifically say that this one is only an 8.6 in a sonic sense, which means it is very good and worthwhile, but man, let me tell you what this show REALLY is – it’s an 11. Why? Because this is, quite simply, Rush in an unbelievable fine form playing their (arguably) best stuff, and the recording has captured that and a very palpable atmosphere at the same time. A little clarity is lost in the bass/guitar separation as they seem to sound as one unit which is not such a bad thing as it creates a sonic roar, a lion’s roar it is too, but it does get a little crowded in that frequency range. But, it captures an amazing power those two had on stage, the sound is ferocious and menacing. -
Audience 8.4 - This is a case of a show, actually let me re-phrase that, this WAS a show that many collectors lamented as being a superb performance marred by very marginal sound quality. Not anymore! Friends, this new direct from master source and re-mastered version of this totally excellent gig is simply a joy to get to listen to in this improved quality. Not that it is astounding, in fact it still has issues, but the jump from what it was (about a 7.3) to what it is now is too great an improvement to not shower heaps of praise upon it. Note: It doesn’t get good until about halfway through the first song, then there is a little cut in the tape, and then it gets noticeably better and better. -
Audience 7.6 - I have it in my mind to collect every single performance the band did in Toronto. That means I am gonna get some good, some bad, some in between. This is probably some in-between. Not horrible but not great either. Now, I will say this, let your ears adjust and you get a reasonably clear but phasing sound. Recorded from somewhere pretty well back of the auditorium, sounds like. -
Audience 9.1 - Incomplete show but man, get this one now! Superb capture with a good tight bass, some airiness in the drums but maintaining lovely timbre both high and low, guitar good but maybe just behind bass and drums…overall yeah this smokes! -
Audience 7.3 - Noisy, but a pretty huge bass crunch which will appeal to the those who like it heavier sounding. The size of the hall does confuse the frequencies and so you get too much mess in the middle and what not but you can hear this and get used to it and it will pull you in. A good performance! -
Audience 7.5 - Some depth for a one dimensional middle of the stadium recording. Bass is in a good place, relatively clear but somewhat distant. -
Audience 8.8 - A little bit one dimensional but at least that dimension is very good! Vocals a bit behind here, but only a little. Drums, guitar – aw yeah! -
Audience 8.7 - A little lack of definition in the bottom, but at least it has bottom end. There is also some atmosphere, so you feel the arena somewhat. A strong recording! -
Audience 8.8 - Not all the 2015 shows were recorded by folks who understand where to sit and how to get levels, these guys did, thank goodness!
