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Audience 7.8 - A MAJOR upgrade here folks! This recording used to suffer a horrible low mid range boom and muddiness that killed an otherwise decent tape and really good performance capture. Now, even though it is still roughly an average tape, it is minus that deal-breaking boom/mud in the middle. Apparently, the recording being in stereo, while mastering they found by moving it wider (stereo panning) they got the affected channel muted enough where it was crap sounding, but saved what music was there. It worked wonders. Now this tape is worth your time, so rediscover it today.
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Audience 8.4 - I expected more from a post 2000 audience recording, but this one is decend just seems to be toward the back of the hall. You do get all instruments, and mixed properly, with pretty much Eddie and DLR being the clearest and out front. Solos sound good as they seem to swirl around the room giving it a cool atmosphere. The show does seem to get better as it goes, might even boost the rating another .3 for the slight improvement.
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Audience/Soundboard - The Houston Music Hall tape is a 7.1 quality Audience. but it is a first generation and therefore does represent the best possible source of the concert that kicked off their 1979 tour. The bonus material is all Soundboard including the Bradford, UK. which does rate a solid 8.8 with signs of age, the US festival portion rates 9.7 being from a pristine condition transcription disc.
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Soundboard 8.8 - A loud board mix, with a little crispiness in the ultra high frequency but what this actually translates to as the show plays is CRUNCH factor which helps liven up what could have been a flat, lifeless board tape. The remastering helped because the levels were kind of low, and the bass needed to be dialed back just a tick, but just that light touch really made this tape a whole point better. Fantastic prime era Halen comin’ out yer speakers like lightning bolts. MUST HAVE!!!
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Audience 7.0 -7.3 - Why the funky rating? Because what started out as a dismal audience tape has slowly over the years morphed into a listenable show. Why would you care? Because 1978 shows KILL! If you loved and miss the vintage Eddie Van Halen signature between riff fills that he used to dish out effortlessly, than get this one because later he began relying too much on tried and true signature frills and less and less on inventing killer little hooky lead fills on the spot. This show has them, and you can hear them, and it’s weird because this tape has a very strange dynamic to it where the sound channel down the middle opens up enough to let Eddie’s sound permeate and even float around a little above the din of the bass and kick. So the re-mastering addressed some of that by dropping some of the low and low mid boom and attenuating the upper mids and highs with multi-band compression. It helped a lot. Still kind of rough but actually the show is so interesting and just enough above being not listenable that it will still suck you right in and you will actually play it all the way through. I promise that. I did, without regrets.
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Audience 7.8 - I can handle an average audience tape as long as the guitar is clear, and this one thankfully showcases guitar in the mix and man, I am glad because he is TEARING it up here! At times even the mix gets really good and clear, like the taper is maneuvering for better position so this is a strong 7.8.
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Audience 7.8 - Stadium sound all the way. Boomy and loud and CRAZY audience but damn, it’s hard not to love it. The good news here is the drums are defined and not just a sloppy boomy mess, the guitar slices through the mud and lands on your ears in the right spot, then Dave yelps, and does his thing. The end of Hot For Teacher when the drum solo starts the whole place goes bananas.
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Audience 8.2 - This is a very in demand show from this tour. Why? Because it is perhaps the best audience recording from 1984, but it is not perfect, it just has more great qualities than bad. I think the only knock is the absence of bottom end, but that is what an Equalizer is for. Get this and have fun!
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Early Soundboard 8.6 - High energy; it does get a little "hot" as far as the mix but it doesn't detract from the experience of hearing Van Halen in a small club playing their asses off before they hit the big time. Dave is in fine form, as always. A great gig, a very good recording, a great band at a great time. Highly recommended.
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Audience 8.4 - Man, what an amazing show this is! and not for the reasons you might think. I absolutely LOVE LOVE LOVE this BECAUSE OF THE AUDIENCE! Yes, it's so unique to find a show that I get into the crowd as much as the band. In this case, the band, as good as they are (and they are extremely pumped up as the crowd pushes them further and further every song), the audience is the real star of the show. I've just never heard anything like this - the recording is excellent, capturing the atmosphere and the audience very well - notice I did not say "the music" here? Really, I kid you not, this show is about the crowd and the band is just along for the ride. Incredible document. Wish I was there!
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This is an Audience recording, my rating is a 7.3 quality, not a bad show. It's got one thing I can appreciate, a lively atmosphere without being obnoxious and intrusive although I got to tell you, sometimes the audience makes the performance...want proof? Listen to the Madison Square Garden 1984 show - you can honestly say that the loud, obnoxious, and totally over the top crowd and atmosphere is what totally makes that show. I found myself more interested in the crowd believe it or not. I must offer that show in the future - seriously the audience is the best part even though the band is on fire and inspired by the crowd. This one is close to that mania, but nothing compares to that MSG show.