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All Pro Studio -
Audience 9.0 - A great recording that certainly gives you a good idea of what the ambience of the LA Forum was during that time period for an opening act! So, to be clear, it’s a somewhat sedate audience that allows you to hear pretty much every nuance. Shawn Phillips The Forum Inglewood, CA January 30, 1974 01 -Announcements, Millard Chatter and Tuning 02 -Song For Sagittarians 03 -Lookin' Up Lookin' Down 04 -Whaz' Zat 05 -Spaceman 06 -January First 07 -Bright White 08 -Moonshine 09 -She Was Waitin' for Her Mother... 10 -Keep On - Drum Solo 11 -Song For Mr. C -
M/M Brand New Never Played -
Shotgun were a 1970s rock band from Dallas. The band consisted of Guy Houston on drums, Hugh Coleman on bass, John Michael Soria on lead guitar, Russ Skarsten on keyboards, and Billy Metcalf on lead vocals. The band's 1976 album, recorded but never released, Dallasian Rock was remastered and reissued by ShroomAngel Records, in 2014. Reviewing the album for seaoftranquility.org, Pete Pardo awarded the album five stars and said: "This is incredible material that should have been huge back in the day, and the amazing thing is it still sounds fresh and exciting here in 2014. The ShroomAngel team have done a wonderful job on the remastering, so be prepared for a killer listening experience." -
Audience 7.4 and 8.4 -
CD issue of recordings originally released in 1978 and 1981. Import from Mexico, CD is new and never played housed in a slipcase. -
Audience 8.7 - Actually not bad but it’s very close to the main PA and thus loud and noisy. There’s an annoying frequency somewhere between the mid and high that needs to be compressed. At first I thought this was a soundboard, it might be mistaken for one. It’s so close to the speakers, I mean this recording puts you in the front row. I do like it despite my concerns. -
Audience 7.2–8.2 - What you get here is a very raucous sounding tape because when the band is at full volume the recorder can’t deal with it so there’s some clutter and slight high end break up, but when the band is more low key, such as a straight blues number, it’s wonderful. The music? Off the hook jamming! -
Soundboard 9.7 - Both as good as it gets. Pro all the way.…a must have! -
Audience 7.9 - Not the best sound mix here, and it kind of blasts through your speakers, but it’s rollicking good fun mate! -
Soundboard 8.7 - What we have here with these two shows are a couple of primitive soundboards, and by that I mean they may have run the sound through the board but what ended up on the tape is NOT what you would expect. It's not a manicured, expert mix and pristine sound, it's a very raw, brutal, loud, obnoxious, hellish, and violent turbulence of sound that somehow fits the vibe to a tee. This is Slayer, in 1985, and it sounds like it. Wonderful in its rawness, brutal in its aggressive sonic assault, and 100% vintage Slayer.
Slayer The Dawn Of Slayer Disc 1 Katwijk aan Zee, Netherlands May 31, 1985 1. Hell Awaits 2. Aggressive Perfector 3. Captor of Sin 4. The Final Command 5. Haunting the Chapel 6. Praise of Death 7. Fight Till Death 8. Necrophiliac 9. Black Magic 10. Die by the Sword 11. Crypts of Eternity 12. Hardening of the Arteries 13. The Antichrist 14. At Dawn They Sleep 15. Drum solo 16. Show No Mercy 17. Evil Has No Boundaries 18. Chemical Warfare Disc 2 Luttenberg, Netherlands June 2, 1985 1. Hell Awaits 2. Aggressive Perfector 3. Captor Of Sin 4. Fight 'Til Death 5. Kill Again 6. Haunting The Chapel 7. Necrophiliac 8. Black Magic 9. Die By The Sword Disc 3 10. Praise Of Death 11. The Final Command 12. Crypts Of Eternity 13. Hardening Of The Arteries 14. At Dawn They Sleep 15. Drum Solo 16. Show No Mercy 17. Evil Has No Boundaries 18. Chemical Warfare 19. Encore Break 20. The Antichrist -
Soundboard 9.8 - Wow! Superb! -
FM Broadcast 9.6 - Crystal clear, immaculate and precise, a joy to listen to!
SNACK Benefit Students Need Athletics, Culture & Kicks Grateful Dead, Tower of Power, Santana Doobie Brothers, Jefferson Starship, Joan Baez, Neil Young and Bob Dylan with Levon Helm, Garth Hudson, Rick Danko, Ben Keith, Tim Drummond Kezar Stadium San Francisco, CA. March 25, 1975 DISC I: Interviews w/Garcia & Paul Kantner (03-23 by James Cameron) * GRATEFUL DEAD - Intro by Bill Graham Blues For Allah Milkin' The Turkey Drums Milkin' The Turkey Blues For Allah ENCORE: Johnny B. Goode DISC II: TOWER OF POWER: Intro. Tis Is It Down To The Nightclub Walking In The Sand You're The Most You're Still A Young Man SANTANA: Intro.> Jam> Black Magic Woman> Gypsy Queen> Let The Children Play> Oye Como Va> Los Breos Soul Sacrifice DISC III: DOOBIE BROTHERS Jesus Is Just Alright' Neil's Fandango Take Me In Your Arms Black Water Workin' On You Without Love JEFFERSON STARSHIP Ride The Tiger Fast Buck Freddy Git Fiddler Play On Love Around The World Sweeter Than Honey DISC IV JEFFERSON STARSHIP (cont.) Somebody To Love Volunteers JOAN BAEZ I Shall Be Released Make It Through The Night Bridging The Gap Joe Hill All My Trials the Night They Drove Old Dixie Down A Hard Rain's A Gonna Fall Amazing Grace DISC V: NEIL YOUNG, BOB DYLAN, BEN KEITH, GARTH HUDSON, LEVON HELM, RICK DANKO, TIM DRUMMOND Are You ready For The Country? Ain't That A Lotta Love Lookin For A Love Loving You I Want You The Weight Helplesss Knockin' On The Dragon's Door
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CD issue of music originally released in 1982. Import from UK, CD is new and never played. -
Audience 8.3 - A serviceable tape that presents a very round bottom end but has a good solid middle during less frenetic jams, and in turn this also reveals great snappy highs. What I think it is, it’s a loud kick drum that intrudes during active sections, not too badly, but it does push itself too far into the mix. Still GREAT stuff and highly recommended. -
Four Discs of music that will melt your brain. All are either Very Good or Excellent quality, so it’s not a jarring experience to sit through all four discs, they have a certain continuity to them. I think this is a great time period of music and these guys were just on another level. It’s a fun thing to ponder, whether there are any bands that can do this sort of thing today – and the answer is “I really don’t think so”. SOFT MACHINE TIME TRIPS 1969-1972 Disc 1 Live at the Lyceum, London, October 5, 1969 Lineup Mike Ratledge – Lowery Organ, Piano Hugh Hopper – Bass (Fuzz Bass) Robert Wyatt – Drums, Vocals 1. Moon In June (17:45) 2. Facelift (4:43) 3. Eamonn Andrews (5:57) 4. Mousetrap-Noisette-Backwards-Mousetrap reprise (7:16) 5. Esther's Nosejob (11:27) Disc 2 6. improv - Facelift middle section reprise (3:50) 7. Dedicated To You But You Weren't Listening (0:21) 8. We Did It Again (3:38) 9. Noisette reprise (0:56) 1970-10-10 Ronnie Scott's Jazz Club London England Lineup Elton Dean - alto sax Hugh Hopper - bass Mike Ratledge - organ Robert Wyatt - drums, vocals 10. -Facelift 11. -Kings and Queens 12. -Virtually (pts.2 & 3) 13. -Slightly All The Time 14. -Eamonn Andrews 15. -Esther's Nose Job 16. -Fire Engine Passing with Bells Clanging - Pig - Orange Skin Food - A Door Opens and Closes - 10.30 Returns To The Bedroom (pt. 1) - Pigling Bland - Esther's Nose Job (reprise) - 10.30 Returns To The Bedroom (pt. 2) Disc 3 Casino Lido, Venice, Italy September 24, 1971 1. - Drop - MC - Out-Bloody-Rageous (20:57) 2. - All White Slightly All The Time - Plain Tiffs (21:22) Lineup Elton Dean - alto sax, saxello, fender rhodes electric piano Mike Ratledge - organ, fender rhodes electric piano Hugh Hopper - bass Phil Howard - drums Disc 4 Piper Club, Rome, Italy 24 April 1972 01 -All White - 7:47 02 -Slightly All The Time 1 - 8:39 03 -Slightly All The Time 2 - 3:36 04 -Drop - 5:56 05 -MC - 5:24 06 -Out-Bloody-Rageous - 14:00 07 -As If 1 - 1:01 08 -As If 2 - 0:50 09 -As If 3 - 3:33 10 -As If 4 - 5:19 11 -As If 5 - 0:26 12 -LBO - 9:04 13 -Pigling Bland - 5:04 Line Up: Mike Ratledge - organ, electric piano Hugh Hopper - bass Elton Dean - alto sax, saxello, electric piano John Marshall - drums -
Audience 7.2-7.6 - From various locations (taper tries very hard and sometimes moves equipment to a better spot, so quality varies). -
CD issued of post US ASIA recordings from 1986 and 1991. Music here is impeccably played and of epic quality both composition and fidelity. Magnificent music, well worth your consideration! Import from UK, CD is SEALED -
Soundboard 9.8 - Professionally recorded for release, the quality is as defined as you could hope for. Probably had to be somewhat challenging to mix, a band with three back-up singers and a lead singer, violinist, guitar/bass/drums, and keyboards. A lot to manage but an impeccable job for this show.Solstice 2Days Prog + 1 Festival Campo Sportivo Revislate, Novara, Italy September 4th, 2022
1. Shout 2. Guardian 3. Mount Ephraim 4. Light Up 5. Bulbug Tarang 6. Cheyenne 7. A New Day 8. Sacred Run -
Audience 8.8 - A rare treat! Two sets in a small venue in really good quality by a band that had tremendous potential. This is such a cool find, more like this please! Sopwith Camel 1973-07-14 Berkeley, California New Orleans House Set One 01. -Oriental Fantasy 02. -Sleazy Street 03. -Orange Peel 04. -Coke, Suede, & Waterbeds 05. -Hello, Hello 06. -Fazon 07. -Dancin' Wizard 08. -Astronaut Food 09. -...Brief Synthophonia 10. -Monkeys On The Moon Set Two 11. -Brief Synthophonia 12. ---band introductions-- 13. -Sneaky Smith 14. -Wham Bam, I'm A Smoky Ham 15. -Fazon 16. -Sleazy Street 17. -Hello, Hello 18. -Orange Peel 19. -Astronaut Food Total Time ::: 2:07:00 -
Radio Broadcast 8.8 - Some age showing on the tape (hiss) but highly enjoyable. -
Audience 9.0 - This recording has a good solid middle highlighting the musicianship of the band, possibly at the expense of Chris in the overall mix. Don’t let that stop you, by all means this is one to get. -
Audience 9.2 - Here we have a real treat for those who now realize what we had in our youths with the "Seattle Sound" as epitomized by Soundgarden, a sound that fit the times very appropriately. Now for the kicker: This show not only sounds great but has plenty of fun moments with Chris Cornell and the audience (I think he's a bit toasty on the potent German suds). What I liked most is the live sound here is mixed well for the guitars especially, only Chris gets a bit drowned out during the extreme volume heavier parts but overall it's hitting the sweet spot, at least for me.SOUNDGARDEN April 1, 1994 Musikhalle Frankfurt, Germany Disc 1 01. Night Surf (intro) 02. Jesus Christ Pose 03. Spoonman 04. Let Me Drown 05. Mailman 06. The Day I Tried To Live 07. My Wave 08. Room A Thousand Years Wide 09. Black Hole Sun 10. Searching With My Good Eye Closed - It's A Beautiful Day 11. Superunknown Disc 2 15 12. Rusty Cage 13. Half 14. Mind Riot 15. Fell On Black Days 16. Hands All Over 17. Kickstand 18. Like Suicide 19. Face Pollution 20. encore break 21. Somewhere 22. Head Down 23. Limo Wreck -
Studio Quality 9.3 - A nice assortment here, I really like the cover songs they played. I saw them a few times back in the day and I always thought they were one of the best representatives of grunge rock. Soundgarden Fresh Deadly Rarities 01. Toy Box - 5:42 02. Heretic - 3:48 03. Come Together (The Beatles cover) - 5:51 04. Fresh Deadly Roses - 4:53 05. Into The Void (Black Sabbath cover) - 6:37 06. Girl You Want (Devo cover) - 3:29 07. Stray Cat Blues (The Rolling Stones cover) - 4:46 08. She's A Politician (Devo cover) - 1:46 09. Cold Bitch - 5:01 10. Show Me - 2:49 11. Touch Me - 2:51 12. I Don't Care About You (Fear cover) - 1:54 13. Can You See Me (Jimi Hendrix cover) - 2:41 14. I Can't Give You Anything (The Ramones cover) - 2:15 15. Homicidal Suicidal (The Buzzcocks cover) - 4:21 16. She Likes Surprises - 3:17 17. Like Suicide (Acoustic) - 6:11 -
Audience 8.5 - Taken from the master source, this high energy show reveals a band on the rise. Captured from the balcony, the sound is pretty much what came from the house P.A. system and is, as could be expected, insanely loud and therefore not clear and distinct but certainly forceful and once the ears adjust, is pretty realistic. Coming from a master source, it is free of tape noise and other artifacts. -
Audience 8.5 - Taken from the master source, this high energy show reveals a band on the rise. Captured from the balcony, the sound is pretty much what came from the house P.A. system and is, as could be expected, insanely loud and therefore not clear and distinct but certainly forceful and once the ears adjust, is pretty realistic. Coming from a master source, it is free of tape noise and other artifacts. DVD - Shot on Hi8MM, the picture looks great! The angle is from the balcony, which was not that high or far from the stage so even though you are looking slightly down on top of the band, you see the entire stage and most of the audience on the floor without any interference. Camera occasionally zooms in, pans slightly, and at brief intervals goes slightly too high missing the front of the stage but I suppose that may have been due to the filmer trying to adjust.
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Audience 8.6 - The recording here leans toward the bright and trebly side but that lends an excellent opportunity to hear specifically what the guitar is doing, and the bass now has articulation so it’s not just a loud, dull rumble like most recordings tend to be with these blasting grunge bands. Chris sounds brilliant, and he’s maybe the clearest instrument on the stage too. Once you get used to the general timbre of the sound, it’s a fun, wild ride. -
Audience 8.9 - Both of these nights feature decent sound quality that also allows you to hear all of the instruments in a reasonably clear mix. This is hard to come by! The massive 30 song sets, the very good sound, the fact these are among the bands final shows…what more could you ask for? Soundgarden The Wiltern Los Angeles, CA. February 15, 2013 01 -Searching With My Good Eye Closed 02 -Attrition 03 -Let Me Drown 04 -Jesus Christ Pose 05 -Spoonman 06 -By Crooked Steps 07 -Rhinosaur 08 -Taree 09 -My Wave 10 -Been Away Too Long 11 -Worse Dreams 12 -Pretty Noose 13 -Burden in My Hand 14 -A Thousand Days Before 15 -Black Saturday 16 -Blow Up the Outside World 17 -Fell on Black Days 18 -Chris brings 11 year old kid onstage 19 -Fresh Tendrils 20 -New Damage 21 -Superunknown 22 -Live to Rise 23 -Non-State Actor 24 -Mailman 25 -Like Suicide 26 -encore break 27 -Outshined 28 -Rusty Cage 29 -Dusty 30 -Slaves & Bulldozers- (In My Time of Dying) The Wiltern Los Angeles, CA February 17, 2013 01 -Intro 02 -Incessant Mace 03 -My Wave 04 -Been Away Too Long 05 -Worse Dreams 06 -Jesus Christ Pose 07 -Flower 08 -Taree 09 -Spoonman 10 -By Crooked Steps 11 -Blind Dogs 12 -Rowing 13 -Non-State Actor 14 -Drawing Flies 15 -Hunted Down 16 -Black Saturday 17 -Bones of Birds 18 -Blow Up The Outside World 19 -Fell On Black Days 20 -Burden In My Hand 21 -A Thousand Days Before 22 -Blood On The Valley Floor 23 -Rusty Cage 24 -New Damage 25 -4th Of July 26 -encore break- 27 -Outshined 28 -Black Hole Sun 29 -Ty Cobb 30 -Slaves & Bulldozers-(In My Time of Dying) -
Audience 8.7 - Lacks maybe some good mid punch, lows are good, Chris sounds good, but honestly listening now it kind of haunts you. RIP Chris Cornell. -
Audience 8.6 - Sourced from a 1st gen analog tape, this sounds surprisingly good for a pre-fame grunge band with questionable live mix sound. They really never had a good live sound until they got famous, but this qualifies as one of the “must have’s” of their early career -
Audience 8.8 - This is a good capture that definitely helps you decipher what both guitars are doing, and that’s most welcome. Bass is sort of undefined but is holding down a good enough bottom end to help move this sound through your speakers. Soundgarden Rogers Arena Vancouver, BC July 29, 2011 Disc 1 01 -Crowd - Intro 02 -Searching With My Good Eye Closed 03 -Spoonman 04 -Gun 05 -Jesus Christ Pose 06 -Blow Up The Outside World 07 -The Day I Tried To Live 08 -My Wave 09 -Burden In My Hand 10 -Ugly Truth 11 -Fell On Black Days Disc 2 12 -Loud Love 13 -Drawing Flies 14 -Black Hole Sun 15 -Outshined 16 -Rusty Cage 17 -Superunknown 18 -4th Of July 19 -Band Intros 20 -Beyond The Wheel 21 -Mailman 22 -Slaves & Bulldozers Chris Cornell – lead vocals & rhythm guitar Kim Thayil – lead guitar Ben Shepherd – bass & backing vocals Matt Cameron – drums & backing vocals -
Unsure of year this was originally released but it came out in 2016 on Bad Omen Records. Import from UK, CD is SEALED -
Audience 7.9 - Good for the time period. Sounds like taper had decent gear. A tad distant sounding but the frequencies are actually strong. This is not that bad. -
Audience 9.4 - This is just one of those very lucky evenings where all the elements came together for a great result – good taper location, excellent house sound, excellent music performed. Each instrument is articulate and exists within its own frequency so there’s no overcrowding, it’s a joy to listen to! -
Audience 8.6 - A resurrected gem of a show, not killer sound as one might expect but it’s definitely not garbage. I started playing it and could not stop. It’s just one of those things that if you understand you are listening to something that should not exist in the first place, that sounds reasonably good given the time and circumstances, and delivers in every way for performance and historical accuracy (live performance being about the most realistic snapshot of a particular performer at that time) well then you will appreciate what this is. I know I do. SPIRIT Baltimore Civic Center, Maryland October 3, 1969 1. All The Same 2. Fresh Garbage 3. I'm Jealous 4. I’m Truckin’ 5. Mechanical World 6. I Got A Line On You Randy California - guitar, vocals Ed Cassidy - drums John Locke - keyboards Mark Andes - bass Jay Ferguson - vocals -
Audience 8.6 - Surprisingly decent, it’s got some “rattle and bones” but overall it is highly listenable with a good timbre to it. Anything from this period is welcome, and this old tape has not only survived the decades intact but delivers on the enjoyment meter considerably. The bonus tracks vary but are generally pretty good quality with the tell-tale sound of vinyl ever present throughout. No attempt was made to clean it up, this is due to the sensitive nature of the high end on these recordings, it would seem any real noise reduction or cleaning would compromise that. SPIRIT STADTTHEATER BASEL, SWITZERLAND MARCH 1ST 1970 1. -SWEET STELLA BABY 2. -1984 3. -IT'S ALL THE SAME 4. -FRESH GARBAGE 5. -JEALOUS 6. -IT SHALL BE 7. -POOR RICHARD 8. -GROUND HOG 9. -POLICEMAN'S BALL 10. -AREN'T YOU GLAD 11. -STOMP (DRUMS - BANTER) 12. -DARK EYED WOMAN 13. -UNCLE JACK 14. -MECHANICAL WORLD 15. -I GOT A LINE ON YOU ******* BONUS ******** From Spirit bootlegs LP & EP 01 -Taurus 02 -If I Had A Woman 03 -Darling 04 -Hey Joe 05 -Nobody Else 06 -(A bit of) Elijah "Spirit from the past" LP bootleg Rough demos for the first LP "Spirit" 1966 07 -Sweet Stella 08 -Aren't You Glad 09 -Fresh Garbage 10 -Jealous "Wholly Spirit" EP bootleg Part One Could be from the Lyceum,London 1970 -
Audience 8.6 - Clean, and solid dynamics make for a great listen. -
Audience 7.7 - Bright, clear, some tape over-saturation is present but not from any low end, or even high end which is clear and intact, it’s from maybe a touch of overload due to volume and average microphone. A good tape though, even with the limitations. -
Audience 9.0 - Before I first heard this I assumed it would be a tough listen based on other recordings from this venue. Well, I am very happy to report that my assumption was dead wrong! This is just a great, great recording for the time period. It does seem to be about midway back but this is not a liability in this situation because it seems to give an aura, a sense of time and place, with the ambience and natural echo (just a touch). I really love everything about this tape! Spirit Mammoth Gardens, Denver, Co June 5th, 1970 01. Decisions (by Gypsy) 02. Sweet Stella Baby 03. 1984 04. It's All The Same 05. Fresh Garbage 06. Unknown Instrumental 07. Jealous 08. It Shall Be > Poor Richard 09. Groundhog (incomplete) -
Soundboard 9.6 - A professionally recorded and mixed affair that was actually broadcast on the radio and it’s obvious as nobody would take the time and care to produce such a convincing live tape unless they had a good reason. The performance is marvelous, and the recording shimmers. A must have for Spirit fans! -
Pro Soundboard 9.3 -
Audience 7.9 - A delightful tape, rather warm and intimate although not super bright and clear. It still works, it has that vibe and emotional thing happening. -
Audience 8.6 -
Audience 9.0 -
Audience 9.0 - Very present and clear guitar! The whole band sounds great – this is a great tape! -
Audience 8.3 -
Various sources, all generally very good to excellent. Well worth picking this up. -
Audience 8.4 Audience 9.6 Audience 8.6 - I found the ’68 show to be surprisingly strong for the early vintage, a definite surprise even with some hiss present which could theoretically be mitigated with a re-master but you don’t want to sacrifice any highs as they are just hanging on at the upper end. The ’69 is the famous Texas Pop Festival and of course is the best sounding one, and finally the ’70 show which really surprised me, a tad distant from the stage but clear, and I rather enjoyed the live atmosphere. A great trifecta of early vintage Spirit! Whisky-A-Go-Go, Los Angeles, CA November 1968 ONE 1. It's All The Same 2. Fresh Garbage 3. New Dope In Town 4. Apple Orchad 5. Water Woman 6. Mechanical World TWO Texas Pop Festival Sept. 1, 1969 1. Fresh Garbage 2. Elijah 3. Improvisation 4. Ground Hog 5. Grammaphone Man 6. Dream Within A Dream 7. I Got A Line On You 8. Aren't You Glad THREE Mammoth Gardens, Denver, CO June 5-6, 1970 Setlist: 1. Sweet Stella Baby 2. 1984 3. It's All The Same 4. Fresh Garbage 5. Unknown Instrumental 6. Jealous 7. It Shall Be 8. Poor Richard 9. Groundhog