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Audience 8.8 -
Audience 8.0 - Reasonably clear but there’s that lack of wideness that characterizes a recording captured with condenser mics on cheap decks. But it is not bad for a 1972 recording at all. All can be heard! -
Audience 7.3 - A good remastering would help this one a lot. There is a lot to work with, Jeff is actually up front in the mix, followed by Rod Stewart. -
Audience 7.4 - Noisy recording from very close to stage, but it’s so raw and energetic you get sucked into it immediately. A jolly good show! Clear, loud, and tons of fun to listen to. -
Audience 7.1 - A mediocre recording with some tape hiss present, and bass distortion that is present but thankfully is very minimal. Guitar work is great and is not buried in the mix. With some remastering this could be a lot better. The performance is worth the price of admission- definitely one of his better shows. -
Audience 8.6 - Pretty hot levels on this one, but it is clear and good balance of instruments with plenty of low end and highs (slightly overloaded but not distorted). -
Audience 8.8 - Clean, good and punchy sound with plenty of hot, live atmosphere. On one or two songs Jeff’s solo gets lost, but it does return thankfully. -
Audience 8.8 - Spectacular live presence and good clear vibrant recording. -
Audience 8.6 - Good strong recording with a bit of atmosphere too. This is one you can sink your teeth (or ears) into. -
Audience 8.4 - Captures all the stage action with clarity but maybe not so much of the dynamics, so add just a pinch of your own Equalizer (maybe more bass) it will dramatically improve this already decent recording. -
Audience 7.7 - Suffers from a lack of clarity of instruments and a little bit of large hall echo, with bass being in the forefront but not a boomy bass so that is good. -
Radio Broadcast 8.8 - Very nice, with only maybe a little bit of that typical analog tape compression keeping anything from soaring too high. Anyway, it is delightful and sure to please. -
Audience 9.2 - A lot of dynamics and presence on this tape. -
Audience 8.6 - A solid large hall recording. -
Soundboard 8.8 - Very cool when you listen to these ’66 shows because to my ears this music really was the heart and soul of the hippie free love movement. Just incredible stuff. -
Audience 8.5 -
Audience 8.7 -
Radio Broadcast 8.3 - Somewhat hissy but MUCH better than the version that circulated before. Someone remastered this, thank goodness because it’s great but needed some work. -
First Show: Audience 7.3 / Second Show: Audience 7.9 - This one is much clearer, but both shows are going to be good for those who appreciate the pre-Deep Purple Tommy Bolin. -
Audience 7.2 - A reasonable rating and better at times. -
Audience 8.7 - A fascinating live document that showcases some amazing talents paired with Jack’s keen sense of songcraft on a night where all cylinders are firing. A great way to begin exploring the post Cream Jack Bruce if you have not done so already. The bonus material on disc 2 is equally fascinating, offering a sneak peak into the inner workings of Jack’s mind. Everyone can get into this power-packed set! -
Volume 1,2,3: BBC 1971-1978 – Pro Studio 9.8 (each Volume is individually housed in its separate gate-fold cover). From the moment the first track plays to the last, fasten your seat belts because it’s quite a ride! A MUST! -
Volume 3: BBC 1971-1978 – Pro Studio 9.8 From the moment the first track plays to the last, fasten your seat belts because it’s quite a ride! A MUST! -
Volume 2: BBC 1971-1978 – Pro Studio 9.8 From the moment the first track plays to the last, fasten your seat belts because it’s quite a ride! A MUST! -
Volume 1: BBC 1971-1978 - Pro Studio 9.8 From the moment the first track plays to the last, fasten your seat belts because it’s quite a ride! A MUST! -
Audience 7.7 - Some muddiness, but historically nothing short of astonishing! -
Audience 7.3 - The sound field just won’t open up no matter how much you hope it will. However, this tape holds some rewards if you hang in there, there’s enough head room to sweeten the sound with Equalizer, so it does need a little boost on the highs – the mids and lows are all there and are not super well defined nor are they too boomy or muddy. There’s some muddiness but it is not a deal breaker. This is a good historic artifact. -
Audience 8.8 - Sounds like a pro recording to me. A little remastering would have this officially releasable. -
Italy Prog Fest 1972: Volume 1,2,3 Audience 7.5 - The stuff that dreams are made of! How long I have waited for something like this to materialize. I mean, I have been listening to and collecting these bands for ages and now I get to hear a full on multi-artist concert experience by all of the era’s top artists at the zenith of the prog rock movement. How cool is that? What a set this is too! The quality of presentation equals the unquestionable importance of this as a document of an important time for rock music. Thank you to whoever recorded this, and thank you to whoever packaged the recording like this. -
Italy Prog Fest 1972: Volume 3 -
Italy Prog Fest 1972: Volume 2 -
Ital Prog Fest 1972: Volume 1 -
Audience 8.9 - Taper was seated 15 rows back so this recording gets you a good clear image of the event. Being an outdoor venue, there is occasional “wind” effect that does not really bother. A solid capture! -
Audience 8.7 - It’s hard to screw up a recording when you have good equipment and decent seats, unless you fall asleep and drop the recorder on the floor. This crew didn’t, and the results are very good to the ears. -
Volume 1,2,3: Oxford (3-9-82) / London (5-26-83) / Ipswich (9-18-84) All three shows are some of the best of the early 80’s recordings. -
Volume 3: Audience 8.2 - Ipswich (September 18, 1984) (All three shows are some of the best of the early 80’s recordings). -
Volume 2: Audience 8.4 - London (May 26, 1983) (All three shows are some of the best of the early 80’s recordings). -
Volume 1 - Audience 8.6 - Oxford (March 9, 1982) (All three shows are some of the best of the early 80’s recordings). -
Soundboard 9.6 - Darn is this great! ... the mix let’s you hear the lead work in fine detail. -
Audience 7.0 - Indispensable for the Iron Maiden collector. Is it perfect? No, far from it. This is one of the earliest recorded gigs that you can possibly HEAR. -
Demos 1980: Pro recording 8.2 - Some generations down, loss of bandwidth, but this is just fine and a welcomed bit of Iron Maiden history. Live Friday Rock Show Broadcast 1979: Pro recordings 9.4 - Crisp and bright, excellent! -
Audiece 7.0 - Loud and noisy, but Maiden fans know all too well the kind of lo-fi muddy sound most of the early recordings suffer from, that’s why this is welcome. It is not nearly as horrid as most, in fact in places this is actually pretty decent. You do get a great feel of the hall, and the energy level, and even though it is a tad crunchy you do get most of the band. -
Iron Maiden - Tour of Japan 1982: (complete set) Volume One: Audience 7.4 - Thankful for these Japanese tapers who had the best gear at the time. Reasonably clear if a little squashed, it nevertheless is way better than 85% of the early Maiden audience recordings. Volume Two: Audience 7.6 - Just a touch better than Volume one, suffers from the same limitations but has a slightly more open sound. Volume Three: Audience 8.4 - This is best of the tour by far. A great early audience recording...it’s clear and open sounding. Yes! -
Volume Three: Audience 8.4 - This is best of the tour by far. A great early audience recording it’s clear and open sounding. Yes! -
Volume Two: Audience 7.6 - Just a touch better than Volume one, suffers from the same limitations but has a slightly more open sound. -
Volume One: Audience 7.4 - Thankful for these Japanese tapers who had the best gear at the time. Reasonably clear if a little squashed, it nevertheless is way better than 85% of the early Maiden audience recordings. -
Audience 7.0 - Kind of like the Rainbow show, it is clear and one of the other decent early shows from an audience source. Again, not much bottom end here, but you can hear all instruments clearly. -
Audience 6.0 - Poor recording but it’s all we have. For collectors only.