• Soundboard 9.7 - A fantastically clear, bright and accurate recording of what can only be described as genius level “funk” and house party music with sporadic blazing electric guitar and hot ensemble jams…you have to give credit where it is due…man this cat could lay it down!  Great stuff. Prince Lovesexy Tour Rainbow Hall, Nagoya, JP 7th February 1989 Band : Prince (vox, guitar, piano), Sheila E. (drums, vox), Levi Seacer, Jr. (bass, vox), Miko Weaver (guitar, vox), Dr. Fink (keyboards), Boni Boyer (keyboards, vox), Eric Leeds (saxophone, flute), Atlanta Bliss (trumpet), Cat (dance, vox) Disc 1 01. Erotic City (intro) 02. Housequake (including Take The A-Train) 03. Slow Love 04. Adore 05. Delirious 06. Jack U Off 07. Sister 08. Do Me, Baby 09. Adore 10. I Wanna Be Your Lover (intro) 11. Head (including Murph Drag) 12. Girls And Boys 13. A Love Bizarre 14. When You Were Mine 15. Little Red Corvette 16. Controversy 17. U Got The Look 18. Superfunkycalifragisexy 19.Controversy 20. Bob George 21. Anna Stesia 22. Cross The Line Disc 2 01. Interlude 02. Eye No 03. Lovesexy 04. Glam Slam 05. The Cross 06. I Wish U Heaven 07. Kiss 08. Dance On 09. Sheila E Drum Solo (including Transmississippirap) [start piano set] 10. It Is No Secret What God Can Do - When 2 R In Love 11. Venus De Milo 12. Starfish And Coffee 13. Raspberry Beret 14. Strange Relationship 15. Chopsticks - With You - Under The Cherry Moon - Condition Of The Heart 16. International Lover [end piano set] 17. When 2 R In Love 18. Let's Go Crazy 19. When Doves Cry 20. Purple Rain 21. 1999  
  • Audience 8.3 - One of those tapes that captures the power of the band, but does not deliver crisp definition…that being said, you must listen to this all the way through. It’s been cleaned up as best as could be and it delivers MUCH more audio than it ever did before prior to modern mastering techniques.  A worthy addition to collections. When you arrive to the drum solo section, you will hear what this tape had the potential to present, it sounds great. Rush Winterland Arena, San Francisco, CA November 26, 1976 Band line-up Geddy Lee - bass, keyboards, vocals Alex Lifeson - guitar Neil Peart - drums Total Time = 40:07 01 Anthem 02 2112 03 Working Man 04 Finding My Way 05 Working Man 06 Drum Solo > Working Man 07 Fly By Night 08 In The Mood
  • Audience 8.4 - This is a classic example of the modern benefits of collecting music in the 21st Century: A tape that a decade ago would have been considered for completists only is now, after careful re-mastering. a worthwhile listen.  In comparing the original version, I find this one raises the rating a full half point at least. Behold, there is music here! ELP Palazzo Dello Sport Genova, Italy June 15, 1972 Disc 1 1. Tarkus 2. The Endless Enigma 3. Take A Pebble 4. Lucky Man Disc 2 5. Piano Improvisations - Take A Pebble 6. Pictures At An Exhibition 7. Rondo - America
  • Audience 8.4 - The same taping crew that did the Ozzy Osbourne, and it sounds very similar but maybe a touch clearer. It’s a pretty good effort, especially when you consider the year, and what I mean is that the tape recording equipment used during most of the 80’s did not usually produce anything to write home about. So, overall, this is a really decent early period Def Leppard recording. DEF LEPPARD Music Mountain South Fallsburg, NY. August 8th 1981 THE BAND Joe Elliott lead vocals backing vocals Steve Clark guitar backing vocals Pete Willis guitar backing vocals Rick Savage bass backing vocals Rick Allen drums backing vocals SETLIST 1 -Intro 2 -On Through the Night 3 -It Could Be You 4 -It Don't Matter 5 -Another Hit and Run 6 -Lady Strange 7 -Rock Brigade 8 -High 'N Dry (Saturday Night) 9 -Let It Go 10 -Wasted
  • Soundboard 9.0 - Interesting hearing this line up in such clarity,  it certainly allows you to make a better judgment on the music, which by the way is pretty damn good. It’s different, in some ways, but it is still very good. My advice is not to go into it thinking you are getting Black Sabbath – rather consider it a Tony Iommi side project, then it makes more sense and will grab you in a better way. Black Sabbath Monsters Of Rock Festival Arena Del Chionso Reggio Emilia, Italy 1992-09-12   1. Computer God 2. Children of the Sea 3. Time Machine 4. War Pigs 5. Master of Insanity/After All (The Dead) 6. Iron Man 7. Heaven and Hell  
  • Audience 8.4  - I think the draw is, when you are dealing with these old audience tapes that don’t have very wide dynamic range, is that as long as you get a solid guitar, and reasonable vocals, it’s going to appeal to collectors because what they want is the performance mainly – and I tend to agree because this is after all the peak period for the band. You can hear guitar, vocals, and keys in pretty decent clarity and forceful too – I see the value in this recording, a little rough around the edges when band is at full flight due to limitations with the recorder, but let me tell you I hung around, listened to the whole thing, and came away satisfied. It’s not too bad! Palasport, Genova, Italy March 11, 1973
    1. Intro
    2. Highway Star
    3. Smoke On The Water
    4. Strange Kind Of Woman
    5. Mary Long
    6. Keyboard Solo - Lazy
    7. Drum Solo - The Mule
    8. Space Truckin'
    9. Black Night
  • This is the follow up album to the recent reissue of Ruff Mix, the band's official studio offering released in 1975.  Culled from the band's personal archives, the music was saved from destruction (literally the master tapes burned in a fire and barely survived) and remixed to present a picture of the band just prior to recording Ruff Mix, and then a few years after its release. The CD features late guitarist Richard Heath (Oz Knozz, Lady Killer, Lic) on side 1 and Rick Wheeler on side 2.
  • Soundboard 9.5 - Pinpoint precision, that is how I describe this one. The band, the songs, the mix, the tone…so what I am saying is “it’s a good one”. Pine Knob, MI.  July 26, 1978 Disc 1
    1.  Song For America
    2.  Point Of Know Return
    3.  Paradox
    4.  Journey From Mariabronn
    5.  Mysteries And Mayhem
    6.  Lamplight Symphony
    7.  The Wall
    8.  Lonely Street
    9.  Dust In The Wind
    Disc 2
    1. Miracles Out Of Nowhere
    2.  Portrait (He Knew)
    3.  Carry On Wayward Son
    4.  Sparks Of The Tempest
    5.  Bringing It Back
    6.  Magnum Opus
  • Audience 8.3/8.4/8.8 - When listening to the first two discs, it would be easy to dismiss them right away as being inferior, but I encourage the listener to stick with them for a while. The first disc is not bad, the sound is loud and narrow but guitars and vocals are clear and extremely direct! That means you get to actually hear it, and it’s an early period gig in a small venue and these are few and far between. The second disc is a little further from the stage, but I get the music pretty well if somewhat noisily. Here the audio is reasonably balanced too, so drums very much there, as is guitar and vocals. I actually got into it once I adjusted. The third disc is the best of the three, with clarity and balance, and even some dynamic range. You can increase the volume and not damage your ear drums. All three discs are above average performances too, with the third disc being among the very best ever. A worthwhile collection here. MÖTLEY CRÜE Red Hot 1983-1985 Disc 1 1983-12-05 City Coliseum Austin, TX 01 -Shout At The Devil 02 -Bastard 03 -Take Me To The Top 04 -Ten Seconds To Love 05 -Merry-Go-Round 06 -Knock 'Em Dead, Kid 07 -Piece Of Your Action 08 -Too Young To Fall In Love 09 -God Bless The Children Of The Beast - Red Hot - Guitar Solo 10 -Looks That Kill 11 -Live Wire 12 -Helter Skelter 13 -Jailhouse Rock Disc 2 1984-02-05 Riverfront Coliseum Cincinnati, OH 01 -Intro - Shout At The Devil 02 -Take Me To The Top 03 -Knock 'Em Dead, Kid 04 -Too Young To Fall In Love 05 -Red Hot 06 -Piece Of Your Action 07 -Looks That Kill 08 -Live Wire 09 -Helter Skelter Disc 3 1984-01-30 Madison Square Garden New York, NY 01. -Shout At The Devil 02. -Take Me To The Top 03. -Knock 'Em Dead, Kid 04. -Too Young To Fall In Love 05. -Red Hot 06. -Guitar Solo 07. -Piece Of Your Action 08. -Looks That Kill 09. -Live Wire 10. -Helter Skelter Show Notes: After their gold album presentation the previous night, MÖTLEY CRÜE are awarded platinum albums onstage during their first ever show at the famous Madison Square Gardens in New York City. This is the band's first platinum award, as they have now sold over a million copies of Shout At The Devil. When Tommy walks into his condo with his gold and platinum awards for the first time after the tour, his girlfriend Candice throws a plate at him smashing the glass frame of his gold award, after she becomes jealous over a photo she found of Tommy with some girl. Nikki takes his awards with him to the island of Nantucket, MA where he plans on meeting some girls, one of them actress Demi Moore who is working on the movie set of One Crazy Summer. Demi also shared a similar childhood to Nikki in many ways, with her father leaving before she was born, then being around drinking, arguing and beatings, and moving home a ridiculous amount of times. She greets Nikki as the prop plane lands, who in a wasted state, falls down the plane's steps onto the tarmac, smashing a bottle of Jack Daniels from his hand while his awards hit him in the head. Having been through Alcoholics Anonymous herself, Demi suggests the program to Nikki, who learns of it for the first time.
  • Soundboard 9.3 & Audience 9.1  - The ’66 show is remarkably clear, they were smart enough to make sure to close mic the instruments! The ’73 show is famous for how good and clear it is for an audience tape. It’s very immersive, a great tape by all accounts. The Rolling Stones International Center Honolulu, Hawaii 7-28-66 Disc 1 1. Introduction - Not Fade Away 2. The Last Time 3. Paint It Black 4. Lady Jane 5. Mothers Little Helper 6. Get Off Of My Cloud 7. 19th Nervous Breakdown 8. Satisfaction - Outroduction HIC Arena Honolulu, HI 1973-01-21 09. Brown Sugar 10. Bitch 11. Rocks Off 12. Gimmie Shelter 13. It's All Over Now 14. Happy Disc 2 1. Tumbling Dice 2. Sweet Virgina 3. Dead Flowers 4. You Can't Always Get What You Want 5. All Down The Line 6. Midnight Rambler 7. Live With Me 8. Rip This Joint 9. Jumping Jack Flash 10. Street Fighting Man 11. Radio Ad Band Members: Mick Jagger- vocals, harmonica Keith Richards - guitar, vocals Mick Taylor - guitar Bill Wyman - bass Charlie Watts - drums Nicky Hopkins - piano, organ Bobby Keyes - saxophones Jim Price - trumpet, trombone
  • Radio Broadcast 9.1 - A fine document, if a touch dated, but either way it sounds warm and full. There’s a lot going on here, I can’t imagine trying to keep up with this pace on stage! Brand X 1977-09-28 Glass Onion Rochester, NY Disc 1: Early Show 1. Radio Intro/Disco Suicide 2. Why Should I Lend You Mine 3. Deadly Nightshade 4. Nightmare Patrol 5. Nuclear Burn Disc 2: Late Show 1. Disco Suicide 2. Earth Dance 3. Malaga Virgen 4. Access To Data 5. Why Should I lend You Mine 6. Deadly Nightshade John Goodsall - Guitar Percy Jones - Bass Robin Lumley - keyboards Morris Pert - Percussion Kenwood Dennard - Drums
  • Soundboard 9.5 - What is this and why had I never heard it before?  Damn! Look, stop whatever you are doing and just get this now. Terry Kath. Terry Kath. Terry Kath. This is his resume on tape. Not only is it a good board tape, but it specifically showcases Terry’s playing in a way you don’t often get on other tapes of a band with this range of equipment. I swear I can hear the pick on his strings. Damn this is a great show and damn did we lose one hell of a player in Terry Kath. Chicago Milwaukee Harbor Lakefront Milwaukee, WI. 1970-07-19 01 Introduction 02 South California Purples 03 25 or 6 to 4 04 Beginnings 05 Ballet For a Girl in Buchannon 06 I'm a Man Terry Kath: Guitar, vocals Peter Cetera: Bass, vocals Robert Lamm: Keyboards, vocals Lee Loughnane: Trumpet James Pankow: Trombone Walt Parazaider: Woodwinds Danny Seraphine: Drums
  • Soundboard 9.1 - In this recording, what you will notice right away is the massive sound that they dialed in for Charlie…very different but I like it!  The rest is OK, not as full bodied as I’d prefer it to be but it gets the job done. The Rolling Stones 1989 Tour Rehearsals Sullivan Stadium Foxboro, MA. 08-29-1989 Disc 1: 01-Start Me Up 02-Bitch 03-Shattered 04-Sad Sad Sad 05-Undercover of the Night 06-Harlem Shuffle 07-Miss You 08-Tumbling Dice 09-Ruby Tuesday 10-Play With Fire 11-Dead Flowers 12-One Hit (to the Body) 13-Mixed Emotions 14-Honky Tonk Woman 15-Rock and a Hard Place Disc 2: 01-Midnight Rambler 02-Can't Always Get What You Want 03-Little Red Rooster 04-Before They Make Me Run 05-Happy 06-Paint it Black 07-2000 Light Years From Home 08-Sympathy for the Devil 09-Gimme Shelter 10-It's Only Rock and Roll 11-Brown Sugar 12-Satisfaction 13-Jumpin' Jack Flash
  • Studio Quality 9.5 - A fine collection of alternate mixes with a few I’d never heard. You have to be pretty well versed to know what is different on some of these, but yeah, there’s different layers to explore. The Rolling Stones TRACK LIST: 1. Brown Sugar - 4:05 2. Brown Sugar - 3:43 3. Brown Sugar - 3:44 4. Sway - 3:23 5. Wild Horses - 5:21 6. Wild Horses - 5:39 7. Can't You Hear Me Knocking (Mick Taylor live) - 14:16 8. You Gotta Move - 2:29 9. Bitch - 3:28 10. Sister Morphine - 5:27 11. Dead Flowers (live, Leeds 1971) - 4:08 12. Bitch - 4:09 13. Brown Sugar - 3:46 14. Let it Rock (from the Spanish Sticky Fingers) - 2:44 (Playtime: 67:04 ) Studio alternate & early versions from the Sticky Fingers period. "Can't You Hear Me Knocking" is a Mick Taylor live version with Keith Richards recorded in New York '86.  
  • Audience 7.9-8.3 - A tape that starts rough and ends rough but in the middle it is actually not bad. This is a taper that made this an event, the evening was captured with a genuine excitement which is epitomized by the introduction to the show by taper. I love that stuff. I like this tape because I understand now – it transcends the necessity for perfection because it happened in real time for the people who made this tape and there’s a twinkle of magic because you suddenly, for a split second, become them during the show. I can’t really explain it, but something happened while listening that made me understand what I was listening to beyond a rating. Make sense? THE ROLLING STONES Boston Garden Boston MA. November 29th 1969 1st Show THE BAND Ian Stewart keyboards Mick Jagger lead vocals harmonica Keith Richards guitar lead and backing vocals Charlie Watts drums Mick Taylor guitar Bill Wyman bass guitar 1 -Dianne Intro 2 -Terry Ried 3 -Stones Intro 4 -Jumpin' Jack Flash 5 -Oh Carol 6 -Sympathy For The Devil 7 -Stray Cat Blues 8 -Love In Vain 9 -Prodigal Son 10 -Under My Thumb 11 -Midnight Rambler 12 -Live With Me 13 -Little Queenie 14 -(I Can't Get No) Satisfaction 15 -Honky Tonk Woman 16 -Street Fighting Man
  • Audience 8.5 - Here is perhaps one of the best captures from the tour (not quite as good as Oakland or LA but this tape has some real power).  This recording seems to be rather close to the PA, but there’s no distortion. Tape is not overly wide ranging from high to low but there’s plenty of meat and a good amount of dynamics nonetheless. Certainly this is one to get. The Rolling Stones 1969.11.11 Phoenix Coliseum Phoenix, Arizona 01. -Jumping Jack Flash 02. -Carol 03. -Sympathy For The Devil 04. -Stray Cat Blues 05. -Prodigal Son 06. -You Gotta Move 07. -Love In Vain 08. -Under My Thumb 09. -Midnight Rambler 10. -Live With Me 11. -Gimme Shelter 12. -Little Queenie 13. -Brown Sugar (*) (*) Live At Altamont Speedway 1969.12.06

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