• Soundboard 9.0 - A strong board that could have been maybe a little crisper, but since it is not super common I appreciate it very much. It does sound like either a lower gen tape or a remastering because when compared to the old CD title from which it has been designed after, it does sound less hissy and a little more dynamic. SANTANA THE SPECTRUM, PHILADELPHIA, PA FEBRUARY 26, 1973 Disc 1: 1. -Going Home - A-1 Funk - Every Step Of The Way 2. -Samba Pa Ti 3. -Look Up (To See What’s Coming Down) 4. -Just In Time To See The Sun 5. -Incident At Neshabur 6. -Bambele 7. -Stone Flower 8. -Batucada 9. -Xibaba (She-Ba-Ba) 10. -Stone Flower Total Time: 58:31 Disc 2: 11. -Waiting 12. -Castillos De Arena, Part 1 (Sand Castle) 13. -Free Angela - Aranjuez 14. -Mantra - Kyoto 15. -Mantra - Kyoto - Castillos De Arena, Part 2 (Sand Castle) - Earth 16. -Se A Cabo 17. -Savor 18. -Toussaint L’Overture Total Time: 47:17 Carlos Santana Jose “Chepito” Areas Tom Coster Richard Kermode James “Mingo” Lewis Armando Peraza Douglas Rauch Michael Shrieve
  • Audience 8.7 - Here we have another Lotus tour gig which is probably recorded during the same stretch of gigs we got the album from. That is interesting in and of itself, and while this recording is not pro, it does reveal the power of this band. The music is pretty forceful, not a wide or airy tape but pretty solid effort by the Japanese taper. A tape that has not seen much circulation at all. SANTANA Shi Kokaido NAGOYA JAPAN July 1st 1973 1. -Going Home - Introduction 2. -A-1 Funk 3. -Every Step Of The Way 4. -Black Magic Woman 5. -Gypsy Queen 6. -Oye Como Va 7. -Stone Flower 8. -Waiting 9. -Castillos De Arena Pt.1 10. -Free Angela 11. -Flor De Canela 12. -Samba De Sauselito 13. -Mantra - Kyoto 14. -Castillos De Arena Pt. 2 15. -Light Of Life 16. -Se A Cabo Carlos Santana Mike Shrieve Armando Peraza Doug Rauch Tom Coster Richard Kermode Jose Chepito Areas Leon Thomas
  • Audience 8.5 - A decent recording that stays pretty much in the middle of the spectrum in a mildly compressed fashion…so highs are not too high and lows are not boomy.  That does take away some of the dynamics of the sound, but at least you get reasonably decent sonic clarity. 10cc Venue: Koseinenkin Hall, Tokyo, Japan Date: 4 Oct 1977 Disc 1 1 -The Second Sitting For The Last supper 2 -You've Got a Cold 3 -Honeymoon With B Troop 4 -Wall Street Shuffle 5 -People In Love 6 -Band intro 7 -Art For Art's Sake 8 -Ships Don't Disappear In The Night (Do They) 9 -I'm Mandy Fly Me 10 -Marriage Bureau Rendezvous 11 -Good Morning Judge Disc 2 1 -Feel The Benefit 2 -Waterfall 3 -The Things We Do For Love 4 -I'm Not In Love 5 -Modern Man Blues Eric Stewart - Vocals, Guitar, Grand Piano & Keyboard Graham Gouldman - Vocals, Guitar & Bass Guitar Rick Fenn - Backing Vocals, Guitar & Bass Guitar Tony O'Malley - Backing Vocals (lead on AFAS), Piano & Keyboard Stuart Tosh - Backing vocals, Drums & Percussion Paul Burgess - Drums & Percussion
  • Soundboard 8.8 - A good live radio broadcast with emphasis on the guitar where it should be of course. Sound ranges towards treble and that gives guitar lots of bite, however everything else is right there.
  • Sale!

    FRANK ZAPPA – I Am The Clouds – Complete Set (8CD/4 Shows)

    Original price was: $90.00.Current price is: $85.00.
    Audio - Excellent! *  Sporthalle, Cologne, Germany (April 14, 1988) *  Carl-Diem-Halle, Wurzburg, Germany (April 22, 1988) *  Rudi-Sedimayer-Halle, Munchen, Germany (May 9, 1988) *  Mozartsaal, Mannheim, Germany (May 25, 1988) This sought after, complete set (all 4 shows) is extremely rare and a must have. You can also purchase each show individually.
  • The second CD released by the ShroomAngel label featuring vintage Hands studio recordings. These recordings make up what would have been the bands 2nd LP and date mainly from 1980. This is officially reissued by ShroomAngel Records.
  • Pro Audio 9.3 - This does not sound like a board tape, but does sound like a pro recording nevertheless as I am pretty sure it was broadcast in Japan.
  • Audience 8.7 - Is this the mother of Prince shows?  It very well could be just that. A marathon to begin with, but even better, the band and Prince are in spectacular form as an audience that has waited some 19 years for Prince to return to their city literally explode as one hurricane caliber force. Perfect, intense, brilliant. Audio quality is VERY good too, some nice ambience and just enough of the crowd next to the taper to imagine yourself there at the show. Just a ton of fun listening to this, and missing Prince dearly.
  • Sale!

    UFO – Kiel, Germany 1971 (1CD)

    Original price was: $16.49.Current price is: $14.00.
    Audience 8.1 - This tape is slightly overloaded but mastering has kept the distortion to a bare minimum so it’s actually pretty damn good. The sound is forceful, with drums and bass driving the beat home and guitar thankfully riding over the top of it in good clarity. A total jam fest it is, fans of UFO will love love love this early gig!
  • Audience 8.1 - I’m always amazed that tapes keep turning up just when you think you’ve discovered them all. Here’s one that is new for me, and it’s not bad. Now, you aren’t gonna crank this on the hi-fi and use it to impress your buddy or anyone for that matter – but for those of us who understand what we are dealing with, I think you will appreciate this tape and find probably more good points than bad. For one thing, it is not a muddy mess, and your ears will adjust to it and you’ll get sucked into it like I did and find it to be a decent one.
  • Audience 8.6 - A serviceable recording that I am thankful to have in that it captures an exceptional night where the band is simply on another level, especially Ronnie James Dio.  The dynamics do not impress, and there’s a lot packed into that upper mid band frequency which is barely hanging on but the good news is that it does hang on, and you do get pretty much everything in a reasonably comfortable way. I welcomed this one, and the bonus is that taper recorded the opening act too, which is included here for completeness.
  • FM Broadcast 9.5 - Both shows are professional radio broadcast recordings and are excellent.
  • Audience 8.2 - This is not the source used on Massed Gadgets, and ranks similar although each source features slight differences which are up to the listener to decide which they prefer. This source has more in the higher frequencies, but consequently slightly more hiss. It’s still very decent.
  • Soundboard 9.1 and Audience 8.5 - Beautifully mixed, with some tiny over-sizzle on crash cymbals at times, which seems to get worked out on the mix, but more problems with vocals getting distorted, mostly is the “ssss’s” which isn’t a deal breaker because the problems are not a large percentage of the music. The second show is an audience recording that sounds a little distant until the guitars begin and then it sounds practically right next to you! Strange.
  • Audience 8.5 - Taken from the master source, this high energy show reveals a band on the rise. Captured from the balcony, the sound is pretty much what came from the house P.A. system and is, as could be expected, insanely loud and therefore not clear and distinct but certainly forceful and once the ears adjust, is pretty realistic. Coming from a master source, it is free of tape noise and other artifacts. DVD - Shot on Hi8MM, the picture looks great! The angle is from the balcony, which was not that high or far from the stage so even though you are looking slightly down on top of the band, you see the entire stage and most of the audience on the floor without any interference. Camera occasionally zooms in, pans slightly, and at brief intervals goes slightly too high missing the front of the stage but I suppose that may have been due to the filmer trying to adjust.
  • Audience 8.9 - A little bit of tape noise comes through on quieter passages but this is a very strong recording for the vintage. I’d like to know what the taper used for this.
  • Audience 8.1 - A shaky start to this recording, but it smooths out and becomes listenable with clear vocals that rise up and out of the depths. The interesting thing about this show is that Pete is nailing all his solos with precision, a rare thing to be honest. The band is in fine form, they even play “However Much I Booze” which was only done a handful of times on this tour.
  • Audience 8.3 - A pretty clear recording that would benefit from some boosting here and there but that’s not to say you can’t just crank this one up a little. Very worthwhile!
  • Audience 8.3 -  Do not let the “average” sound rating prevent you from selecting this AMAZING rarity. I could write paragraphs on why this is a must have for any self-respecting Priest fan, but suffice it to say that this is why I even collect live music. The details of the recording are but one small part of the equation, but I will note that the tape suffers from two main problems – it’s a little muffled and it’s a little hissy.  There is also an unfortunate cut where the solo begins in Victim of Changes (could it not have happened on any other song?), I think this is the tape flip. The quality worsens a bit after that, but there’s also good news to report: The tape has been remastered, revealing much more music that was probably buried under muck and noise for decades. What you end up with is a very intense show, and an audience absolutely being blown to smithereens. I can imagine after having to deal with mediocre top 40 and disco music, new wave, etc. having a band like Judas Priest I mean, that had to be like a sledgehammer to the skull because let’s face it, for 1979 these guys were way heavy, and not in a punkish Motorhead heavy but a very competent, sinister kind of heavy. That does come through on this tape.  Without a remastering it would have been tough to listen to it, but it’s actually not hurtful on the ears, the actual frequency range is comfortable, and there are times where it is even very decent. Overall it is simply one of those you really have to just get and appreciate for what it is because it quite simply is DEVASTATING.
  • Sale!

    RUSH – Stockholm 2007 (2CD)

    Original price was: $23.49.Current price is: $22.39.
    Soundboard 9.8 - One of the best board tapes I have heard, I love where each instrument sits in this mix.  It also helps that the gig is exceptional, therefore I must categorize this one as a must have.
  • Audience 8.4 - This is the August ’72 show and the sound is pretty decent with clarity, average depth and dynamics but regardless it’s a very enjoyable listen. Perhaps it could be said this is one of the better ’72 tapes in circulation.
  • Soundboard 9.7 - One of the most interesting concerts by Prince I have heard. It’s an after show gig, and Prince is cutting loose with some amazing guitar solos, to the point where it is hard to believe it is actually him playing. Certainly one to add to your collection, and one that will get frequent plays.
  • Audience 8.7 - a good recording with some signs of age, and a minor buzz that occurs only occasionally which is not related to the stage sound. Thankfully it’s not prominent during the actual music. The show itself is very tight, Beck is in good form. Very worthwhile!
  • Soundboard 9.6 - A professionally recorded and mixed affair that was actually broadcast on the radio and it’s obvious as nobody would take the time and care to produce such a convincing live tape unless they had a good reason. The performance is marvelous, and the recording shimmers. A must have for Spirit fans!
  • Audience 8.4 - A solid tape that sounds like it has been remastered to remove hiss, but artifacts remain. I imagine though that it sounds better than before, because it is clear that there is something to work with here.
  • Soundboard 9.7 - A pure unadulterated masterpiece of classic Prince music that ANYONE can appreciate. Rediscover this amazing talent, this is a packed set and well worth exploring.
  • Soundboard 9.6 - This guy literally can play Happy Birthday and make it sound sexy and groovy (proof is available). Too bad I was so hard-headed and never went and saw him live. I could have on many occasions, but I just never saw myself as one of the “beautiful people” I guess. What a shame I would have loved it.  (Soundchecks, Rehearsals and Jams)
  • Soundboard 9.7 - Sparkling, and I mean all facets – the sound quality, the performances, the musicianship, everything! Get it now, you won’t regret it.
  • Audience 8.6 - A “crisp” sounding tape, emphasis on drummer and vocals in the mix but you also can really hear the background keys which is nice. Not saying Joe is buried, just that this house mix seems very democratic in allowing all players to have a presence. I appreciate hearing how much the piano and keys helped shape this material. The audience is very respectful, and they love their Joe, that’s for sure.
  • Audience 8.5 - A real surprise this old tape, it sounds pretty darn good! The sound is warm, rounded, and has great atmosphere without losing the immediate punch of the music.  Even at full tilt volume, the tape manages to hang together and not get overly saturated. Good job early tapers!
  • CD 1 - Audience 8.4 - A lively, jumping tape that is a fun listen but the limitations include some minor over-saturation which surprisingly does not ruin anything, but keeps the rating in the mid 80’s technically speaking. I like this recording personally, I find it exhilarating!  CD CD 2 - Audience 8.8 - A very well made recording with a great balance to it, a warmth and tone that is pleasing to the ears. Lovely! CD 3 - Audience 8.2 - A tape with a preponderance of low end, to the point where you can’t ignore it, not that it is particularly muddy, just that it is bass heavy. I do get the other instruments thankfully, but like I said…bass. CD 4 - Same as disc 3, but I will say this much, on songs where the bass work is minimized, it sounds excellent.
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