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Pro Audio 9.4 -
Audience 9.4 - Let me say straight away that this is a MUST for anyone who digs Steve Miller Band…and even if you don’t. This is fantastic! Great, and I mean GREAT live atmosphere that totally puts you in the moment. A real treat for the music enthusiast and collector – even the guys who swear they won’t listen to any audience tapes. You don’t know what you’re missing. Steve Miller Band Boston Music Hall Boston, Mass. Sept 23, 1976 Disc 1 1. -A Song For Our Ancestors 2. -Baby's Calling Me Home 3. -Wild Mountain Honey 4. -Seasons 5. -Come On In To My Kitchen 6. -Nobody Wants Me 7. -Going To The Country 8. -Going To Mexico 9. -The Joker Disc 2 1. -Fly Like An Eagle 2. -The Window 3. -Blues With A Feeling 4. -Your Cash Ain't Nothing But Trash 5. -The Gangster Of Love 6. -Space Cowboy 7. -Living In The U.S.A. 8. -Shebadumamama 9. -Rockin' Me Baby 10. -band introductions and encore break 11. -Take The Money And Run 12. -Crossroads Steve Miller Band Steve Miller: guitar, vocals Byron Allred: keyboards, vocals Norton Buffalo: harmonica, vocals David Denny: guitar Lonnie Turner: bass, vocals Gary Mallaber: drums -
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Soundboard 9.7 - I love the way they recorded the vocals, it has a very cool quality to it, such that it lends that sort of electric spark to the proceedings. This is very energetic set by the band. -
Soundboard 8.7 - Sounds like it comes from a video source, with some of that compression factor present. For such a major stadium act, there are surprisingly few tapes out there of him. -
Fillmore East 1970 Soundboard 8.8 - Clear although not bristling with perfection is a very good early period SMB recording Honolulu 1970 Soundboard 8.8 - A tape that needs one song to dial in the live mix but then gets much better. Still, it’s very good but not sparkling and bright…just good enough to rank pretty high in the category of the formative Steve Miller anthology of concert tapes. San Rafael 1970 Soundboard 9.1 - This is a really nice recording that exemplifies why it is so cool to hear tapes of an artists’ earlier career works before they made it to the big time. This certainly shows the vulnerability and the possibility at the same time. An artist who is still not 100% convincing but clearly has the tool set necessary to advance…and advance he did! Steve Miller Band Before The Glory Live 1970 Disc 1 Fillmore East New York, NY March 6, 1970 01. -Kow Kow Kalculator 02. -Motherless Children 03. -Stormy Monday 04. -Space Cowboy 05. -Living in the USA Honolulu Civic Auditorium Honolulu, HI 6/13/70 06. -Introductions & Tuning 07. -Unknown song 08. -Industrial-Military Complex Hex 09. -Blues With A Feeling 10. -Jackson-Kent Blues Disc 2 Pepperland San Rafael, Ca. September 1970 1. -Unknown 2. -Band Introductions - Never Kill Another Man 3. -Brave New World 4. -Good Morning To You 5. -Kill - Come Play The Drum (Fandango) 6. -Harmonica Jam - Drum Solo 7. -I Love You - Bass Solo 8. -Going To The Country 9. -Children Of The Future Steve Miller- guitar and vocals Bobby Winkelman- rhythm guitar Ross Valory- bass Jack King- drums -
Soundboard 8.8 - Somewhat dated sound, and a touch of hiss, but by golly this is pretty good stuff considering the age! For those who thought Steve Miller began with Fly Like An Eagle, you may want to hear the raw bluesy psychedelia he was rooted in. -
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Soundboard 9.7 - A pre FM master was used and it clearly magnitudes better than what you’d get recording off the radio! -
Pro Broadcast 9.3 - Excellent quality! -
Audience 9.6 - This venue has always been very acoustically prime for capturing from the audience. There is great atmosphere, the kind that not only adds feeling to the recording but also the kind that inspires the artist. This tape showcases everything one looks for in a sound recording.
Steve Morse Band Bottom Line New York City, NY August 22, 1984 Disc 1 01 On The Pipe 02 The Introduction 03 Pride O’ The Farm 04 What If 05 Ice Cakes 06 Steve Talks - Band Introduction 07 Mountain Waltz 08 Northern Lights 09 Picture This 10 The Whistle 11 Steve Talks - Jazz Vamp 12 Donna Lee Disc 2 13 Out On The Tiles 14 Dregs Medley -Take If Off The Top -I”m Freaking Out -Road Expense -Bloodsucking Leeches -Assembly Line -Night Meets Light 15 Huron River Blues 16 Cruise Missile 17 Freeway Jam 18 Cruise Control -
1) Sex and Religion (1997) 2) Fire Garden (1996) 3) Real Illusions: Reflections (2005) -
Audience 9.3 - Very well placed mic allows the perfect balance of instruments in a setting that seems to breath, there’s space for the music and the audience to provide ideal atmosphere and balance. -
Audience 9.6 - Exciting and full bodied, this is what I want from any recording from the modern era…there’s no excuse for a sub-par bootleg post 1980 in my opinion. PA’s were better, recording gear better (that may be subjective), but the point is it SHOULD sound great from 1991 and this does – and not only that but the band JAMS!
Steve Winwood Pacific Amphitheatre Costa Mesa, CA May 10, 1991 Disc 1 01 I’m A Man 02 While You See A Chance 03 Hearts On Fire 04 Another Deal Goes Down 05 One And Only Man 06 In The Light Of Day 07 Valerie 08 The Low Spark Of High Heeled Boys Disc 2 09 Glad 10 Feelin’ Alright? 11 Medicated Goo 12 Split Decision 13 The Finer Things 14 Roll With It 15 Higher Love 16 Back In The High Life Again 17 Gimme Some Lovin’ Russ Kunkel - Drums Larry Byron - Guitar, Keyboards Randall Bramlett - Saxophone Michael Rhodes - Bass Luis Conte - Percussion -
Studio and Live - Excellent source material used, especially the studio stuff. The June 10, 1979 performance is perhaps the weakest tape here but one can still hear all the action from the stage even if it sounds a little far back. Fans consider the Accolades set to be a classic piece, it’s easy to hear why. -
Audience 8.8 - Captured live at his home away from home, Fitzgerald’s Club in Houston, this is perhaps one of the very best small club gigs ever recorded. It has a certain vibe, perhaps that is why this show has a very special place in the hearts of SRV collectors. -
Audience 8.8 - Very well recorded, superb atmosphere! -
Soundboard 9.4 - Stunning guitar wizardry on full display, SRV was in the zone and thankfully this board tape is right on the money. Stevie Ray Vaughan and Double Trouble 1983-10-30 or Oct. 10th 1983 Hollywood Palace, Los Angeles, CA 1. -Testify 2. -So Excited 3. -Pride And Joy 4. -Mary Had A Little Lamb 5. -Tell Me 6. -Love Struck Baby 7. -Voodoo Chile (Slight Return) 8. -Little Wing 9. -Third Stone From The Sun 10. -You'll Be Mine 11. -Rude Mood 12. -Wham -
CD One - Ft. Worth 1980 Audience 9.4 - This recording is hard to definitely call an audience tape because it’s either really close to the main P.A. without much audience interference but the best guess here is that the mic is placed right in from of the P.A. and because of that the sound is direct and electrifying. It’s a terrific recording actually. CD Two - Lubbock 1980 Audience 8.8 - This recording is very decent and inside a small venue so it gets a little raucous at times but overall it’s a nice, dirty little gem. Stevie Ray Vaughan Blossom's Downstairs Ft. Worth, TX 1980-08-30 Disc 1 01 -Wham 02 -Guitar Hurricane 03 -The Sky Is Crying 04 -Empty Arms 05 -I'm Leaving You (Commit A Crime) 06 -Howlin' For My Darlin' 07 -Be Careful 08 -I'm Crying 09 -Collin's Shuffle 10 -Hideaway 11 -In The Open 12 -May I Have A Talk With You 13 -Tell Me 14 -Tin Pan Alley Disc 2 15 -Love Stuck Baby 16 -Crosscut Saw 17 -Texas Flood Lineup: Stevie Vaughan : Guitar & vocals Jackie Newhouse: Bass Chris Layton : Drums Fat Dawg's Lubbock, TX 1980 18. -Dirty Pool 19. -Instrumental 20. -Last Night 21. -I'm Cryin' 22. -Texas Flood 23. -Letter To My Girlfriend 24. -All Your Love I Miss Lovin' -
Soundboard 9.2 - A nice and tight sound with excellent presence and tone on guitar, clear up front vocals, and nice placement of bass and drums just off to one side and behind adding to the stereo effect. Now, I may be mistaken about this being a board tape or not, for me the audience might be the clue here. I hear them in the background as if they were bleeding into an onstage or close mic from stage front. That being sad a competent and devoted taper may have made this capture and if that is true, that person should receive a medal of commendation! Stevie Ray Vaughan The Cascade Room The Knickerbocker Cafe Westerly, Rhode Island November 22, 1979 01. -True Love Is Gone 02. -Pride And Joy 03. -Love Struck Baby 04. -Hideaway 05. -Stevie's Blues 06. -Jeff's Boogie 07. -The Sky Is Crying 08. -May I Have A Talk With You 09. -So Exited - You Can Have My Husband 10. -TI-NI-NEE-NI-NU11. -I'll Change 12. -Oh, Yeah 13. -Natural Born Lover 14. -Hip Hip Baby 15. -If You Lose Me, You Lose A Good Thing 16. -Texas Blues Stevie Ray Vaughan - guitar & vocals Chris Layton - drums Jackie Newhouse - bass Guest: Lou Ann Barton - vocals (tracks 9-15) -
Soundboard 9.3 - I was unfamiliar with the live sound of Stevie Wonder having only heard his studio output, I was happy to hear that he and his band really could jam. I’ll be exploring more live Wonder because of this show. Stevie Wonder Brighton Theatre Brighton, England, UK July 4, 1973 01. -Time Of Contusions 02. -Drums - Instrumental 03. -Stevie Talking 04. -Higher Ground 05. -Superwoman (Where Were You When I Needed You) 06. -To Know You Is To Love You 07. -Signed, Sealed, Delivered 08. -Visions In My Mind - Stevie Preaches - Visions In My Mind 09. -Sunshine Intro 10. -You Are The Sunshine Of My Life 11. -Superstition 12. -Lot Of My Dreams -
Audience 9.5 - This may be a pro audience recording because it has some of the hallmarks of it being managed by someone other than a concert goer. Not saying 100% certain, but it’s just too good and clean, and free of interference but who knows maybe it’s just a really astute taper? All I know is that this material and this quality make for a real revelation for people like me who glossed over the albums. Damn good stuff, with a stellar cast of characters. Same with the San Francisco 1977 tape which I include in this rating but is a soundboard…similar stellar sound quality maybe 9.6 but has a little more hiss present. Still, it is EXCELLENT! Stomu Yamashta's Go Royal Albert Hall London, England May 29, 1976 Disc 1 1. -Ghost Machine 2. -Surfspin 3. -Time Is Here 4. -Winner Loser - Band Introductions 5. -Solitude - Nature - Air Voice - Crossing The Line 6. -Man Of Leo Stomu Yamashta: drums, percussion Kevin Shrieve: guitar Ava Cherry: vocals Jess Roden: vocals Patrick Gleeson: synthesizers Michael Shrieve: drums Paul Jackson: bass Doni Harvey: guitar Brother James: percussion Great American Music Hall San Francisco, CA September 26, 1977 7. -Prelude 8. -Seen You Before Disc 2 1. -Madness 2. -Mysteries Of Love 3. -Crossing The Line 4. -Wheels Of Fortune 5. -Beauty 6. -You And Me 7. -Instrumental Interlude 8. -Man Of Leo 9. -Wheels Of Fortune (Reprise) Stomu Yamashta - Piano, Percussion, Synthesizer Steve Winwood - Vocals, Keyboards Michael Shrieve - Drum Kit Al Di Meola - Solo Guitar Klaus Schulze - Synthesizers (Space Machine!) Jerome Rimson - Bass Pat Thrall - Guitar Brother James - Congas Karen Friedman - Vocals -
Radio Broadcast 8.7 - A little generation tape hiss but a good and clear, solid broadcast with excellent instrument sound separation. The band is a hybrid jazz/prog and rock with certain influence by Frank Zappa, Miles Davis, PFM, and Gentle Giant. -
Audience 9.3 - This is a rock and roll show the way it used to be..and I mean WAY used to be! So the experience is well worth checking out especially because this tape captured lightning in a bottle in a very good way. Atmosphere combined with great sound you cannot go wrong here. Stray Cats Nassau Coliseum Uniondale, NY November 25, 1982 01 -Introduction 02 -Your Baby Blues 03 -Double Talkin’ Baby 04 -Rumble In Brighton 05 -Drink That Bottle Down 06 -Build For Speed 07 -Rev It Up And Go 08 -C’mon Everybody 09 -Stray Cat Strut 10 -Lonely Summer Nights 11 -Fishnet Stockings 12 -Rock This Town 13 -Runaway Boys 14 -Can’t Hurry Love -
Originally released in 1978, this is a reissue on the Shadow Kingdom label. CD is SEALED. -
Audience 8.2 - Kind of bass heavy and muddy mix, but its OK once your ears adjust. -
Audience 9.0 - Great low end and high end signal! Rare to find both intact, you can turn this up loud. -
Soundboard 9.6 - Superb recording that delights the senses in every way with precision attack. The distortion this band uses does not in any way mask imperfection as so many other bands use it for, in fact the band is unbelievably tight, and the mix highlights each of them in a very harmonious way but especially tantalizing is the bass sound and placement in the mix. You'd expect, and even almost prefer that the vocals be the star of the show but they are not particularly highlighted as good as they are. The guitar solos are breathtaking, and each player is panned to one side in a non-synthetic stereo sound-field giving the listener a sense of space, like natural surround sound. Great great recording! Stryper B.B. Kings Blues Club New York, NY. Sept. 24, 2005 Disc 1 1. Intro 2. For You 3. Open Your Eyes 4. Make You Mine (cut) 5. Loud N Clear 6. Loving You 7. The Rock That Makes Me Roll 8. Reach Out 9. Calling On You 10. Free 11. Lady 12. Honestly 13. Passion Disc 2 14. All For One 15. Band Intros - Drum Solo 16. Live Again 17. Reborn 18. The Way 19. To Hell With The Devil 20. More Than A Man 21. Soldiers Under Command 22. Closing Prayer -
Audience 8.0 - Typical big rock sound. I like the Palo Alto show here, it’s the stronger of the two as far as clarity, but the San Francisco show sounds somewhat meatier ~ it’s a trade off. -
Audience 9.0 - High quality microphones placed in the right spot yield terrific results like this. Bravo! -
M Radio 8.9 - This is NOT the Mantra Studios 77, this is the concert from September of 1977 and it is GREAT! -
FM Radio Broadcast 9.2 - Very enjoyable, and tape runs stable and clean so you can blast this at your next gathering of friends (which is soon, hopefully). The bonus material (Kansas City 78) is very good also, an audience recording with nice atmosphere. All of the material in this set is prime era Styx, for me anyway. Styx Chicago Stadium, Chicago, IL December 18, 1978 Band line up Dennis DeYoung - vocals, keyboards Tommy Shaw - guitar, vocals James Young - lead guitar, vocals John Panozzo - drums, vocals (passed away July 16, 1996, aged 47) Chuck Panozzo - bass, vocals Disc 1 01 -Intro - Great White Hope 02 -I'm O.K. 03 -The Grand Illusion 04 -Fooling Yourself 05 -Queen of Spades 06 -Acoustic Instrumental 07 -Crystal Ball 08 -Intro - Suite Madame Blue 09 -Renegade (incl. drum solo) 10 -Lady 11 -Blue Collar Man Disc 2 12 -Come Sail Away 13 -Intro - Midnight Ride (incl. guitar solo) 14 -Miss America Kemper Arena, Kansas City, MO November 21, 1978 15 Lady 16 Fooling Yourself 17 Suite Madame Blue 18 Come Sail Away 19 Midnight Ride 20 Miss America -
Audience 8.8 - A very clean, clear tape which to my ears only needs one thing – more “fatness” – but I found myself getting used to the more midrangey sound as I listened and then I realized it’s a very good recording that requires you to stick with it until it kind of normalizes. I mean, there’s bass here, and it’s actually somewhat detailed…that is what this tape offers more than anything is that each instrument is pretty distinct in this mix. That is what sucks you into the show and why I think it’s worth getting for the collection. Styx Ford Auditorium Detroit, MI 1976-11-29 01. Intro 02. Put Me On 03. Lorelei 04. Shooz 05. Madammoiselle 06. Light Up -> 07. Suite Madame Blue 08. Lady 09. Midnight Ride 10. Guitar Solo 11. 22 Years Band Members: Dennis DeYoung – vocals, keyboards, accordion John Panozzo – drums, percussion Chuck Panozzo – bass guitar, vocals James Young – vocals, guitar, keyboards Tommy Shaw – vocals, guitars, mandolin, autoharp, talkbox -
Audience 8.3 -
Long Beach 1978 Audience 9.3 - This recording could easily pass as a KBFH radio broadcast it is very well done, but my only complaint is one that probably has nothing to do with the tape itself but rather the stage mix. If you are a guitar guy, you will want more guitars in the mix – that being said you are going to be getting breathtaking keyboards, vocals, and solid drums and a bass that is there holding it together but not booming or rumbling. All in all, this one is quite different than other bootleg tapes of the era, it has a professionalism to it that you won’t hear often. I say this is probably a must have for Styx collectors. Oakland 1978 Audience 8.4 - Sadly, what tries to be a very good recording just doesn’t quite reach that status due mainly to what I believe is the wrong style of microphone used. To my ears, it sounds like a condenser mic, and consequently the audio is bunched up into the middle frequency leaving indistinct instrument separation. That being said, it’s “trying” to be very good and in spots it really is – mainly during quieter passages where you can tell the taper did bring pretty good gear. Almost but not quite, but still qualifying as a good addition to a Styx fan’s collection (and great as a “bonus” concert in this set). Styx Long Beach Arena Long Beach, CA January 27, 1978 Disc 1 01 The Grand Illusion 02 Lorelei 03 Mademoiselle 04 Fooling Yourself 05 Suite Madame Blue 06 Crystal Ball 07 Light Up 08 Lady Disc 2 09 Man In The Wilderness 10 Come Sail Away 11 Midnight Ride 12 Miss America 13 Born For Adventure Oakland Coliseum Arena Oakland, CA. October 19th 1978 Disc 3 1. -Great White Hope (7:01) 2. -Lorelei (6:39) 3. -I'm Okay (6:24) 4. -Fooling Yourself (The Angry Young Man) (5:42) 5. -Suite Madame Blue (9:58) 6. -Crystal Ball (7:50) 7. -The Grand Illusion (4:58) Disc 4 1. -Renegade (10:59) 2. -Lady (4:25) 3. -Blue Collar Man (Long Nights) (6:15) 4. -Come Sail Away (9:40) 5. -Miss America (10:08) 6. -Midnight Ride (11:00) -
Audience 8.3 - A fun and rowdy crowd who seem to really appreciate the band and their music…a lot! Recording is decent, not particularly detailed but it’s a lot like being thrown into the crowd so you get plenty of enthusiasm near the tapers. I found it to be kind of amusing and not a one and done. Apollo Theatre Manchester, England 1978-05-11 AUDIENCE 75 minutes TRACKS: 1. -The Grand Illusion 2. -Lorelei 3. -Mademoiselle 4. -Fooling Yourself (The Angry Young Man) 5. -Suite Madame Blue 6. -Crystal Ball 7. -Lady 8. -Man In The Wilderness 9. -Come Sail Away 10. -Midnight Ride 11. -Miss America STYX DENNIS DEYOUNG - keyboards, vocals & synthesizers CHUCK PANOZZO - bass guitar JOHN PANOZZO - drums & percussion JAMES YOUNG - lead guitar & vocals TOMMY SHAW - electric, 12-string and acoustic lead guitars & vocals This is the first time of STYX in England and Europe as well. -
Live in Studio Pro 9.4 -
Audience 8.6 - A tape that benefited from a recent re-mastering which boosted the middle frequencies so that it is no longer “hollowed out” like it was. Good round bottom end on this one, not boomy but present. Jai-Lai Fronton, Miami, FL December 4, 1977 Band line up Dennis DeYoung - vocals, keyboards Tommy Shaw - guitar, vocals James Young - lead guitar, vocals John Panozzo - drums, vocals (passed away July 16, 1996, aged 47) Chuck Panozzo - bass, vocals Total Time = 01:33:31 Setlist Disc 1 01 The Grand Illusion 02 Lorelei 03 Mademoiselle 04 Fooling Yourself 05 Suite Madame Blue 06 Crystal Ball 07 Light Up 08 Man In The Wilderness Disc 2 09 Come Sail Away 10 Lady 11 Midnight Ride 12 crowd cheer 13 Miss America 14 crowd cheer 15 Born For Adventure -
FM Broadcast 9.1 (Seattle) and Audience 8.3 (Fresno) - Two very cool shows with the first one taking the cake for fidelity but the second one is a stomper. It is pretty clear with guitar being very good and loud (screaming in fact!) but not at the expense of everything else. It’s lacking maybe some lower end definition and separation of instruments during their jamming parts (might lose some of the drums in there, and keyboards are absent sometimes) but these are not going to bother you when you start listening to this gig because it’s a thriller. STYX Paramount Theater Seattle, WA March 26, 1976 Reel to Reel Master @ 3 AND 3/4 ips KZOK Too High Concert Aired March 19th 1979 THE BAND Chuck Panozzo bass backing vocals James Young guitar backing and lead vocals Tommy Shaw guitar lead and backing vocals Dennis DeYoung lead and backing vocals keyboards John Panozzo drums Disc 1 1 -Intro 2 -Born For Adventure 3 -Lorelei 4 -You Need Love 5 -Suite Madame Blue 6 -Midnight Ride 7 -Rock and Roll Feeling with Guitar and Drum Solos 8 -KZOK sTATION ID Disc 2 Selland Arena, Fresno, CA. August 14th 1977 1. -Intro (2:51) 2. -Put Me On (6:08) 3. -Lorelei (6:35) 4. -Mademoiselle (5:21) 5. -Fooling Yourself (The Angry Young Man) (5:38) 6. -Suite Madame Blue (10:21) 7. -Crystal Ball (6:23) Disc 3 1. -Light Up (4:55) (Sourced from Miami 1977) 2. -Come Sail Away (8:42) 3. -Lady (4:27) 4. -Midnight Ride (10:26) 5. -Miss America (6:54) 6. -Born For Adventure (6:20) -
Soundboard 8.6 - Starts off rough but quickly things improve and soon a really bright, vibrant tape emerges. Might be a touch too much high end here, but I interpret that to mean this must be a low gen source. Most everyone is going to dig this, add it to the collection for sure! -
Soundboard 9.3 -
Audience 7.2 - A lot of work went into restoring the sound on these previously un-circulated recordings. History abounds, I mean, you have post-Cream Clapton jamming with Ginger Baker! Very rare, very cool. Oh, and by the way The Jeff Beck Group shreds! -
Audience 8.5 - Everything very present, only faults are the loss of uppers and lower frequency response due to limitations of analog tape and time. You can add some EQ, although this does sound reasonably fine as it is but season to taste. -
Pro radio broadcasts 8.8 some age showing but very clear. -
Audience 8.8 - Fantastic capture that gives the sound a really spacey and breathing feel, like it is wrapping around your ears and not just coming straight at you. -
Audience 8.8 - A surprisingly good tape here, with pretty much everything you require including really great atmosphere. The flaws have mainly to do with the ability of the equipment to supply bandwidth, which basically translates into depth or dynamics, which are present but maybe not to the degree you prefer. It’s certainly worthy of your investigation though, and will not be a one and done show. SUPERTRAMP Sam Houston Coliseum, Houston, USA 05 May 1979 CD 1 - 76:53 1. School (5:53) 2. Ain’t Nobody But Me - part 1 (4:26) 3. Ain’t Nobody But Me - part 2 (1:09) 4. Take The Long Way Home (5:32) 5. Goodbye Stranger (6:21) 6. Breakfast In America (3:24) 7. Oh Darling (4:28) 8. Hide In Your Shell (7:43) 9. From Now On (6:22) 10. Child Of Vision (6:52) 11. Even In The Quietest Moments (5:24) 12. A Soapbox Opera (4:39) 13. Asylum (6:53) 14. Downstream (3:29) 15. Give A Little Bit (4:18) CD 2 - 55:54 1. Bloody Well Right (6:58) 2. Dreamer (3:24) 3. Rudy (6:41) 4. The Logical Song (5:13) 5. Another Man’s Woman/band intro (8:52) 6. Fool’s Overture (11:16) 7. Two Of Us/Crime Of The Century (8:11) 8. Sister Moonshine (5:19) Rick Davies - Keyboards & Vocals Roger Hodgson - Guitars, Keyboards & Vocals Bob Siebenberg - Drums John Helliwell - Sax & Vocals Dougie Thomson - Bass -
FM Radio 9.4 -
Audience 9.5 - You can relax into this show, it's occupying a very pleasant space when the soundwaves wash over you and you begin to have a sense of the size of the venue, the space around you, and the distance from the stage. That's what I like about smaller venue recordings, and modern taping gear is getting so much better with the mic technology and level adjust that it's really hard to screw it up. Susanna Hoffs McCabe's Guitar Shop Santa Monica, Ca April 28, 2012 10:00 PM show 01. intro 02. Raining 03. November Sun 04. Always Enough 05. Different Drum 06. Picture Me 07. All I've Got to Do 08. One Day 09. Eternal Flame 10. All I Want 11. Manic Monday medley 12. In Your Room 13. Hero Takes a Fall 14. Holding My Breath 15. Teacher Teacher 16. Everybody Knows This is Nowhere+ 17. To Sir, with Love 18. King Midas in Reverse* 19. Cinnamon Girl+ Susanna Hoffs - lead vocals, acoustic guitar, tambourine Andrew Brassell - electric and acoustic guitar, vocals Derrick Anderson - bass guitar, vocals Jim Laspesa - drums, vocals Dennis Taylor - electric guitar John Calacci - percussion Val McCallum - electric and acoustic guitar, vocals +Matthew Sweet - vocals, tambourine *John Wicks - vocals -
CD reissue from Shadoks Music of an album that originally came out in 1972. The band hailed from Iceland. (Sealed, jewel case) -
Audience 8.6 - This is hard to rate because the recording is both good and bad at the same time, depending on how you like to get your music delivered into your ear. Why? Because it is separated, one side gets vocals and the other side gets massive guitar, with drums going across both speakers…and I LOVE it! But, you may not, it depends I guess on your taste.