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Soundboard 8.9 - This is not the same Clapton of the ’74 comeback tour, this is much more cohesive, much better playing. Eric Clapton Houston, Texas November 13, 1976 Disc 1 1 -Introduction 2 -Hello Old Friend 3 -Sign Language 4 -Little Queenie 5 -Knockin' On Heaven's Door 6 -Tell The Truth 7 -Love Me Please 8 -All Our Past Times Disc 2 1 -Double Trouble 2 -Blues Power 3 -One Night 4 -Badge 5 -Layla 6 -I Shot the Sheriff -
Soundboard 9.0 - This recording, to me, sounds like it was in a television studio for a live audience. I can’t tell for sure, but it is the way the audience reacts and the type of reverb going on. Either way, it’s a good recording, first couple of tracks a little hissy but it clears up considerably. Eric Clapton Honolulu International Center Honolulu, Hawaii, USA Sunday October 9th, 1977 Track List: 01. Hello Old Friend 02. Sign Language 03. Alberta 04. Tell The Truth 05. Can't Find My Way Home 06. Double Trouble 07. I Shot The Sheriff 08. Knockin' On Heaven's Door 09. Further On Up The Road 10. Badge Line Up: - Eric Clapton - GEORGE TERRY, guitar - CARL RADLE, bass - JAMIE OLDAKER, drums - DICK SIMS, keyboards - MARCY LEVY, backing vocals -
Audience 8.7 - It's not the clearest, deepest of recordings but it is not boomy, muddy, irritating, or ruined by shouting morons either. It gets the job done, and what's more it's one of those shows where another guitar legend just happens to be there and just happens to get on stage and jam at the end...this guitar legend is none other than Jeff Beck so there is that.
Eric Clapton Versus Jeff Beck Civic Hall Guildford, Surrey, England May 18, 1980 Disc 1 1. Roll Over Beethoven 2. Tulsa Time 3. Early In The Morning 4. Lay Down Sally 5. Wonderful Tonight 6. Country Boy 7. Hold On 8. Blues Power 9. Double Trouble 10. Setting Me Up 11. Thunder and Lightning 12. If I Don't Be There By Morning Disc 2 1. Ramblin' On My Mind 2. Have You Ever Loved A Woman 3. Home Lovin' 4. After Midnight 5. Cocaine 6. Further On Up The Road 7. Layla - Shut Up 8. Long Tall Sally 9. Lawdy Miss Clawdy Eric Clapton - guitar, vocals Albert Lee - guitar, vocals Chris Stainton - keyboards Gary Brooker - keyboards, vocals Dave Markee - bass Henry Spinetti - drums Jeff Beck - guitar (CD2 Tracks 1 & 2) -
Soundboard 9.3 - Not the typical sounding board mix here, it’s got a much more live sounding guitar sound, like mic’d a little further away giving it some spacial quality, and vocals same way, like they are not fed direct into the board. It’s just sounds different than most, not in a bad way, just different. Eric Clapton Another Ticket Tour RDS Simmonscourt, Dublin, Ireland Saturday January 31st, 1981 Disc 1: 01. -Tulsa Time 02. -Early In The Morning 03. -Lay Down Sally 04. -Wonderful Tonight 05. -Blow By Blow 06. -Worried Life Blues 07. -Country Boy 08. -Double Trouble 09. -All Our Past Times 10. -Blues Power 11. -Knockin' On Heaven's Door Disc 2: 01. -Setting Me Up 02. -Ramblin' On My Mind - Have You Ever Loved A Woman - Ramblin' 03. -After Midnight 04. -Further On Up The Road 05. -Cocaine 06. -Layla Line-up: Eric Clapton guitar, vocals Albert Lee guitar, vocals Dave Markee bass Henry Spinetti drums Chris Stainton keyboards Gary Brooker keyboards, vocals -
Pre-FM Master 9.5 - Great quality, as you would imagine, but aside from that it’s a really sparkling performance. I love the mix here too, this would make a nice live LP release. Eric Clapton Convention Center Dallas, Texas, USA November 15, 1976 Track List: 1. -Hello Old Friend 2. -Sign Language 3. -Badge 4. -Knocking On Heaven's Door 5. -One Night With You 6. -Tell the Truth 7. -Can't Find My Way Home 8. -Blues Power 9. -Layla 10. -Further On Up the Road (with Freddy King) Band Lineup: Eric Clapton Guitar, Vocals George Terry Guitar, Vocals Carl Radle Bass Dick Sims Keyboards Jamie Oldaker Drums Sergio Pastora Rodriguez Percussion Yvonne Elliman Backing Vocals Marcy Levy Backing Vocals, Harp -
Studio 10 - Well, this is a rarity! Not only has this flown completely below most collectors radars, but it also qualifies as being a perfect recording…and it doesn’t necessarily begin as such (although I’d still rate it a 9.8), it becomes one. Why is that? Because it has all the elements of greatness and not just the audio quality. Eric is heard here in a more jazzy setting, with players who are well versed in music theory and are top shelf players in their own right – maybe it pushes Clapton to explore more deeply, and he does…although he still manages to make it more bluesy which to me is really cool because it gives these sessions the swing that can be sometimes absent in technical jazz. This obviously was let out on purpose, the recordings are too clean and if indeed they are rehearsals, they are very dialed in and sounding more like an album is being recorded. But if you listen super closely, there are moments where you can just hear the faintest of mic bleed through and it seems to be the kind of talk, or “shouts” that you might hear during a soundcheck or rehearsal. This is a highly recommended listen to anyone who wants to hear Eric Clapton at his tastiest best. Eric Clapton Legends Flawless (Studio) Rehearsals S.I.R. Rehearsal Studios Hollywood, CA June 1997 Disc 1 1. -Snakes 2. -Marcus #1 3. -Marcus #1 4. -Full house 5. -Full house 6. -Ruthie 7. -Ruthie 8. -Put It Where You Want 9. -Suggestions 10. -Peeper Disc 2 1. -Going Down Slow 2. -I Got You I Feel Good 3. -Silver Rain 4. -Layla 5. -Rock Me Baby 6. -Jelly Roll THE BAND Marcus Miller Bass Eric Clapton Guitar, Vocals David Sanborn Saxophone Joe Sample Keyboards, Piano Steve Gadd Drums -
CD issue of an album originally released in 1980. Imported from UK, CD is SEALED. -
Radio Broadcast 8.8 - A most welcome discovery! Insanely cool hearing this band play live in the USA. The material is compelling, the band is tight and very convincing although they needed some work on their stage banter ha ha! Very cool indeed! Epitaph Agora Cleveland, OH (WMMS-FM) 1973-10 01 Introduction 02 Fresh Air 03 Outside the Law 04 Big City 05 Early Morning 06 Reflexion 07 Stop Look and Listen 08 Who Do You Love -
Audience 8.8 - On the rarity scale this is one of those needle in a haystack recordings. It’s an obscure “group” (actually just a duo but here it sounds like they have some accompaniment), and the music straddles the fence between fold psyche and space rock (that’s a good thing). I would say this couple was trying to stretch something as far as they could in the context of a “folk” duo. Interesting material, very positive vibes! Emtidi Quarter Latin Berlin, Germany 1973 01. Unknown Title 02. Unknown Title 03. Die Reise 04. Unknown Title 05. Unknown Title 06. Saat 07. Touch the Sun 08. Unknown Title All attempts were made to decipher the unknown song titles. -
Soundboard 9.3 - Excellent presence and clarity. Her backup band is excellent, but do the Dutch get her style of music? I guess they did! Emmylou Harris & the Hot Band "RAI Congresgebouw" Amsterdam 13 November 1975 Track list: 01 -Announcements 02 -That's All It Took 03 -Coat Of Many Colors 04 -Feeling Single, Seeing Double 05 -If I Could Only Win Your Love 06 -Amarillo 07 -Together Again 08 -Grievous Angel 09 -Bluebird Wine 10 -Band Introduction 11 -Till I Gain Control Again 12 -Wheels 13 -Queen Of The Silver Dollar 14 -Cry One More Time 15 -Sin City 16 -Las Vegas -
Soundboard 8.7 - A show that factors in to what would become a stellar career over many decades. Pretty much on her own now (no longer paired with Gram Parsons R.I.P.) she started playing in the clubs in the DC area when a producer came to record this show for future reference as he crafted her breakout solo album. Did she know he was at the gig? Who knows, but she obviously made an impact. Emmylou Harris and the Angel Band 1974-05-08 Red Fox Inn Bethesda, Maryland Disc 1 01 -Hot Burrito #1 02 -Hickory Wind 03 -Shop Around 04 -Honky Tonk Blues 05 -Louise 06 -California Cottonfields 07 -High On The Hilltop 08 -Reconstructed 09 -When Will I Be Loved 10 -God Knows I Love You 11 -Before Believing 12 -Queen Of The Silver Dollar 13 -Someone I Used to Know 14 -Tonight the Bottle Let Me Down 15 -A Song for You 16 -High On The Hilltop 17 -Born Again 18 -Drifting Too Far From Shore Disc 2 01 -Country Baptizin' 02 -That's All It Took 03 -Together Again 04 -Your Good Girl's Gonna Go Bad 05 -Our Father 06 -Maybe Mexico 07 -Sold it All Away 08 -Instrumental (Jeff Wisor & J.B. Morrison) 09 -Satan's Jewel Crown 10 -Born Again 11 -Country Baptizin' Angel Band : Bruce Archer - Guitar Mark Cuff - Drums Tom Guidera - Bass Danny Pendleton - Steel Guitar w/ John & Fayssoux Starling, J.B. Morrison & Jeff Wisor on tracks 7-11 (disc 2) {After Gram Parsons's death} Emmy moved back to D.C., where Tom Guidera had also become a country music convert. With pedal steel player Danny Pendleton and two other musicians, they put together the Angel Band and started gigging around the clubs, playing some of the songs she’d performed with Gram. Eddie Tickner made Harris his number one priority and he convinced Mary Martin, an A&R representative from Warner/Reprise Records (the label that had released Parsons’ solo work) to investigate an Angel Band show in a Washington nightclub. Emmylou Harris became a Reprise Records recording artist in 1974; with her daughter Hallie in tow, the Angel Band relocated to Los Angeles to begin work on Harris’s first true solo album. To produce, Martin paired Harris up with Nova Scotia native Brian Ahern, the mastermind behind Anne Murray’s spate of hits in the early 70’s. She brought the quiet Canadian to hear the Angel Band, and he recorded the performance on a hand-held cassette machine to study at home. This sounds better than a hand-held cassette machine recording, purportedly a sound board, but it's not by any means what we think of as soundboard quality by today's standards. -
Audience 8.7 - Probably have to consider this a must have for fans. It’s a very fine recording for the era, and the band is playing their asses off to win fans with their brand of intense symphonic progressive rock (still a new thing in 1970). -
Audience 8.8 - I rate this highly for the excellent atmosphere of the sound, where the vocals seem to just soar. It is not as thick in the mids where you want them, but that is why the vocals soar because they occupy a lot of the midrange and highs. Sometimes you also get a nice vibration of sound from the drums and all in all it adds tremendous intensity and excitement to the tape. Listen to Toccata and tell me I am wrong! This tape has a unique feel to it that I find very enjoyable. Another cool thing is that a lot of the problems with tape cuts have been fixed with crossfades making for a smoother listen…that includes the large section in Toccata which was unlistenable (unfortunately). -
Pro 8.8 - At times this recording gets even better but there are tape problems, what sounds like tracking issues (if this came from a video source), but overall it is very good and was taped professionally for broadcast. The DVD is pro shot, but suffers from age deterioration, tracking issues, color bleed, etc. but in fairness it is a very old video format and those old ¾” umatic tapes either held up or they failed, that these still played is amazing. -
Audience 8.1 - Kind of occupies the very middle as far as dynamics go with maybe an emphasis on low end which means this recording at least has balls. It’s clear enough that you hear everything, and I think it successfully captured a marvelous evening. -
Audience 8.5 - Strong recording due to the clarity (sounds like VERY low gen). -
Soundboard 9.6 -
Audience 8.8 - Very clear but a touch on the compressed side. One thing is, you can totally CRANK this and it performs flawlessly – no break up, and you’ll get that punch and richness. It needs volume , the louder the better. -
Audience 7.8 - A touch on the thin side and not especially dynamic, however it is nice and clear to the ears meaning you can hear everything they are doing on stage with good separation of instruments. Very decent just not super dynamic. -
Audience 8.9 - Super dynamic range! When the crowd kicks in after a song ends it is magical. Great! -
Audience 8.5 - A pretty clear and somewhat vibrant with the sound almost kind of travelling around over your head. Keys are the stars of this show as they are front and center in the mix and sound really good. The low end is not very present, it is an upper midrange recording of very good quality. -
Audience 7.4 - Would be much better with just a little bit of remastering because there is plenty of low end to work with, and even though the high end is muffled you can add some brightness to this, remove some tape hiss, and this show could be a real keeper. As it is now, for collectors only. -
Audience 7.9 - A very clear recording, it can stand a little fattening up but for 1972 it’s quite decent. -
Audience 8.4 - Pretty darn clean with a good, solid bass sound, and drums sound very real and loud. -
Audience 8.3 -
Audience 8.8 - A historic concert showcasing the full orchestra, this was to be the final evening for them as it was all dismantled due to financial disaster. The recording is quite good though, vocals have marvelous presence, and the music comes through pretty well with some cluttering (we are talking about dozens of instruments here) in the center, but you will appreciate this in many ways. A real find for the collector,...pretty much indispensable. -
Audience 7.4 - History has shown that most recordings originating from the UK’s Brighton Dome are pretty bad, this one seems to be on the better side of bad. It’s quite listenable if not somewhat muddy and not the clearest ever, but once your ears adjust, and if you add some treble to it, it’s fine. -
Audience 9.1 - Warm, full sound and good stereo too! -
Audience 8.8 - Great stereo sound field, wide, clear, and lots of atmosphere. Good show! -
Audience 7.8 - What I really like about this show is the sound of the bass, a round, brassy sound and of course played with great power and finesse. The sound field gets a touch crowded at times, but this is really a totally exciting tape with that power of the band really palpable! -
Soundboard 9.3 - mAn excellent document by all accounts! What you get is a lot of superb musical skill wrapped up in a fine sounding, good looking presentation. This is one for the collector and casual fan alike. Emerson, Lake & Palmer Civic Center, Wheeling WV 1977-11-18 Disc 1 1 Peter Gunn Theme 04:05 2 Hoedown 03:59 3 Tarkus 16:47 4 Take a Pebble 12:46 5 C'est la Vie 04:12 6 Lucky Man 03:26 7 Pictures at an Exhibition 17:02 Disc 2 1 Karn Evil 9 05:01 2 Tiger in the Spotlight 04:07 3 Watching Over You 04:13 4 Medley: Tank / The Enemy God 13:45 5 Nut Rocker 04:07 6 Pirates (part 1) 08:59 7 Pirates (part 2) 06:31 8 Fanfare for the Common Man / Show Me the Way to go Home 21:18 Keith Emerson - keyboard and synth player, showman, the likes of which we will never see again Greg Lake - singer and bass player, acoustic & lead guitarist Carl Palmer - drummer and percussionist -
Audience 8.2 - A tape that has only recently surfaced, and had some problems that would have relegated it to the dustbin of history if it were not for some diligent and careful re-mastering. The before and after is a testament to the modern renaissance in the music collecting world. Treasure troves of music is being restored and remastered and a lot of that stuff would have been considered unlistenable once upon a time. This tape suffered from a narrow bandwidth incapable of containing drums, and a lot of the bottom end was a mess. It was excruciating to listen to in that state. This tape has been given a new lease on life, and thankfully so! Emerson, Lake, Palmer Sports Arena, San Diego, CA August 10, 1977 Band line-up Keith Emerson - keyboards Greg Lake - bass, acoustic guitar, vocals Carl Palmer - drums Total Time = 01:56:52 Disc 1 01 Karn Evil 9 (1st Impression Pt.2) 02 Hoedown 03 Tarkus 04 Take A Pebble (w/Piano Solo) 05 C'est La Vie 06 Knife-Edge* 07 Pictures At An Exhibition Disc 2 08 Still...You Turn Me On 09 Lucky Man 10 Tank (w/Drum Solo) 11 Nutrocker 12 Pirates* 13 Fanfare For The Common Man 14 Rondo -
Audience 8.7 - Both tapes sound as if they were recorded by the same person they are very similar although the slight nod goes to London for being just a touch brighter. That being said, both tapes do an admirable job (for 1971 standards) of capturing the epic ferocity of this amazing rock band in their prime, or just before they got universal “commercial” success. It’s hard to imagine what it must have been like being there in person, the volume, the intensity, I would have been drained after the first song! Emerson, Lake & Palmer ABC Cinema Plymouth, UK March 12, 1971 Disc 1 101 The Barbarian 102 Tarkus 103 Knife Edge 104 Pictures At An Exhibition Disc 2 201 Take A Pebble 202 Rondo Disc 3 Royal Theatre, Drury Lane London, England June 20, 1971 01. -Pictures at an Exhibition 02. -Knife Edge Disc 4 01. -Take a Pebble 02. -Tarkus -
Audience 8.8 - A pretty decent recording which might be a touch on the thin side as the deepness of bass is lacking, but still enough meat on the bones to be worthy of the collection. Vocals come through clearly, drums do sound good too and the overall sound mix is very even. Emerson, Lake & Palmer Friedrich-Ebert-Halle Ludwigshafen, Germany 1973-04-10 Disc 1 101 Intro 102 Abaddon's Bolero 103 Karn Evil 9 104 Jeremy Bender - The Sheriff 105 Tarkus - Epitaph 106 Aquatarkus 107 Take A Pebble 108 Still You Turn Me On 109 You Can Sing My Song 110 Lucky Man 111 Piano Improvisation 112 Take A Pebble (Conclusion) Disc 2 201 Hoedown 202 Pictures At An Exhibition 203 Toccata 204 Drums & Percussion Solo 205 Rondo 206 Finale -
Audience 9.7 - Incredible sound! Massive drums, tight and solid bass, spacious keys...damn this could come out officially. Emerson, Lake & Palmer Long Beach Arena Long Beach, CA August 14, 1977 Disc 1 01 Karn Evil 9: 1st Impression, Part 2 02 Hoedown 03 Tarkus 04 Take a Pebble 05 Piano Concerto No 1 1st Movement 06 Take A Pebble 07 C'est La Vie 08 Lucky Man 09 Knife-Edge Disc 2 10 Pictures At An Exhibition 11 Still…You Turn Me On 12 Tank 13 Nutrocker 14 Pirates 15 Fanfare For The Common Man - Rondo -
Audience 9.6 - Very well done, with loads of beautifully full drums and bass that do not boom and do not drown out any other instrument. Keys are nicely placed in the mix and at times seem to surround you. Excellent and highly recommended! ELP Long Beach Arena Long Beach, CA. August 11, 1977 Disc 1 1. Karn Evil 9: 1st Impression, Part 2 2. Hoedown 3. Tarkus 4. Take A Pebble 5. Piano Concerto No.1 - 1st Movement 6. Take A Pebble 7. C'est La Vie 8. Knife Edge 9. Pictures At An Exhibition Disc 2 10. Still...You Turn Me On 11. Lucky Man 12. Tank 13. Nutrocker 14. Pirates 15. Fanfare For The Common Man - Rondo -
Audience 8.7 - Loud and brassy, with some distortion on the cymbals at the high end. Taper must have been in the front row on the PA side of the stage. That being said, this is what makes this recording frightening to the ears, a terrifying journey into the unrelenting power and charisma of ELP in their mid 70's prime. There is nothing sedate about this live concert experience, and because it was recorded on very good equipment, even despite the overwhelming loudness of it, it's a rather true representation. Side Note: Jerusalem is a song with more mellow passages and here this recording absolutely shines, jumping quickly to a 9.2 rating and actually remaining better even during the loud segments as it starts to even out - this could be due to taper either moving further back, or making some other minor adjustment. Something certainly is changing with the recording as tape noise increases but the distortion lessens, this could mean he lowered the gain, so the volume had to be boosted during the transfer as his recording levels were much lower. Either way, it had a net positive effect. Unfortunately not the complete show. Emerson, Lake & Palmer Long Beach Arena Long Beach, CA February 3, 1974 01 Introduction 02 Hoedown 03 Jerusalem 04 Toccata 05 Tarkus -
Audience 9.1 - This is a very cool old tape, first I have to issue a disclaimer: If you don’t like deep, round, brassy bass you won’t like this recording. Bass is the star of this show, and I don’t mean it’s a low end muddy mess either – it’s a beautiful bass sound that pretty much drowns out most of the keyboards (not entirely) and at least vocals area able to hold their own in the mix. That all being said – this ROCKS! I love it, I love hearing the tone and detail of the solid bass work of Greg Lake. Put this up there with your other favorite ELP boots because this surely will become one. Emerson, Lake & Palmer The Hollywood Bowl Los Angeles, CA, USA July 19, 1971 01. Bill Graham Intro 02. The Barbarian 03. Take A Pebble - My Dog Blue 04. Tarkus - i. Eruption, ii. Stones of Years, iii. Iconoclast, iv. Mass, v. Manticore, vi. Battlefield, vii. Aquatarkus 05. Knife Edge 06. Rondo 07. Nutrocker Keith Emerson - piano, Hammond organs, Moog synthesizers, theremin Greg Lake - bass, guitars, vocals Carl Palmer - drums, percussion -
Audience 8.4 - This is a classic example of the modern benefits of collecting music in the 21st Century: A tape that a decade ago would have been considered for completists only is now, after careful re-mastering. a worthwhile listen. In comparing the original version, I find this one raises the rating a full half point at least. Behold, there is music here! ELP Palazzo Dello Sport Genova, Italy June 15, 1972 Disc 1 1. Tarkus 2. The Endless Enigma 3. Take A Pebble 4. Lucky Man Disc 2 5. Piano Improvisations - Take A Pebble 6. Pictures At An Exhibition 7. Rondo - America -
Detroit 1973 Audience 8.4 - A somewhat average but clear enough tape that has some sort of wobbling effect during at least the beginning portion but evens out thereafter. I think this may not be complete when compared to any other performance during the tour – including the one that is paired in this set. San Bernadino 1974 - Audience 8.6 Keith Emerson and vocals clearly stand out in this recording, while drums and bass seem to not be as distinct. There is a small amount of tape hiss indicating the age of this tape, but I won’t slag this one off because it isn’t that bad at all. I think some top notch remastering work would really help this one out because the sounds are there – in fact they are pretty well and truly “in your face” as it Emerson, Lake & Palmer Live 1973/74 Disc 1 Cobo Hall Detroit, MI. 1973-12-04 01. Hoedown 02. Jerusalem 03. Toccata 04. Tarkus 05. Karn Evil 9 1st Impression Disc 2 Swing Auditorium San Bernadino, Ca. U.S.A. February 9, 1974 1. -Hoedown 2. -Jerusalem 3. -Toccatta 4. -Tarkus (incl. Epitaph) 5. -Benny The Bouncer 6. -Take A Pebble 7. -Still, You Turn Me On 8. -Lucky Man Disc 3 9. -Take A Pebble - Piano Improvisation 10. -Take A Pebble (reprise) 11. -Karn Evil #9 1st Impression 12. -Karn Evil #9 2nd Impression 13. -Pictures At An Exhibition Keith Emerson: piano and many keyboards and synthesizers (including Moog) Greg Lake: lead vocals, bass and acoustic guitar Carl Palmer: drums, tympani, percussion were. -
Audience 8.8 - This is a real surprise, for this early vintage you do not expect anything really good especially out of the Music Hall but I have news for you – this is a good, good tape. Of course it is going to have that almost cavernous kind of quality but regardless it’s a really clear sound and one that shows off each member of the band and offers at the same time a feeling of time and place. EMERSON LAKE & PALMER Boston Music Hall, Boston, Ma. November 12, 1971 Disc One 1. -Hoedown 2. -Tarkus 3. -Take A Pebble Disc Two 1. -Knife Edge 2. -Rondo 3. -drums 4. -Rondo -
Audience 8.8 - This is better than I give it credit for, mainly because it has all the elements needed to be very enjoyable - namely: clarity, separation of instruments, and atmosphere. Where it lacks the necessary qualifications to enter into 9.0 and above rating status is more in the dynamics range (is low end low, is high end high, are mids clear and punchy?) which here are expressed mostly with the lovely, brassy and defined bass sound. This is good! But perhaps we are spoiled now with all the audio riches we have at our disposal. This is a very good old tape, with a re-mastering I assume it would rise to the 9.0 level, but the bones are here. E.L.P Odeon Theatre Birmingham, UK 1972-11-24 Disc 1 01. ABADDONS BOLERO 02. HOEDOWN 03. TARKUS 04. ALAN FREEMANS THEME 05. THE SHERIFF 06. TAKE A PEBBLE Disc 2 07. LUCKY MAN 08. PIANO IMPROVISATIONS - TAKE A PEBBLE 09. PICTURES AT AN EXHIBITION 10. NUTROCKER 11. RONDO -
FM Broadcast 9.3 - Powerful, exciting, this is the way in which to listen to ELP! In a funny way it is sad, because I can clearly hear what I missed out on. EMERSON LAKE and PALMER Anaheim Convention Center Anaheim, CA February 2nd 1974 WBCN Broadcast Aired March 7th 1976 THE BAND Keith Emerson keyboards Greg Lake bass guitar acoustic and electric guitar harmonica vocals Carl Palmer drums percussion SETLIST 1 -K.B.F.H. Intro 2 -Hoedown 3 -Still You Turn Me On 4 -Lucky Man 5 -Piano Improvisations 6 -Karn Evil #9 First Impression 7 -Drum Solo 8 -Karn Evil # 9 First Impression (reprise) 9 -Karn Evil # 9 Second Impression 10 -Karn Evil # 9 Third Impression -
Audience 9.0 - The only thing keeping this from attaining legendary status is the slight distortion present in a very specific middle to upper band in the frequency range. It's not a deal-breaker, it's in a place where you still get all the richness of the low end and the detail in the high end. The taper obviously used very good gear, so maybe the microphone he used and the location in the venue perhaps limited the recording in a way, because this is still a damn good tape but could have been a bona-fide must have. Emerson, Lake & Palmer Charleston Civic Center Charleston, WV November 23, 1973 Disc 1 01 Introduction 02 Hoedown 03 Jerusalem 04 Toccata 05 Tarkus 06 Benny the Bouncer 07 Take A Pebble Disc 2 08 Lucky Man 09 Piano Improvisation 10 Take A Pebble (Reprise) 11 Karn Evil 9 1st - 3rd Impression 12 Pictures At An Exhibition -
Soundboard 9.8 - Sonically this sounds like it was recorded yesterday. Musically it sounds like it was recorded in 1971…which is a very good thing. The guitar tone is infectiously boogie blasted if that makes any sense. The whole thing is like an overamplified revival meeting…in a cool way. Elvin Bishop Group Fillmore West Closing Week July 1, 1971 Disc 1 1. -Stomp 2. -So Fine 3. -Get It 4. -Old Time Feeling 5. -Easy To Find 6. -Higher And Higher Disc 2 1. -The Sky Is Crying 2. -Crazy 'Bout You Baby 3. -Part 'Til The Cows Come Home 4. -Part 'Til The Cows Come Home (reprise) 5. -KSAN DJ's 6. -I'm Going Fishin' 7. -Let It Flow 8. -KSAN DJ -
Soundboard 9.6 - Very very clean and quiet, a pure board feed and not a lot of atmosphere but I don’t think anyone is going to mind. It’s a good time period for Elton, with major focus on ballads but still plenty of rock and roll to keep you satisfied. -
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The set features outstanding quality audience recordings made between 1972 and 1975 at the Seattle Coliseum. The quality encompasses not just the audio fidelity but the completeness and smoothness. All in all this is surely one of the best collections of live Elton John I've ever heard. The price has risen slightly to accommodate the upgrades that have been applied to not only this but the entire line of canisters. I think you will totally be blown away when you see the difference, and the previous ones were pretty impressive so this is going to really be something special. Elton John "The Seattle Tapes" Disc 1 Seattle Center Coliseum Seattle, WA 1972-10-20 01. Tiny Dancer 02. Daniel 03. Band Introduction 04. Susie (Dramas) 05. Your Song 06. Rocket Man (I Think It's Going To Be A Long, Long Time) 07. I Think I'm Going To Kill Myself 08. Can I Put You On 09. Mona Lisas And The Mad Hatters 10. Honky Cat Disc 2 11. Singing In The Rain 12. Have Mercy On The Criminal 13. Crocodile Rock 14. Madman Across The Water 15. Take Me To The Pilot 16. Whole Lotta Shakin' Goin' On 17. Hercules Band Members: Elton John - vocals, piano Dee Murray - bass Davey Johnstone - guitar, mandolin, banjo Nigel Olsson - drums Disc 3 Seattle Center Coliseum 1973-08-31 01. Intro 02. Elderberry Wine 03. Your Song 04. High Flying Bird 05. Honky Cat 06. Goodbye Yellow Brick Road 07. Hercules 08. Rocket Man (I Think It's Going To Be A Long, Long Time) 09. Madman Across The Water Disc 4 10. Teacher I Need You 11. Have Mercy On The Criminal 12. All The Young Girls Love Alice 13. Daniel 14. Funeral For A Friend (Love Lies Bleeding) 15. Band Introduction 16. Crocodile Rock 17. Saturday Night's Alright For Fighting 18. Honkey Tonk Women Band Members: Elton John - vocals, piano Dee Murray - bass Davey Johnstone - guitar, mandolin, banjo Nigel Olsson - drums Clive Franks - organ (Crocodile Rock) Disc 5 Seattle Center Coliseum 1975-10-16 (First Set) 01. Set I Intro 02. Your Song 03. I Need You To Turn To 04. Border Song 05. Take Me To The Pilot 06. Dan Dare (Pilot Of The Future) 07. Country Comfort 08. Levon 09. Rocket Man (I Think It's Going To Be A Long, Long Time) 10. Hercules 11. Empty Sky Disc 6 (Second Set) 12. Set II Intro 13. Funeral For A Friend (Love Lies Bleeding) 14. Goodbye Yellow Brick Road 15. Bennie And The Jets 16. Harmony 17. Dixie Lily 18. Captain Fantastic And The Brown Dirt Cowboy 19. Bitter Fingers 20. Someone Saved My Life Tonight Disc 7 21. The Bitch Is Back 22. Don't Let The Sun Go Down On Me 23. (Gotta Get A) Meal Ticket 24. Lucy In The Sky With Diamonds 25. I saw Her Standing There 26. Island Girl 27. Philadelphia Freedom 28. We All Fall In Love Sometimes Band Members: Elton John - vocals, piano Davey Johnstone - guitar Caleb Quaye - guitar James Newton-Howard - keyboards Kenny Passerelli - bass Roger Pope - drums Ray Cooper - percussion Cindy Bullens - backing vocals Jon Joyce - backing vocals Jim Haas - backing vocals Disc 8 Seattle Center Coliseum 10-17-1975 (First Set) 01. Your Song 02. I Need You To Turn To 03. Border Song 04. Take Me To The Pilot 05. Dan Dare (Pilot Of The Future) 06. Country Comfort 07. Levon 08. Rocket Man (I Think It's Going To Be A Long, Long Time) 09. Hercules 10. Empty Sky Disc 9 (Second Set) 11. Set II Intro 12. Funeral For A Friend (Love Lies Bleeding) 13. Goodbye Yellow Brick Road 14. Bennie And The Jets 15. Harmony 16. Dixie Lily 17. Captain Fantastic And The Brown Dirt Cowboy 18. Bitter Fingers 19. Someone Saved My Life Tonight 20. The Bitch Is Back Disc 10 21. Don't Let The Sun Go Down On Me 22. (Gotta Get A) Meal Ticket 23. Lucy In The Sky With Diamonds 24. I Saw Her Standing There 25. Island Girl 26. Philadelphia Freedom 27. We All Fall In Love Sometimes 28. Saturday Night's Alright For Fighting -
Audience 9.2 - Amazing atmosphere that the band completely catches and performs up to. The crowd is very responsive but does not intrude on the recording – even during clap-alongs which I normally hate but here is actually enhances the song! Fantastic all the way around, and there’s plenty of headroom left in the recording so if you increase frequency (if you have an EQ) or volume you won’t destroy the integrity of the sound. So blast away! Elton John Seattle Center Coliseum Seattle, WA October 12, 1974 Disc 1 01 Funeral For A Friend - Love Lies Bleeding 02 Candle In The Wind 03 Grimsby 04 Rocket Man 05 Take Me To The Pilot 06 Bennie And The Jets 07 Daniel 08 Grey Seal 09 Goodbye Yellow Brick Road 10 Burn Down The Mission Disc 2 11 You're So Static 12 Lucy In The Sky With Diamonds 13 Don't Let The Sun Go Down On Me 14 Honky Cat 15 All The Girls Love Alice 16 Saturday Night's All Right For Fighting 17 Crocodile Rock 18 The Bitch Is Back 19 Your Song Band Members: Elton John - vocals, piano Dee Murray - bass Davey Johnstone - guitar, mandolin, banjo Nigel Olsson - drums Muscle Schoals Horns: Harvey Thompson - saxophone Ronnie Eades - baritone saxophone Harrison Calloway - trumpet Charlie Rose - trombone