• Audience 8.6 - A “crisp” sounding tape, emphasis on drummer and vocals in the mix but you also can really hear the background keys which is nice. Not saying Joe is buried, just that this house mix seems very democratic in allowing all players to have a presence. I appreciate hearing how much the piano and keys helped shape this material. The audience is very respectful, and they love their Joe, that’s for sure.
  • FM Broadcast 9.2 - A professionally recorded and mixed production that does not seem to have much in the way of compression so it has a good spaciousness to it, it is crankable.
  • Audience 8.6 - A gem of a show, and a recording that thankfully is pretty decent although it does highlight Halford at the expense of the rest of the band. That actually works well here because Rob is just killing it, hitting every high note and wowing the audience. The musicianship is as always a cut above the rest, hence the reason this band lives on to this day. A keeper!
  • Audience 8.8 - One of those recordings where the taper must be right in front of the house P.A. system but he knows how to adjust the levels and so gets a super high energy recording with minimal audience interference. This is one that just goes right to your brain, it’s super exciting and heavy!
  • Audience 8.7 - a good recording with some signs of age, and a minor buzz that occurs only occasionally which is not related to the stage sound. Thankfully it’s not prominent during the actual music. The show itself is very tight, Beck is in good form. Very worthwhile!
  • Audience 8.1 - A tape new to circulation and it is decent sounding. It has some force behind it, although lacks some definition but with only a very few ’73 era Barnstorm tapes out there, this is a most welcome find.
  • Audience 8.9 - A very bright and lively recording with plenty of electric atmosphere. The band is “tight but loose” and quite frankly I don’t hear the weariness in Steven Tyler at all, in fact the whole band seems very comfortable here. A really really good one!
  • Audience 8.4 - This is the August ’72 show and the sound is pretty decent with clarity, average depth and dynamics but regardless it’s a very enjoyable listen. Perhaps it could be said this is one of the better ’72 tapes in circulation.
  • Audience 8.3 -  Do not let the “average” sound rating prevent you from selecting this AMAZING rarity. I could write paragraphs on why this is a must have for any self-respecting Priest fan, but suffice it to say that this is why I even collect live music. The details of the recording are but one small part of the equation, but I will note that the tape suffers from two main problems – it’s a little muffled and it’s a little hissy.  There is also an unfortunate cut where the solo begins in Victim of Changes (could it not have happened on any other song?), I think this is the tape flip. The quality worsens a bit after that, but there’s also good news to report: The tape has been remastered, revealing much more music that was probably buried under muck and noise for decades. What you end up with is a very intense show, and an audience absolutely being blown to smithereens. I can imagine after having to deal with mediocre top 40 and disco music, new wave, etc. having a band like Judas Priest I mean, that had to be like a sledgehammer to the skull because let’s face it, for 1979 these guys were way heavy, and not in a punkish Motorhead heavy but a very competent, sinister kind of heavy. That does come through on this tape.  Without a remastering it would have been tough to listen to it, but it’s actually not hurtful on the ears, the actual frequency range is comfortable, and there are times where it is even very decent. Overall it is simply one of those you really have to just get and appreciate for what it is because it quite simply is DEVASTATING.
  • Audience 8.3 - A pretty clear recording that would benefit from some boosting here and there but that’s not to say you can’t just crank this one up a little. Very worthwhile!
  • Audience 8.8 - A great, atmospheric and electrically charged show! Not a lot of heaviness to the bottom, but there is a roundness there, a pleasant to the ears mid rangy kind of sound with a lot of articulation on the high end (not shrill!) which causes the slide work from Duane to fill the hall and make for tons of electricity. Collectors will love this one. Now, one small thing to report, there is sometimes some minor static on the tape (barely noticeable) but it’s no bother. Get this!
  • FM Radio 9.4 - Pretty slammin’ stuff here. The band is pretty hot around this time, very confident, with a good set list. Occasional static does make a presence on this tape, but it kind of lurks behind the music rather than over the top of it.
  • Audience 9.0 - This band is certainly an acquired taste for many, but every ear can agree to the quality of this recording. Airy but right there in a very comfortable mid range with very detailed high end and a smooth, round bass. Terrific!
  • Audience 9.4 - For the uninitiated, well all I can say is be careful because you are diving into the deep end of the pool with this one! Bristling with improvisational madness at times magnificent and other times lost in the woods but always right on the ragged edge. Very daring music, which if played today would be met with blank staring faces but here the audience is in total rapture.
  • Audience 8.6 - The recording here leans toward the bright and trebly side but that lends an excellent opportunity to hear specifically what the guitar is doing, and the bass now has articulation so it’s not just a loud, dull rumble like most recordings tend to be with these blasting grunge bands. Chris sounds brilliant, and he’s maybe the clearest instrument on the stage too. Once you get used to the general timbre of the sound, it’s a fun, wild ride.

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