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Audience 8.8 -
Audience 8.8 - Everything is clear and delivered to the listener with no interference, artifacts, irritating audience chatter or other. A really nice thing is this. -
Audience 9.5 - Brilliant! A great small venue atmosphere and it sounds fresh and exciting like it’s actually happening…live!Marshall Crenshaw Bottom Line New York City, NY February 18, 1986 Early Show 01 Yvonne 02 There She Goes Again 03 Worryin’ Kind 04 My Favorite Waste Of Time 05 Our Town 06 Monday Morning Rock 07 One More Reason 08 Mary Anne 09 Right Now 10 The Distance Between 11 Little Wild One (No. 5) 12 Rockin’ Around In N.Y.C. 13 Gimme Some Truth 14 Reet Petite 15 Cynical Girl 16 Someday, Someway 17 Whenever You’re On My Mind
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Soundboard 8.8 - A little tiny bit of muddiness in the middle frequencies as drums fight for bandwidth with the vocals and guitars, a real battle for supremacy…but man, the guitar jams these guys get into wow! A good recording here, you’ll get into it! Marshall Tucker Band Unknown Venue, Albuquerque, New Mexico January 19th 1979 Disc One. 1. -Fly Like An Eagle 2. -Long Hard Ride 3. -Heard It In A Love Song 4. -Dream Lover 5. -Blue Ridge Mountain Skies 6. -Hillbilly Band 7. -Can't You See 8. -I'll Be Lovin' You 9. -Fire On The Mountain Disc Two. 1. -Ramblin' On My Mind 2. -24 Hours At A Time 3. -This Ol' Cowboy 4. -Desert Skies 5. -Searchin' For A Rainbow -
Birmingham 1976 Pro Radio 9.5 - Obviously this should be excellent quality seeing as how it was recorded for British Biscuit radio broadcast. Well, yeah, it’s really good!
Dallas 1981 Pro Radio 8.9 - Sounds maybe a gen or two down (but no tape hiss) or perhaps just the age of the tape this was recorded on as it was presumably tapes off the air. Still, it’s very good and I am sure with some EQ touches could really bring more of the highs out.
Marshall Tucker Band Disc 1 The Odeon, Birmingham, England November 29th, 1976 1 -British Biscuit Intro 2 -Long Hard Ride 3 -Searching For A Rainbow 4 -Can't You See 5 -This Old Cowboy 6 -Fire On The Mountain 7 -Take The Highway THE BAND Doug Gray lead vocals percussion Toy Caldwell lead electric and acoustic guitar steel guitar Tommy Caldwell bass guitar backing vocals George McCorkle electric and acoustic guitar banjo Jerry Eubanks flute alto baritone and tenor saxophone backing vocals Paul Riddle drums Disc 2 Wintergarden Theater Dallas, TX March 15th 1981 1 -K.B.F.H. Intro 2 -It Takes Time 3 -See You One More Time 4 -Tell The Blues To Take Off Tonight 5 -This Time I Believe 6 -Take The Highway 7 -Fire On The Mountain 8 -In My Own Way 9 -Ramblin' 10 -This Ol' Cowboy 11 -KZAM THE BAND Toy Caldwell Guitars Steel Guitar Background Vocals Doug Gray Vocals Jerry Eubanks Flute Saxophone Keyboards Background Vocals Paul Riddle Drums Background Vocals George McCorkle Guitar Franklin Wilkie Bass Background Vocals -
FM Soundboard 9.3 - Very present and bright, only a few minor tape flaws but mostly fantastic. Marshall Tucker Band - 05/05/1977 Uptown Theater Chicago, IL WKQX FM Disc 1: 01. Fly Like An Eagle / Long Hard Ride 02. Searchin' For A Rainbow 03. Heard It In A Love Song 04. I Should Have Never Started Lovin' You 05. Take The Highway 06. Fire On The Mountain 07. In My Own Way 08. Never Trust A Stranger Disc 2: 01. 24 Hours At A Time 02. Ramblin' 03. Can't You See 04. This Ol' Cowboy -
Studio 9.2/9.6 - Not a lot to complain about here except maybe just the little bit of tape hiss (unremarkable). I found it interesting to hear the early takes because on some of the tracks it really shows less of the Southern influence and more of the psychedelic influence (listen to their cover of Evil Ways). Marshall Tucker Band "The Lost Demos" (1968-1971) Studios-Greenville, SC 1971 01. -Can’t You See (demo) 02. -See You Later I’m Gone (demo) 03. Southern Woman (demo) Muscle Shoals Sound Studio-Sheffield, AL 1971 04. -Cookin' (demo) 05. -Ramblin' (demo) 06. -Take The Highway (demo) 07. -Hillbilly Band (demo) Southeastern Music Corporation 1968 08. -It’s A Rainy Night In Georgia 09. -In A Moment (I Can Tell If You Love Me) 10. -Evil Ways (Santana) -
M Radio Broadcast 9.5 - Brilliant! Very sharply focused, with punctual bass, airy flute and in the pocket guitars. Right on! The Warehouse New Orleans, LA 12/31/1978 (FM) Disc 1: 37:16 01: radio announcer introduction 1:46 02: fly like an eagle > long hard ride 8:33 03: fire on the mountain 4:35 04: heard it in a love song 5:24 05: dream lover 5:21 06: auld lang syne (New Year's for the U.S. east coast) 3:28 07: blue ridge mountain sky 8:05 Disc 2: 68:22 08: can't you see 6:03 09: hillbilly band 3:40 10: ramblin' 6:55 11: this ol' cowboy 5:58 12: desert skies 6:54 13: 24 hours at a time 12:30 14: auld lang syne (New Year's in New Orleans) > I'll be loving you 10:27 16: searchin' for a rainbow 6:33 17: will the circle be unbroken (with radio talkover idiot) 9:18 Total runtime: 105:38 Toy Caldwell: guitars, vocals Jerry Eubanks: flute, saxophone, background vocals Tommy Caldwell: bass, background vocals Doug Gray: vocals George McCorkle: guitars Paul Riddle: drums -
Audience 9.3 - Superbly done, even if it gets off to a slow start with taper getting into position…but from there it’s just an amazing capture with enough ambience and overhead to give you an excellent sense of space and time. Just lovely! Marshall Tucker Band Palace Theater Providence, RI 29 November 1974 Disc 1 01 -Hillbilly Band 02 -How Can I Slow Down 03 -Can't You See 04 -In My Own Way 05 -24 Hours At A Time 06 -This Ol' Cowboy Disc 2 07 -Ramblin' 08 -Take The Highway 09 -Everyday (I Have The Blues) 10 -The Thrill Is Gone with special guest Charlie Daniels -
Pro TV and Radio Broadcasts 9.0 -
Audience 9.4 - For the uninitiated, well all I can say is be careful because you are diving into the deep end of the pool with this one! Bristling with improvisational madness at times magnificent and other times lost in the woods but always right on the ragged edge. Very daring music, which if played today would be met with blank staring faces but here the audience is in total rapture. -
Audience 7.0 - Ultra loud, no clear separation except the drums actually do have some distinction and this tape has a much broader sound spectrum and is not stuck in a very lo-fi mid band position. I like this tape, it features more raw energy than the others and even though is still “rough”, it gets the blood pumping and is quite exhilarating to hear. What a find! A rare show recently surfaced. -
Audience 7.8 - Perhaps the best of the audience May Blitz tapes, still very loud but much more separation of each instrument and loads of raw power on display. Frighteningly intense, brilliant acid psyche hard rock from a very underground band that should have been MUCH bigger. -
Audience 7.0 - Impossible to really document this band on amateur equipment, they were too loud. I kind of compare them to Blue Cheer, a more progressive, and British, Blue Cheer. That being said, believe it or not this is one of the better live tapes. Loud, crowded, noisy tape, all that yes but man, this is amazing! -
New York 1968 Soundboard 8.7/8.5 - This is a strange old tape, don’t get me wrong I am very happy to get to hear it, but it is a tale of two tapes…to my ears. It’s starts off, the first few tracks, as a relatively “clean” board feed, perhaps an AM radio live broadcast even, because it has that sound to it – like if you were listening to a radio broadcast with headphones (and took the headphones off slightly). Then, the tape changes to what I have to believe is another source, and one that is considerably more raucous and menacing. I can’t even say for sure the second part is a board, might be, but my guess is an on stage reel to reel recording (possibly done by John Sinclair?). It’s ok for what it is, both “sources” are welcomed into my personal collection since there’s so little of the live five out there.
Hollywood 1971 Audience 8.6 - Despite the lowish rating, this is very listenable. The main issue for me, and hence the low quality rating, is the drop off in the vocals. It’s not out front of the mix enough, but then, guitar (and bass) is the highlight so maybe that’s not so bad! Overall, I think if you love this band, this old tape is going to make you happy. One may wonder if a modern re-mastering would help this show come to life and the short answer is “maybe”, because it sounds like this one is already teetering on the edge of the bandwidth and to attempt sonic shenanigans might push it off the cliff. I’d like to hear an expert give it a try though.
MC5 - Flyin' With The Five New York 1968 Unknown Location Disc 1 1. -Teenage Lust 2. -It's A Man's Man World 3. -Black To Comm 4. -Ramblin' Rose 5. -Kick Out The Jams 6. -Come Together 7. -Rama Lama Fa Fa Fa 8. -Born Under A Bad Sign 9. -Shakin' All Over 10. -I Want You Right Now Disc 2 Hollywood, CA. Unknown Location Sept. 9th, 1971 1. Sister Anne 2. Baby Won't Ya 3. I Want You Right Now 4. Tonight 5. Looking At You 6. Ramblin' Rose 7. Kick Out The Jams 8. Black To Comm
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Soundboard 9.7 -
Audience 8.8 - Surprisingly good and clear! I get fine separation of instruments as well, hearing back up vocals, all guitars and drums in a good position and bass is there, not super defined and not boomy but there. Well done taper! Oh, and the performance is unbelievable. Meat Loaf 1978-06-08 Paris - Theatre Mogador Disc 1 01. Great Boleros Of Fire 02. Bat Out Of Hell 03. You Took The Words Right Out Of My Mouth (Hot Summer Night) - Wasted Youth 04. All Revved Up With No Place To Go Disc 2 05. Paradise By The Dashboard Light 06. Johnny B. Goode 07. River Deep, Mountain High 08. Two Out Of Three Ain't Bad -
Audience 8.3/8.5 - Despite the low approval ratings of these audio tapes, I have to say I still think they are important to the Megadeth collector for several reasons. There’s just not a lot of recordings from these early periods for some unknown reason, and these shows, having been cleaned up and re-mastered as well as could be done, represent listenable time capsules of perhaps one of the all-time greatest metal band. Megadeth do not get the same accolades as some of the other big metal bands (do I have to mention them?) but I always loved their complexity and sarcasm. I did listen to both of these shows and once my ears adjusted I stuck with it and wrote this review without bias. Average tapes that deserve a place in any collection because of the significance of this band.
Megadeth The Windy City Gigs Disc 1 Metro, Chicago, IL (USA) June 30, 1985 01. -Last Rites - Loved To Death 02. -Killing Is My Business 03. -Skull Beneath The Skin 04. -These Boots 05. -My Last Words 06. -Looking Down The Cross 07. -Chosen Ones 08. -Mechanix 09. -Bad Omen 10. -Encore break 11. -Good Mourning - Black Friday 12. -Rattlehead Disc 2 (U.I.C) Pavilion University of Illinois Chicago, IL 1987-02-12 1. -Intro 2. -Wake Up Dead 3. -The Conjuring 4. -My Last Words 5. -Bad Omen 6. -Rattlehead - Dave's talking about Chicago 7. -Peace Sells 8. -Devil's Island 9. -The Mechanix
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Audience 8.3 - This has been mastered, because where the sounds are placed actually helps better define this recording – the vocals “should” be buried deep but they aren’t, and the bass and the drums are in their own space too. Remarkable to get this so clear because it sounds like at one time it may have been a mess. Bochum 1987 - Audience 8.7 - Wow the bass is kicking, and so defined! -
Soundboard 9.0 -
Soundboard 8.3 - I found a lot to sink into with this very early Megadeth recording. First off, it’s better sounding than the old tape that floated around for a while, as someone took the time to re-master it and pitch correct it which makes a big difference. It’s still a little narrow and thin, but you’ll be blown away by what you are hearing, if you have even a mild interest in the formative years of Megadeth, this show is a must. Band: Megadeth Venue: Country Club: Reseda, CA, USA Date: September 19, 1985 Time: 42:20 The last show with Mike Albert (who was replacing Chris in the tour). Setlist: 1. Last Rites - Loved To Death 2. Killing Is My Business 3. Skull Beneath The Skin 4. Chosen Ones 5. These Boots 6. My Last Words 7. Looking Down The Cross 8. Mechanix 9. Bad Omen 10. Good Morning-Black Friday -
Audience 9.6 - Scary good! It would be easy to dismiss this offhand simply because it is 2007 and maybe you are thinking it is not indispensable Megadeth right? Wrong answer. This recording will give you newfound respect and appreciation for this band, with their ultra tight, ultra-sophisticated sense of craft and ability, you will say “yes, time to rediscover this band again” just like I did after listening to this. -
Studio Quality 8.7/9.0 - Here you have the ultimate rare collection if you are into that early, classic mid 80's Megadeth (which most are). I know this has had repeated plays in my house! Live in London - Soundboard 9.3 Megadeth Ultimate Rare Tracks and Live (last 7 tracks Live in London 1987) 1. Wake Up Dead 2. Chosen Ones 3. These Boots 4. Killing is My Business...And Business Is Good 5. My Last Words 6. Looking Down The Cross 7. Mechanix 8. Last Rites-Loved To Death 9. Skull Beneath The Skin 10. Bad Omen 11. Rattlehead 12. Killing Is My Business...And Business Is Good 13. Peace Sells...But Who's Buying 14. These Boots 15. Mechanix 16. Last Rites-Loved To Death -
Soundboard 9.4 - Even though I am less of a hardcore metalhead these days compared to, say, when I was in my 20's, I can honestly say I still enjoy listening to Megadeth music. The fact is, when you get a recording this good, when you can hear everything clearly, you better understand the genius that is Dave Mustaine. Let's face it - the guy is just gifted. How you can sing and play those insane, complex chord patterns, I will never know. Megadeth Live at Aardshok Festival Ijsselhal, Zwolle, Holland May 29, 1988 01 The Conjuring 02 Mary Jane 03 In My Darkest Hour 04 Devil's Island 05 Liar 06 Mechanix 07 Anarchy in the U.K. 08 Peace Sells... But Who's Buying? 09 These Boots 10 Devil's Island 11 Mechanix 12 Last Rites - Loved to Deth 13 Black Friday -
Brand New - Sealed Sound quality on all releases on this label is excellent. Live In Denmark 1981. -
Brand New - Sealed Sound quality on all releases on this label is excellent. Live In Holland 1984. -
Brand New - Sealed Sound quality on all releases on this label is excellent. -
Soundboard 8.7 - Signs of age on the old tape, it’s not from a master source but you know, it’s early Metallica in soundboard quality! You don’t have to be a metalhead to be able to appreciate what this band did, and listening to a decently mixed board allows you to hear more of the musicality and musicianship. -
Soundboard 9.1 - This is a strong, powerful sounding board with a pretty decent sound mix, although not super clear, but not a muddy mess…somewhere in between the two but leans toward being mostly clear. Metallica Live in Davenport, IA - DEAD HEROES May 30, 1986 Coliseum Ballroom Damage, Inc. Tour 1. Master Of Puppets 2. For Whom The Bell Tolls 3. Welcome Home (Sanitarium) 4. The Thing That Should Not Be 5. Cliff Burton Bass Solo 6. Damage, Inc. 7. Seek & Destroy 8. Creeping Death 9. Am I Evil? 10. Whiplash 11. The Four Horsemen 12. Motorbreath -
Soundboard 8.7 - This is the kind of soundboard that was probably meant just for soundman audio reference. It’s fine though, and generally speaking, way better than any audience tape because Metallica, especially in 1986 (I know because I saw them in ’86 and it was the loudest concert I’d ever heard) was so loud there wasn’t any way to get a good capture unless you had excellent gear with mic level adjustment. Metallica - Metal, Inc. Live @ The Coliseum, El Paso TX May 12, 1986 1. Master Of Puppets 2. For Whom The Bell Tolls 3. Ride The Lightning 4. Welcome Home (Sanitarium) 5. Seek And Destroy 6. Creeping Death 7. Am I Evil? 8. Damage, Inc. -
Audience 8.3 - Interesting recording, it is actually very clean, master quality source, but just fails to contain the massive Metallica sound by a mere inches, and I mean by how close to the mains this seems to be. Collectors who do not have this will LOVE it though, it really gives you a real sense of the loudness and intensity of the band. -
Soundboard 9.0 - I love this mix you can really hear the bass definition.