-
Audience 8.7 - A good and clear sounding tape here, some very minor crackle noise now and then but that is quibbling. This is a great tape, limited only by typical analog tape sonic limitation (where it kind of narrows the bandwidth of the entire frequency range, although it is clear, it lacks that hi-fi punch).
-
Audience 7.6 - Obviously taken from a master tape, it’s a good recording that suffers from some kind of sonic limitation with the mic itself judging by the sort of squashed sound and slightly annoying quality to the timbre. Technically speaking the show is well captured and depending on one’s tolerance to the particular offending frequency, can be quite enjoyable (use an EQ to notch out the bad frequency).
-
Audience 8.6 - A very clear, surprisingly so, open air recording made with what sounds like really decent gear. Every now and then the volume fluctuates but it sounds to me like they are fiddling with the levels, it usually gets back up to proper levels after a second or two and it’s not on every song.
-
CD 1 - FM Radio Broadcast 8.8 - A bit of tape hiss is present but this is a great great show! Lovely performance and decent sound. CD 2 - Audience 7.9 - A tape that went from a dismal 7.2 rating to a very decent 7.9 thanks to some painstaking mastering and restoration work. It was unbelievably hissy but that was mostly removed without sacrificing anything. Comparison was made and the results speak for themselves.
-
Audience 9.0 and Audience 8.6 - The Fillmore West show is a revelation. This has been floating around mislabeled as Winterland 69, and in horrible quality. This is the actual venue, and comes from the original master and sounds incredible! The Boston show is also real nice sounding, with an immediate sound, with some minor tape artifacts present. A great two-fer here, vintage ’69. Free never sounded so good!