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Soundboard 9.4 - Extended jamming is the order of the day here and the pristine sound quality help you fully enjoy it all. Whether you saw Crazy Horse in 1976 or in 2013 doesn’t matter, they sound exactly the same. -
Soundboard 9.4 - Hard to find any faults with this one, it’s solid in every way. Love it! -
Audience 8.7 - A crisp and clear recording with a liveliness to it that makes you feel like you are sitting in the audience listening. Lovely! -
Audience 9.0 - A solid capture, sounds very close but thankfully no distortion even when Neil plugs in. Good stuff! -
Audience 9.4 - Stunning in every way really, from the amazing clarity and resonance to the depth of sound low to high…not to mention the perfect amount of atmosphere and headroom. A MUST! (Early Show) -
Audience 8.8 - This show has an inviting, warm intimacy to it. A good mid range, pretty consistent. -
Audience 7.2 -
Volume 2 - Soundboard 9.1 -
Volume 1 - Soundboard 9.1 -
Audience 7.8 - Clear, a good tape for the time period. Some artifacts present but not too distracting. A good one to get. -
Audience 7.2 - A little dreary sounding by the band. Reasonably clear, lacks some punch -
Audience 7.3 - Kind of muddy at volume but the acoustic segments are sweet. -
Audience 9.4 - Astounding capture! -
Audience 8.7 - Very clear and well mixed with only some slight compressed sound at full electric jam. -
Audience 8.9 -
Audience 8.6 - A little thin but surprisingly clear, and man, just to hear this stuff I gotta say it’s a privilege. The material these bands came up with around this time – 1972-73 – it’s just a whole different world of rock and roll that most people were, and still are, completely unaware of. I like the experimental spaciness of the opening “jam sessions” with Franco Battiato (probably with members of the other bands), you get the feeling these guys were really tuned in to each other because it’s not recklessly chaotic, there’s a mystical beauty to it. The Quella Vecchia Locanda is just insane, too bad only one song, and it’s not complete, but I think only a small portion was missed I could be wrong. Garybaldi’s set consists of most of the Astrolabio record, which is very cool but I wished there was some of the Nuda stuff on here. -
Audience 7.6 - Very impressive stuff. This band sounds so much heavier live than on their record, and their record is pretty damn heavy! I would imagine a lot of young people at this gig later formed their own bands and decided they could be even heavier than these guys - thus was born the modern metal sound. So, to me, it just sounds like these guys were taking the music they heard as kids (Blue Cheer, Led Zeppelin, Black Sabbath), and putting their own twist on it. Great stuff! -
Audience 7.4 -
Audience 7.8 -
Audience 7.6 - Suffers from some kind of annoying mid frequency squelch. But, it’s actually a very good recording, just marred by some kind of technicality. -
Audience 8.7 / Audience 8.9 -
Audience 8.8 -
CD 1 - Reading 1979 – Audience 5.7 - Loud and thundering but lead guitar is heard through the din, and you can kind of hear Lemmy singing, and there’s some drum like noises too. CD 2 Paris 1980 – Aud 6.9 - You can hear the music on this show. There are practically no decent recordings of the early Motorhead, but this one, even though it is bad, is one of the better ones because you can hear the songs, and it is not distorted. The guitar is really pretty clear – and so is Lemmy thank goodness. Oh, they kick ass on this show - Really. -
Audience 7.3 - Kick drum and vocals sound great though. -
Audience 7.5 - Not quite as good as Manchester, some kind of compressed, almost muffled but probably only needs a kick in the highs which you can do on whatever you play it with. There's a little bit of headroom to play with. Not going to blow anyone away but if you've heard any of the other 2015 captures you realize that this and Manchester are the better ones. -
Disc 1 Aud 7.0 low levels and kind of muddy, Robert is up front in the mix. Disc 2 Aud 7.4 much clearly mainly because it’s acoustic, the electric part is slightly less clear but not horrible. -
Audience 7.8 - Probably as good as you can get for the tour right now unless and until a Soundboard surfaces. The reality is this is a stadium rock band and the sound is exactly that. Large kick drum, vocals in front, indistinct PA loud guitar and bass, but that being said, this is probably exactly as it sounded at this show. It is enjoyable for what it is. -
Audience 7.5 - Average dynamics but the strength of this recording lies not in the tonal spectrum but in the music itself. You WILL gain an even greater appreciation for them after listening. The rewards are huge, a promise I can make without hesitation. Simply breathtaking! -
Audience 8.8 - Very crisp and clean sound. Enjoyable show! -
Audience 7.0 - For the completist only. -
Audience 7.7 - A little boomy, and that typical 70’s hard rock big hall sound but it ROCKS! It’s decent and a lot of fun. -
CD 1 - FM Broadcast 8.8 / CD 2 - FM Radio Broadcast 9.1 / CD 3 - FM Radio Broadcast 8.9 / CD 4 - Audience 8.7 -
Audience 9.5 - Unbelievably good, clear, crisp, and punchy. -
Audience 9.3 - Wow ... somebody knew what they were doing! Michael Schenker’s Temple of Rock Le Bataclan Paris, France 2015-11-03 Disc 1 01 -Intro 02 -Doctor Doctor 03 -Live and Let Live 04 -Lights Out 05 -Where the Wild Winds Blow 06 -Natural Thing 07 -Before the Devil Knows You're Dead 08 -Victim of illusion 09 -Lovedrive 10 -Coast to coast Disc 2 11 -Vigilante Man 12 -Savior Machine 13 -Too Hot to Handle 14 -Lord of the Lost and Lonely 15 -Rock You Like a Hurricane 16 -Rock Bottom 17 -Attack of the Mad Axeman 18 -Communion everybody 19 -Blackout Michael Schenker - guitar Doogie White - vocals Wayne Findlay - guitar & keyboards Francis Buchholz - bass Herman Rarebell - drums -
Audience 9.1 - A well placed microphone and excellent gear make for a really really nice recording. Revered Italian Rock group of the 1970’s back again and sounding fresh, but some nice old school analog sounds still permeate this performance. -
Audience 8.3 - Interesting recording, it is actually very clean, master quality source, but just fails to contain the massive Metallica sound by a mere inches, and I mean by how close to the mains this seems to be. Collectors who do not have this will LOVE it though, it really gives you a real sense of the loudness and intensity of the band. -
Audience 6.8 - Pretty rough, thin, and one dimensional, but fans will want this one. This is when it all happened, this is historic! -
Audience 9.6 - Scary good! It would be easy to dismiss this offhand simply because it is 2007 and maybe you are thinking it is not indispensable Megadeth right? Wrong answer. This recording will give you newfound respect and appreciation for this band, with their ultra tight, ultra-sophisticated sense of craft and ability, you will say “yes, time to rediscover this band again” just like I did after listening to this. -
Audience 7.8 - Perhaps the best of the audience May Blitz tapes, still very loud but much more separation of each instrument and loads of raw power on display. Frighteningly intense, brilliant acid psyche hard rock from a very underground band that should have been MUCH bigger. -
Audience 7.0 - Impossible to really document this band on amateur equipment, they were too loud. I kind of compare them to Blue Cheer, a more progressive, and British, Blue Cheer. That being said, believe it or not this is one of the better live tapes. Loud, crowded, noisy tape, all that yes but man, this is amazing! -
Pro TV and Radio Broadcasts 9.0 -
Soundboard 9.1 -
Soundboard 9.4 -
Soundboard 9.0 - A rare show featuring Quicksilver guitarist John Cipollina. -
Soundboard 9.4 - Fans of Frank Marino rejoice! Fantastic quality and BLAZING riff bashing by one of rock’s most criminally underrated axemen. Riff’s are certainly bashed but the classy jazz tinged scales that he tosses out with finesse really impresses. Get it now! -
Audience 8.3 - Tape limitations, some occasional phasing, but far out stuff and enjoyable! -
FM Radio Broadcast 8.7 -
Soundboard 9.4